23 January 2013 | dougdoepke
Muddles After a Good Start
After a botched robbery, an ex-cavalry lieutenant struggles to regain his good name by catching the real robber.
The first part—the robbery and the cashiering—made me think this would be a superior western. But then Brown (Calhoun) meets up with Mona (Garland) who falls for him immediately Hollywood style, and it's murky time from there on, especially when it's trying to figure out who's on what side and why. One thing about these Universal oaters of the 50's—they're always well photographed in Technicolor. So when the story flounders, as it does here, there's still lots to look at. I'm just sorry that two of the best B-actors of the period, Garland and Larch, don't get to do more. I was looking forward to Garland's hoochie-koochie before she wrapped herself in a cloak. Anyhow, if you can figure out the latter part of the plot-line, you might enjoy this otherwise routine oater.