A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies, and falls for a woman whose loyalties he begins to doubt.A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies, and falls for a woman whose loyalties he begins to doubt.A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies, and falls for a woman whose loyalties he begins to doubt.
- Nominated for 3 Oscars
- 9 wins & 7 nominations total
Stanley Adams
- Lieutenant Harding
- (uncredited)
John Alban
- Auction Guest
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'North by Northwest' is acclaimed for its suspenseful, comedic, and romantic elements, highlighting Alfred Hitchcock's directorial prowess. Cary Grant and Eva Marie Saint deliver standout performances, while the screenplay's wit and twists captivate audiences. Iconic scenes, Bernard Herrmann's score, and Robert Burks' cinematography are lauded. Despite minor critiques on plot and character depth, it remains a timeless classic.
Featured reviews
My favourite director, Alfred Hitchcock has directed many classics like Psycho, Rear Window and Vertigo, and I will say that this deserves to be up there among his best. I absolutely loved it! The best aspect of this movie is the always charming Cary Grant in a brooding and entertaining performance as Roger Thornhill, a man wanted for the murder of a diplomat. Solidly supporting him all the way are the lovely Eva Marie Saint as Eve Kendell and oily James Mason as the villainous Vandamme. They are further advantaged by some excellent camera-work and a wonderfully atmospheric music score. The script is focused and suspenseful, and Hitchcock's direction ensures the film rarely slips, even if some of the complicated plot does fly over people's heads. The climax though is simply the icing on the cake. Overall, a hugely enjoyable film, which I will give a 9.5/10. Bethany Cox
Hitchcock at his sharpest. Art and commerce in a delicious salad with all the right ingredients. A brisk screenplay by Ernest Lehman a Cary Grant that is just pure delight, Eva Marie Saint fresh out of her Oscar from "On the Waterfront" is an icy blonde with a brain. James Mason, the ultimate foreign sinister not to mention Jessie Royce Landis and Hitchcock brings Bernard Herrmann to wrap it all up in one of the most infectious scores imaginable. A real treat.
Cary Grant handles the twisted expressions of his face, his astonished look, his impulsive smile with professional self-assurance and charm while taking us right in the middle of confusion on a breathless 2000-mile cross-country chase which has its gripping showdown across the giant faces of the presidents sculptured on Mount Rushmore high above Rapid City, South Dakota
Grant plays Roger Thornhill, a stylish publicist, mistaken for a fictitious Federal agent, plunged into a world of crime and intrigue, hunted down by villains who want to eliminate him because he seems to be on their dishonest dealings
When questioned by bland Phillip Vandamm (James Mason), Thornhill is unable to convince him that he is a victim of a mistaken identity His three thugs fill him with bourbon, and place him in a stolen car expecting him to have a drunken accident After narrowly escaping death, no one believes his story including, obviously, his skeptical mother (Jessie Royce Landis).
In an effort to discover the agent he is being confused with, and using the clues he collected, Thornhill returns to the United Nations Headquarter looking for George Kaplan There, somebody falls into his arms and unthinkingly, Thornhill draws the blade out of the victim's back and is photographed holding the weapon in mid-air And thus became a fugitive from justice, pursued by the cops and had to skip by boarding a train to Chicago
While on the run, he is caught by a provocative platinum blonde (Eva Marie Saint), who comes out as a glamorous woman and a delightful charmer
James Mason, a polished mastermind spy showed too well to be threatening... His menacing henchman, Martin Landau is also convincingly hurtful...
In his fifth Hitchcock picture, Leo G. Carroll is suave and calm as the devoted intelligence chief
Directed by a genius behind the camera, "North By Northwest" remains a genuinely exciting film for the dangerous world of spies and counterspies
Grant plays Roger Thornhill, a stylish publicist, mistaken for a fictitious Federal agent, plunged into a world of crime and intrigue, hunted down by villains who want to eliminate him because he seems to be on their dishonest dealings
When questioned by bland Phillip Vandamm (James Mason), Thornhill is unable to convince him that he is a victim of a mistaken identity His three thugs fill him with bourbon, and place him in a stolen car expecting him to have a drunken accident After narrowly escaping death, no one believes his story including, obviously, his skeptical mother (Jessie Royce Landis).
In an effort to discover the agent he is being confused with, and using the clues he collected, Thornhill returns to the United Nations Headquarter looking for George Kaplan There, somebody falls into his arms and unthinkingly, Thornhill draws the blade out of the victim's back and is photographed holding the weapon in mid-air And thus became a fugitive from justice, pursued by the cops and had to skip by boarding a train to Chicago
While on the run, he is caught by a provocative platinum blonde (Eva Marie Saint), who comes out as a glamorous woman and a delightful charmer
James Mason, a polished mastermind spy showed too well to be threatening... His menacing henchman, Martin Landau is also convincingly hurtful...
In his fifth Hitchcock picture, Leo G. Carroll is suave and calm as the devoted intelligence chief
Directed by a genius behind the camera, "North By Northwest" remains a genuinely exciting film for the dangerous world of spies and counterspies
North by Northwest will need no introduction to most movie-goers. It's a classic, greatly admired by audiences and critics alike. The story about a befuddled ad-executive fleeing from spies and the police (the spies want him dead because he knows of their plot, the police want him captured because they think he's behind a murder) is done at a breakneck pace and deals with Hitchcock's most frequently used theme: an innocent man on the run.
Cary Grant is urbane and smooth as the hero. James Mason oozes silky menace as the principal villain (Martin Landau also plays a villain, giving his character a seriously nasty toughness). Eva Marie Saint is simply fabulous as the woman whose loyalties seems torn between good and bad.
The set pieces are rightly considered to be moments of cinematic genius. Grant's escape from a crop-duster; the fight atop Mount Rushmore; the auction house bluff; the drunken car journey; the murder at the UN building.... each scene is brilliantly devised by script writer Ernest Lehmann and just as brilliantly filmed by director Hitchcock. Everyone should see this movie... it's a masterpiece.
Cary Grant is urbane and smooth as the hero. James Mason oozes silky menace as the principal villain (Martin Landau also plays a villain, giving his character a seriously nasty toughness). Eva Marie Saint is simply fabulous as the woman whose loyalties seems torn between good and bad.
The set pieces are rightly considered to be moments of cinematic genius. Grant's escape from a crop-duster; the fight atop Mount Rushmore; the auction house bluff; the drunken car journey; the murder at the UN building.... each scene is brilliantly devised by script writer Ernest Lehmann and just as brilliantly filmed by director Hitchcock. Everyone should see this movie... it's a masterpiece.
With everything you expect from Hitchcock and more, "North By Northwest" is terrific entertainment from the master. There are interesting characters, an exciting story with intrigue and suspense, lots of fine photography, and some of Hitchcock's best-known set pieces. It's capped off by a fine Bernard Herrmann score that is almost as good as the one he wrote later for "Psycho".
Cary Grant may be the ideal Hitchcock actor, and he is a big part of making this such great fun. As one of the man-on-the-run characters that Hitchcock loved to make movies about, Grant is entertaining and believable, maintaining good humor even as he tries to work his way out of a series of desperate situations. The other stars, James Mason and Eva Marie Saint, also are very good, and the supporting roles are all filled by good character actors.
The story is one of Hitchcock's most exciting. It's slightly longer than usual, and it occasionally stretches credibility, but it all goes by quickly because there is always something interesting going on, and there is also plenty to look at. Whether using the famous landmarks or using more everyday settings, there is always lots of good detail, and the settings complement the story nicely. At times the plot becomes somewhat fanciful, but probably deliberately so, for it only emphasizes Hitchcock's mastery of technique that he can have his characters do almost anything and make you believe it at the time.
With everything that characterizes Hitchcock at his very best, this fully deserves its reputation as one of the finest films by him or any other director. You can watch it several times and still find it just as entertaining.
Cary Grant may be the ideal Hitchcock actor, and he is a big part of making this such great fun. As one of the man-on-the-run characters that Hitchcock loved to make movies about, Grant is entertaining and believable, maintaining good humor even as he tries to work his way out of a series of desperate situations. The other stars, James Mason and Eva Marie Saint, also are very good, and the supporting roles are all filled by good character actors.
The story is one of Hitchcock's most exciting. It's slightly longer than usual, and it occasionally stretches credibility, but it all goes by quickly because there is always something interesting going on, and there is also plenty to look at. Whether using the famous landmarks or using more everyday settings, there is always lots of good detail, and the settings complement the story nicely. At times the plot becomes somewhat fanciful, but probably deliberately so, for it only emphasizes Hitchcock's mastery of technique that he can have his characters do almost anything and make you believe it at the time.
With everything that characterizes Hitchcock at his very best, this fully deserves its reputation as one of the finest films by him or any other director. You can watch it several times and still find it just as entertaining.
Did you know
- TriviaWhile filming Vertigo (1958), Sir Alfred Hitchcock described some of the plot of this project to frequent Hitchcock leading man and "Vertigo" star James Stewart, who naturally assumed that Hitchcock meant to cast him in the Roger Thornhill role, and was eager to play it. Actually, Hitchcock wanted Cary Grant to play the role. By the time Hitchcock realized the misunderstanding, Stewart was so anxious to play Thornhill that rejecting him would have caused a great deal of disappointment. So Hitchcock delayed production on this movie until Stewart was already safely committed to filming Otto Preminger's "Anatomy of a Murder (1959)" before "officially" offering him the role in this movie. Stewart had no choice but to turn down the offer, allowing Hitchcock to cast Grant, the actor he had wanted all along.
- GoofsDuring the scene in the diner at Mount Rushmore, a boy in the background anticipates the surprise gun shot fired by Eve by putting his fingers in his ears.
- Quotes
[Thornhill is wearing sunglasses to hide his identity]
Ticket Seller: Something wrong with your eyes?
Roger Thornhill: Yes, they're sensitive to questions.
- Crazy creditsRight after his credit as director during the opening credits, Alfred Hitchcock is running toward the door of the city bus just as it slams shut on him!
- Alternate versionsThe print originally had an acknowledgement for the cooperation of the Department of the Interior and the National Park Service. But they requested it be removed after MGM violated the agreement that no violence would take place near the Mt. Rushmore monument. Some prints, however, were released with the acknowledgement still in.
- ConnectionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- SoundtracksIt's a Most Unusual Day
(1948)
(uncredited)
Music by Jimmy McHugh
Lyrics by Harold Adamson
Played as background music at the Plaza Hotel
Details
- Release date
- Country of origin
- Languages
- Also known as
- Intriga internacional
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,101,000 (estimated)
- Gross US & Canada
- $66,728
- Gross worldwide
- $197,920
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 1.50 : 1(VistaVision, original & negative ratio)
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