IMDb RATING
5.6/10
1.7K
YOUR RATING
The nations of the Earth unite in a common cause to fight off an invader from outer space.The nations of the Earth unite in a common cause to fight off an invader from outer space.The nations of the Earth unite in a common cause to fight off an invader from outer space.
- Awards
- 1 nomination total
Ryô Ikebe
- Maj. Ichiro Katsumiya
- (as Ryo Ikebe)
Kyôko Anzai
- Etsuko Shiraishi
- (as Kyoko Anzai)
Harold Conway
- Dr. Immerman
- (as Harorudo Konwei)
Elise Richter
- Sylvia
- (as Erisu Rikutâ)
Hisaya Itô
- Kogure
- (as Hisaya Ito)
Nadao Kirino
- Gravity Man
- (as Hiro-o Kirino)
Kôzô Nomura
- Rocket Commander
- (as Kozo Nomura)
Takuzô Kumagai
- Alien
- (as Jirô Kumagai)
Katsumi Tezuka
- Alien
- (as Katsumx Tesuka)
Mitsuo Tsuda
- Air General
- (as Mitsuo Isuda)
- …
Osman Yusuf
- Bystander
- (as Osuman Yusefu)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Some really neat miniatures, beautiful matte paintings, and a very cool lunar set, are the highlights of this movie. It's fun entertainment for the first half, but becomes especially enjoyable midway through once our heroes land on the Moon.
As other reviewers have noted, this movie seems to have influenced Star Wars, in particular a couple of shots during the climactic battle in space, which seem as though Lucas might have lifted them from a print of this film and dropped them right into A New Hope.
As other reviewers have noted, this movie seems to have influenced Star Wars, in particular a couple of shots during the climactic battle in space, which seem as though Lucas might have lifted them from a print of this film and dropped them right into A New Hope.
I saw "Uchu daisenso" or as it was titled when I saw it, Battle in Outer Space" when I was a kid- a long time ago. Now of course the inevitable comparison to modern space operas will reduce the impact of this simple picture, but taken in the context in which I first viewed it, this was a really cool movie. For starters, it was in glorious color, a rarity in sci-fi in the late 50's I can tell you. I saw a lot of horror and sci-fi movies when I was kid and color was rare. And like most Japanese sci-fi imports of the time this was the whole world united against the invading alien hordes. Yeah a little like Independence Day but In "Uchu daisenso" the United Earth already existed. It didn't take an invasion from outer space to unite the planet. Good (relatively speaking!) effects, a noble if simple plot, combined with beautiful Eastmancolor and this was the perfect drive-in movie.
This is Ishiro Hondas take on the classic space opera featuring alien invaders who have designs on Earth and will do anything to enslave mankind. This is a good, but not great, film. The only problem I have with it is that it tends to slow down during the scenes on Earth, especially the conference scenes. However, it picks up during the scenes on the moon and especially during the dogfight scenes featuring the rocket fighters battling the flying saucers. Also, in terms of acting, the best performance in this film definitely belongs to the great Yoshiyo Tsuchiya. Tsuchiya is excellent as the scientist who becomes possessed by the aliens, but becomes a hero who sacrifices himself after he is released from the alien control. He definitely makes this film more watchable.
Usually, one Ishiro Honda's science fiction films use two distinct themes. The first one is using his films as thinly veiled commentaries on socio-political issues (nuclear war, greed or commercialism) and the second is the world getting together for a common purpose. This film definitely follows the latter to a tee. This is definitely one where Honda uses his skill as a director to convey his wish that man would pull together for a common good instead of waiting until a major crisis to come together.
All in all this was a good film, but not a great one, but I still recommend it.
Usually, one Ishiro Honda's science fiction films use two distinct themes. The first one is using his films as thinly veiled commentaries on socio-political issues (nuclear war, greed or commercialism) and the second is the world getting together for a common purpose. This film definitely follows the latter to a tee. This is definitely one where Honda uses his skill as a director to convey his wish that man would pull together for a common good instead of waiting until a major crisis to come together.
All in all this was a good film, but not a great one, but I still recommend it.
Ishiro Honda is the Steven Spielberg of Japan in that he created a huge body of work...big, exciting, fantasy movies of such number, quality and iconic value that he stands head and shoulders above his peers.
This film is among Honda's lesser known works, and is a rarity in that there is absolutely no Kaiju in this film, not even a robot Kaiju such as seen in the better-known 'The Mysterians'. And, in terms of the fantastic cinema of Japan, this is one of the more serious science fiction creations of the period, although containing many inaccuracies that would be glaring to anyone with the slightest familiarity to the work of George Pal.
This film features creative and interesting FX that vastly outshine most of what the US was producing at this time, and might even have the most complex miniature sets and sequences of anything produced by Toho during the classic period. There are large scale space ship dogfight sequences that anticipate Star Wars, which was done 17 years later.
The plot, while not profound, is sufficiently interesting and entertaining and the actors are good enough to make this an enjoyable escapist film. Thematically, this is classic Invasion Literature, with few new wrinkles thrown in...definitely straightforward, Honda doesn't give us anything ambiguous or subversive to chew over.
Any fan of old-school scifi and Kaiju films is liable to enjoy this one very much, it's just an impressive spectacle.
This film is among Honda's lesser known works, and is a rarity in that there is absolutely no Kaiju in this film, not even a robot Kaiju such as seen in the better-known 'The Mysterians'. And, in terms of the fantastic cinema of Japan, this is one of the more serious science fiction creations of the period, although containing many inaccuracies that would be glaring to anyone with the slightest familiarity to the work of George Pal.
This film features creative and interesting FX that vastly outshine most of what the US was producing at this time, and might even have the most complex miniature sets and sequences of anything produced by Toho during the classic period. There are large scale space ship dogfight sequences that anticipate Star Wars, which was done 17 years later.
The plot, while not profound, is sufficiently interesting and entertaining and the actors are good enough to make this an enjoyable escapist film. Thematically, this is classic Invasion Literature, with few new wrinkles thrown in...definitely straightforward, Honda doesn't give us anything ambiguous or subversive to chew over.
Any fan of old-school scifi and Kaiju films is liable to enjoy this one very much, it's just an impressive spectacle.
I thoroughly enjoyed this film. It is certainly paced slower than modern sci-fi movies, but the action moved along at a good pace nonetheless. The backgrounds, matte work, color and special effects were very impressive.
The one conceivable flaw was that there were no stand out actors or personal relationships (no love interest as there was in the original Godzilla). This may have been intentional as the story meant to emphasize a global effort against a ruthless and cruel invader.) I would rate this on the upper scale of Toho's scifi efforts (anotehr under-rated, under-viewed film would be "H-Men").
If you are a kaiju fan you will not be disappointed.
The one conceivable flaw was that there were no stand out actors or personal relationships (no love interest as there was in the original Godzilla). This may have been intentional as the story meant to emphasize a global effort against a ruthless and cruel invader.) I would rate this on the upper scale of Toho's scifi efforts (anotehr under-rated, under-viewed film would be "H-Men").
If you are a kaiju fan you will not be disappointed.
Storyline
Did you know
- TriviaThis film was the first Japanese science fiction film which had the original Japanese cast and crew listed on the posters and other advertising material in the United States.
- GoofsThe funniest bits are the gravity antics. When the first scout ship turns off the thrusters and the crew all unfastens their safety belts, one of them flies up to the ceiling. He is so surprised, clearly no-one told this astronaut that there was no gravity in the spacecraft. They help him down and the chief tells him that there is no gravity in the ship. Then they all begin walking around completely normally.
- Alternate versionsThe final 16mm prints struck for U.S. television distribution had the final third of the film letterboxed for the widescreen Tohoscope format.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: Battle in Outer Space (1966)
- SoundtracksBurlesque-style Rondo
Composed by Akira Ifukube
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Details
- Release date
- Country of origin
- Languages
- Also known as
- The Great Space War
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 30 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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