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  • The Night Fighters makes use of Robert Mitchum's marvelous gift for speech mimicry as he adopts and Irish brogue for a film set in Northern Ireland in 1941. The brogue would be put to better use later on in a far better film, Ryan's Daughter.

    To put in historical context, France has fallen and the British are waging war without allies on the continent for a year now. The Germans contact elements of the old Irish Republican Army and they're looking for a rising like Easter of 1916 that will drain British troops to defend the country and free the six counties who were left behind.

    So the local commandant Dan O'Herlihy raises such a force in his local area and recruits buddies Robert Mitchum and Richard Harris for the group. They do a raid and one of their number is killed and Mitchum and Harris are fugitives. All the worse because as history records the Nazis never did attempt an invasion of Great Britain, they went to the Soviet Union instead.

    Mitchum and Harris are a pair who would rather raise a tankard of beer than a country see this was for nothing. That leads to all kinds of complications down the road.

    I'm not sure what the point to The Night Fighters really was. The film ending was anti-climatic to say the least. I will say that Mitchum's character had a lot of Victor McLaglen's Gypo Nolan from The Informer in him. The Night Fighters never reaches to the dramatic heights that the John Ford classic did.

    In fact The Night Fighters is known primarily for the fact that after hours Robert Mitchum got into a pub brawl with some of the locals and he came out on top. Many different versions of the story got into the media around the world, but I suggest you read Lee Server's meticulously researched and delightfully written biography of Mitchum to get the real story. I can't repeat it here due to the language.

    Mitchum fans might like The Night Fighters, but it will never be at the top of his best screen performances.
  • jotix1003 January 2008
    Warning: Spoilers
    "The Night Fighters" was shown recently in a cable channel. When we came to IMDb to comment on it, we just couldn't find it. Doing a little research, we came to realize it is listed under "A Terrible Beauty", a deceiving title for a movie that has nothing to do with beauty. Considering it had been directed by the great Tay Garnett, and with a cast that included Robert Mitchum, Richard Harris, Ann Heywood, Cyril Cusak, and Dan O'Herlihy, among others, the early promise seemed to evaporate as we watched it.

    It is not a horrible movie by any means. The story about the organization of an IRA faction in Northern Ireland is at the center of the story. Evidently the adaptation of the novel in which this book is based by R. Wright Campbell doesn't make much sense. To make matters worse, the ending leaves the viewer even more confused. It appears the screen play must have had many changes and the finished version doesn't shed new light on the subject matter.

    The best thing in the film are Robert Mitchum and Richard Harris who seemed to have been having a great time with one another as it is evident in the film.
  • Richard Harris and Robert Mitchum star as Irishmen and the tale is set in the early years of WWII. It seems that the Germans want to encourage the IRA to renew hostilities against the British in Northern Ireland's six counties. Why? Well, then the Brits will be so busy trying to put down this rebellion that the Germans will have an easier time beating them in the war. Some quickly fall for the German agent's appeals...some are wondering if the cost just isn't worth it in this proverbial deal with the Devil!

    The acting, as you expect, is quite good. The story, although interesting to me since I used to teach history, might not appeal to so many viewers...particularly if they are not Irish or British. It's definitely one of Mitchum and Harris' more obscure films but that doesn't mean it's bad at all. Well worth your time.
  • The IRA in Northern Ireland during the last world war was in a strange boat.

    Since, as is said in the Near East, "the enemy of my enemy is my friend," there was naturally a certain positive attitude towards Nazi Germany. (You can find this social dynamic explicated by Fritz Heider, the German psychologist, if you like.) Well, the Nazis are mentioned here, and there is a broadcast by Lord Haw Haw, but other than that this is a story of the IRA against the British establishment in Northern Ireland.

    What a tangled web they wove. And what a cast to be caught up in it. Robert Mitchum sounds passably Irish, and looks it too. His hair is long and curly and it gives him a poetic look. (How many times did he play an Irishman? I'm beginning to lose count.) Anne Heywood looks just fine but occasionally sounds as if she's reading from cue cards. The rest of the cast give first-rate performances: Richard Harris, Dan O'Herlihy, and Cyril Cusack especially. O'Herlihy is, I think, an underrated actor. Here he does his "Odd Man Out" number, only he's a good deal more ambitious here than there. He had considerable range: distant and deceitful in "Home Before Dark," compassionate and humanistic in "Fail-Safe." Likewise Cyril Cusack, who has a pretty interesting last name. It's a common enough name in Ireland, but it was English before that, and before that it was brought from France by the Normans, to whom it was a location name (one who lived in Cotius's place). It's also a Ukranian name meaning "cossack." Cyril Cusack is an exceptional performer. He was one of many excellent things about, "The Day of the Jackal," in which he gave his finest performance, brief though it was.

    Alas -- fascinating political situation, wonderful cast -- great potential wasted on a narrative that should have been polished. It isn't that they don't have the ethnographic details right, because they do. Mitchum is the "O'Neill boy," although he's 35. He'll remain a "boy" until he's married, an event which takes place late it life in traditional Irish villages. (That's their form of birth control.) The Irish also practiced primogeniture, meaning that the oldest son gets the farm, skimpy as it is in this case, so poor Mitchum will have to get out on his own. And the script captures some of the ways the Irish tend to play with words. When Mitchum informs on the IRA inside the police station, the Sargent tells him that his friends are waiting outside to kill him, and Mitchum replies, "I think I'll go home by the back way, pendin' the coolin' of their ardor." (There's a hilarious scene in "Angela's Ashes" in which a teacher pities a young boy because "you're so poor you haven't a shoe to your foot.")

    But, the narrative is not taut. The characters and their motives are not clearly drawn, except in the way that cartoons are drawn. Not because of a deliberate attempt at ambiguity but through carelessness. Mitchum is entirely too casual when he joins the IRA, as if accepting a drink from a friend at the bar. And he informs on them with equal aplomb. O'Herlihy's character is one-dimensional, a glory-hungry IRA commandant who is also the jealous, rejected lover of Mitchum's girl. If the script is weak, so is Tay Garnett's direction. Toward the end, O'Herlihy mistakenly shoots a young boy. No one bothered to include a shot of the boy falling from his bicycle.

    Then O'Herlihy turns and runs away into the rain, and we never find out what happens afterward, leaving not just a loose thread hanging but a veritable hawser. Next, we get a quick change of scene to Mitchum and his girl sailing away on a ferry into the sunset.

    Ho hum. What a waste.
  • Although it wasn't my genre of preference, I loved watching The Night Fighters. Cute guys, cute accents; what else is there? Sure, there are some rebellious plots and shootings, but is anyone really paying attention to them? I was much more focused on Robert Mitchum, Dan O'Herlihy, and relative newcomer to the screen Richard Harris.

    Dan is the leader of the IRA, but with his crippled foot, he isn't ever able to participate in their activities. He feels ashamed of it, and he feels he has to take drastic action to make up for it: joining the Nazi party. He thinks the IRA can just use the Nazis to help further their purpose, and when they have no further need of them, they can part ways. But some feel that's not a realistic approach. When Bob joins the rebellious group, does he do more than drink beer and make the girls swoon? He just might have some interesting ideas to contribute.

    Ladies, if you like Irish accents and cute guys, go ahead and suggest this movie for your next date night. Your fellow will like the plots and violence, and you'll be kept pretty happy too. Next up, rent Ryan's Daughter for more of Bob Mitchum's adorable accent!
  • malcolmgsw6 December 2019
    I had hoped from the opening sequence that it would feature the IRA in collaboration with the Nazis.However it developed in a different direction.Iit is just rather dull with little pace.
  • Warning: Spoilers
    Tay Garnett's half-baked, black & white melodrama "Night Fighters" chronicles the exploits of a rural group of IRA dissidents during the early days of World War II. As an Irishman groveling under oppressive British rule, Dermot O'Neill (Robert Mitchum of "Thunder Road") throws in with the organization because they advocate a way of thinking that he finds agreeable. Actually, peer pressure seems to have been a factor in Dermot's decision. Neeve Donnelly (Anne Heywood of "The Midas Run"), Dermot's longtime girlfriend, advises her footloose 35-year-old boyfriend that she wants nothing to do with the IRA. She contends they will turn him into a murderer. Dermot's younger sister, Bella (Marianne Benet of "Shake Hands with the Devil"), shares Neeve's sentiments about the IRA. Nevertheless, she knows her own headstrong boyfriend Sean (Richard Harris of "The Guns of Navarone") well enough to realize he will do what he pleases with or without her consent. Since many of his closest friends, especially Sean decide to sign up, Dermot is willing to go along with them.

    The population appears evenly divided between those who support the IRA and those who oppose it. Later, the local Catholic priest, Father McCrory (Hilton Edwards of "Half a Sixpence"), reads a church proclamation aloud before his sermon which forbids Catholics from joining the terrorist group. As a consequence, the threat of excommunication is held over the heads of those who refuse to abide by the church's decree. A local merchant, Don McGinnis (Dan O'Herlihy of "The Young Land"), calls an IRA planning session with a German agent who helps recruit followers. Initially, Dermot wants nothing to do with the organization. Indeed, his family is divided along ideological lines about the IRA. Dermot's mother, Mrs. Kathleen O'Neill (Eileen Crowe of "The Quiet Man"), refuses to recognize the legitimacy of the terrorist group and warns her wayward son about joining these wild-eyed radicals.

    Eventually, the simmering plot comes to a boil when Dermot participates in his first raid against the British. The IRA impersonate British soldiers, hijack an official lorry, and enter an armory using false documents that pass muster. Dermot and company drive off with a load of rifles, cartridges, and various other weapons, such as grenades. Miraculously, nobody fires a single shot during this brief but intrepid daylight raid. Later, the Germans contact the IRA again and notify McGinnis about their decision to send his unit against a British coastal fort to disable it. The Germans have assured them this will be the opening gambit in a Nazi invasion. McGinnis hates it that his crippled leg prevents him from taking part in the fireworks. The German agent who helped launch the group explains the Third Reich doesn't want to see McGinnis arrested. They consider him far too important to be arrested because he is such a skillful organizer. Nevertheless, the desperate McGinnis is terribly frustrated by their decision but obeys their orders.

    This time our misguided heroes must resort to violence, armed as they are with machine guns. Several soldiers die during this night time raid. Unfortunately, Sean catches a bit of shrapnel in his leg, and Dermot and he must flee the country. They seek temporary sanctuary in the Irish Free State where they can avoid arrest and Sean can receive proper medical treatment. Dermot tires of cooling his heels and slips back across the border undetected. Homesick Sean isn't as lucky after he recovers from his wound. The British capture him and turn him over to the local police. A trial ensues and Sean lands a ten-year sentence in a Belfast Prison.

    Dermot is fed up with the IRA. He believes they should have stood up for Sean. When McGinnis organizes a second raid, an attack on the local police barracks, Dermot refuses to participate. Moreover, he vows to report them to the police! Our protagonist reveals one of the policemen has a wife and child living at the police barracks. Naturally, this is of no consequence to the headstrong McGinnis. However, Dermot doesn't want the blood of innocent bystanders on his hands. Eventually, he has no alternative but to approach the police about the IRA's plans. As an act of reprisal, the IRA beats up Dermot for spilling the beans about their raid. Later, they capture him and hold him for a forthcoming hearing. Although he warned the police, Dermot never divulged the names of the conspirators.

    "Night Fighters" goes to extraordinary lengths in showing the creation of the IRA in a small village during its first half-hour. This is probably one of only a few films Hollywood produced about the contentious radical organization. Although it clocks in at about 90 minutes, the film suffers from an abrupt ending. Mind you, Dermot and Neeve gain passage on a ship to England. Meantime, back in the village, Bella belts herself into Dermot's trench coat, ostensibly the uniform for these IRA members, and she takes Dermot's bike for a ride through the pouring rain. A vengeful McGinnis spots her, but he mistakes her for her big brother. He fires several shots at her in the rain and she crashes her bike. At this point, "Night Fighters" ends abruptly. Perhaps the filmmakers exhausted their budget and couldn't afford to provide a more wholesome ending. Altogether, this well-made thriller suffers from this sudden ending. Altogether, "Night Fighters" doesn't qualify as one of Robert Mitchum's better pictures.
  • Robert Mitchum is an irish-man who joins the IRA during the WW2 era. They plan to fight the British while they're occupied with the Germans. Could have been a much better movie if the people didn't act so one- dimensional. I almost yawned a few times.

    Where I saw it: Showtime Extreme (ironic, i know)

    My grade: C-
  • You know what that means, two characters such as those one on a shooting, as Robert Mitchum with Stanley Baker during Bob Aldrich's THE ANGRY HILLS; I mean booze is never far from the "companionship" that may rise between the likes of Mitchum, Harris and Baker, so notorious heavy drinkers. And they were not the only ones.....So this Tay Garnet's film, as several from this same director, offer some John Ford's accents, elements: Irish, men's atmosphere, saloon fist fights. And there were not so many movies speaking if iRA in those days, the sixties decade. Good film but not my favourite from POSTMAN ALWAYS RINGS TWICE director.