Vertigo

Starting in 1958, Alfred Hitchcock directed a remarkable sequence of films in a row, each of them a classic; Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963). Never has a director made four such genuinely great movies in such a short space of time, either before or since.

The pick of this high standard bunch is undoubtedly Vertigo. From the opening titles, with their circling spiral imagery, to the dramatic final scene this is a movie that takes you to a different time and place. Specifically, to a San Francisco of the past; full of deserted parks, discrete rooming houses, oddly menacing art galleries and florists where the customers enter and exit through the back door. Through this landscape wanders Jimmy Stewart, towering in the lead roll as a former detective recently retired after a bungled arrest leaves him with chronic vertigo. Plot machinations lead him to the alluring Kim Novak (one of Hitchcock's famous "blondes"), the young wife of a friend who has started behaving rather oddly.

"To reveal more," as Leonard Maltin wrote, "would be unthinkable."

While the performances of Novak and Stewart are memorable, the movie is really set apart by the intelligent script and the stylistic touches provided by the director. Hitchcock is in his very best form creating hypnotic scenes and a general sense of unease and dread in even the most banal of situations. He is aided in this by the wonderful score of Bernard Herrman. A particular favourite of mine is the extended (largely silent) segment where Stewart follows Novak for the first time. Nothing much happens, but the atmosphere of these scenes is enough to keep you on the edge of your seat!

One of the all-time greats. They definitely don't make them like this anymore.

One of the many things that made Hitchcock such a great director is that he did not just stick to the same formula time after time; all of his best movies have their own unique feel and characteristics. "Vertigo" is particularly distinctive, both as a complex story filled with suspense, and as a fascinating study in psychological tension. While it lacks the humor of some of Hitchcock's other masterpieces, and sometimes moves rather slowly, it is unforgettable, and a great achievement by the director and his cast.

If you have never seen it, you will enjoy it more if you do not know too much about the plot, although the actual story is somewhat secondary to the ways that the characters are tested and their weaknesses exposed by the various events. Hitchcock uses a complicated story, interesting characters, lavish visual detail, and deliberate pacing, plus a fine musical score by the incomparable Bernard Hermann, to produce a mysterious, almost unearthly, atmosphere. The tension rarely lets up, and the viewer is caught up completely in it, at times almost to the point of discomfort. It's the kind of film that repays careful attention, as almost every moment is filled with significant detail.

There are also some great acting performances. Jimmy Stewart is outstanding in a role far different from his usual screen persona. He enables the viewer to sympathize completely with him, even as we cringe at many of his character's actions and decisions. Kim Novak is completely convincing in a difficult dual role, and the movie would not have been as compelling without her fine performance. The rest of the cast all have much smaller roles, but are all quite good too, especially Barbara Bel Geddes as Scottie's (Stewart's) old friend, who provides important insight into Scottie's character.

"Vertigo" is a classic by any standard. It's a must-see that remains just as impressive with each viewing.

There are no accidents here. Next year, in a few weeks, Vertigo will be 60 years old and it will celebrate it on top of the list of The Greatest Films Ever Made overtaking Citizen Kane and many other masterpieces. Why? Maybe when a filmmaker of Hitchcock's greatness taps into his own unconscious and reveals himself. By now we know enough about Hitchcock the man to know he was obsessed in finding that woman who'll look and behave just the way he wants and once he find them, they are destroyed to then embark on a quest to replace or duplicate her. Vera Miles was suppose to be the object of James Stewart's obsession and she opted for motherhood instead. Kim Novak replaced her and her coldness and detachment worked beautifully here. Barbara Bel Geddes the real woman who loves him he doesn't even notice, his focus is in the impossible.The magic touch in Vertigo is truly Bernard Herrmann. Try to see Vertigo without the score. No, don't. This classic is a marriage of images and music. A thriller with an uncomfortable truth at its very center. A personal truth from its filmmaker. I don't know if Vertigo will still be the number 1 in the list a hundred years from now, I will never know but I suspect that it will always be among the top.

Two years before Hitchcock's legendary horror movie "Psycho" (1960) hit the theaters, our Alfred stunned audiences with another masterpiece. Perhaps not as dark, cruel and shoking as "Psycho" (1960) or "The Birds" (1963), "Vertigo" (1958) still manages to be called a timeless classic.

First of all, Scottie's condition allowed the use of an entirely new camera technique. "The Dolly Zoom" is one of cinematography's most impressive camera tricks. Years before Steven Spielberg used it in "Jaws" (1975), Irmin Roberts was the first cameraman to ever use this technique, in a Hitchcock film.

This movie tells the story of Scottie, a retired cop who's asked to investigate the case of his friend's wife, which seems to be possesed by the spirit of a dead young woman who committed suicide.

As the chilling story goes on, several moments of suspense accompanied by chilling musical scores are happening. If you're not a fan of it, you can still enjoy the superb settings throughout the movie, and as well the beautifuly filmed shots. These elements alone are a pure work of art in my opinion.

Because it's a 50's film, you will encounter extravagant dialogue between the characters, that still manages to look natural. It's not over the top forced as you may see in other films of the era.

Toward the end of the movie, I appreciated the interesting depiction of madness that Alfred creates throughout dreams and illusions that our leading man deals with. The beautiful lighting used in the last half an hour of the movie is also outstanding enough to be mentioned. And, without spoiling anything, I'd like to mention how from my perspective, the leading man portrayed throughout the movie as a tragic hero, becomes an antagonist.

Definetly an unpredictable and stylish classic you don't want to miss.

I get a bit tongue-tied talking about Hitchcock's greatest movies because they are just so remarkable, so astonishing, so entertaining, so multi-levelled, that it's very difficult to put into words what makes them great. Hitchcock made some of the greatest movies ever made, and 'Vertigo', though by no means his most accessible film, is quite possibly his crowning achievement. It is without any doubt a masterpiece, and I cannot fault it in any way. Every time I watch it I am knocked out, and every time I see something new, some nuance or moment that I appreciate more than I did the previous viewing. Jimmy Stewart, one of the most popular movie star in Hollywood history, gives a remarkable performance throughout, one of the best in his career. Stewart had worked with Hitchcock before, and had always been superb, especially in the much copied suspense classic 'Rear Window' a few years prior to this, but he plays against type in 'Vertigo' and is jaw-droppingly good. It's difficult to remember now that 'Vertigo' is regarded as a movie milestone, that it received many bad reviews when it was originally released, and was a relative failure for Hitchcock. A lot of this had to do with Stewart's intense performance I think, and also the difficult subject matter. 'Vertigo' is essentially a tale of sexual obsession, something most people were probably not expecting at the time! Almost as good as Stewart is Kim Novak ('The Man With The Golden Arm') in a role that she will always be remembered for. 'Vertigo' is a virtuoso piece from Hitchcock, and a movie that will no doubt continue to inspire other film makers over the years to come. However the most important thing about it is that it is still wonderful viewing, and a movie experience that you will never forget. In my mind it is one of the three of four greatest American movies. Simply astonishing.