- Vincent Sherman
- Robert Aldrich(uncredited)
- Lester Velie(articles Gangsters in the Dress Business)
- Harry Kleiner(story and screenplay)
- Stars
- Vincent Sherman
- Robert Aldrich(uncredited)
- Lester Velie(articles Gangsters in the Dress Business)
- Harry Kleiner(story and screenplay)
- Stars
- Joanne
- (uncredited)
- Dance Class Patron
- (uncredited)
- Worker
- (uncredited)
- Bit Model
- (uncredited)
- Worker
- (uncredited)
- Vincent Sherman
- Robert Aldrich(uncredited)
- Lester Velie(articles Gangsters in the Dress Business)
- Harry Kleiner(story and screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaA good depiction of a "sweat shop" that used the "piece work" method of pay. An employee was paid a very low hourly wage in the "piece work" system that paid by the unit. If the worker made enough "pieces" at a certain rate, they would be paid the higher of the two: the hourly rate or the rate based on the number of pieces they produced. They system encouraged employees to work fast and to not take breaks. The "piece work" system was common across the manufacturing industry until unions put an end to it.
- GoofsAbout half way through, when the truck drives forward into the alley past the union 'picketers' towards the elevator. After they kill Tulio the truck is inexplicably turned-around (without room in the alley to turn around) and drives forward out of the alley the same way it came in.
- Quotes
Artie Ravidge: A real troublemaker, that one. But don't you worry; this stuff'll move, it'll move. When I get done with him, he won't bother us no more.
Alan Mitchell: What are you going to do?
Artie Ravidge: Never mind. I'm going to educate that Union real good to lay off us.
Alan Mitchell: Dad, are you going to let him...?
Walter Mitchell: What do you want me to do? Give in to them? Let the Union take over? That's what'll happen once they grab hold. With their hours, and benefits, and guarantees... three percent of the payroll for retirement, two percent for health, two percent for vacations... always with their hands stuck out for more. The only thing a boss can be sure of these days is an early heart attack. Who guarantees me anything?
Alan Mitchell: How do other manufacturers get along...?
Walter Mitchell: I don't care about the others. I built this place with my own hands and nobody's going to tell me how to run it. I wanna be my own boss. Do you understand? My own boss.
Alan Mitchell: That still doesn't give you the right to keep a hoodlum on the payroll.
Artie Ravidge: Oh, this boy, when he gives it to you... right under the belt. Mr "Junior Executive", when you learn the facts of life in this business...
Alan Mitchell: Oh, I learned enough already. But never once did I hear anything about right or wrong.
Walter Mitchell: [pause] There's no such thing in the garment business.
- ConnectionsReferenced in The Exiles (1961)
Writer-producer Harry Kleiner reportedly changed directors, from Robert Aldrich, to Vincent Sherman, which may be why this interesting drama doesn't live up to its potential. He does get great black-and-white photography (by Joseph Biroc) and a fine cast. Cobb starts out strong, but confusingly becomes a supporting player. In his best moments, Cobb channels his "On the Waterfront" (1954) role. His character otherwise wavers between indistinct and naive. Consequently, girlfriend Valerie French (as Lee Hackett) gets very little to do. Leading man Matthews receives lackluster introductory scenes, upstaged by Cobb and women who are stripped to their underwear. Mathews gets stronger, but seems left to his own devices...
The real female lead is Gia Scala (as Theresa), as the wife of union organizer Robert Loggia (as Tulio Renata). While also good, she loses spontaneity. One of Mathews and Scala's most memorable scenes is a good example. On a pivotal evening, Matthews, Ms. Scala and her baby stop at a bar. She unbuttons her shirt to breast-feed the baby, but moves to another booth for privacy. After however many rehearsals and retakes, you still have to move around the booths like it's the first time. It's a fine scene, but could have been better. There are also jagged moments; a man enters a room too suddenly, for example, and a banister shakes like it's a prop. While the flaws stand out, much of "The Garment Jungle" fits nicely.
****** The Garment Jungle (1957-04-25) Vincent Sherman ~ Kerwin Mathews, Lee J. Cobb, Gia Scala, Richard Boone
- wes-connors
- Sep 26, 2015
Details
Box office
- 1 hour 28 minutes
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