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  • jjnxn-126 March 2013
    If you're a fan of Susan Hayward this film has everything you need.

    An old-fashioned melodrama with all the trimmings Susan rules over this with a velvet glove. She's a girl from "the wrong side of the tracks", a prostitute in a roadside honky tonk who makes the acquaintance of a dim hayseed one night. He has a way with a song and isn't clever enough to see that he is being used as a dim bulb stooge by a political machine to take him to the governor's mansion. The film offers nothing new on this age old chestnut but the presentation is what counts here.

    A star vehicle to be sure slanted Susan's way much more than Dean's even though he gets a moment here and there. Spotlighted in a way stars never are today Susan commands the screen. Notice that she is surrounded only by colors that flatter her, the rooms she finds herself in are almost exclusively white or a soft green to highlight her flame colored tresses. Even the roadhouse where she starts the story has that high class sheen that is a hallmark of the studio era.

    The performances are excellent. Dean ambles through without too much to do but handles his one big scene well. Martin Balsam and Ralph Meeker are solid as Dean's trusted friend and a slimy cop respectively but it's Wilfred Hyde-White who stands out as the reptilian political operator who crosses swords with Susan. Therein lies the meat of the story and the basic enjoyment of the film. When these two old pros square off the fireworks are a treat, although Susan gets a couple of other chances on her own to rip apart the unsuspecting when she discovers malfeasance.

    A few interesting side notes. The actress playing Susan's madam, Connie Sawyer known as the oldest working actress in Hollywood, is still alive and appearing in small parts at 102 as of November 2014.

    The other note is a bit more somber, as she entered the end of her cancer struggle Susan Hayward's friends told her they had arranged for her to see any of her films that she wanted and she selected this film much to their surprise. In hindsight though it's easy to see why, every effort is made to make her look her best, its set in the south which had been her home for many years during her happy second marriage and her part is tailor made to many of her strengths.

    If you love Susan Hayward or old time studio made melodramas don't miss this!
  • Warning: Spoilers
    For me, this film started off with a leg up because of the two stars. I'm a huge Dean Martin fan, and Susan Hayward has always been a favorite. Having said that, I still think this film is under-appreciated.

    I've heard people say that the plot's not really believable. It's about as believable as the plots of most films. And, it's loosely based on some real southern history -- multiple times in fact, and most recently in the case of Lurleen Wallace, wife to George Wallace. However -- despite the modernity of Hayward's attire in the film -- this film was set during the Great Depression...and in the deep South. So I think the basic plot is quite believable.

    As much as I enjoy Dean on film, a better southern accent would have helped (which he certainly achieved in "Some Came Running"). However, he's supposed to be a bit of a bumpkin in this role, and I think he plays it as needed. Susan Hayward...well, she has "spunk", and it really showed in this film. When you went to a Susan Hayward film, this is exactly the kind of portrayal you wanted to see.

    There are also a couple of superb supporting performances. Wilfred Hyde-White is brilliant as the dirty politician. True, his British accent showed through a tad, but his delight in playing the villainous role more than made up for that. An actor I usually don't really appreciate -- Ralph Meeker -- ably portrays the sleazy "colonel" in the state police and militia -- a wonderful performance. Martin Balsam is also very good as the speech writer/college boy working for the governor, but his role needed to be expanded just a bit. Balsam was one of those reliable character actors throughout much of the latter half of the 1900s. Frank Maxwell also has a good role as the lieutenant governor here, and joins a number of recognizable character actors in support of the primary cast.

    I also have to mention the direction of the film. It would have been very easy to overdo it with the southern aspect of the film, and shove that southern malaise down our throats (as Lillian Hellman sometimes did). Director Daniel Mann resisted that temptation, and also "the South" was always there, it didn't overwhelm the story.

    The Warner Archives has recently (2012) released this film, although it has not been restored. My biggest complaint with the DVD is a lack of crispness (though not bad), and variations in skin tone throughout the film...often too red. But, it's still nice to have it out in reasonable quality.

    Yup, I'm a bit prejudiced here, but this has always been a particular favorite of mine. I highly recommend it, soap-sudsy as it may seem.
  • The stars of this movie caught my eye when I checked this out of my local library, otherwise, I probably would have avoided it since it was such an obscure title. I just watched it with my mom who enjoyed it. I did too though I noticed it skimped on some details concerning the way corruption is possibly handled in politics. But it's fun seeing Dean Martin, Susan Hayward, and Wilfrid Hyde-White spar on screen as well as Ralph Meeker and Martin Balsam also around when it comes time to pick the good guys and the bad. Don't know if Dean's character is based on anyone from my home state of Louisiana who was elected governor but it's interesting when he's compared to some of them in other reviews on this site. Anyway, that's a recommendation of Ada.
  • Attention Susan Hayward fans: add Ada to your list. She plays the title character, and it's one of the most classic "Susan Hayward roles" she ever played. It's not my all-time favorite of her films, because I'm not a Dean Martin fan, but it's an essential watch for all who love her.

    Dean is a fast-rising politician in the South, and as everyone knows, skeletons run rampant in politicians' closets. When the movie starts, Dean doesn't have any scandal, but when he marries a prostitute, there's quite a bit of covering up to do! His campaign manager, Wilfrid Hyde White, and his speechwriter, Martin Balsam, can't stand Susan Hayward from the moment she marries Dean, because of the threat of danger she brings to their campaign. But when she starts becoming an even bigger threat-it's Susan Hayward, do we really think she'll be content acting like a simpering wife?-they really can't stand her!

    Susan Hayward is one of my all-time favorite actresses, so I absolutely loved her in this role. Her character is everything you think of when you think of Susan Hayward: strong, charming, cunning, shrewd, tough, smart, sexy, and classy. I also love political movies, and this one shows the fantastic and sickening world of back-door politics. Check it out to further your love of either!
  • Warning: Spoilers
    Ada is Ada Dallas ,a young woman who earns a living as "a lady of the night " in a Memphis drinking establishment, where she meets the laconic and easy going Bo ,who is running for the governorship of a Southern state ,trading on a man of the people image and peppering his political rallies with songs. Ada is a determined and forceful woman who charms Bo and they soon marry to the disquiet of his political adviser, the manipulative Sylvester. Bo wins the election -thanks in no small measure to the less than ethical actions of Sylvester -and is installed in the gubnatorial mansion where he is treatd as a puppet by the entrenched interests ,all in thrall to Sylvester.When he makes a stand Bo is almost killed and it is Ada ,who as acting Governor sets out to reform the political system and attack its corruption. Susan Hayward as Ada dominates the movie giving a fine portrayal of a strong woman ,facing down the social snobbery of the ruling elite within the state and striving with might and main to overcome her past.It is a part tailor made for her and she plays it to the hilt.Martin is suitably self effacing as Bo and strong support comes from Ralph Meeker as a police chief on the take ,and from Martin Balsam as a P R man.Wilfred Hyde-White is miscast as Sylvester his pronounced British accent seemingly out of place. Its a bit reminiscent of the Frank Capra movies of the thirties in its take on political corruption and the ending is a little too pat . A solid 100 or so minutes and enjoyable for devotees of soap opera even so
  • I had trouble naming my review and I guessing they had a time trying to name this movie thus Ada will have to do for us both. I like Susan Hayworth and she has predictable acting and facial expressions in all her work. It doesn't lack here and she delivers. On Dean Martin, I appreciate his trying to enter into drama and westerns but I could never get used to him doing so. He doesn't have the depth and the acting skills to pull it off. His fame, wealth and power allowed him opportunities to be sure but that is about it. The story itself is interesting from this point of view. Who doesn't like a rags to riches or an underdog becoming a top dog especially it they are a good soul. That is the case here. Susan pulls it off. However Dean further distracted me when I watched him run for office and playing guitar songs to win people over. At this point, I was ready to pull-out but a strange thing happened. The story appeared and it is an interesting one. Human nature does not disappoint and here we get a generous portion of greed, underhand-ness, corruption, scheming and for those that like decent endings comeuppance visits and gives us closure making it satisfying for the viewer and for the actors to say they earned their pay. I recommend a movie snack of your choice and a tasty drink and stay with this until it clicks. It will and it is worth it as the viewer is forced to become involved and choose sides thus emotions are engaged. It is called in the movie parlance "entertainment". You will be
  • Warning: Spoilers
    In another "pull out the stops" performance, the fantastic Susan Hayward takes no prisoners as a roadhouse "escort girl" who ends up as the wife of her "pick-up", none other than a candidate for the governor of an unmentioned Southern state. Played by the dashing Dean Martin, this charming politician isn't above singing a song at a campaign to get votes, and he's also not above telling adviser Martin Balsam to butt out of his personal life when Balsam tells him to get rid of his floozie when he is about to go off with Hayward "to discuss" his political goals. Fortunately for him, Hayward doesn't go off on Balsam at that time, but when Martin suddenly proposes to Hayward, she sees the opportunity to gain some respectability as well as find the type of love that's never been offered to her before in her life. Hayward is initially polite but quickly stands up to the man with the power behind Martin's candidacy (Wilfred Hyde White) who obviously sees this as a blockade in Martin's political future which would block things White wants to gain from Martin being elected.

    Obviously, Martin is elected, but not without some scandal, and as the new governor's wife, Hayward quickly stands up to some of the political and businesswomen's wives (among them Kathryn Card of "I Love Lucy" who gets a good put down from Hayward), and when Martin is injured in a not quite accidental bombing of his car, Hayward steps in as Lieutenant Governor to fulfill the promises of Martin's campaign. She further standing up to White who begrudgingly comes to respect her, but it is apparent that White's involvement in Martin's "accident" was quite intended to keep Martin under his thumb and do as he demands. This is a very compelling political drama along the lines of "Advise and Consent" and "The Best Man" which shows the power of the woman behind the throne, an analogy of what some of our first ladies could possibly have been like behind their famous fudge, yellow roses, anti-drug campaigns, ball gowns and re-decorating plans.

    It is obvious that the love between Martin and Hayward's characters are real, so she gets quodos for not using him. Hayward gets some terrifically acidic lines and delivers them as if she was biting into a steak, bone and all. She is unafraid to stand up to even the most powerful and dangerous of men, confronting those with vigor who do her man wrong. Hayward's character shows that it is often women from the bottom of the barrel who climb higher and faster and get more done than those who start at the top. A great supporting cast includes Frank Maxwell (as a loyal adviser to Martin whom White pushes out to fulfill his goals), Larry Gates and Ralph Meeker. Wonderfully directed by Daniel Mann, this is political soap opera at its most riveting.
  • Warning: Spoilers
    Copyright 1961. A Metro-Goldwyn-Mayer picture. New York opening at the Capitol: 25 August 1961. U.K. release: floating from October 1961. Australian release: October 1961. 9,730 feet; 108 minutes.

    SYNOPSIS: While campaigning for the governorship of a southern state, Bo Gillis, a folksy politician, falls in love with and marries, Ada, a reformed prostitute, whose dubious background alarms both Bo's press agent, Steve Jackson, and his political adviser, Sylvester Marin.

    COMMENT: Despite its name cast, this movie seems to be totally forgotten today. True, it's a curate's egg of a picture, and not one that's likely to send Dean's fans into raptures. He sings a snatch of a song right at the beginning and that's it as far as Dino's harmonizing is concerned. His performance is great, but halfway through he drops out of the action for quite a spell while Susan Hayward takes control.

    And what a naïve perspective the scriptwriters have of legislature procedure as Susan is sworn in as lieutenant-governor! And director Daniel Man's relentless use of Hayward close-ups (even in tracking shots) doesn't help either.

    Nonetheless, Wilfrid Hyde White has a field day. Admittedly, his dialogue is the sharpest and most interesting in the picture. Maybe he brought his own writer along to the set. Maybe he wrote it himself. In a lesser role, Ralph Meeker's fascinating performance as a slimy police chief also deserves watching.

    As said above, Ruttenberg's superb cinematography is often wasted on ineffective close-ups, but CinemaScope does come to the fore in some of the location set-ups in what certainly look like real government buildings and legislative chambers. These scenes, plus the cab trip and our first exposure to the executive office, give the film much- needed dramatic effectiveness plus an engrossing yet taut political atmosphere. What a shame, it's so often undermined!
  • williwaw22 November 2011
    Susan Hayward right after her triumph in I Want To Live had a string of hit movies: Woman Obsessed, Marriage Go Round, Back Street and this film Ada. Ada was filmed at MGM with Hayward's favorite Director Daniel Mann at the helm and was produced by Hayward's Chalmar Production Company. The Hayward-Mann connection was responsible for Susan Hayward's favorite film I'll Cry Tomorrow also at MGM which won the Star the Cannes Film Festival Award and an Oscar nomination. This film lavishly produced by MGM centers around Ms. Hayward playing a tramp who marries the Governor of a Southern State played by Dean Martin, and eventually becomes Governor due to an assignation attempt on the Governor played by Dean Martin. Susan Hayward's skill as an actress and Dean Martin's fine leading Man work mesh well together.

    Supporting players include Martin Balsam and Ralph Meeker both ably acquit themselves. I liked the scene where Meeker tries to blackmail La Hayward as the Governor's wife. Susan Hayward-ever in control simply slaps Meeker and moves on. ( In my opinion Meeker should have been a major star) Wlfrid Hyde White plays a very wily Southern politician.

    For the record as is part of Susan Hayward legend, Of all Ms Hayward's classic films such as I Want To Live, Smash Up, My Foolish Heart, etc, Ada is the film Susan Hayward requested to see just before Ms Hayward died of brain cancer.

    Also note that there are many scenes with bouquets of yellow Roses. said to be Ms Hayward's favorite flower, Susan Hayward carries a big bouquet of yellow roses to Mr. Hyde-White.

    Ada is a Susan Hayward movie, if you like Ms. Hayward -and I do!- you will like this film.

    The conclusion of the film is intelligent where Susan Hayward and Martin reconcile and walk out of the State Capitol as equals.
  • Warning: Spoilers
    This above average political (campaign) drama by Daniel Mann, features Susan Hayward, whom he'd earlier directed in the Lillian Roth biography I'll Cry Tomorrow (1955), in the title role. The film also stars Dean Martin, Wilfrid Hyde-White, in a very non-Colonel Pickering role four years before My Fair Lady (1964), Martin Balsam, and Ralph Meeker, among others.

    Martin plays a political novice, whose only qualifications are his looks and easy going nature which makes him good with people, that's elected Governor of a Southern state with the assistance of power broker Hyde-White, who pulls all the strings until Hayward, as Martin's newlywed "trollop" wife, intervenes. Balsam plays Martin's speech-writer, who shares the same humble beginnings, and Meeker plays a lecherous cop, who does Hyde-White's dirty work.

    The first 30 minutes or so introduces us to the characters: Bo Gillis (Martin) is a guitar playing, twice elected Sheriff of a small town (in an unnamed Southern state, probably Mississippi or Louisiana) who's running for Governor. We learn later that he was plucked out of a bar by Sylvester Marin (Hyde-White), an insider who controls the state legislature, to be the Reform party candidate running against the incumbent(s). Tabs are kept on Bo by Steve Jackson (Balsam), the now grown-up "smart kid" from his neighborhood who now acts as his speech-writer.

    After one rally, Alice Sweet (Connie Sawyer) provides a call girl for Bo's entertainment, who accepts against Steve's protestations. Actually, it's not made too clear whether Bo realizes that Ada (Hayward) had been "bought and paid for" him or not; Martin plays it as if he lured her with his own charm. In any case, on the lonely campaign trail, Ada is a breath of free air, and after three weeks, three weeks before the election as well, they elope.

    By now, Bo knows of her humble beginnings as the daughter of a sharecropper, and her struggles to get out of Alabama by being a friend to men for money. But, he doesn't care, and he genuinely seems to love her. It appears that she loves him too, that she's not just a gold digger looking for a leg up. However, that "fact" is called into question, at least by Bo, as events unfold. We meet Sylvester, who successfully hides Ada's background from the press while exposing the opposition candidate's wife as a drug addict, thanks to police Colonel Yancey (Meeker). Of course, Bo is elected.

    The rest of the film is about Bo as Governor, and the power struggles that ensue when Ada tells him that it is HE, and not Sylvester Marin, who was elected. It seems that being Governor isn't all that it's cracked up to be, to Bo. Everyone bypasses his office on the way to Sylvester's, who asks Bo to sign his name to dozens of pieces of paper each day, none of which Bo reads.

    It isn't until Ronnie Hallerton (Frank Maxwell), also from Bo's hometown and now Lieutenant Governor thanks to Sylvester, brings a "park bill" to Bo's attention that he thinks there is anything wrong. Bo learns that, thanks to his own signature, the State is going to pay large sums of money to Sylvester's friends, who invested in Bo's campaign, to build parks, the need for which is nebulous. The State, of course, will have to raise taxes to buy the land.

    Meanwhile, Ada has been propositioned by Yancey, who is now head of security for the Governor, and gotten Steve to get her invited to an "old money" tea party. In a scene that may have been done better, Hayward plays Ada as a woman who realizes the power of her newly elected husband, and demonstrates a desire to wield it as her own. She effectively "takes names" of the stuffy women obsessed with their own blue blood backgrounds, and later gets an opportunity to deliver their comeuppance.

    When Sylvester learns that it was Ronnie who woke up Bo as to what he'd been signing, he forces Hallerton to resign. Bo tells Ada about the whole goings on and she manipulates Sylvester into having her sworn in as Lieutenant Governor. Bo is not sure whether Ada is his partner or Sylvester's, but suspects the worse. His suspicions are confirmed, at least to him, when he is injured by a car bomb, allowing Ada to be sworn in as acting Governor while he recovers.

    When Sylvester learns that Ada is not his ally, but is Bo's instead, he uses Yancey, who uses Alice, to get what he needs to discredit Ada. Fortunately, there are some honest men (played by Larry Gates & Bill Zuckert, maybe Charles Watts) in the legislature who are willing to help Ada and stand up to Sylvester, "his" Speaker (Ford Rainey) and another "bought" Senator (Robert Simon). The final "showdown" scenes in the Capitol Building are surprisingly good and well choreographed.

    A few recognizable character actors appear uncredited: Emory Parnell plays the security guard at the Governor's office when Bo and Ada first see it; Mary Treen plays a woman that offers Ada pie at a rally before the election; Bill Walker plays the servant at the Governor's mansion.
  • This is an MGM potboiler with great colors and weak credibility. The picture was probably the best that repressed Hollywood could do at the time with the legend of Earl Long, once Governor of Louisiana, and the stripper Blaze Starr. (The story was filmed many years later, with Paul Newman and Lolita Davidovich.) A singing, guitar-playing candidate for Governor in the Depression South is quite historical. The sly self-deprecation in Bo Gillis's stump speech at the beginning of the picture is well done. But once he hooks up with Susan Hayward, Dean Martin becomes a marshmallow. The role must have appealed tremendously to a tough broad like Hayward. She was a perfect choice for Barbara Graham in I Want to Live. I'd call the picture a failure with interesting features.
  • Warning: Spoilers
    This movie "Ada" hasn't received the good publicity it deserved. Susan Hayward acted her best as a hard-spoken woman, intent on serving her new husband Bo Gilles (Gubernatorial Candidate) well. Three weeks before the election, Candidate Bo Gilles (played by Dean Martin - in his first drama picture) marries Ada, a former prostitute. Basically, Bo was not a shrewd politician, but possessed charismatic qualities and was elected in a landslide. The voters of that Southern state loved Bo, and saw him as a regular guy who even played guitar and sang. Eventually Bo realizes the crookedness of the powerful man who had sponsored him, (Sylvester Marin), and the corruption abounding in that government. Eventually Ada's past comes back to haunt her, but it doesn't stop her. Colonel Yancey top State Policeman, (a crooked operator, well-played by Ralph Meeker) tries to bring Ada down - who at the time is Acting Governor. The entire movie is riveting, and is a must-see if you like real movies.
  • "Ada" has a good premise, but unfortunately does not evolve into a good movie. The soapy melodrama about a "puppet" gubernatorial candidate married to a prostitute does not due justice to the talents of its stars. The fine talents of the three main stars are not fully explored, and their characters are likewise underdeveloped. The ending is hardly probable, and as a resolution, it leaves a lot to be desired.

    The cast do the best they can with the material they have. Dean Martin and Susan Hayward are both quite credible in their highly emotional performances. Wilfrid Hyde-White is also good in portraying a grasping and stifling villain, an unusual role for him.
  • When Ada was shown on TCM this past weekend Robert Osborne remarked that Susan Hayward requested to see this film during her final bout with brain cancer. I remembered reading some years ago that she said in an article her three favorite leading men were Clark Gable, John Wayne, and Dean Martin. She must have liked those guys a lot because she sure didn't do her best work with them.

    But Ada is vintage Susan Hayward and again the kind of stuff that should have been done as a prime time TV soap opera. That's what these characters are more suited for.

    In fact Dean Martin as Bo Gillis and Hayward as Ada are based on a couple of real life southern politicians. Jimmie Davis was a country singer/songwriter whose writing of You Are My Sunshine got him elected Governor of Louisiana. As it turned out when Ada was in theaters, Davis was being re-elected Governor of Louisiana again.

    Miriam "Ma" Ferguson pinch hit for her husband James E. Ferguson twice as Governor of Texas. Of course Ma Ferguson didn't quite have the trollop background of Ada.

    Susan is working in a high class bordello when gubernatorial candidate Martin comes in for a little entertainment. Wouldn't you know it, they fall in love and marry.

    By a wild set of circumstances, Hayward is also made Lieutenant Governor as well as First Lady. I'll bet Bill Clinton is cursing the day he didn't think of that instead of being stuck with that stiff he had for a Vice president.

    Fans of Susan Hayward and I'm one of them will love Ada. But it really is a bit much to expect the audience to swallow the incredible plot this film has.
  • Lavish MGM production, set circa 1936 but with clothes and makeup (especially Susan Hayward's) strictly 1961, this cumbersome drama wants to be a mix of political intrigue, marital soap opera, and star power, but it comes up a bit short. In a nameless Southern state (which the screenwriters awkwardly disguise by having characters say "the state" over and over and over), hooker Hayward fascinates and marries gubernatorial candidate Dean Martin, a passive good- guy sort who does the bidding of Wilfrid Hyde-White, the greedy, unethical local boss who siphons state projects to his buddies, shades of 45. She shoves her way into the lieutenant governor's position, then, when Martin's car is blown up (we never find out by whom), becomes acting governor and shakes off the passivity Martin has been practicing. There are minor subplots involving Martin's college buddy Martin Balsam and Ralph Meeker, who's good as a lackey of Hyde-White's who keeps trying to cozy up to the title character, but the emphasis is on Susan's hair, her clothes, and her tough-gal demeanor: When a character says, "Give my regards to the governor," she snarls back, "You're talking to the governor." Dean looks disinterested and hasn't much to play, and Hyde-White employs an odd accent that isn't quite Brit and isn't quite Dixie. We're supposed to cheer as he's brought down and the governor's marriage recovers, but it's a pretty simplistic view of politics, and a key plot point--the opposition has a taped confession of Hayward's prostitute past--is resolved in an unpersuasively offhand way. Enjoyable, and very nicely shot, but you'll forget it the minute it's over.
  • Though entertaining enough, "Ada" does not belong in the top tier of Susan Hayward showcases. She's terrific as always, in a role that suits her, but too much in this stretches credibility and lacks proper transitioning. I blame the script, plus Susan and Dean Martin don't especially click together. The film is set in the South and, even though it says Ada comes from Alabama originally, its never made clear which state the action occurs in. The period is also not spelled out, though at the beginning, as Martin is campaigning, he passes a movie theater showing "Escapade", a 1935 William Powell vehicle. Yet, the clothing and hairstyles are definitely not 30's style. Two fine character actors, Martin Balsam and Ralph Meeker, are not given enough to do in support, while Wilfred Hyde-White never seems quite right as wily power-behind-the-scenes Sylvester Marin, his British accent out of place even with a layer of Southern drawl superimposed over it. All in all, you'll be entertained by this combination of "All the King's Men" and "A Face in the Crowd" with sudsy soap opera, but don't expect greatness.
  • Warning: Spoilers
    Move over Hilary Clinton and Condi Rice. You had Ada to contend with before your true political aspirations become known.

    Bo Gillis is running for governor. He is introduced to trollop Ada, and after a whirlwind romance, they wed.

    Ada is played by Susan Hayward, always at the top of her game. Even with her red hair ablaze, Hayward looked haggard and not in the best of health when she made this flick.

    Of course, Bo, (Dean Martin) is a fool duped to run for governor by political boss Sylvester, (a not so charming Wilfrid Hyde-White,) who does quit well in his part of a vicious back-room character who controls the state of business and will go as far as murder to make sure that he rules.

    Bo quickly realizes that something is wrong when a governor is just called upon to sign bills. The Lt. Governor tells him all about the Parks legislation. Sylvester makes sure that the Lt.Governor resigns. Suddenly, Ada is determined to be his replacement.

    When Bo is ready to buck Sylvester, he is nearly killed in a bomb placed in his car. As Ada had volunteered to be the lieutenant, Bo thinks that she is in with Sylvester.

    Along for the ride is Ralph Meeker, who plays the head of the police. He is as corrupt as they come. He even makes a play for Ada. Why didn't she try to unload him right there and then?

    What is amazing in all this is that Ada becomes very intelligent regarding the workings of government and legislation very, very quickly.

    She has her own ideas in mind to rid the state of Sylvester's bossism. She confronts certain ladies at a tea party and reminds them of their husbands ties to the state, thanks to the legislation on the books that allows them to do business with the state.

    Suddenly, in a scene change, Sylvester is shown in a wheelchair. What happened Syl? True though, you're as sly as ever.

    Bo is released from the hospital and in the capitol gallery views the showdown between Ada and Sylvester. Sylvester's old tricks will not prevail.

    Good for its depiction of corruption. Fairly good performances but storyline is so predictable.
  • Warning: Spoilers
    This movie is the message on political lob corruption as done in 1961 Wardrobe with a 1930's setting. While it is not perfect, Wirt Williams only novel brought to the screen a story of a woman being appointed Governor of a state in the 1930's. She does not even have to run for office, much like Gerald Ford's appointment to Vice- President in 1974. Of course this setting is not anywhere near as exciting as the first elected woman to the office -Nellie Davis Tayloe Ross (November 29, 1876 – December 19, 1977) was an American politician, the 14th Governor of Wyoming from 1925 to 1927.

    Still, it combines the light humor of Dean Martin as Bo Gillis who runs and is elected to the office with the help of his friend Sylvester Marin (Wilfred Hyde White)who has so many people in his pocket that Bo can not even throw his election off by eloping with Ada, a Hooker, who just gave him the 3 best weeks of their lives (I guess 3 weeks with Hayward would be pretty good back in the day).

    Martin Balsam heads up a supporting cast with more UN-credited than credited cast members. After the election Bo begins to realize that Marin got him elected simply to sign bills and make Marin and friends rich at the expense of the taxpayers (this sounds to close to home since the 1980's nationally). Martin's Bo, a simple man who plays guitar and gets elected suddenly realizes he has been took because of his friend and Ada who is the main star here. It is Ada who has to do the heavy lifting after Marin try's to kill Bo with a car bomb.

    Ada is not your average hooker. She gets quite a ways in proposing stopping Marin, though it does take Bo to get her over the top. Overall this is a good film from MGM which fell a bit short of being a great film. Daniel Mann who directed Our Man Flint for James Coburn is behind the camera for this one. Arthur Sheekman who worked on the script for Martin's "Some Come Running" is on this script too which explains Martin's character fitting him like the proverbial glove. Recently caught this one on TCM.
  • Warning: Spoilers
    I enjoyed this Susan Hayward film, even if it had a few holes in its overall plot. No film can be truly bad with someone like Susan Hayward in it (and yes, I think that goes for Valley of the Dolls (1967) too), so you can't really lose if you watch a Susan Hayward film. She's confident, aggressive, smart, sassy, and attractive.

    As for the film itself, it had some gaping plot holes. For instance, why did Sylvester end up in a wheelchair being pushed around by a nurse? Was something cut and never explained in the final cut?

    Another hole: I believe that digging up the dirt that someone worked as a prostitute would be fairly easy to find. They had detectives in those days too. You would think that Ada's past would have caught up with her much earlier.

    Another thing: as one reviewer also said, in the story various characters speak of the rough economic times sort of alluding to the Great Depression, yet the movie looks like a movie from the sixties. What's up with that?

    Even though the ending is sort of Pollyannish, the film works in its Frank Capra kind of way showing that the common man can make changes in a corrupt political environment. It was interesting to watch the movie realizing that we are still in the same sad shape with many lying and evil politicians.

    The film is worth watching, even if it is rather forgotten.
  • Depression-era politics in the Old South, as guitar-strummin' sheriff Dean Martin campaigns for Governor, meeting and marrying call-girl Susan Hayward on the trail. Soon they're dealing with legislation problems and greedy weasels with old money, but will Hayward's ambitious nature ruin her marriage as well as bring her past history to light? Well-produced but naive, rather plodding melodrama based on Wirt Williams' novel "Ada Dallas" gives all the juiciest scenes to Hayward; Martin, on the other, is shunted off to the side (they're quite a pair anyway: he drinks, she smokes). The atmosphere of Southern plantations and back alleys isn't captured with much distinction (we don't even know what state this is supposedly taking place in), but the production is certainly colorful, even if the human interaction is rote. ** from ****
  • Someone for years used to place an note in Variety noting Ms Hayward: A Star Is A Star Is A Star! True!

    This is a political thriller produced by Ms. Heywood's production company Chalmar. Chalmar was named after Eaton Chalkle La Haywards Husband and Ms Haywards real name Edythe Marrener. I read Haward's Will and it was signed Edythe Marrener Chalkley and Hayward went bt Marrener on all contracts, official papers.

    Dean Martin is the costar and does his usual splendid work in a key stand out is Wilfrid Hyde White who plays a very corrupt politician. MGM gave this first-class production with Ms. Heyward's favorite director Daniel Mann directing Lawrence Weingarten a senior Producer at MGM was th producer on this film.

    .Ms. Haywaard looks beautiful in this movie. This picture was first titled " Ada Dallas" but the title was changed because Susan Hayward and Ross Hunter wanted to remake the Stanwyck classic " Stella Dallas" but that never happened. I am a big Hayward fan but glad Susan did not remake " Stella Dallas". No one cold top Barbara Stanwyck's immortal performance. Not even Susan. Stanwyck and Hayward formed a great friendship and Missy was along with Kate Hepburn very caring for Susan as she battled bran cancer. The great Greta Garbo paid a visit to Hayward's mountain top home in Beverly Hills.

    Interesting note: of all the pictures Ms. Heyward made to great acclaim such as I Want To Live, With a Song in my Heart, Smash Up , I'll Cry Tomorrow, Back Street, Ms. Hayward on her deathbed wanted to see a movie of hers and that movie was Ada. Susie was a private person and no one ever knew why she wanted to see this movie but she is reclined in her hospital bed and watch the movie.
  • Patrick-9627 February 2001
    Warning: Spoilers
    My pet peeve about some films is that they are supposed to be period pieces, but have the 'look' of the year in which they were filmed. This is the case with 'Ada.' We are to believe that it takes place in the 1930's, but Susan Hayward's wardrobe and hairstyle reflect the year it was made, 1961.

    The ending also bugs me. After a big showdown in the Capitol building, Susan and Dean Martin leave the building and are shown ALL ALONE. Where did everyone else go? There were hundreds of people in the building just minutes before!!!!!
  • Warning: Spoilers
    I must tell you up front that Susan Hayward is among my least favorite actresses. Part of it is that sometimes she tended to overact (such as in "I Want to Live" where she mugged shamelessly). Part of it is that in the 1960s she made a lot of trashy soap opera- like films which were anything but subtle--such as "The Valley of the Dolls". I mention all this now because I did have a certain predisposition towards her and "Ada" when I began watching. Now this is NOT to say I can't enjoy the film or even her performance. Heck, I saw another one of her films, "Summer Flight", last night and enjoyed it immensely. Plus, surprise, surprise, this film was VERY soapy, VERY loud and still VERY enjoyable!

    When the film begins, Bo Gillis (Dean Martin) is running for governor. Along the way, he meets Ada (Susan Hayward) and pretty soon the pair are hitting the sheets! Ada is evidently NOT a nice girl and Bo is, well, just doing to her what most politicians want to do to the voters! However, surprisingly, Bo's interest is apparently NOT just sex and he soon whisks her away and they are married. Bo's handlers aren't happy, however--who is this woman and what is her past and, most importantly, what will be her impact on their candidate?! In essence, they treat her a bit like something the cat just drug in the house! What the film doesn't make clear until much later is that Ada is a prostitute...not just a woman of easy virtue.

    Soon Bo is elected governor. Things look great. However, over time, Bo comes to realize that he is rather powerless and his adviser Sylvester (Wilfred Hyde-White) is trying to pull all the strings. As for Ada, despite her white trash background, she actually turns out to be VERY adept in dealing with people and playing the role of the First Lady of the State. She and the new Lieutenant Governor are both worried...as Sylvester appears to be a real snake! So what's next for Snake-boy and the Gillis family? And, what about the OTHER snakes...and there are definitely more! Watch the film and see...

    In the case of "Ada", Susan Hayward was well chosen. While the tough-as-nails broad with more manliness in her than a football team persona won't work in all films, here it's absolutely perfect! Seeing her heading into the governor's office to clean house is very exciting to watch--as is her eventual run-in with Sylvester. He's a snake...but she turns out to be a real mongoose! In effect, it's sort of like "Mr. Smith Goes to Washington" and a soap opera merged into one! Sensationalistic, a bit sleazy and a lot of fun to watch on a real low-brow level. And, most importantly, it's NEVER dull!! Who cares if it lacks realism...it really doesn't matter!
  • Warning: Spoilers
    Apon viewing this film I felt a number of different emotions. I really didn't intend to watch this film at all. However, once I started I was quite anxious to find out how it ended.

    The plot for the movie was interesting. A tramp marries the man running for governor three weeks prior to the election day, and they proceed to clean-up corruption in politics, when he is elected. The first thing I thought was how hypocritical. He was elected by crooks and then decided he didn't like them. That, of course, made me think of Wilson, President Wilson. He did the same thing. So I dismissed that notion. If Wilson can do it, it's not too bad.

    Next as the film went on I began to wonder why they ever got married. Susan Hayward(redhead) and Dean Martin(lounge singer) didn't seem to be an ideal couple in my mind. I must say, they didn't look too odd next to each other. Their "marriage" was not a healthy one to say the least. They did work well in their roles. I enjoyed Susan's ruthless determination and Dean's clueless and laid back attitude. I think an already established acting couple or a couple that looks like they could have a relationship off stage would have been better. I felt like they weren't right together. Nonetheless, they did a good job.

    The final thing was the ending. It really bothered me. There was something missing. Like dialogue or a kiss or some form of interaction besides looking at each other. The scene was wonderful. I loved the whole Congress session. But it was like the writer gave up on ending the relationship between the main characters. He/She (I don't remember who wrote it) thought we didn't care what they did as long as they were together. That may be, but I need more than a hand shake to show that they are happy together.

    This is really a good film. I love Hayward. Her characters are so passionate and devoted. That really worked well. The "angry" scenes were stifled because Dean's not a "yeller." In this role it appears he lacks the drive to get angry. In all, Susan steals the show and lays every thing on the line to win our hearts and Dean's.
  • Note the year in which it was filmed: 1961. Full Kennedy era. Notice the clean and critical political air that was blowing in the USA. The argument is a profound defense of democracy and a painful denunciation of political corruption. For that alone it deserves to be remembered. But the time it was made makes it a kind of historical document. Susan Hayward was a very good actress and Dean Martin I think he did his best to live up to it. Impossible to forget Martin Balsam, Wilfrid Hyde White and director Daniel Mann. Thanks to all of them we recovered a bit of that clean air that was breathed thanks to John F. Kennedy.