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  • A mother lode of clichés mined by Jim Abrahams and the Zucker brothers for their 1980 classic, "Airplane," "The Crowded Sky" is entertaining in its own right. A shameless pastiche of flashbacks erupts when two planes find themselves on a collision course in the skies over the American heartland. Dying wives, vengeful mistresses, love-starved spinsters, marriage-crazy stewardesses, and tough agents spar with lovelorn husbands, ham actors, marriage-shy co-pilots, unforgiving fathers, and cads on the make. Director Joseph Pevney juggles the familiar sub-plots competently, and viewers are unlikely to be bored, although they may have to stifle a giggle or two.

    While not as stellar as "The High and the Mighty" or "Airport," the cast does include some solid actors from the period. Characters rarely develop in films like this, and most are little more than stereotyped sketches. Not surprisingly, the performances run the gamut from professional to embarrassing. The pros fare best led by Dana Andrews, the by-the-book TransState captain; Patsy Kelly, a blowzy chain-smoking agent; and Rhonda Fleming, a sexy scheming wife. Although the film's credits include Efrem Zimbalist, Troy Donahue, Keenan Wynn, and Anne Francis, many of the rest never became names.

    The special effects use obvious model airplanes on wires and are a dated delight. Also dated and delightful is the depiction of flying. The passengers all dress in suit and tie; the stewardesses take tickets aboard the plane; the captain personally points out the oxygen canister to an interested passenger; a smiling stewardess cracks jokes about false teeth while instructing passengers on emergency procedures; air traffic controllers work 40 hours without a break; passengers board without security checks. What a wonderful experience flying used to be; beyond slick obvious entertainment, "The Crowded Sky" has the added dimension of evoking nostalgia for a vanished way of travel.
  • One of the first modern day airline disaster movies, this 1961 film contains all the elements of suspense, humor and drama that one would expect of its genre. With the only drawback of a weak supporting cast, the story line is a solid one.

    In this film, Efrem Zimbalist, Jr. plays a navy pilot on a collision course with a commercial jet piloted by Dana Andrews. Years later, in one of the later Airport series, the roles are reversed and Andrews plays the pilot of a small plane on a collision course with a commercial aircraft piloted by Efrem Zimbalist.

    Troy Donahue does a creditable job as a young sailor hitching a ride with Zimbalist to get home. An interesting device in this film is the close-up thought technique, particularly when used with the character played by Keenan Wynn.

    If you consider this film only among the other members of its generation, it comes out well.
  • A commercial DC-6 with 62 passengers, flying too high due to the inexplicable actions of arrogant pilot Dana Andrews, is soon in the pathway of a two-pilot Navy jet that has lost all radio communications. The wooden performances and variable special effects of "The Crowded Sky" simply add to its kitsch factor; some audiences can't help laughing at it, but nevertheless enjoying themselves at the same time. The pilots and nearly all the passengers have a great deal on their minds, and the running theme of the close-up followed by the ominous voice-over followed by the flashback lapses into amusing self-parody. Handsome Warner Bros. production, with tidy airplane interiors and all the men wearing skinny black ties, provides instant nostalgia, while the overripe dialogue is frequently laugh-out-loud funny. **1/2 from ****
  • Pretty nice movie, interesting for the plot and effects of the time. (And the appearance of a prop airliner, this movie coming right at the transition from the age of propeller planes into the jet age.) People have commented on connections between this movie and "Airport 1975" in that Dana Andrews and Efrem Zimbalist, Jr. appear in both, with their roles reversed in each. (Andrews is the pilot of the airliner in this one, Zimbalist is the airline pilot in "Airport 1975.") There is another similarity between the movies, as well, which I won't spoil.

    I was sort of surprised to see that this one isn't out on DVD. So many movies are coming out in that format, and there have to be people who would want to own this one. When I was a kid (1980s, maybe the late 1970s) this was on the local TV stations as an afternoon movie several times. So there are plenty of people besides those who caught the original release who might want to own this one.

    Also there is something that interests the modern airline passenger in all these airline movies from 20+ years ago.... those larger seats, how polite people were on a plane, and how people used to actually dress up to fly. Ah, as Ray Walston said in "Damn Yankees," those were the good old days!
  • It has been a long time since I saw this movie but it is pretty good. I keep wondering why it and other airplane disaster movies have not been released on DVD. Another one I have looked for is Fate is the Hunter. Maybe it is because of 9/11. The airplanes are obsolete compared to the kind we fly in today but they are still good movies. The original airplane disaster movie (not just my opinion) is The High and the Mighty from 1954 I believe. Maybe it has been released due to the star being John Wayne. Talk about obsolete planes and the passengers in Hawaii having to go thru customs as Hawaii was not yet a state. It is still a great movie with a lot of suspense. The Crowded Sky is the same type of movie and should be released on DVD. What can I say, I like this type of movie.
  • Yes I loved it. What a gem of a movie.

    I taped this just on a whim as it was on a very late night run here and I have to say I loved it. I found it a treat and a gem. My favourite part of the film is when a character is thinking out loud the camera focuses in on that person and the lighting around them dims as we head into their world either via voice over or a flashback scene.

    I would not mind adding this movie to my collection if it ever comes out on DVD. This is one of the movies, no doubt that paved the way for movies like "Airport" and all those awful disaster movies of the 70s and 80s. Good going I'll give it 7/10
  • Warning: Spoilers
    Over the top soap opera nonsense makes this one of the worst "Grand Hotel in the Sky" themed films. While it obviously was not used in the writing of that 1980 comedy classic, it's the only way to stomach the tepid plot line, clichéd characters and wretched pacing of the film. So why did I put myself through this film yet again, for the third time? To find some humor in my way of re- looking at it, and to once again catch one of my favorite comic character actresses, Patsy Kelly, rising back up after nearly two decades away.

    Yes, the comic sidekick of Harlow, Faye, Davies, Todd and other blonde 30's bombshells, is listed way down the credit list. She's far more interesting than the lead characters of Efrem Zimbalist and Rhonda Fleming whose marital troubles set up the story, and the struggles of pilot Dana Andrews, once again facing "Zero Hour". It was a serious plot twist of that 1957 sleeper, more famous because of the big twist being used in "Airplane". When his back story is explained, it takes the movie off course, with strange bleeds and unappealing unknown actors as his wife and son.

    The threat here is a mid-air collision, not food poisoning. With both Andrews and Zimbalist thinking of their personal issues while flying, no one in the sky is safe! There's also Troy Donahue as a sailor flying home on a military plane with Zimbalist, John Kerr as the co-pilot, Keenan Wynn as a TV writer sitting next to a mystery woman who knew him in her past, and Anne Francis as the stewardess, all of their names showing up in 3D style in the credits.

    Really ridiculous dialog, especially the two strangers sitting next to each other imagining what the other one is thinking. It seems to have inspired one of the many gags in "Airplane!" This has some of the same aspects of the 1954 blockbuster "The High and the Mighty" missing that fabulous score and the interesting assortment of unique characters. When it tries to be funny or topical or poignant, it falls flat. Flashbacks to earlier situations makes the structure jumbled. But that's not surprising, with more than a dozen stories to try to follow, to try and accept unbelievable dialog, and to try to deal with the weird way the story takes off, and ultimately belly flops.
  • twanurit21 September 2002
    Warning: Spoilers
    The disaster does not occur until the last half-hour of this frenzied time capsule. With a motley group of passengers on an aircraft, including a stunning stewardess (Anne Francis) in love with the co-pilot (John Kerr), each time a passenger has thoughts, the camera zooms in for a closeup, with the actor's thoughts voiced in the background. It's a kick! My favorite character is Jean Willes, a beauty in the Ava Gardner mold, portraying a thrice-married woman who sits next to an old boyfriend (Keenan Wynn), who does not recognize her. She still is stewing even after the air disaster. When the aircraft is hit by a smaller plane, Francis advises passengers to get ready for a crash position, and to take false teeth out, even jokingly saying she won't tell anyone. All this when they don't even know that they will live or die! Trivia note: Dana Andrews pilots the big aircraft, while Efrem Zimbalist, Jr. commands the small plane; in 1974 their roles were reversed for the similar "Airport 1975."
  • A decent cast, most likely under contract who couldn't say no, slogs through some wonderfully awful dialogue. Only a few of them even try to breathe life into their paper thin characters. The rest of them, like the audience, seem to be waiting for the crash so they can go home.
  • Drama , emotion and tension in a hazardous voyage on a trans-airline flight . Disaster and nail-biting movie about a Navy jet and a commercial airliner heading for a mid air catastrophe , as passengers fasten your belts to a strong disaster . As a navy jet (piloted by Efrem Zimbalist Jr , Troy Donahue) with a defective radio system and a passenger plane (piloted by Dana Andrews , John Kerr) get in danger of collision. As crew , passengers (Keenan Wynn , Jean Willes , Joe Mantell , Patsy Kelly..) , flight attendant (Anne Francis) gripping their seats for the bumpy ride ahead . During the initial scenes , characters are shown describing some life scenes prior to boarding the airplane . And in flashbacks we learn about the personal problems of the pilots and most of the crew. From the suspense packed best seller and the great international tradition of ¨The High and the Mighty¨. The most fascinating people the gods of chance ever swept up into high adventure!

    The picture contains drama , suspense , moderate tension and is quite entertaining although with some flaws and gaps .This is a predecessor in the "Airport" series that achieved splendor in the 70s and 80s . It's exciting and entertaining but heavily paced , full clichés and stereotypes with passable acting by all star cast , including a great deal of unexpected zooms . Based on the novel by Hank Searls and screenplay by Charles Schnee , it blasts to the screen with every kind of love , thrills , and intrigue . Plastic acting and stock characters detailing a hectic flight . The film is dealing with a tumultuous flight and the relationship among passengers . All clichéd and stock roles with regurgitation of all usual stereotypical situations from disaster films . This thrilling tale may remind some spectators ¨The High and the Mighty¨ written by Ernest Kann , directed by William A Wellman with John Wayne , to which , especially with its star-studded casting and plot , it bears a more than coincidental resemblance . It matches the notorious talents of prestigious actors , some of then old TV favourite as Efrem Zimbalist Jr. of 77 Sunset Strip against those of the more screen-seasoned as Dana Andrews , John Kerr , Rhonda Fleming . And a long support cast , such as : Keenan Wynn , Troy Donahue , Jean Willes , Troy Donahue , Joe Mantell , Patsy Kelly, Paul Genge , Donald May , Louis Quinn , among others

    It contains a colourful cinematography in Technicolor , CinemaScope by Harry Stradling Sr . Emotive as well as atmospheric musical score by Leonard Rosenman . This old-fashioned motion picture was professionally directed by Joseph Pevney . The craftsman Pevney shot all kinds of genres as Comedy , Film Noir , Mystery , Drama , such as : ¨Who is the black Dahilia ?¨, ¨The strange door¨, ¨Man of a thousand faces¨, ¨Mysterious Island of beautiful women¨, ¨Cash McCall¨, ¨Tammy and the bachelor¨, ¨Istanbul¨, ¨Because of you¨ , and especially Wartime movies : ¨Torpedo run¨, ¨Away all boats¨ , and Westerns as ¨Night of Grizzly . At the end of his long career he made a lot of episodes of famous TV series , such as : High Chaparral , Rockford cases , Marcus Welby , Petrocellli , The Fugitive , Alfred Hitchcock presents , Executive suite , Mission imposible , Monster family , The loner , Star Trek , Virginian , Sam Cade , Bonanza . Rating : 5.5/10
  • Warning: Spoilers
    This was written by Charles Schnee from a novel by Hank Searls. They couldn't have had a particularly difficult time concocting this Snow Job. You and I could have written it just as well. All we'd have to have done is watch "The High and the Mighty" a couple of times and make notes. Then dumb-down the dialog. Near the opening Zimbalist, pulling on his uniform, has this exchange with his wife: "Well, is there any chance, Cheryl?" "Chance for what, Dale?" "For picking up the pieces of this marriage." In the course of three sentences, the writer tells us this: (1) Zimbalist is a naval officer; (2) the marriage is rocky; (3) his name is Dale; (4) her name is Cheryl. A moment later, Cheryl admits she was caught "flagrante delictoo."

    "The High and the Mighty" was released in 1954 and this appeared in 1960. I've sometimes wondered why it took someone six years to cash in on a big hit like the original. (There were some el cheapos in between, one of them the source of the parody "Airplane".) A Navy jet with two men aboard, both leading unhappy lives with treacherous women, crashes into an airliner being flown by pilot Dana Andrews, leading an unhappy life with his son, and co-pilot John Kerr, having an unhappy relationship with the stewardess, Anne Francis. All the passengers are in conflict over their love lives except a method actor who is consumed with the obsession of self.

    One by one, strictly in accordance with the formula, we are introduced to the characters' back stories. We get to learn why they're in conflict through their voice overs. Although directed by Joseph Pevney, the camera placement and movements seem to have been plotted by one of those robots that plunk out computer chips. Is it time for a character's story to be explored? Before the interior monologue begins, the camera slowly zooms in for a gigantic close up of the ruminative's face. The envelope for the most closeups and fragmentary stream-of-consciousness, or rather semi-consciousness, goes to Jean Willes, whom you will recognize from a dozen B movies of the 1950s. The camera returns to her and her dull and nasty mulling at least three times, more than any of the others'.

    The performances do nothing to help this hackneyed story. Andrews and Francis are at least competent, seasoned performers, although even they have trouble with the clumsy exposition. John Kerr mopes throughout. The doctor -- this kind of movie must always have a doctor on board -- fades from memory the moment he's absent from the screen. The poor guy who plays Dana Andrews' resentful son simply cannot act. The most enjoyable performance, though not the best, is that of the method actor, trying to find his inner "coward" for a new part, shrugging his shoulders, gesticulating like Brando, and constantly looking pained.

    If there are movies that are so bad they're funny, this must be one of them.
  • This movie had a lot of things that I enjoy: vintage commercial airplanes, old military airplanes, radios, radar, art, drama, romance, special effects, etc. In some respects, it must have served as a template for future airliner disaster movies. I don't know why, but I really enjoyed the heavy handed use of flashbacks and scenes where there's a close-up of a character, the surrounding lights dim, and we hear the character's private thoughts. Crowded Sky might not be your cup of tea, but it certainly was mine.
  • And it isn't until all the necessary back stories are told that we get to the crux of the matter--the fact that an airliner and a two-man jet plane are on a collision course. DANA ANDREWS is the tense pilot at the controls of the airliner and EFREM ZIMBALIST, JR. is in the small plane with TROY DONAHUE.

    Unfortunately, none of the back stories are really interesting enough to invoke anything more than moderate interest, but at least we get to see ANNE FRANCIS as an attractive stewardess saddled with some bad dialogue and a lifeless romance with JOHN KERR.

    The story only gets into high gear late in the proceedings and by that time you'll notice that the storytelling technique is the same one used to even lesser advantage in THE HIGH AND THE MIGHTY.

    Summing up: Nothing special but worth a look as an example of what eventually led to all those Airport movies of the '70s.

    Trivia note: A diner scene with Troy Donahue and Efrem Zimbalist, Jr. has the juke box playing "The Theme from A Summer Place," Donahue's hit film from the year before.
  • Warning: Spoilers
    I was surprised at how bad this movie is. I grant that it was 1960 and I'm a child of the 60s and understand that movies had only really been exploring disasters and special effects for a handful of years. But, there isn't any excuse for the poor acting and deplorable writing that went into this movie. It's as if the director, Joseph Pevney wrote this movie off before he ever started filming it. Granted, he wasn't known as one of Hollywood's premier directors but he could have at least TRIED to make it work. The acting would have been better with cardboard cutouts. That's a shame considering that it has Efrem Zimbalist, Jr. in it. Kennan Wynn could also have done a much better job but he seemed to just be going through the motions like the rest of the actors. He was the most unflashy Hollywood playboy, Hollywood playboy character that has ever been portrayed on film. For an actor with so much range his work was probably the most disappointing to me. The "thought sequences" and flashbacks were disjointed and most of them failed to contribute anything to the overall story. I gave it a "2" because it wasn't "The Beast of Yucca Flats" (1961), which is quite possibly the worst film ever, and I think Yucca is the only film I've ever given a 1-star rating to.
  • Warning: Spoilers
    This one is kind of "Airport" meets "Airplane", combining a mid-air emergency, (not the one in the actual "Airplane" which is based on another film from this period called "Zero Hour"), with goofy scenes involving the mostly silly passengers and their personal stories that would have looked appropriate in an "Airplane" film with no comic embellishments.

    The director chooses to introduce us to the passengers by zooming in on their faces, graying out the rest of the picture and having them speak their thoughts. There's also major flashbacks about the personal problems of the main characters. As mentioned in other reviews a couple of characters seem to be shouting their lines as if we- or they- were hearing impaired. And stewardess Ann Francis smiles sweetly and issues a wise-crack as the plane is going down. These elements of the film make it major candidate for "Mystery Science Theater 3000" or one of the Medved brother's books on the worst movies of all time.

    But that isn't what I remembered from this film many years after I first saw it. Ephraim Zimbalest Jr., the s tar of 77 Sunset Strip, and Troy Donahue, of "Surfside 6" and "A Summer Place" are in an Air Force jet flying west. As they were popular stars, one assumes they will make it though the picture. We are introduced to their back stories: a failed marriage and a pregnant girlfriend, (the same problem Troy had in "A Summer Place", the theme of which is played in a restaurant scene). These issues will go unresolved.

    Then suddenly the passenger plane flying east from the west coast shows up and the planes are coming right at each other. The smaller plane bounces off the bottom of the larger one, taking out an engine from the larger one, then tumbles away and explodes- an explosion that makes it clear that the Zimbalest and Donahue characters were killed instantly. This had the same impact on me that the realization that Janet Leigh's character in "Psycho" is really dead had on me. I just didn't expect it and so that stayed with me all these years. because of that, I just had to watch the film again and came to realize how silly the rest of it is.

    I wonder what I'll remember years from now?
  • "The Crowded Sky" is an odd airplane disaster film. On one hand, I know darn well that the film has many flaws. But on the other, I still very much enjoyed the movie and do recommend you see it.

    During the late 1950s-60s and then again in the 1970s, airplane disaster films were amazingly common and popular. Just off the top of my head, I can recall "No Skyway in the Sky", "Zero Hour!" (which was parodied in "Airplane!"), "The High and the Mighty", "Airport", "Airport 1975" and "Airport '77" all fall in this genre. However, "The Crowded Sky" is unusual because it stars Dana Andrews...who also starred in "Zerio Hour!".

    Unlike the other films I mentioned above, "The Crowded Sky" relies much more heavily on lengthy flashback scenes....nearly all of which are pretty soapy. A few are really interesting (such as the love life of the Navy pilot and the painter and his father) and some are simply too many....which got in the way of the main story. As for the main story, it's telegraphed early and often. It's really not giving anything away to say that the T-33 Navy trainer and the DC-6 airliner WILL crash into each other sooner or later...the only questions are when and how serious this crash will be. And, until then, you see these flashback stories of the pilots of each craft as well as a few others.

    Now again...I admit the film has faults. Apart from too many flashbacks, the film also is at its best AND worst after the crash occurs. On one hand, the planes are pretty obviously models...too obviously. But on the other, everything else about this is exceptionally tense and well handled. And, overall the good easily outweighs the bad....and the two leads, Dana Andrews and Efram Zimbalest Jr. both are excellent.
  • Warning: Spoilers
    My husband and I enjoyed "The Crowded Sky", with all of its idiosyncracies and cultural datedness. However, it was troubling, to say the least, that Rhonda Fleming and Ephram Zimbalist Jr.--key stars in the film--had no closure at the end. The fate of the pilot, the co-pilot, the pilot's complex wife and daughter: they were left loose ends.

    I had hoped the pilots were going to eject. What finally happened was never dealt with--it was as if they didn't exist. Only the happy endings of the passengers were explained, described.

    In spite of the flashbacks' awkwardness, at times, the characters' lives were all quite interesting. All the more disappointing that we did not have enough follow up for the others.

    The Technicolor is lush. Ann Francis is beautiful. The WPA renditions of art and meaning gave a special dimension.
  • Warning: Spoilers
    Absolutely a miserable film in the airplane disaster genre. It's so bad, not because of the cast, but rather the most unbelievably ridiculous writing. Everyone has his own story here, and the plot becomes more ridiculous as the picture goes on.

    An older looking Dana Andrews found fault with his young son from the time of the latter's birth. You never saw a wife die so quickly in this totally waste of effort film. Jealous of John Kerr, who gave loving attention at the funeral of Andrews' wife, Andrews makes sure that Kerr never becomes a captain.

    In the other plane, Efraim Zimbalist plays a pilot with a loving young daughter. The latter worships the ground he walks on. He is married to a possessive, manipulative woman. (Rhonda Fleming.) Their marriage has gone nowhere. His passenger is Troy Donahue. We never knew why Donahue had to get home to Washington so quickly. By the end of the film, we couldn't care less.

    Kerr has a problem. Should he continue as a pilot or become an artist, as his asylum-resident father has been. The latter in a catatonic state has resumed painting. What? The guy doesn't even know what planet he is on.

    What were the writers thinking when they wrote this garbage? None of the plots or subplots are carefully examined.

    No wonder that John Kerr eventually quit acting. With a picture like this, forget it.
  • Warning: Spoilers
    I'm a film professor, and this is one that had me in knots because I appreciate it as an artifact but also cringe at its awkward elements. I'll say this much: after good old Ben Mankiewicz on TCM told us at the start that the two planes in the film are flying on a collision course toward each other, I could not turn it off without seeing where all its hokey characters ended up.

    Yes, the film uses that recurring interior dialogue device (move in to close up, then voice-over, along the lines of, "That's funny, Jim usually likes my coffee..."), but there are more gems of discomfort throughout, like characters way too self-conscious about their looks and some smarmy sexual jokes. And you'll be tickled to see that coach accommodations in 1960 were far better than first class today.

    Just stick around for the collision, which pays off not only for its cheap special effects (which appear to have been shot with a little boy's toys in his basement), but far more so for its astonishing portrait of passengers laughing as they plummet to almost certain death. Warner Bros. apparently knew the audience would not only accept the fake effects and delusional behavior, but that the crowd would not care at all that the two military pilots-- one of whom is choosing between marriage and the Naval Academy-- perish in a fireball, which is summarily ignored for the rest of the film! With all the advances in aviation since 1960, there's still no way an airliner could take a hit from a fighter jet and land with only a few casualties. But like most any disaster, you are just too morbidly curious to look away from this one...
  • autonut-0872910 September 2021
    Not for nothing, but the tower had the military plane rise, and the passenger plane descend.

    Once this happens they are in line with each other for a crash.. If the tower said nothing they would have passed each other at different altitudes with no issues.

    This ruined it for me, it would have been better if they were at the same altitude and then they were about to crash.
  • I saw this movie on television at 2am on a Monday morning. i was so damn tired, but after the initial 10 minutes i could not look away. basically through flashbacks we are told the stories of characters on two planes. how did they get there? what motivates them? will we be told this? no. no, we won't. random thoughts and odd conversations that float around in these characters heads don't do much for the story, but still somehow just manage to keep you interested. the acting is terrible, the story is foul and confusing and the end is laughable. so why did i love this movie? was it because there was nothing else on? yes. that is the answer. if you find yourself in the same situation i'm sure you'll agree.
  • tcondon6410 September 2021
    The writing of this little melodrama was sophomoric and uneven.

    The acting was typical of the late-50's. The photography and lighting were unimaginative and flat.

    Otherwise, this is a "proverbial" CLASSIC! Have a drinking game for one scene: the head of the airline's dialogue with chief pilot...each time you hear the word "proverbial".
  • Warning: Spoilers
    Warner Brothers had an opportunity to exhibit some of its popular television stars of the period and took it with The Crowded Sky. Though the plot is very similar to the more well known The High And The Mighty, The Crowded Sky definitely has enough merit to stand on its own as good and exciting entertainment.

    Like The High And The Mighty the crew and passengers of a commercial airline which consists of pilot Dana Andrews, co-pilot John Kerr, navigator Joe Mantell, and stewardess Anne Francis are on westbound flight on one of those old propeller jobs all have their little vignettes and we see their stories.

    But the danger here isn't from mechanical failure resulting in a dangerously low fuel capacity as in The High And The Mighty. Coming eastbound and heading for them is a navy jet with Efrem Zimbalist, Jr. and a sailor Troy Donahue who is just hitching a ride with Zimbalist. These guys were starring in popular Warner Brothers television series at the time, Zimbalist with 77 Sunset Strip and Donahue leading the cast of Surfside 6. They too have their stories.

    Zimbalist's is the most interesting, he's got a neglected wife in Rhonda Fleming who's been seeking love outside the marriage. Donahue is heading to marry a girl he's gotten pregnant. Zimbalist has been down this road before.

    As for Andrews he's a stickler for protocol and he and Kerr don't get along because a bad report denied Kerr the captaincy he was seeking. Among the passengers I liked Patsy Kelly very much as the agent of a rather vain player in Donald May who also starred in Warner Brothers Colt 45 television series.

    The climax with the two planes colliding in midair and the aftermath is gripping, you will not want to blink for missing something. The special effects are good for their time and Warner Brothers did accomplish its purpose of getting its television stars on the big screen for exposure.
  • Warning: Spoilers
    Parts of this movie was really interesting and I was looking forward to seeing what happens next,then the scene shifts and moves on to something really lame and a bit stupid... The acting was the same way,you have some really good actors and then the scene shifts into some terrible acting. My "favorite" was the guy who obviously has watched James Dean once too often. This could have been saved if they had to spend a little more time on the disaster part but unfortunately they didn't
  • "The Crowded Sky" joins "Zero Hour," "The High and the Mighty," and others as pre-"Airport" films. Like weddings and road trips, commercial flights make for stories that involve different subplots and characters, so this type of film is done fairly often.

    "The Crowded Sky" has high production values and a decent cast - Dana Andrews, Efren Zimbalist Jr., Rhonda Fleming, Troy Donahue, John Kerr, and Anne Francis. It's an episodic tale about two planes, one a navy jet with a broken radio system, and the other a passenger plane with an arrogant pilot. The two planes are in danger of colliding.

    The backstory of the characters is told in flashback: Zimbalist, who had a previous air disaster and now is in the midst of a bad marriage; Kerr, an aspiring artist who doesn't want to get married but has an attraction to flight attendant Francis; and some smaller stories that include Keenan Wynn, Jean Willes, Patsy Kelly, Donald May, all passengers.

    Formulaic and not terribly interesting. Ken Currie as Dick Barnett Jr. is a horror; Patsy Kelly as usual talks like she's projecting from the stage of the Majestic Theater; Troy Donahue is....Troy Donahue. Rhonda Fleming was made for color. But the leads are likable and professional as always.

    Very soapy with some over the top dialogue. the director, Joe Pevney, was a very experienced TV director.
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