Not a lot of background info on IMDb on this 67 minute shortie from "Premium Pictures", and even less info on the writer, Joseph Hoffman, and its director Ed Cahn; as of today, not even one message on the message boards at the bottom of the main page. "Pier 5" starts out with narrator (Cameron Mitchell as Steven Daggett) giving us the first-person background on Batista skipping town, and Castro moving in take over Cuba. Daggett tells us he is trying to find his best friend Hank Miller (Logan Field), but is quickly picked up by the police for questioning... we are introduced to the local bigshot Senor Ricardo (Eduardo Noriega), American singer Monica Gray (Allison Hayes), and local businessman Senor Schluss (Otto Waldis), who all may or may not be involved in something together.. Ms. Gray admits that she knows the missing man Miller, so Dagget starts following clues to try to find his missing friend. The biggest Hollywood name here is our narrator, Mitchell, who later had several successful TV series in the 1960s and 1970s (the Beachcomber, Swiss Family Robinson, High Chaparrel). The bombshell Hayes has an interesting bio.. apparently was a contestant in the Miss America Pagaent, but unfortunately died quite young at age 47, possibly from being overdosed with calcium...how strange.... she was even in "Tickle Me", with Elvis, and died a couple months before he did. "Pier 5 " Produced by Robert Kent aka James Gordon, who had started out as a writer in the 1930s, and wrote and produced many films with a foreign, exotic location. This one is a good solid script, with perfectly competent actors, but I guess isn't shown often, since it doesn't have any real big names. It's interesting that what some of the "bad guys" are involved in might today be treated differently than how it was regarded at the time.... but that's a matter for history to sort out...won't say any more to avoid giving away any plot points.
Add a Review
-
ksf-227 July 2009
-
**SPOILERS** With his arrival to Havana just days after Cuban Revolutionary leader Fidel Castro, known to his many followers as "El Beardo", and his man took over the city American businessman Steve Daggett, Cameron Mitchell, tries to find his good friend and army buddy, who saved his life in Korea, Hank Miller, Logan Field. Having dropped out of sight and very possibly into the Caribbean Sea after one of his drunken binges, that he's become famous for, Hank has been given up by everyone, except Steve, for dead
Getting in touch with the newly installed, by Castro, Havana police chief Let. Garcia, Michael Granger, Steve is introduced to Hank's grieving wife Monica played by the statuesque 5 foot 7 inch tall Allison Hayes. This a year after Allison achieved motion picture immortality playing the part of Nancy Archer in "The Attack of the 50 Foot Woman". As we soon see Steve and, even though she refuses to acknowledge it, Monica have been lover from way back before she dropped him for his friend the helplessly alcoholic Hank Miller. It's when Lt. Garcia enlightens Monica with that fact, by showing Monica a photo of her Hank and Steve together, that she grudgingly admits that she and Steve have known each other for a number of years. All this soon becomes moot a minute later when it's brought out that Monica is now married to the handsome Cuban speed boat enthusiast and millionaire tobacco farmer Fernando Ricardo, Eduardo Noriaga.
As it soon turns out Hank a cracker-jack airplane and speed boat mechanic somehow got involved with a gang of Batista, the Cuban dictator whom Castro ousted from power, supporters who want him to convert a number of outdated transport planes into fighter-bombers. These out of power gangsters, courtesy of the Castro Revoluton, are now planning to get their boy-Batista-back in power by any means possible! Even if they have to carpet bomb Havana to do it! Steve who never expected any of this cloak and dagger stuff has now, by his friendship with the missing Hank Miller, become the target of the Cuban Police in trying to overthrow the Castro Regime.
The action gets hot and heavy with Steve trying to prevent a "Bay of Pigs", two years before it actually happened, like assault on Castro's Cuba from the air not, like the "Bay of Pigs" itself, the sea. It doesn't help Steve that much when the missing and reportedly dead Hank Miller shows up, drunk as usual, to make things even worse, for Steve and his ex-wife Monica, then they already were!
It's just when the pro-Batista men were about to execute their devious plan, the bombing of Havana, that the police lead by Let. Garcia got the drop on them having them scurry for safety, as well as their lives, out of Cuba. Steve himself played no favorites between the two sides, Castro and Batista, now has a score to settle with the man, the the leader of Castro guy group, who not only kidnapped and later had his good friend Hank Miller murdered but ordered one of his goons, who was more then happy to do it, to try to assault Monica! This attempted rape on his, the goons, part failed miserably when Steve came to Monica's rescue and judo-chopped him to death!
It's surreal to see an American made motion picture released in 1959 that actually championed Fidel Castro and his Marxist Regime in Cuba as the good guys in the movie! It was a year later that the US Government started through its CIA and Miami based Free Castro Cubans volunteers a number of major covert, and in the case of the "Bay of Pigs" overt, military actions to overthrow Castro that has lasted, some 50 years, until he himself voluntarily resigned from office because of ill health! Not because of any of the extensive military economic as well as political, in forcing country's to boycott trade with the Cuban Government, pressures put on him by the United States Government! -
Cameron Mitchell plays an American who has come to Castro's Cuba in order to locate a friend who has mysteriously disappeared. The police are quite nice and helpful but Mitchell's life is constantly at risk due to evil counter-revolutionaries. In addition, Mitchell's old girlfriend and their past relationship together is a simmering subplot.
This film was made during a tiny window in which the American film industry fell in love with Castro's Cuba and the Cubans moved towards Communism and repression. Errol Flynn made a couple films about this Cuba and "Pier 5, Havana" is another--odd little American relics where the new government was seen as very good and reasonable.
Seeing this film and its very idealistic view of the new Cuba is pretty interesting. Here in Castro's new utopia, the police allow people to walk around town with handguns, they don't send suspects to political prisons and there are no purges and executions. Instead, the bad guys are all the counter-revolutionaries bent on undoing the recent revolution and a bringing about a return of the Batista government through violence and murder.
Now all this is naive, but at the time it looked like this could be the new Cuba--so I can forgive this. However, what I had more trouble with was the occasionally bad dialog and awkward plotting. Now I am NO saying it's a bad film--it's just not a very good one. I'd recommend it more as an unusual curiosity as opposed to a good film.
HORRIBLE Cliché WARNING: At the end, Mitchell catches the bad guy and is holding a gun on him. Does he shoot this dangerous man? NOPE! He drops the gun to duke it out man-to-man! Also, CONVENIENTLY, the lady's husband just happens to die so she and Mitchell can have each other. The way this is handled is SUPER-awkward. -
bkoganbing25 January 2013I remember seeing this film way back in 1959 when it first came out in the theater. History was moving very fast back in this time in Cuba and within days this item was quickly withdrawn from circulation. Before 1959 was out you could never have made an American film with the Castro as the good guy and the Batista counterrevolutionaries as the bad guys.
Cameron Mitchell in the immediate days after the Castro revolution in Cuba comes to Havana to find his friend Logan Field who has gone missing. What he finds is Field's wife Allison Hayes now involved with Eduardo Noriega a rich plantation owner and singing at the nightclub in hotel owner Nestor Paiva's palatial resort hotel, once the playground of touring Americans as were many such places in Batista Havana.
Michael Granger the local Havana cop and Castro supporter is taking a real interest in the comings and goings of Mitchell. And before long Mitchell up to the neck in a counterrevolutionary assassination plot that the missing Mr. Field was involved in before.
Within days of this film's release public opinion changed radically about Fidel Castro and this film was buried. Not that it should have been unearthed for art's sake. This is sloppily put together with the villains making stupid moves that would have rivaled some of the movie Nazis of World War II vintage.
If Pier 5, Havana teaches us anything it is that with help like this no wonder Batista never regained power. -
Bronco4626 July 2009Cheesy melodrama set during the time after the fall of Battista in Cuba. While the film has a man shot in the airport for crimes that a never specified this film seems to be a starting point for Hollywood's fixation with tin pot Latin American dictators/despots. In this film the bad guys are the supporters of Battista and the law abiding guys are working for the Castro Government. The only thing missing is a rally for Che. Not a very good film the acting is surprisingly wooden. I had a lot of good memories of Cameron Mitchell but this film made me question my recollections. The film was obviously shot on sets and very little location work is done. The dialog is uninspiring, and unlike other films of this era this film is not much fun to watch.
-
tony-70-66792028 December 2020I've always liked Cameron Mitchell, but a man who had three wives and seven children couldn't afford to be too fussy about material, hence this appearance in one of the 128 credits listed in Edward L.Cahn's filmography. Obviously Cahn, like Fred F.Sears, was a man who put quantity above quality, but "Pier 5", the first of his films I've seen, shows that this former editor could pace a film and retain one's interest. His competence wasn't matched by the scriptwriter, or by the film's ridiculous Batista-supporting counter-revolutionaries. How did they hope to get hold of the planes to drop bombs on various targets in Havana? Mind you, they were no more cack-handed than the CIA and the Mafia, which made numerous failed attempts to assassinate Fidel Castro. Mitchell makes a sympathetic hero, and Michael Granger was impressive as Lt. Garcia (I didn't check the credits beforehand, and presumed that the part was being played by a Latino rather than an American Jew.) Allison Hayes was no great actress but looked terrific. Some unconvincing fight scenes and an easy escape by the hero didn't help. The main interest of the film was that it was released in October 1959, some 10 months after the success of the Cuban Revolution, and was firmly on the side of Castro rather than the American-backed dictator he'd deposed. Apparently the film disappeared for ages due to America's embargo, surely the longest, most pathetic hissy fit in history.
-
bensonmum214 April 2020Steve Daggett (Cameron Mitchell) heads to post-revolutionary Cuba to look for a missing friend. He's no more than off the plane when he's mixed-up with some baddies who may have more sinister intentions than kidnapping his friend. He's also mixed up with an old flame, Monica Gray (Allison Hayes), which is bound to lead to even more problems. Can he find his friend, not get killed, and still get the girl?
As soon as I saw Cameron MItchell's name in the credits, I knew I wanted to see Pier 5, Havana. I"ve been a fan since I was a kid watching The HIgh Chaparral. Throw in Allison Hayes and I'm definitely watching. Overall, Pier 5, Havana falls into that harmless class of wishy-washy films I rate a 5/10. It's enjoyable enough, but nothing to really get overly excited about. Some of the pro-Castro sentiments in the film are incredibly interesting. Also, some of the street scenes filmed in and around Havana and the aerial shots of downtown Havana are truly special. This is a film that could only have been made at this exact time in history.
As for the movie, like I said, it's okay. Most of the plot is interesting enough (helped by a very short 67 minute runtime), the action works, and Mitchell comes out looking fine. The movie also has a noirish quality to it that i really enjoyed. As for what didn't work quite as well, I'll start with Hayes. In a word, she's awful. Several of her scenes with Eduardo Noriega are cringe-inducing they're so bad. And even though I enjoyed the plot, I admit it is a bit uneven and predictable. Still, despite the faults, I'm glad I finally got around to watching this one.
5/10 -
django-118 December 2003This is one of three low-budget programmers made by Cameron Mitchell for director Edward L. Cahn and the same production company (all UA releases) in 1959-60, all of which are worth seeing. Living in Miami, small businessman Cameron Mitchell comes to post-revolution Havana to find an old friend who was going to come and work for him, but never arrived and seems to have vanished. Although Mitchell's character is not a detective, this plays a lot like a detective film, and director Cahn is a master at pacing, so despite the miniscule budget (Havana is evoked by a few small sets and a few California exteriors with Spanish-language signs on them!), the film plays like a good little paperback-original mystery novel--especially so since Mitchell provides voice-over narration here and there to speed things along and to mention things that would be too expensive to show on camera. As always, Mitchell treats the role with the greatest respect, digging into the character and turning what could have been a generic role into someone the viewer cares about and roots for. Michael Granger is also excellent as the honest, professional Cuban police investigator who stays on the case himself and keeps running into Mitchell along the way. The film also features legendary 50s leading lady Allison Hayes (Gunslinger, The Unearthly, Attack of the 50 ft. Woman)as a woman who once knew Mitchell and was married to the missing man. Although a low-budget programmer that is only 67 minutes long and was no doubt made in a few weeks, PIER 5, HAVANA provides good, honest, hard-boiled entertainment and plays like a good 1950s detective TV show. Director Edward L. Cahn was the best kind of journeyman director, a true pro who could take a talented cast, a few small sets, and a genre-based script, and turn it all into a solid, unpretentious feature film that still entertains and engages decades after it was made. If you come to this film with enough willing suspension of disbelief, it won't matter that the punches thrown in the fight scenes miss by at least eight inches--the sound effects are synched accurately so you THINK the punch must have landed, and the scene has moved on before you have time to analyze it. I'll take honest entertainment like this over CGI effects any day of the week. This film was probably made for less than the bottled water budget on the last Eddie Murphy film. Bravo to director Cahn and star Cameron Mitchell!
-
Some writer and independent producer got the bright idea that with the revolution in Cuba pulling out one regime and putting in another was great timing for a political thriller on the subject. What they don't have is a story, basically just expressing an opinion without allowing the dust to settle. It's a formulaic political thriller with over the action narration by Cameron Mitchell, going to Havana to search for his friend, and finding dangers, not really by the Castro regime, but the supporters of the previous regime under Batista. Mitchell runs into old flame Alison Hayes, his friend's wife, and suspects her of being involved in the disappearances.
This is basically a rather violent TV drama that got a release simply out of the exploitation of a real international crisis, with busty Hayes a rather clichéd femme fatale, maybe not fifty feet here, but seemingly telling a lot of tall tales. Certain details, such as bomb fuses identified on the crates in English (and allegedly supposed to be chocolate), and a villain who seems more out of an anti-Nazi film than a anti-communist film. The cheapness of the film and its political agenda are obvious, even to me who knew very little about pre-Castro era Cuba. I'd get more truth and information from watching old newsreels than this Z grade nonsense that has no real Cuban feel to it at all, let alone anything of a Latin culture. Then, as you begin to think it's over (about 50 minutes into the film), a twist comes out of the blue that takes it over the top, and even with an action packed finale, the whole movie ends up a ridiculous carbon copy of the type of propaganda film that was popular at the bottom of the bill during World War II. -
elavigne788527 July 2009TCM aired this movie the other morning. For around 45 years,this film has not shown up an the TV or released on DVD or video. Filmed in Havana,Cuba in 1959,this film makes mention on how the United States helped Fidel Castro and his followers oust the Batista government and put Castro in power. As it turned out,that was a big mistake for the United States. Rumours circulated that the U.S. government purchased all the copies of this film and destroyed them. Well,not true. Turners classic movies has a copy. As for the film,their in nothing really interesting to see. Other than Cameron Mitchel,and lessor known actress,Allison Hayes,this film was filmed on a cheap budget.
-
daveneikirk2 May 2020I saw this movie way back when, 1959, in fact, and could not believe my ears. Several of us, classmates in college, went and after a half hour or so found that we were able to predict the dialog we were hearing after just a word or two. When the protagonist looks down at the dock he's standing on and sees a ring caught in a crack. we all said in chorus with him "IT WAS HANK'S RING". And that was a high point. We stayed to the end, as I recal. We were young and stupid.
I'm sure it's not the worst movie ever made but it is the rock bottom worst I've ever sat through. -
CinedeEden27 September 2022Well the revolutions did end in 1959 when castro took over Havana and it is sureal to see hollywood root for castro then batista in this melodrama. The film is very cliche and you get to see how cuba was like in this year because this was the last year cuba was free. I recognized some of the places in this film cause coincidentally I have been to cuba before. I recognized the nacional hotel. The plot of the film caught me off guard and thought that his soilder body was part of the bay of pigs invasion but no that wouldnt come till next year. This fillm is a skip unless ur into cuba and cuba-usa history. Viva cuba!!!!!
-
RanchoTuVu12 November 2009Steve Dagget (Cameron Mitchell) goes to Havana to find out what happened to his friend from Miami, Hank Miller (Logan Field). The overthrow of Batista had just occurred and is the background for this story, wherein Dagget tries to find Miller but runs into ex flame Monica (Allison Hayes) who is now a night club singer and is being taken care of by a wealthy Cuban Fernando Ricard (Eduardo Noriega). Dagget's search for Miller gets him involved with the police who apparently now are defending the new government from being overthrown and retaken by the old order. This is all fairly interesting because at the time this film was made Castro had not yet been declared enemy number 1 by the US. Poor Dagget just wants to find his friend, but Miller had been used by the loyalists because he had expertise they needed, and now that they were done with him, he needed to be liquidated. Miller shows up one evening as night is closing in in a Havana beach house and Dagget, Monica, and him relive there old times together back in Miami. The film seems too stagey at first and would be easy to just turn off, but given a good half an hour to develop, it kicks into gear later. Directed by the super prolific Edward Cahn, none of whose movies I've ever seen before, but the titles sound pretty good.
-
mrcwshbrn419 November 2014Story-line is fresh, even after all these years. Mitchell is OK, the lady is not too good, the bad-guy 'Fernando' is well acted. Set construction is B-grade, with several goofs. Script and dialog are a little better than you would expect. Simple action scenes are on par for this kind of movie. Overall production is about what you would expect for a B-grade movie. Some real shots in/near Havana add a special touch to the film. Trying to protect Castro from pro-Baustista forces seems a bit odd these days, but probably spot-on for 1959. The cast all seemed to work together well.
Good, rainy-day film.