The Criterion Channel has unveiled their lineup for next month and it’s another strong slate, featuring retrospectives of Carole Lombard, John Waters, Robert Downey Sr., Luis García Berlanga, Jane Russell, and Rob Epstein & Jeffrey Friedman. Also in the lineup is new additions to their Queersighted series, notably Todd Haynes’ early film Poison (Safe is also premiering in a separate presentation), William Friedkin’s Cruising, and Pier Paolo Pasolini’s Teorama.
The new restorations of Manoel de Oliveira’s stunning Francisca and Francesco Rosi’s Christ Stopped at Eboli will join the channel, alongside Agnieszka Holland’s Spoor, Bong Joon Ho’s early short film Incoherence, and Luc Dardenne & Jean-Pierre Dardenne’s Rosetta.
See the lineup below and explore more on criterionchannel.com.
#Blackmendream, Shikeith, 2014
12 Angry Men, Sidney Lumet, 1957
About Tap, George T. Nierenberg, 1985
The AIDS Show, Peter Adair and Rob Epstein, 1986
The Assignation, Curtis Harrington, 1953
Aya of Yop City,...
The new restorations of Manoel de Oliveira’s stunning Francisca and Francesco Rosi’s Christ Stopped at Eboli will join the channel, alongside Agnieszka Holland’s Spoor, Bong Joon Ho’s early short film Incoherence, and Luc Dardenne & Jean-Pierre Dardenne’s Rosetta.
See the lineup below and explore more on criterionchannel.com.
#Blackmendream, Shikeith, 2014
12 Angry Men, Sidney Lumet, 1957
About Tap, George T. Nierenberg, 1985
The AIDS Show, Peter Adair and Rob Epstein, 1986
The Assignation, Curtis Harrington, 1953
Aya of Yop City,...
- 5/24/2021
- by Jordan Raup
- The Film Stage
‘Portrait Of A Lady On Fire’, ‘And Then We Danced’ lead Mubi, BFI Player charts.
Oliver Hermanus’ Moffie topped UK streaming platform Curzon Home Cinema’s (Chc) most-watched films over the weekend, after sidestepping a theatrical release due to the ongoing Covid-19 lockdown.
The gay military drama, which had its world premiere in the Horizons section of Venice, was originally due to receive a UK day-and-date release on April 24. But the continued closure of cinemas meant the film launched exclusively on Chc and performed strongly as audiences continue to seek out home entertainment during quarantine.
From April 24-26, Chc reported...
Oliver Hermanus’ Moffie topped UK streaming platform Curzon Home Cinema’s (Chc) most-watched films over the weekend, after sidestepping a theatrical release due to the ongoing Covid-19 lockdown.
The gay military drama, which had its world premiere in the Horizons section of Venice, was originally due to receive a UK day-and-date release on April 24. But the continued closure of cinemas meant the film launched exclusively on Chc and performed strongly as audiences continue to seek out home entertainment during quarantine.
From April 24-26, Chc reported...
- 4/28/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Claudine Auger, a French actress best known for her work as the Bond girl Domino in the 1965 James Bond movie “Thunderball” opposite Sean Connery, has died. She was 78.
The official James Bond Twitter account shared the news of her passing Friday.
“It’s with great sadness we have learnt that Claudine Auger, who played Domino Derval in ‘Thunderball” (1965), has passed away at the age of 78,” @007 said in a statement. “Our thoughts are with her family and friends.”
Also Read: 'No Time to Die' Trailer: Daniel Craig Suits Up as James Bond for 5th and Final Time (Video)
Auger, born Claudine Oger, was a French star who first won the Miss France pageant in 1958 and was the runner up for Miss World that same year. She studied dramatic acting at the Conservatory in Paris and made her uncredited film debut in 1958 in a film called “Christine.” She was then...
The official James Bond Twitter account shared the news of her passing Friday.
“It’s with great sadness we have learnt that Claudine Auger, who played Domino Derval in ‘Thunderball” (1965), has passed away at the age of 78,” @007 said in a statement. “Our thoughts are with her family and friends.”
Also Read: 'No Time to Die' Trailer: Daniel Craig Suits Up as James Bond for 5th and Final Time (Video)
Auger, born Claudine Oger, was a French star who first won the Miss France pageant in 1958 and was the runner up for Miss World that same year. She studied dramatic acting at the Conservatory in Paris and made her uncredited film debut in 1958 in a film called “Christine.” She was then...
- 12/20/2019
- by Brian Welk
- The Wrap
Claudine Auger, the French actress who played Bond girl Dominique "Domino" Derval in 1965's Thunderball, died Wednesday in Paris, her talent agency announced. She was 78.
Born in Paris on April 26, 1941, Auger was a model who won the Miss France beauty contest and finished first runner-up in the 1958 Miss World pageant. While still in school, she was discovered by Jean Cocteau and appeared in his 1960 film Testament of Orpheus, and then in The Iron Mask (1962) and Games of Desire (1964).
During a vacation in Nassau, the Bahamas, Auger bumped into producer Kevin McClory, and he signed her ...
Born in Paris on April 26, 1941, Auger was a model who won the Miss France beauty contest and finished first runner-up in the 1958 Miss World pageant. While still in school, she was discovered by Jean Cocteau and appeared in his 1960 film Testament of Orpheus, and then in The Iron Mask (1962) and Games of Desire (1964).
During a vacation in Nassau, the Bahamas, Auger bumped into producer Kevin McClory, and he signed her ...
- 12/20/2019
- The Hollywood Reporter - Film + TV
Claudine Auger, the French actress who played Bond girl Dominique "Domino" Derval in 1965's Thunderball, died Wednesday in Paris, her talent agency announced. She was 78.
Born in Paris on April 26, 1941, Auger was a model who won the Miss France beauty contest and finished first runner-up in the 1958 Miss World pageant. While still in school, she was discovered by Jean Cocteau and appeared in his 1960 film Testament of Orpheus, and then in The Iron Mask (1962) and Games of Desire (1964).
During a vacation in Nassau, the Bahamas, Auger bumped into producer Kevin McClory, and he signed her ...
Born in Paris on April 26, 1941, Auger was a model who won the Miss France beauty contest and finished first runner-up in the 1958 Miss World pageant. While still in school, she was discovered by Jean Cocteau and appeared in his 1960 film Testament of Orpheus, and then in The Iron Mask (1962) and Games of Desire (1964).
During a vacation in Nassau, the Bahamas, Auger bumped into producer Kevin McClory, and he signed her ...
- 12/20/2019
- The Hollywood Reporter - Movie News
French actor Claudine Auger, who broke through internationally with her part opposite Sean Connery in the James Bond film “Thunderball,” has died. She was 78.
Auger’s talent agency Art Time announced the news and said she had died in Paris.
Auger started her acting career with a small part in the 1958 film “Christine,” in which she starred alongside Romy Schneider and Alain Delon. She then appeared in Jean Cocteau’s 1960 film “Testament Of Orpheus.”
She was the first French actress to be cast as a “Bond girl” in a movie with the dashing British spy, years ahead of Lea Seydoux, Sophie Marceau, Eva Green and Carole Bouquet. In 1965’s “Thunderball,” she played “Domino,” a femme fatale and mistress of Emilio Largo (Adolfo Celi) who falls in love with Bond and helps him bring down a criminal organization. She reportedly won the role over Raquel Welch, Faye Dunaway and Julie Christie.
Auger’s talent agency Art Time announced the news and said she had died in Paris.
Auger started her acting career with a small part in the 1958 film “Christine,” in which she starred alongside Romy Schneider and Alain Delon. She then appeared in Jean Cocteau’s 1960 film “Testament Of Orpheus.”
She was the first French actress to be cast as a “Bond girl” in a movie with the dashing British spy, years ahead of Lea Seydoux, Sophie Marceau, Eva Green and Carole Bouquet. In 1965’s “Thunderball,” she played “Domino,” a femme fatale and mistress of Emilio Largo (Adolfo Celi) who falls in love with Bond and helps him bring down a criminal organization. She reportedly won the role over Raquel Welch, Faye Dunaway and Julie Christie.
- 12/20/2019
- by Elsa Keslassy
- Variety Film + TV
French actress Claudine Auger, noted for her role as Dominique “Domino” Derval in James Bond film Thunderball, has died at the age of 78.
The news was announced by her agency Time Art, which said she died in Paris on Thursday (December 20), as reported by numerous French press. No cause of death was disclosed.
Auger began her acting career in France when Jean Cocteau cast her in a small role in his 1960 pic Testament Of Orpheus. At the age of 18, she married the French filmmaker Pierre Gaspard-Huit, who was 43 at the time, and he cast her in several of his films including his 1958 film Christine in which she appeared alongside Romy Schneider and Alain Delon.
Her big break came when she landed the role of Domino in Thunderball, the fourth pic in the James Bond franchise in which she starred with Sean Connery, playing the mistress of arch villain Emilio Largo...
The news was announced by her agency Time Art, which said she died in Paris on Thursday (December 20), as reported by numerous French press. No cause of death was disclosed.
Auger began her acting career in France when Jean Cocteau cast her in a small role in his 1960 pic Testament Of Orpheus. At the age of 18, she married the French filmmaker Pierre Gaspard-Huit, who was 43 at the time, and he cast her in several of his films including his 1958 film Christine in which she appeared alongside Romy Schneider and Alain Delon.
Her big break came when she landed the role of Domino in Thunderball, the fourth pic in the James Bond franchise in which she starred with Sean Connery, playing the mistress of arch villain Emilio Largo...
- 12/20/2019
- by Tom Grater
- Deadline Film + TV
French-Armenian singer-songwriter-actor Charles Aznavour, best known for songs such as “She,” “Yesterday When I Was Young” and “For Mama,” has died. Aznavour, who was 94, died in his sleep from a cardiac arrest in his home in Mouries, France, according to his agent.
Aznavour sold more than 180 million records and appeared in more than 60 films. Bob Dylan considered Aznavour, sometimes referred to as a Gallic Frank Sinatra, to be “one of the greatest live performers” he’d ever seen. CNN named him Entertainer of the Century in 1998, and he received a star on the Hollywood Walk of Fame last year.
French President Emmanuel Macron tweeted Monday: “Charles Aznavour was profoundly French, deeply attached to his Armenian roots and known throughout the world. He has accompanied the joys and pain of three generations. His masterpieces, the tone of his voice, his unique radiance will long survive him.”
Aznavour, who continued to perform...
Aznavour sold more than 180 million records and appeared in more than 60 films. Bob Dylan considered Aznavour, sometimes referred to as a Gallic Frank Sinatra, to be “one of the greatest live performers” he’d ever seen. CNN named him Entertainer of the Century in 1998, and he received a star on the Hollywood Walk of Fame last year.
French President Emmanuel Macron tweeted Monday: “Charles Aznavour was profoundly French, deeply attached to his Armenian roots and known throughout the world. He has accompanied the joys and pain of three generations. His masterpieces, the tone of his voice, his unique radiance will long survive him.”
Aznavour, who continued to perform...
- 10/1/2018
- by Leo Barraclough
- Variety Film + TV
Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)
This week’s question: In honor of David Lowery’s “A Ghost Story,” what is the best movie about the afterlife?
Kate Erbland (@katerbland), IndieWire
It will come as no surprise to anyone that, as a child, I watched a lot of television. A lot. I was mostly obsessed with HBO — our single movie channel, number 2 on the dial; yes, my childhood TV had a dial, don’t ask — with intermittent deviations into mostly inappropriate mini-series (thus explaining my rarely disclosed expertise on “The Thornbirds”), and was pretty much given free range to watch whatever the hell I wanted, whenever I wanted. This is why my favorite...
This week’s question: In honor of David Lowery’s “A Ghost Story,” what is the best movie about the afterlife?
Kate Erbland (@katerbland), IndieWire
It will come as no surprise to anyone that, as a child, I watched a lot of television. A lot. I was mostly obsessed with HBO — our single movie channel, number 2 on the dial; yes, my childhood TV had a dial, don’t ask — with intermittent deviations into mostly inappropriate mini-series (thus explaining my rarely disclosed expertise on “The Thornbirds”), and was pretty much given free range to watch whatever the hell I wanted, whenever I wanted. This is why my favorite...
- 7/10/2017
- by David Ehrlich
- Indiewire
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Best in Show (Christopher Guest)
Christopher Guest has had an exceptionally strong ’00s with A Mighty Wind and For Your Consideration, and it remains to be seen how his upcoming Mascots will be received, but his arguable peak is still the gloriously funny mockumentary Best in Show. Guest’s other films have lovingly skewered egotistical oddballs and the insanity of subjective or objective criticism, so Best in Show is...
Best in Show (Christopher Guest)
Christopher Guest has had an exceptionally strong ’00s with A Mighty Wind and For Your Consideration, and it remains to be seen how his upcoming Mascots will be received, but his arguable peak is still the gloriously funny mockumentary Best in Show. Guest’s other films have lovingly skewered egotistical oddballs and the insanity of subjective or objective criticism, so Best in Show is...
- 7/7/2017
- by Jordan Raup
- The Film Stage
Get in touch to send in cinephile news and discoveriesNEWS© Bronx (Paris). Photo: Claudia Cardinale © Archivio Cameraphoto Epoche/Getty ImagesThe Cannes Film Festival has released the vibrant poster for their 70th edition. Beautiful, definitely, but how much longer are they going to rely on their glorious past rather than pointing to the present and future?We are excited to announce a collaboration with the Filmadrid festival in Spain to bring you films from their new section, The Video Essay, this June. Submissions are now open, so for video essayists new and experienced we encourage you to send in your work for consideration. Those selected will be screened both at the festival in Madrid and on the Notebook.Recommended VIEWINGWe adored Terence Davies' by turns witty and austere Emily Dickinson biopic A Quiet Passion when it premiered last year at the Berlinale. With its U.S. release coming soon, we finally have a local trailer.
- 3/29/2017
- MUBI
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film Forum
The amazing films of Robert Downey Sr. play as part of “Robert Downey (The Original).” The still-shocking Putney Swope screens throughout this weekend; Greaser’s Palace can be seen on Saturday and Sunday, while the latter day offers a print of Chafed Elbows.
The restoration of Fritz Lang‘s Destiny begins its run.
The King and the Mockingbird...
Film Forum
The amazing films of Robert Downey Sr. play as part of “Robert Downey (The Original).” The still-shocking Putney Swope screens throughout this weekend; Greaser’s Palace can be seen on Saturday and Sunday, while the latter day offers a print of Chafed Elbows.
The restoration of Fritz Lang‘s Destiny begins its run.
The King and the Mockingbird...
- 5/19/2016
- by Nick Newman
- The Film Stage
Adieu au langage - Goodbye to Language
A Works Cited
Introduction
From its bluntly political opening (Alfredo Bandelli's 'La caccia alle streghe': "Always united we win, long live the revolution!") to its hilarious fecal humor and word play—with 3D staging that happily puts to shame James Cameron and every other hack who's tried their hand at it these past several years—Adieu au langage overwhelms us with a deluge of recited texts, music and images, hardly ever bothering to slow down to let us catch our breath. Exhilarating and certainly not surprising—this is the guy who made Puissance de la parole after all!
The release of a new Godard film or video means a new encounter with texts, films and music often familiar from the filmmaker's earlier work—reworked and re-contextualized—as well as new discoveries to be sorted through and identified. This life-long interest in quotation...
A Works Cited
Introduction
From its bluntly political opening (Alfredo Bandelli's 'La caccia alle streghe': "Always united we win, long live the revolution!") to its hilarious fecal humor and word play—with 3D staging that happily puts to shame James Cameron and every other hack who's tried their hand at it these past several years—Adieu au langage overwhelms us with a deluge of recited texts, music and images, hardly ever bothering to slow down to let us catch our breath. Exhilarating and certainly not surprising—this is the guy who made Puissance de la parole after all!
The release of a new Godard film or video means a new encounter with texts, films and music often familiar from the filmmaker's earlier work—reworked and re-contextualized—as well as new discoveries to be sorted through and identified. This life-long interest in quotation...
- 10/16/2014
- by Ted Fendt
- MUBI
Nicolas Ghesquière's designs were at once flouncy and edgy – and with Kristen Stewart on board the label is cutting edge
Barbed wire snaking across a dress front, dancing flamenco ruffles, boxy crop tops, super-sleek vanity cases and Kristen Stewart in a lemon yellow leather biker jacket perched on the front row – Balenciaga's show for next spring/summer had everything a modern fashion house needs: a celebrity mascot who oozes cool, accessories likely to cause waiting list meltdowns and interesting, beautifully made clothes that will look good in magazines but aren't scary enough to frighten off women affluent enough to afford them.
Balenciaga is often described as a bit "sci-fi", but this show kicked off with a lot of very un-Star Trek-like ruffles. A black dress with a frilled peplum turned to reveal a slash detail in the skirt's hem while ruffled skirts were matched with edgy squared-off...
Barbed wire snaking across a dress front, dancing flamenco ruffles, boxy crop tops, super-sleek vanity cases and Kristen Stewart in a lemon yellow leather biker jacket perched on the front row – Balenciaga's show for next spring/summer had everything a modern fashion house needs: a celebrity mascot who oozes cool, accessories likely to cause waiting list meltdowns and interesting, beautifully made clothes that will look good in magazines but aren't scary enough to frighten off women affluent enough to afford them.
Balenciaga is often described as a bit "sci-fi", but this show kicked off with a lot of very un-Star Trek-like ruffles. A black dress with a frilled peplum turned to reveal a slash detail in the skirt's hem while ruffled skirts were matched with edgy squared-off...
- 9/27/2012
- by Simon Chilvers
- The Guardian - Film News
Chicago – “Interpret as you wish,” invites narrator and filmmaker Jean Cocteau prior to his contemporary retelling of the Orpheus legend and the second installment of his Orphic Trilogy, which also includes 1930’s “The Blood of a Poet” and 1960’s “Testament of Orpheus.” Cocteau’s 1950 masterwork, simply titled “Orpheus,” is one of his most emotionally complex and deeply personal projects. It’s also a lot of fun.
Unlike other avant-garde filmmakers, Cocteau sports a immensely playful spirit that causes viewers to wholly embrace his onscreen abstractions rather than dissect them for their intended meaning. The titular protagonist in “Orpheus” is told by another character that the “dreamer must accept his dreams,” and Cocteau expects his audience to follow suit. This results in a picture of unforgettable images as whimsically absurd as they are dramatically resonant.
Blu-Ray Rating: 5.0/5.0
Jean Marais stars as Orpheus, the poet famous in Greek mythology for journeying into...
Unlike other avant-garde filmmakers, Cocteau sports a immensely playful spirit that causes viewers to wholly embrace his onscreen abstractions rather than dissect them for their intended meaning. The titular protagonist in “Orpheus” is told by another character that the “dreamer must accept his dreams,” and Cocteau expects his audience to follow suit. This results in a picture of unforgettable images as whimsically absurd as they are dramatically resonant.
Blu-Ray Rating: 5.0/5.0
Jean Marais stars as Orpheus, the poet famous in Greek mythology for journeying into...
- 9/6/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Fans of Criterion’s Eclipse line of DVDs have no doubt already taken notice that a new box set was just added to the catalog last week – Eclipse Series 28: The Warped World of Koreyoshi Kurahara. With its vivid orange and pink packaging, it practically leaps off the shelf into your hands, like a plump juicy grapefruit just begging to be squeezed. And though I’m an unabashed promoter of the series, finding something to like in every set and film I’ve seen so far, I have to say that I’m particularly enthusiastic about this collection. Though the films were all shot in the 1960s, the variety of topics, the liveliness of the action and the vitality of their cinematic techniques makes this one of Eclipse’s most exciting and attractive sets to date for contemporary audiences that like their entertainment to veer recklessly on the wild side.
- 8/29/2011
- by David Blakeslee
- CriterionCast
Orpheus, Jean Cocteau’s 1950 fantastical update of the renowned Greek myth, will receive what’s sure to be a sparkling release by Criterion on Blu-ray and DVD on Aug. 16. The Blu-ray and DVD will carry the list prices of $39.99 and $29.99, respectively.
Jean Marais prepares to step through the mirror in Orpheus.
Cocteau’s film focuses on a famous poet (Jean Marais, Beauty and the Beast) scorned by the Left Bank youth, and his love for both his wife Eurydice (Marie Déa) and a mysterious princess (Maria Casarès). In search of inspiration, the poet follows the princess to the land of the dead through a dazzling mirrored portrayal, where more dreamlike storytelling and visual poetry awaits…
The second movie in Cocteau’s Orphic Trilogy, which also includes 1930’s The Blood of a Poet and Testament of Orpheus from 1959, Orpheus remains one of the surrealist artist’s most mesmerizing, sensual works.
Presented in French with English subtitles,...
Jean Marais prepares to step through the mirror in Orpheus.
Cocteau’s film focuses on a famous poet (Jean Marais, Beauty and the Beast) scorned by the Left Bank youth, and his love for both his wife Eurydice (Marie Déa) and a mysterious princess (Maria Casarès). In search of inspiration, the poet follows the princess to the land of the dead through a dazzling mirrored portrayal, where more dreamlike storytelling and visual poetry awaits…
The second movie in Cocteau’s Orphic Trilogy, which also includes 1930’s The Blood of a Poet and Testament of Orpheus from 1959, Orpheus remains one of the surrealist artist’s most mesmerizing, sensual works.
Presented in French with English subtitles,...
- 5/20/2011
- by Laurence
- Disc Dish
The third film in the so-called Orphic Trilogy of Jean Cocteau, Testament Of Orpheus (Le Testament D’Orphée, Ou Ne Me Demandez Pas Pourquoi!), is also the third film in The Criterion Collection release boxed set, and while it’s the best of the trio it’s nowhere near a good film. It does have perhaps the best scoring, and a dozen or so moments in its eighty minutes that have some spark of creativity, but Cocteau is so narcissistic and the film so self-indulgent and replete with outdated special effects, such as Cocteau running film in reverse on numerous occasions,...
- 9/18/2010
- by cosmoetica
- Examiner Movies Channel
František Vlácil, Edinburgh, Glasgow & London
While the likes of Milos Forman and Jirí Menzel benefited from attention focused on Czech cinema in the late-60s and early-70s, František Vlácil wasn't so lucky. He's been mentioned in the same breath as Welles, Tarkovsky and even Kurosawa; and on home turf, his 1967 historical drama Marketa Lazarová is considered a masterpiece. Yet few of Vlácil's films have ever been shown in the UK. Vlácil, who died in 1999, kept working up to the late-80s, and this selection gives a good indication of his range, incorporating Marketa Lazarová alongside lesser-known works such as The Little Shepherd Boy From The Valley and Shadows Of A Hot Summer.
BFI Southbank, SE1, to 30 Sep; Filmhouse, Edinburgh, to 3 Oct; Glasgow Film Theatre, Tue to 28 Sep
Ray Harryhausen, London
In the year of his 90th birthday, Ray Harryhausen can't say he feels too overlooked these days, especially after...
While the likes of Milos Forman and Jirí Menzel benefited from attention focused on Czech cinema in the late-60s and early-70s, František Vlácil wasn't so lucky. He's been mentioned in the same breath as Welles, Tarkovsky and even Kurosawa; and on home turf, his 1967 historical drama Marketa Lazarová is considered a masterpiece. Yet few of Vlácil's films have ever been shown in the UK. Vlácil, who died in 1999, kept working up to the late-80s, and this selection gives a good indication of his range, incorporating Marketa Lazarová alongside lesser-known works such as The Little Shepherd Boy From The Valley and Shadows Of A Hot Summer.
BFI Southbank, SE1, to 30 Sep; Filmhouse, Edinburgh, to 3 Oct; Glasgow Film Theatre, Tue to 28 Sep
Ray Harryhausen, London
In the year of his 90th birthday, Ray Harryhausen can't say he feels too overlooked these days, especially after...
- 9/3/2010
- by Damon Wise
- The Guardian - Film News
First the history, then the list:
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
- 5/3/2010
- by Mike Everleth
- Underground Film Journal
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