Please Don't Eat the Daisies (1960)

Passed   |    |  Comedy, Family, Romance


Please Don't Eat the Daisies (1960) Poster

A university professor leaves his job to become a theater critic, creating problems with his family and friends.

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6.5/10
3,679

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  • Margaret Lindsay in Please Don't Eat the Daisies (1960)
  • Doris Day and David Niven in Please Don't Eat the Daisies (1960)
  • Spring Byington in Please Don't Eat the Daisies (1960)
  • Doris Day and David Niven in Please Don't Eat the Daisies (1960)
  • Please Don't Eat the Daisies (1960)
  • Doris Day and David Niven in Please Don't Eat the Daisies (1960)

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4 December 2006 | blanche-2
6
| enjoyable Doris Day film
Based on the best-selling novel by Jean Kerr, "Please Don't Eat the Daisies" is the story of a New York City family, the Mackays - four boys, a wife Kate (Doris Day) and her husband Larry (David Niven). Suddenly, Larry finds success as a powerful theater critic, and Kate wants to move out to the country, which was always their dream. However, it's not really Larry's dream any longer. He's heady on New York success and wants to be near Theater Row. Conflict comes with his changing values.

This is a nice story co-starring Spring Byington as Kate's mother and Patsy Kelly as the family housekeeper. It doesn't compare with the sparkling Doris-Rock comedies. I happen to like David Niven in the role - he's what you would expect from a New York critic - above it all, sophisticated, egotistical, well-educated but ultimately likable.

Day is very good as always and gets to sing, but the whole thing is a little too much. There aren't enough laughs to make it really funny. The brightest part of the movie for me was Janis Paige as Deborah Vaughn, an actress/singer decimated by Mackay in a review who then becomes attracted to him. She looks gorgeous, she's sexy, and she supplies the bite that the story needed more of. If the writers had built up that part of the story, the movie might have turned out better. The other part they could have built up is the awful play that Larry wrote that ends up being produced by the local community theater. Some scenes from that with Doris would have been great.

Day, as it turned out, was at her best when Ross Hunter made her over into a glamorous, sophisticated woman herself and teamed her up with Rock Hudson and gave her glossy productions and great clothes. This film was made was right at that transition. Day is a very vibrant presence but she can't elevate this material to more than what it was - a pleasant family comedy.

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