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  • I've just seen this on a beautiful DVD and I want to echo the positive comments. While not the funniest movie ever made it is amusing and a good family-type picture---assuming that families watch this type of picture these days.

    What makes it happen for me is seeing Clark Gable and Sophia Loren together on screen with a beautiful background full of Capri Italy, 1960. The story is pretty basic but {like most good movies}provides a framework, plot situations and dialog- a lot of it in Italian, but still understandable- to keep the action moving and show off the Star Power on screen.There is great chemistry between Loren and Gable as well as co-star Vittorio De Sica and the young kid who plays the boy Nando - a star turn at age 10. Charming,amusing with eye-filling scenery and three legendary cinema personalities. Diverting and entertaining.
  • This is the penultimate film of the career of Clark Gable, and his last comedy. He is a Philadelphia lawyer named Michael Hamilton, who is about to marry a suitable middle aged woman at home (we never see her), and must delay the marriage while he goes to Naples to settle the estate of his long estranged brother. He is unaware of the details, but his brother was never a hard headed, hard working type - and he had fled to Italy, where he seems to have drowned in an accident. Mike discovers his brother was out fishing with his wife when a sudden squall upset the boat and drowned them. He also discovers his brother lived up to his reputation as a ne'er-do-well by specializing in making great fireworks, and left a little boy named Nando (Marietto). But Nando's mother had a sister named Lucia (Sophia Loren) who appears at a local Capri nightclub. Mike and Lucia find themselves at odds about Nando's present and future lifestyle: Mike wants the boy brought up in America, while Lucia wants him in a happier, earthier life in Italy. Soon Nando, Lucia, Mike, and Mike's lawyer Vitale (Vittorio De Sica) manage to bring the blood uncle and blood aunt into a closer and closer relationship. Eventually they fall in love.

    Gable's performance was similar to a middle class "Ugly American" as in the contemporary novel and the movie with Marlon Brando. Mike is a successful lawyer, and he wants his brother's son to get the breaks he needs in good schools and with a normal home. He cannot believe that the little fellow is not degenerating, but is actually in a loving household with Lucia. In the first third of the film Gable makes a lot of snide comments about the easy take it life style he sees around him in Italy. It is only gradually that he realizes that the Italians can be serious when they want, and that there is nothing wrong (as he eventually admits) to being an elderly carriage driver singing "So Long to Sorrento" for his fares' amusement. He also can see that his first choice for marriage is even stuffier than he is, or that there were some really unattractive aspects in his fellow American tourists (witness that final scene in the railway car he is leaving Naples in).

    Lucia is also an interesting character - she mistrusts Americans (as her song "Americano" spoofs their foibles), but her own ambitions for success mirror the type of work ethic that is part of the American persona. She also is a realist - she insists that Nando speak English at home, rather than Italian. The reason (aside from the obvious screenplay reason of allowing the audience to understand the conversation) is that English is the international tongue of the modern age. If Nando is to succeed, he has to speak English well. Her affection for her nephew is deep - to the point that she is willing to even consider losing him for his own good.

    Nando is trying to find a balance between his aunt and uncle. He loves the aunt, and gets to really like Mike, but he can't understand why Mike can't only leave him with Lucia, and then occasionally visit. When Mike and Lucia become an item (or appear to be one), well that's fine too - they can take up where his parents left off. But he is capable of knowing if something is going wrong. When Mike says he wants to talk to him "man to man" Nando's face drops, and he says he never likes it when he hears "man to man".

    Vitale is an interesting supporting character. As the lawyer for Mike's brother he is obliged to tell him what the deceased's estate was (mostly fireworks and Nando). He begins processing Mike's legal moves to get custody of Nando away from Lucia. Lucia confronts Vitale, calling him a traitor to Italy for helping an American steal her nephew, and calling him a pig (as his looks at the sumptuous Lucia/Sophia Loren reveal). His helpless reply is that a man can be both a lawyer and a pig. In the end, in the courtroom, he is so twisted by his loyalties that he cannot give Mike a coherent (or even fair) defense. One can understand his dilemma.

    It is a sweet comedy, that holds up very well. It makes one wonder if Gable would have continued in roles like this one had he not died so soon after THE MISFITS.
  • This was the first Clark Gable movie I ever remember seeing and I saw it in the old Marine Theatre in Brooklyn. Turned out also to be the last one Clark Gable got to see released as The Misfits was released after Gable's demise.

    He's an honest to God Philadelphia lawyer who had a brother who deserted his wife and took off for Italy where he lived with another woman. The brother has died and Gable has gone to Italy to settle the estate.

    The estate's one very tangible asset was the brother's son played very winningly by Marietto. Mom is deceased also and the boy is living with her sister and who wouldn't want an aunt who looked like Sophia Loren. It's a custody battle and the question the movie asks is how will the issue be settled, in or out of court?

    Gable's certainly a mature leading man playing about 15 to 20 years younger than he is, but he carries it off well. And Sophia Loren is wonderful to see.

    But the real star of this film is the Isle of Capri, one of the most beautiful spots on this old planet. Capri was getting a lot of publicity from Hollywood. Only a year before Mario Lanza's last film, For the First Time, also was shot a great deal in Capri. After these two films the tourist business must have boomed.

    Sophia Loren has a few nice numbers to sing and one of them was the song Americano. It had a revival a few years ago in Matt Damon's The Talented Mr. Ripley. But Sophia's version is soooooooooo much better.
  • What a wonderful movie starring two of filmdoms' greatest stars-Clark Gable and the beautiful Sophia Loren. Set in Naples and the island of Capri this is one attractive movie.Great story line and excellent music and a wonderful performance by the master himself Vittorio De Sica. Add to the cast a young Italian actor by the name of Marietto playing a wise-cracking street kid from Naples and you have the perfect afternoon treat. Though this was Gables' second last movie before the ill fated Misfits (a movie I would rather forget)he looks in excellent shape and still has that twinkle in his eye that made him a star for over 25 years. This movie is just magic. Enough said.
  • You have to forgive this movie several faults in order to enjoy it. Clark Gable, at 59, is far too old for Sophia Loren, 26. The musical numbers are weak with the exception of 'Americano', and let's face it, Loren is no Ginger Rogers. The custody battle for the child – Loren's son and Gable's nephew – is absurd to begin with, and then compounded by silly back and forth melodrama in the second half of the film. The film on the surface seems to be a loving look at Italy and Italians, but Gable's character is condescending with an annoying American arrogance, and the film as a whole is a bit patronizing.

    And yet, despite all that, I found it somewhat enjoyable, and certainly better than expected. Shot on location in Naples and Capri, the scenery is gorgeous and many of the shots in the streets or piazzas look authentic. Gable gets off a lot of wry one-liners in a script where the dialogue is better than events. Loren may not have the greatest dance moves, but she does show both a comedic side and a touching side in her playful relationship with her son, in addition to, well, being a knockout and all. I love the scene where Loren is sprawled out face down on the bed after a long night dancing, and her son pokes her in the behind with a meat fork in front of Gable. The supporting cast is all-Italian, and the little boy (Marietto) and the lawyer (Vittorio De Sica) turn in good performances. There are moments that seem cliché, but there are also moments that seem spontaneous, and quite true to southern Italy. Far from perfect, but enjoyable.
  • Warning: Spoilers
    In many, many ways, this film appears to have later been made as AVANTI (with Jack Lemmon and Juliet Mills). The plots have just too many similarities to be a coincidence. While not exactly a remake, this later film seems like a slight reworking of the plot--with a little bit of gratuitous sex and nudity added to boot.

    The film begins with Clark Gable going to Italy to take care of arrangements after his brother's accidental death. This no-good brother had apparently been living a double life--with a wife back in the States AND one in Italy! Gable is surprised to not only discover this, but that there is an 8 year-old boy who is apparently his nephew! He's also surprised that the boy's Italian Aunt (Sophia Loren) isn't particularly interested in establishing a relationship with Gable or having the boy go to live in the States. Considering that the boy is a ragamuffin living in a rather bohemian existence, this might just be in the kid's best interest--at least that is what Gable assumes. Over time, the blustering Gable comes under the spell of the island of Capri and Loren's ample charms.

    Oddly, however, the film makers thought that pairing Gable and Loren romantically made sense and that the public would buy it--and they didn't. The age difference was just too great. Additionally, the styles and personalities of the two were just too different to make such a pairing believable--though at least it worked better than Loren and John Wayne (LEGEND OF THE LOST) and a bit better than Loren and Alan Ladd (BOY ON A DOLPHIN). Why film makers insisted on pairing this sexy starlet with significantly older established American actors is beyond me.

    So, while the film isn't exactly believable, is it worth watching? After all, although miscast, the film could still be enjoyable. And, for the most part it was, though including a "cute and precocious" kid was, at times, a bit too much of a cliché. He was too cute and way too precocious to be realistic--walking, talking and acting like a 30 year-old man stuck in a kid's body--sort of like Tatum O'Neal in PAPER MOON. Also, some might find its treatment of Italians as a bit patronizing--as they all seem rather lazy and fun-loving--not like real people. As for the look of the film, it was terrific--filmed in exquisite color that really made this Italian island look its best. Overall, it's an enjoyable and nice looking piece of fluff--not bad, just not as good as it could have been.

    By the way, supporting actor Vittorio De Sica was also a very accomplished director. He acted in quite a few films and was quite good, but as a director he was one of the best, with such wonderful films as UMBERTO D, MIRACLE IN MILAN and THE CHILDREN ARE WATCHING US to his credits--among others.
  • Bright , slight comedy of two stardom heavywights : Gable and Loren . Charming and cheerful movie set in Italy , days before his wedding, a Philadelphia lawyer called Mike Hamilton (Clark Gable) travels to Naples in Southern Italy to settle the estate of his late brother, only to find that he has an Italian nephew who is being cared for by his brother's girlfriend , a cabaret singer (Sophia Loren) who's really volluble with Italian guile and grabbiness. Once there, he discovers that the deceased has left an eight-year old little boy named Nando, who is being raised by Michael's sister-in-law Lucia Curcio. Both of whom squabble over the future of the little boy fast turning into a delinquent amid the dolce vita temptations of a travelogue Italy . Hamilton gets a little unexpected help from the Italian lawyer Mario Vitale (Vittorio de Sicca) . You'll Never See a Movie With More Carefee Fun and Happy Living!. You'll Want to Be There When the Fun Starts!

    One-joke romantic comedy in which Gable stiff with hygiene and honesty and gorgeous Loren fall in love , but due to the thorny problem of the adoption a kid things go wrong ; along the way he grows more and more in love for her . Clark Gable is very agreeable as Mike Hamilton, a Philadelphia lawyer, comes to Naples to settle the estate of his long estranged brother .This was the last movie Clark Gable made that was released during his lifetime , Gable's next to last film "The Misfits" (1961) before his death , he had already had two strokesb, but continued to smoke 60 cigarettes a day. And Sophia Loren is magnificent as brother's widow and sexy nightclub dancer and the film is kept afloat chiefly by Loren's engaging ebullience . And special mention for Vittorio De Sica who gives a stunningly likable acting , he would direct and co write the screenplay for the film (La Ciociara) or "Two Women" which won Sophia Loren an Academy Award for Best Actress . A similar formula was used by director Melville Shavelson himself in "Houseboat" or Cintia (1958) this time with Gary Grant and Sophia Loren. Originally intented as a vehicle for Gracie Fields who was a well-known real-life Capri resident , when financing could not be raised, the storyline was sold to Paramount, and then elaborately re-written so that the Fields character became an American man, Hamilton/Gable.

    This agreeable movie was wonderfully photographed in attractive Italian outdoors. In fact , there are lots of Naples and Capri sightseeing , spectacularly shot by great Hollywood cameraman Robert Surtees . Accompanied by an evocative and lively musical score by Alessandro Cicognini and Carlo Savina , and including catching song sung by Sophia Loren herself . The picture was professionally written and directed by Melville Shavelson but it results to be a minor vehicle for the great Clark Gable. Shavelson's movies have a special penchant for recapturing a particular atmosphere , many of his films are about real people but they remain muted in impact . A notorious screenwriter , Bob Hope -whom Shavelson had originally wanted for the lead- and Danny Kaye features Shavelson's pictures when he became filmmaker and his films with them are the most successful such as ¨The seven tittle Foys¨ , "Beau James¨, ¨On the Double¨ and ¨Five pennies¨ . Shavelson's later pictures were made for TV and mostly biographies as ¨The great Houdini¨ , ¨Ike¨, ¨Ike : the war years¨, and ¨The legend of Valentino¨ which remains the best work on the subject to date . Two of the best films turned out to be ¨Cast a giant shadow¨ , an epic movie with all-star-cast dealing with the birth of Israel and ¨Yours , mine and ours¨ his biggest hit . Rating : 7/10. The flick will appeal to Clark Gable and Sofia Loren fans.
  • Sophia Loren gets a 10/10: at 26 she's at her playful and provocative peak.

    Clark Gable? All the hair dye in the world can't hide the fact that he's more than twice Ms. Loren's age. Gable's 1930s silver screen smile notwithstanding, the biggest joke in this admittedly cute comedy is the premise that a gorgeous, freewheelin' Italian beauty might fall for a stilted 59 year old senior citizen. Try making that movie today and audiences would write it off as dirty-old-man creepy. (Not nearly a "Lolita"; more a "Gigi".)

    But still... Sophia Loren! Wow! She alone gets the film part marks.
  • Philadelphia lawyer Michael Hamilton (Clark Gable) arrives in Naples to settle the estate of his philandering brother...

    He learns that his brother had taken a common-law wife who died with him in an automobile accident, leaving a ten-year-old lovechild named Nando...

    Nando (Marietto) is looked after by his attractive aunt Lucia (Sophia Loren), a dazzling night-club dancer on Capri, who dreams of someday becoming a movie star...

    Almost immediately, Mike and Lucia clash over the boy's upbringing...

    Lucia wants to keep the lad and let him live as he chooses... The street urchin stays up half the night in the club, smokes cigarettes and indulges in trivial theft... Mike is aghast, and insists he be giving a proper formal and social education...

    The matter is put to the court, but during the struggle for Marietto's affections, the couple fall in love and fight a lot when Hamilton makes it clear that marriage is out...

    Photographed in Capri, the Island of Dreams, the pearl of the Mediterranean sea, the film is a nice romantic comedy in which a sexy Queen captures the 'King of Hollywood.'

    Gable delivers one of the most memorable lines of the movie when he asks, at night, a waiter: 'How are people supposed to sleep on this island?'
  • edwagreen3 June 2017
    7/10
    ***
    Warning: Spoilers
    Gable was starting to look his age in the year that this film came out would mark the year of his untimely passing. Sophia Loren is rather benign here. Though the film is a comedy, she needed to be more fiery. Too bad that Anna Magnani wasn't younger and more adept at comedy.

    Gable comes to Italy to settle the estate of his brother, who along with his wife, died in an accident and much to Clark's surprise, he discovers that his brother had an 8 year old precocious boy along with a sister-in-law played by Loren.

    Gable is on his way back to Philadelphia as he is to be wed but you know that isn't going to happen when he meets Loren and despite a custody battle for the boy, romance blossoms.
  • Stale plot bolstered by good cast, lovely locations... In his penultimate film, Clark Gable plays a gruff American visiting Italy to settle his late brother's estate who discovers he has both a sister-in-law and a young nephew he hadn't been told about. The adults bicker over the child's upbringing, but soon realize they have feelings for each other. Gable, heavy and grouchy throughout, seems way passed this type of innocuous romantic comedy-drama. Stuck with the bland character name of Michael Hamilton, Gable never shakes off his lethargy, though it is great seeing him in the arms of Sophia Loren! Still, there are few sparks between the two stars, despite Loren's obvious hard work in keeping this dessert from melting. Director Melville Shavelson's pacing isn't exactly effervescent, but he does get some attractive shots of the country at its most beautiful. The well-worn romantic formula, however, comes straight from Hollywood, and the results are predictably lukewarm. ** from ****
  • This film really has to take the cake as being one of the most romantic comedies ever made, I have watched it countless times and this year it was finally issued on DVD with excellent picture quality devoid of clicks, blotches and other compression artefacts.

    The film is plastically beautiful, the surroundings are out of this world, Sophia Loren is beautiful, sexy, funny, what more could you ask, Nando is a gorgeous character and Mark Hamilton ( Clark Gable ) carries his rôle to perfection. The dialogues between him and Nando are absolutely scrumptious. Yhe story line which alternates between moments of pure romance then quarrelling and back again keeps the spectator on his/her toes even if the outcome is guessed in advance. I just loved the scene where Gable is in the train, listens to the comments of his compatriots in the compartment, just gets up and goes .. an excellent ending.

    The sets of the film are beautiful, I have never been to Capri but it sure looks a beautiful and romantic place. The 100,000 euro question is "Does it Still Look Like that in 2005" . Hopefully one or more of the inhabitants will read this and let us know !!

    My only beef on this film is trying to get hold of the sound track, no cd in the world seems to contain it - surprising when you consider the number of film sound tracks now available. My favourite is actually the title song ( instrumental ) which was composed by a certain Alessandro Cicognini, and which appears at various intervals in the film, including in a vocal version sung in Italian with a rhumba rhythm - no one tells us what the title is - so God knows how this can be found. The song "Tu vuo fa l'americano" sung by Loren in the nightclub has fared better ! It has actually been sung by one of the artists well known here in France, Dany Brilliant and his version, though not as good as Loren's is not bad at all. As for the other tunes, no sign of them anywhere.

    Hopefully one day, someone somewhere will have the intelligence to issued the INTEGRAL sound track of this film on a cd. Given the amount of time we have had to wait to have the film on DVD, there may still be hope for a cd later. Brilliant !
  • SnoopyStyle19 August 2020
    Michael Hamilton (Clark Gable) returns to Naples to settle his lazy dead no-good brother's affairs. When he was last there, he was a soldier in the army. Unbeknownst to him, his brother had a boy who is being raised by his aunt Lucia Curcio (Sophia Loren). When he discovers that she's a night club dancer, the puritanical American insists on taking the child back home.

    Sophia Loren looks older than her 20s. Clark Gable looks all of his 60 years. It would be better if he is a clueless younger guy rather than a clueless old guy. A puritanical old white guy means something slightly different. I prefer the younger. I also don't like his pending marriage. It stalls out their romance during the middle part of the movie. The middle struggles to drive the sitcom premise. After a functional meet cute, he needs to fall head over heals for her. He's blocked by a woman who is never on the screen. He does have a nice connection with the boy but maybe they need more time together. There is some stuff to like but it's not anything great.
  • The plot of It Started in Naples is so contrived. Clark Gable takes the time right before his wedding to hop on a plane to Italy to settle his dead brother's affairs. Why does he need to do this now? Why can't he wait a couple of months, or why didn't he go a few months beforehand? Because - he has to meet Sophia Loren (or as my grandpa always called her, Sophie Lauren) and debate whether or not to call off his wedding.

    Sophie plays a cabaret singer, and pretty much any time she's on the screen it's a good time to get up and get some more popcorn. This is a very silly movie without any point but to show that Clark Gable got a free vacation to Naples. There are some courtroom scenes to inject drama into the situation, and Sophie is playing nursemaid to her and Clark's illegitimate nephew; but it all feels a little offensive. Italians have looser morals, so it's okay that his brother never married his Italian girlfriend? The only way to prove Sophie has a heart of gold is to show her taking care of a child that's not her own? If you liked Houseboat, you can rent this one, but it certainly seemed like Hollywood didn't know what to do with Sophia Loren before she got her Oscar.
  • Marietto, also known as Carlo Angeletti, is the little star in this movie who steals the limelight from Clark Gable and Sophia Loren. He plays the super cute little street urchin who may or may not be the real nephew of rich American lawyer from Philadelphia Clark Gable.

    The little lad with the sparkling eyes and winning ways conspires to match his poor aunt, Sophia Loren, with the rich uncle. Not that anyone would need much encouraging to marry Loren who was at the height of her beauty in 1958.

    The other beauty in the movie is Naples itself, the magnificent bay then unspoiled by tourists, and the Isle of Capri.

    In such a romantic setting with Marietto as Cupid, do we need to tell the ending?

    See also Loren in Houseboat, where she plays the nanny matched with the rich bachelor Dad of Cary Grant. And where the cute kids, led by Paul Petersen, conspire a romance.
  • Warning: Spoilers
    Gable looks old here, though they really lathered on his hair color to make Clark look younger. The story has him as a Philadelphia Lawyer. That would make him the bane of Groucho Marx jokes about them, but here Gable is not in court.

    He is in Naples and the lucky guy gets to meet a young beauty, Sophia Loren. Then he has an affair with her, and steals the heart of her son. What steals the show here is the great filming locations. Naples looks great in technicolor. The location shooting is a bonus and I am sure Gable enjoyed the trip, I mean to be portrayed as a lover young enough to handle Loren is a stretch, but most men in their late 50's would think they were living the dream if they could do this.

    For some reason, late in his career, Gable got many roles with the hottest women around. I mean after this he finishes with Marilyn Monroe. Before this, well there was Doris Day. I will tell you this, if I had been Gable, I would have died with a smile on my face. His reputation as a great lover is on display here, and his boyish type of charm is too. Not a great film, but definitely a good one.
  • Warning: Spoilers
    Don't overthink this movie; just watch it and enjoy it.

    We're talking Doris Day era here, but it's not that sugary sweet; Gable's cynical commentary gives it a bit of an edge. This cynicism is the key to understanding the movie.

    The Gable character was a soldier during World War II and helped liberate Italy. It is now 15 years later, and he is still resentful, remarking that the Italians were stealing gasoline from the Americans and selling it on the black market almost as soon as they arrived. He thinks his deceased brother a fool for having fallen for an Italian woman, a trap he avoided during the war.

    The film is also about the conflicting values of a straight-laced American lawyer and a beautiful Italian dancer-singer, or more to the point, between America the ambitious, versus Italy, represented by the notorious Isle of Capri, capisce?

    Gable wants to get his business done and get out as quickly as possible, but with time he comes to appreciate the beauty and relaxed lifestyle of Capri. And he discovers that the Italians have pride in their own country, and some resentment towards Americans. As such, the movie should hold up well for those foreign viewers who are so prejudiced against America and American movies. They can have a good time sneering at American values, represented by Gable.

    I don't have any problem with the chemistry; while watching the movie, I thought that perhaps the reason they made it was for Loren and Gable to have a little fling together. I was surprised to read they didn't get along so well.

    This movie is worth seeing, not just for Gable and the always gorgeous Sophia Loren, but for the reasonably interesting story line. It's not Gone with the Wind or It Happened One Night, but it is still two hours well spent.

    Spoiler: The plot is only resolved when Gable realizes, due to a chance encounter, that his deep-seated prejudices against the Italians were not justified. Well, not entirely. Sophia was trying to manipulate him, of course, but what woman doesn't?

    And the business with Gable's lawyer was curious. She couldn't have bribed him. I suppose she whispered a little blackmail in his ear, most likely a reminder of a mutual affair.
  • This was the first time both me and Mom watched this particular movie. Clark Gable is in Italy to find out about his late brother who had left behind a wife in the States several years back. Turns out that brother's Italian existence was something else as Gable discovers a boy and his aunt, played by Sophia Loren, who have something to do with that brother. Mom enjoyed this fine though I felt the story meandered quite a bit and I also admit to being confused by the boy's lines. But Gable is his professional self at this point in his career and life which didn't have much time left as this was his next-to-last film appearance and Ms. Loren is quite a sexy presence especially when doing her numbers. And neither of us were bothered by their vast age difference. So on that note, we say It Started in Naples is worth a look.
  • Warning: Spoilers
    But I'd have left young Nando to it. He was happy and contented, not harming anyone- what else matters?
  • This will be hard for many film lovers to believe, but I never liked Clark Gable. I've seen some of his classics like "Gone With the Wind" and "It Happened One Night", and I was always turned off by the narcissistic, arrogant jerk he always seemed to play. I only wanted to see this film because I was about to take a trip to Naples and I was hoping for some nice scenery. I was also hoping Gable wouldn't ruin it for me completely.

    Jackpot! The combination of the location filming, interesting premise, clever writing, humor, solid supporting performances by Marietto and Vittorio De Sica, and Gable's highly entertaining portrayal of a short-tempered curmudgeon rather than his usual dashing know-it-all really made this film for me. I don't know how many times I've watched it. I even bought the DVD, and I buy very few due to a serious lack of storage space, because I knew I would want to share it.

    During the time I spent in Naples I was constantly reminded of things in the movie: fireworks, schedules that are wrong but 'everyone knows it', endless varieties of coffee… this movie really "gets" Naples, and surprisingly some things about it haven't changed all that much in fifty years.

    And now that I'm finally feeling well-disposed towards Mr. Gable, maybe I'll have to give some of his other work a second try.
  • A romantic comedy that despite the title takes place almost entirely in Capri and not in Naples and stars Sophia Loren and Clark Gable.

    A Clark Gable who was clearly too old to play a heartthrob, at the age of 59 (he would die three months after the film's premiere, at the end of filming The Misfits, his last film and also Marilyn Monroe's).

    Incidentally, it is ridiculous that Vittorio de Sica, in the role of the lawyer, says he is old enough to be Sophia Loren's father, when he was exactly the same age as Clark Gable, the lover.

    The plot is predictable but colorful and with twists that keep the viewer's interest. And Sophia Loren, as always, is magnificent, as is little Marietto in the role of Nando.
  • It is obvious to me that Melville Shavelson's It Started in Naples was created by the studio to cash in on the late 50's-early 60's global success of Italian films and especially of Sophia Loren. It is a forced story and time line, not believable. It is equally obvious to me that the casting of Clark Gable was also a studio thing, and it ruined the film. He is also not believable in the role, he doesn't seem relaxed or natural, and he has no chemistry at all with Sophia Loren. She, on the other hand, was great despite this weak and often cringe-worthy material. Vittorio de Sica was also great, even if he was on screen only briefly. However, the acting prize in this film goes to Marietto, the brilliant child actor who played Nando. And the travelogue of Naples and Capri was wonderful !
  • I just got this movie, as it was just released in July 2005 on DVD. I'd seen it before on TV and had rented it before on VHS. Not sure what it is about this movie, but it's so full of charm! The beautiful landscapes and backdrops of Naples and Capri make it worth the view alone (Not to mention Sophia Loren; Viva Italia!) This was Clark Gable's second-to-last film, I believe, and as he was a bit miscast in the role (he was 59 or so), he pulls off the role of pushy Philadelphian lawyer, Mike Hamilton, with style. Sophia Loren's character, Lucia Curcio, is so lovably "Italian", she really shines in this role. It's also very interesting to see the evolution (or de-evolution) of Hollywood's current concept of sexiness when watching Sophia in this film; she exudes it while most modern-day actresses need all the help they can get...with surgery! Marietto Angeletti plays an 8-year old Nando, the nephew of both leads; truly gifted young actor and you'll love his character. And Also, veteran Italian actor Vittorio De Sica seems so natural in his role as the Neapolitan lawyer Mario Vitale, very believable.

    All in all, a thoroughly enjoyable film and I'd recommend it for everyone. Who knows, it may start a resurgence of tourism to the area!
  • A lightweight romantic comedy featuring a past-his-prime Clark Gable opposite 25-year-old Sophia Loren. Given the disparity in their ages, it's just as well that the romance side of things is saved for the last third of the movie, while the rest is enhanced by the presence of cute kid Marietto, who has a special way of mangling the English language. Beautiful location photography also goes some way towards making amends for the sluggish pace and lack of screen chemistry between the leads
  • Listen to the voices. Can anyone deliver humorously sardonic lines like Clark Gable? Can any voice be as beguiling as Sophia Loren's. Can anyone but Vittorio De Sica be as funny as the Italian lawyer who claims blithely that "a man can be lawyer and a pig at the same time. It happens often."? Sophia also shows that we often put far too much store in voices that hit the notes rather than invest songs with a sense of character. Her two songs are invested with saucy sense of humour. Her version of "Americano" is worth a second and third listen and look. Has anyone swung an imaginary baseball bat in such a sexy manner? Marietto as Nando is one of the great child performances. He is winning without being ingratiating. He is presented as being street wise and yet vulnerable. He does not know more than the adults around him and he has only limited control of his life and destiny. Nando just wants to enjoy his life and we want this for him too. We really get to like Nando because he is a real little boy.

    This film has much to say about what people come to value in life but it is always done with a sense of humour. It's also fun to watch and it's fun to listen to. Finding fun in life seems to be at the heart of It Started in Naples.
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