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  • jotix10015 May 2005
    Warning: Spoilers
    John Frankenheimer was not a director of domestic dramas. Working on the James Leo Herlihy novel, adapted by William Inge, Mr. Frankenheimer shows his versatility in "All Fall Down". The director working with some of the best actors of the era, created a film that, although forgotten, had a lot going for it.

    We are introduced to Berry-Berry Willart, a young man from Cleveland. He is in jail, as the movie opens. It appears Berry-Berry has a problem with beating women. Berry-Berry's problems seems to stem from a deeply rooted complex with his home life. He would have been a candidate for analysis because he probably would have been able to get a rein on his problem. Since he is seen as young stud, he attracts the kind of women that are either insecure, or have not a great sex life. His younger brother, Clinton, has come to what appears to be Key West, to bail him out.

    Berry-Berry decides to stick around Florida, a fertile ground for what he is looking for. We watch him as he is hired by an older woman, Mrs. Mandel, for a trip to the Bahamas in her husband's yacht. Later, Berry-Berry catches a ride north with the lonely schoolteacher going home for a Christmas vacation. The trip ends as the young man beats the mousy schoolteacher and lands in jail.

    In the meantime, we are taken to the Willart home. Annabell is a nagging wife that appears to be unfulfilled with the life she and Ralpht, her alcoholic husband, lead in Cleveland. Clinton, the younger son, is plainly aware of the unhappiness around him. He seems to live in his own world, tuning out the bickering between his parents.

    Enter Echo O'Brian, the young and pretty friend of the family. Echo is a happy go lucky "old maid", by her own account, in her early thirties. It's obvious her interest in men is limited. When Berry-Berry, the prodigal son returns for a visit, Echo feels sexually aroused by the young stud. Suddenly, it appears that Berry-Berry is changed until he realizes Echo was hiding something from him. This discovery ends in tragedy.

    Warren Beatty was probably made to look like a Jimmy Dean by the studio in order to capitalize on his good looks. Mr. Beatty was a strange actor; on dramatic roles, he is not as effective as when he played rogues, or comedies. Evidently Mr. Frankenheimer was after something that doesn't come across quite clearly, but Mr. Beatty's Berry-Berry, is a light weight playing against more accomplished actors.

    Eva Maria Saint is perfect as Echo. She is a woman who hasn't experienced much in her life. When she meets Berry-Berry, she suddenly is able to experience all what she probably has denied herself. Angela Lansbury has one of the best moments of her brilliant career as Annabell. Ms. Lansbury, who went to work with Mr. Frankenheimer in "The Manchurian Candidate", is one of the best reasons for watching the movie. In fact, Mr. Herlihy's book seems to have been adapted by Mr. Inge as though he was presenting one of his frustrated midwest women that were his specialty.

    Karl Malden also fares well under Mr. Frankenheimer's direction. Being a more experienced actor of stage and screen, Mr. Malden gives a realistic portrayal of Ralph, a man lost in alcohol, in order to escape the dreary married life with Annabell. Brandon de Wilde, as Clinton also does a good job as Clinton, the young Willart that knows all the secrets in his family. The minor roles are played well by Constance Ford, who only has a scene, but she makes the best of her Mrs. Mandel. Also, Barbara Baxley, another stage actress that knew the lonely and insecure schoolteacher she is seen playing.

    The film also has a good music score by Alex North and a crisp black and white cinematography by Lionel Lindon. In fact, the print we recently viewed appears to have been kept in mint condition.

    John Frankenheimer has to be congratulated for his achievement in this film.
  • "All Fall Down" combines the best elements of "Come Back Little Sheba" and "Splendor in the Grass"; which should not be a total surprise given that all three come at least in part from the mind of William Inge. It is interesting that while "All Fall Town" is the most ambitious of the three, it is also the least known. Probably because Director John Frankenheimer made something that is more art film than box office blockbuster (or academy darling).

    The storytelling technique is much like "Days of Heaven", both told from the point of view of the youngest member of their casts-in this case Clint (Brandon de Wilde-"come back Shane"). The film even goes so far as to cut in shots of Clint watching the other characters through windows and doorways, and then writing down what he has observed in a journal. This is very effective because the story has coming of age elements involving Clint and the viewer is meant to strongly identify with his character. Unfortunately Frankenheimer pulls his punch at the end and limits things to the traditional process of disillusionment found in this film genre. A much more satisfying ending was possible.

    I've never shared the view that "All Fall Down" lacks sympathetic characters. Clint is certainly likable as is family friend Echo (Eva Marie Saint), and even father Ralph (Karl Malden) to a certain degree. Mother Annabell (Angela Lansbury) is not but her purpose is to provide some explanation for this dysfunctional family.

    Older brother Berry-Berry (Warren Beatty) is not likable but is certainly interesting. Smothered by his mother he has a phobia about ending up like his parents. Which has sent him on the road where he lives by his wits and good looks. Beatty really doesn't seem to know how to play Berry-Berry and his performance is mostly a repeat of his "Splendor in the Grass" character. But the uncertainty in his performance ultimately works to his advantage, as Berry-Berry is a conflicted mess of mixed motivation. His behavior is compulsive and contradictory, a sociopath with a conscience. And he is concerned with the welfare of his little brother, who idolizes him (as do his parents).

    Starting out in Key West, where Clint meets his brother's ex-girlfriend (played by Frankenheimer's real life wife Evans Evans) in a strip club. In a great scene she tries to get the underage Clint to buy her a drink-but her debilitated coughing spoils any superficial sex appeal.

    The action soon shifts to an older middle class neighborhood in Cleveland. Beatty appears briefly in the beginning and is mostly unseen until after the midpoint of the film. De Wille has far more screen time and introduces us to the remaining three characters.

    Saint's character is a spinsterish free spirit of 31 (another contradiction) who Clint falls in love with until his older brother claims her. Saint was always difficult to cast. Not earthy enough for the Julie Harris-Elizabeth Hartman type of roles and not sexy enough for the standard starlet stuff she was limited to icy librarians or dowdy girlfriend stuff until Hitchcock drew her out in "North by Northwest". She is physically perfect for the Echo O'Brien role, someone confident and playful, yet very fragile; pretty enough to make Berry-Berry's attraction credible.

    This is a slick little film but only if you like productions that could easily transfer to the stage.

    Then again, what do I know? I'm only a child.
  • Many of the earlier posts on this film mirror my overall impressions as well. I caught this on TCM a few weeks ago and I was compelled to keep watching despite some flaws and very awkward scenes. This film has that distinctive early 60's feel to it and also is lacking certain elements of specificity in its storytelling and character development. The Willart family is dysfunctional but we are not able to put our finger on the dynamics of exactly why. We know the father, Karl Malden, is an alcoholic, yet a noticeably genial and upbeat one. We know the mother, Angela Lansbury, seems perpetually stressed and perhaps emotionally isolated, but the dialogue between the two never gets to the heart of their unhappiness. The late Brandon de Wilde (who died in 1972 in an auto accident) is the younger of two brothers through whose perspective the story is told. He is an aspiring writer who spies and eavesdrops on his parents' conversations and records what he hears in a journal. I thought his overall performance was very effective and believable. A young Warren Beatty in one of his first major roles plays the older son, the wayward Berry-Berry. (His name is puzzling and one wonders why nobody thinks to call him Berry for short.) Eva Marie Saint plays a somewhat mysterious woman, Echo, who provides the basis of the storyline through her involvement with both brothers. I found it to be a flaw of the film, though a minor one, that we never know much about Echo....what her background is, how she came to be close friends with Mrs. Willart, what she does for a living, and why she is driving such an unusual car. An absorbing story once you get drawn into it, with several awkward scenes balanced out by several touching and poignant moments.
  • Although this film is meant to be Beatty's showpiece, De Wilde actually carries the film. Lansbury & Malden chew the scenery more often than not, but their performances do eventually fall into place. Eve Marie Saint is wonderful, as are the actresses cast in several minor supporting roles - Evans Evans, Barbara Baxley and Constance Ford. While Beatty is at the height of his youthful beauty, his interpretation of "Berry-Berry" feels undeveloped.

    The opening twenty minutes, filmed in Key West, establish a unique atmosphere that is quickly lost, when the film moves to "Ohio" scenes filmed on a studio back lot.

    Contrary to a previous posting, Lansbury is thirteen years older than Beatty, who plays her son. Actor Brandon De Wilde died at age thirty, and one wonders what direction his acting career might have taken. His name has been forgotten by most, but his talent is obvious in this film.
  • Warning: Spoilers
    It's ironic that Angela Lansbury complains about injustice in this John Frankenheimer family drama, complaining that when she learns that son Warren Beatty is in jail on Christmas that they don't live in Russia. It's the very same year that Lansbury played the equally domineering mother with an evil political agenda in "The Manchurian Candidate", a woman who ate injustice for all three meals.

    Lansbury is equally as clinging here for sons Beatty and Brandon de Wilde, treating alcoholic husband Karl Malden as if he was one of the hobos he brings in off the street for a nightcap. Sure, she's charming on the surface, but that charm is only skin deep for in her soul is another damaged middle aged woman whose love is greatly damaging.

    Seeing Lansbury here makes you understand son Berry-Berry (Beatty) all the way, a self-centered, violent young man whose mistreatment of women is obviously based on the smothering treatment that his mother has infected him with. It's not just your overly affectionate smothering. It hasgiving him a desperate need to breathe, and he can't do that when he's around women who try to get too close to him.

    There's another former screen harridan of a mother here, Constance Ford from "A Summer Place", seen briefly as a wealthy married woman who recruits baby to join her on a quick trip to the Bahamas. She's sultry and funny in her brief scene, and it's a shame that that storyline wasn't further developed for even another few minutes. Barbara baxley gets two key scenes, picking baby up when he's working as a gas station attendant, and later nagging him to the point where he reacts violently to her, leading him to end up in jail for Christmas.

    Beatty doesn't get to speak much, so he's more eye candy, but any type of sympathy for him disappears when he gets violent. Real love seems to grow between him and Eva Marie Saint, playing a wealthy young lady whom Lansbury introduces him to. But that love brings out the dangerous jealousy from Lansbury who is as equally self destructive as she is possessive. De Wilde offers fine support as the young brother whose devotion to Beatty is obviously misguided.

    While this is very disturbing and depressing as far as it's portrait of a very troubled family is concerned, it is being in the tradition of similar films and plays that came out around this time, and thanks to the legendary William Inge, this makes for a brilliant look at why families often fall apart (or down as the title suggests), fascinating for its characterizations and especially for the performances by Lansbury and Malden.
  • All Fall Down...did not live up to its promise... some dramatic scenes are , at times , laughable.. But you keep watching, and waiting. nothing much happens but a good study of a dysfunctional family in early 60's... The cast is probably the reason why we cant stop watching this beautifully photogaphed black &white film.. Angela Lansbury just about steals every scene .. not her best work but always good ! Karl Malden is also very good a Ralph the father... both were much younger than the roles they were playing.. Eva Marie Saint maybe miscast but she played the part very well.. young hunk Warren Beatty plays his confusing role well, and never looked better..what an early 60's masculine masterpiece was he...Barbara Baxley almost steals the show as the schoolteacher lusting after and later beaten and beratted by Beatty (Berry-Berry)..I would meet Ms. Baxley at an NYC bar years later (mid 1980s) and told her how much I admired her work...she replied in a euphoric stupor, & a puff of her cigarette..."I'm glaad someone remembers me darling "... true story.... But most of all .. Brandon De Wilde...growing up in the 1950's he was my teen idol I wanted to be Brandon de Wilde... blonde, beautiful talented making movies with A.Ladd etc.. what a screen talent.. what a loss.. long live Brandon de Wilde !!!
  • One forgets what a sensational actress Angela Lansbury was, is and always will be. Her success as Jessica Fletcher in TV's "Murder She Wrote" have distracted audience's attention from the real Lansbury. To see "All Fall Down" in 2009 is quite an experience. All the clues about Warren Beatty's complex character are discovered in Angela Lansbury's extraordinary cinematic face. We discover everything visually without any exposition. I don't want to spoil it for you so I'm not going to pinpoint the moments I mean because part of the pleasure is to discover them by ourselves. Brandon De Wilde is another shattering presence on the screen. He died at 30 years of age and I can't help wondering what he could have become. He was the young kid from "Shane" remember? But, let's got back to Lansbury, she plays Warren Beatty's mother, although in real life they are only a few years apart, she is fearless and enthralling as she was in another collaboration with John Frankenheimer: "The Manchurian Candidate" I keep thinking that Tilda Swinton won an Oscar for her performance in °Michael Clayton" and Angela Lansbury was not even nominated for this. I confess to you that I saw "All Fall Down" twice in a row. I was overwhelmed by Lansbury's performance and her strange and compelling chemistry with Karl Malden, her husband, Warren Beatty, her eldest son and Brandon De Wilde, her youngest son. I highly recommend it.
  • dbdumonteil25 July 2008
    Warning: Spoilers
    "All fall down" has a dated screenplay but the cast makes it an eminently watchable movie;this is a super quintet and it's difficult to tell who the best is: Angela Landsbury as the holier-than-thou over possessive mom in love with her eldest boy :a part she would take on in Frankenheimer's masterpiece "Manchourian candidate " in which she was IMHO the absolute stand-out.

    Karl Marlden as the grumpy commie who never goes to church and who takes on the Magi for Christmas .He and Landsbury created a stifling unbearable atmosphere in their house which would like to show the perfect family.

    Warren Beatty as the lady killer ,a God for his family, a model for his kid brother.And finally an unsatisfied alcoholic brute of a man.

    Eva Marie Saint ,who played opposite Malden in "On the waterfront" and later in the MTV "Titanic" ,is the loveliest "spinster " you can meet.She is a brittle frail young woman,she does not seem armed against life's difficulties.Although she comes first in the cast and credits ,Saint 's part does not excess 45 minutes .

    Brandon de Wilde as the younger son,a sixteen-year- old kid ,whose hero is Berry-Berry,the big brother whose life is full of beautiful women.Brandon de Wilde ,who sadly was to die very young ,had a similar part in Martin Ritt's "Hud" (1963)where he played opposite Newman ,his uncle in the movie: their relationship in the two movies is surprisingly similar.And the conclusion is about the same.

    Clinton is actually the center of the story ,the real hero of the movie:it's the difficult transition from adolescence to adult.Clint has got to get old before his age.His first love was a tragedy.He was betrayed by the person he loved the most.No one in his family can provide him with support or compassion.

    All has not fallen down.Clint does not hate life anymore.
  • This is exactly why I go to the library and rent movies. See all the movies you know about, watch the dreck that questionably pass for entertainment, and sometimes discover buried gems that nobody has heard of, yet stars people like Warren Beatty and Angela Lansbury.

    'All Fall Down' is a tale of a family that are about to be ripped apart at the seams because of their oldest son. Warren Beatty plays Berry-Berry, a drifter if there ever was one. Going from town to town, from job to job, and usually winding up in jail, but this is all unknown to his family, who see him as a hero, mainly because he got away from town mostly. When his younger brother, played so achingly innocently by Brandon DeWilde, visits him in Florida only to wind up bailing him out of jail, he still loves him. Berry-Berry does wind up back home though, where Mom and Dad (played excellently here by Lansbury and Karl Malden) and unsettled house-guest Eva Marie-Saint await him diligently. His relationship with all 4 members of the household are all different, which results in the conclusion, which you're wondering what will happen to the family now.

    I'm just amazed at Beatty's performance here, smoldering with machismo, yet unsure of everything else, Beatty easily wows everyone he sees, family included. Although Brandon DeWilde is largely ignored now, he was one of the brightest young stars in Hollywood once, and this is a great vehicle for him.

    Find this one if you can!
  • When you get a writer like William Inge, who is a playwright by nature, to write a screenplay you get a movie like "All Fall Down" that seems like it is an adaptation of a play. The black and white photography and confined spaces provide an air of claustrophobia which is appropriate for this close examination of the Willart family. The father, Ralph (Karl Malden), is an alcoholic real estate broker who is a rather simple but decent soul; Clinton (Brandon De Wilde), the younger son, is a sensitive teenager who likes to write; Berry-Berry (Warren Beatty), the older son, is a handsome wastrel who lives off his good looks; Annabell (Angla Landsbury), is the controlling mother who obsesses over Berry-Berry and has pretty much wrecked the family. Things get off to a rather slow and awkward start, but when you throw Echo (Eva Marie Saint) into the mix, things get rocking when both sons are taken with her.

    De Wilde is called upon to carry a good part of this movie. Hardly anyone is better at playing the clean-cut innocent and good natured youth ("Shane, come back!") than De Wilde, and he puts that talent to use here. I was struck by how similar De Wilde's Clinton is to Lonnie, the kid he would play opposite Paul Newman the next year in "Hud." Just as in this movie, in "Hud" he would play a young man who idolizes a more experienced relative, and ultimately comes to be totally disillusioned with him. Overall, the casting for "All Fall Down" is near perfect and the acting excellent.

    I was expecting more from the Alex North ("Spartacus", "Goodfellas") score, but it is pretty much early 60s generic. The Sibelius symphony that accompanies the only romantic scene (higly scaled down by modern standards) is a bit over the top.

    This movie would appear to be Inge's "Long Day's Journey into Night," but it is not nearly as powerful as the O'Neill play that was made into a brilliant movie in the same year.

    I assume there is some significance, lost on me, to the fruit theme and the hyphenated "Berry-Berry." In any case, that name quickly started to bug the hell out of me.
  • Warning: Spoilers
    This is a cliche ridden Kane & Abel inspired black & white turgid mess of a dysfunctional family movie. We've seen variations of it umpteen times before. It should've been called Berry Berry which is the preposterous name of Warren Beatty's character. It seems no one in the movie can start a sentence without saying his stupid name, Berry Berry. Berry Berry must be mentioned so many times it becomes a sort of aural Chinese water torture. Good, younger brother idolizes bad older brother, Berry Berry. Mother's has an incestuous Jocasta complex for older son Berry Berry. Young brother's girlfriend falls for older brother, Berry Berry, gets pregnant by Berry Berry & commits suicide. Blah blah blah. Warren Beatty, as Berry Berry, gives us his best James Dean impersonation unsuccessfully but he is @ least beautiful to look at. Brandon deWilde is good. Eva Marie Saint gives us a tender performance & Karl Malden is fine but it is Dame Angela Lansbury who walks away with the film and is the only reason to bother to watch. This film was released the same year as The Manchurian Candidate & she won the National Board of Review best supporting actress award for a combination of both movies. The screenplay, by William Inge, based on a book by James Leo Herlihy, presents us yet another misogynistic parody of women. Here we have a sexually frustrated incest suppressed mother & an innocent virgin girl who must be sacrificed for her sins. Hedonistic older brother, Berry Berry, is finally seen as a selfish mess to be viewed contemptuously. Younger brother, who up to this point has only been seen as an innocent boy, walks away from Berry Berry, having grown up, into a man. Music swells. The end. Yawn. You will never want to hear the name Berry Berry ever again.
  • Warning: Spoilers
    If you read ALL of the few comments posted here, you'll get the entire plot for "All Fall Down" - a title that simply states what happens to every member of a dysfunctional family, except Brandon de Wilde "(Clinton Willart").

    Several of the users comment that the character "Berry-Berry" (Warren Beatty) is compared to James Dean's acting-style. I don't see that comparison, at all. James emoted clearly; Beatty whispers and lets his good-looks do the acting. His sister, Shirley McClaine, always said he was prettier than she was.....

    "Berry-Berry" is a punk-hunk that makes his living on his looks and sexual prowess, and really gets-off by beating-on his female victims. "Clinton" (Brandon de Wilde) finds his brother in jail from slapping a hooker around, but accepts the fact as be wants to become "Berry-Berry" - without all the kookiness. "Clinton" is the only sane member of this family, fully aware that the others are certified kooks......he keeps a diary of their craziness. None of the other users commented that "Berry-Berry's" parents - mother "Annabel" (Angela Lansbury) and father "Ralph" (Karl Maldon) - noted they were constantly sending money to bail "Berry" out of jail, with no hesitation nor questions asked. For some reason never explained, they are passionately hooked on his ne'er-do-well personality, totally fixated on getting him home again. "Clinton" feels the same way, but only because he idolizes his older brother.

    I agree all of the roles are fully developed and acted brilliantly, especially by Brandon de Wilde. I do NOT agree the film misses the point in places.......the story is clear as daylight to me. Eva Marie Saint ("Echo") is the perfect, older lady who falls hard for "Berry", who straightens-up for a short while because of her love for him.

    Still, "Berry's" devils keep him from living a normal life - back he goes to some strange fruit-farm (plants, not people) where he is working and banging-on everyone. A stormy scene between the brothers (after "Echo's" assumed suicide) reveals the kook "Berry" is, and "Clinton" sees the real brother for what he is, and rejects him.

    Director John Frankenheimer and script-writer William Inge deliver a brilliant movie - I can't explain why other users are compelled to say "stagey" and "dated". The movie, now, becomes a period-piece and everything looks right to me. The cinematography is great - one user says the actual, original film has been "kept" in good condition. That may be because it's been shown so few times. Thank you TCM for presenting this dark gem - would THAT be "noir" ? Whatever, I recommend this searing movie for all adult-audiences - it will certainly be a "keeper" for me. Bravo! to all - especially Brandon de Wilde.
  • Warren Beatty stars in All Fall Down as the worthless no good son of Karl Malden and Angela Lansbury who is as he says determined not to ever actually work for a living. As he says it's his philosophy why should he actually work when after he gets paid he's too tired to spend it. Better to use good looks and charm to sponge off women. If this film had been made a generation later he might well have been sponging off men too.

    All Fall Down bears a lot of resemblances to two real classics that ironically both came out in 1962, Long Day's Journey Into Night and Hud. It seems as though the creators of All Fall Down and Hud were channeling Eugene O'Neill.

    Brandon DeWilde was in both All Fall Down and Hud and playing the same kind of callow youth and idolizing kid brother until he gets a good look Beatty up close and personal.

    Before she became Jessica Fletcher, Angela Lansbury essayed a few overbearing monster moms and in All Fall Down she's another. She can't help it, it's second nature to her. She might have been the real reason that her husband has taken to drink as opposed to his ravings about the capitalist system.

    Karl Malden's best moment comes when he invites three stew bums to come to Christmas dinner at his house. Though it costs a bit Lansbury gives them a Christmas present they much prefer to a nice turkey dinner which they can get at the Salvation Army.

    Everybody gets a reality check when Eva Marie Saint comes to town and even more so when she leaves. Not unlike Patricia Neal's housekeeper in Hud she gets both Beatty and DeWilde's hormones into overdrive. She's the daughter of a friend of Lansbury's who stays as Lansbury's guest at their home. Given Beatty's character what occurs is probably inevitable.

    All Fall Down had Broadway playwright William Inge do the screenplay for James O'Herlihy's novel with John Frankenheimer directing. A lot of talent in front of and behind the camera make All Fall Down worth a look or three.
  • This film is about a younger brother who cannot stop saying the name of his older brother Berry-Berry. Then everyone else chimes in and says it too. Over and over and over again.

    Did I say Berry-Berry? Such a ridiculous name. Oh, and by the way.....Berry-Berry. In case I didn't mention it.... Berry-Berry. And for those who hadn't heard it before.....Berry-Berry. And in conclusion I will sum up with......wait for it........Berry-Berry!
  • I saw this one when it was first released, responding to some justly deserved positive reviews. Recently Turner Classic Movies showed it and my memories were confirmed: terrific cast beautifully responding to John Frankenheimer's astute direction; impeccable black-and-white cinematography by Lionel Lindon, especially that opening on-location sequence in Key West, Florida; one of Alex North's most apposite scores, not at all too florid (Was any Hollywood composer better at enhancing a story filled with neuroses in full bloom?); and a story whose downward spiral seems inevitable, despite some slight excesses on the part of the scriptwriter.

    Minor reservations: Karl Malden's being required to vociferously refer to his son, Berry-Berry, as "The Big Rhinoceros" and as other assorted wildlife creatures (Why? Never really explained and seemingly inappropriate, given Warren Beatty's rather sleek appearance); the given names of the characters played by both Warren Beatty (Berry-Berry) and Eva Marie Saint (Echo O'Brien) - pure flights of fancy on the part of the writer(s), when compared to the more down-to-earth names given the other Midwesterners in the story; the frustration of seeing the doomed character, Echo, often expressing her affection for the younger brother, Clinton, while pathetically succumbing to the brutish abuse of his older brother, Berry-Berry.

    But the interplay of all the cast (including some excellent supporting players) makes this somewhat forgotten gem a real must-see. It's one time when Angela Lansbury, running on all cylinders, is easily and compatibly matched by her fellow actors. This one's a keeper!
  • The Early Sixties was an Awkward Period for Movies. The Hays Code was Flirted with in the Fifties, but No One Seriously Challenged the Watchdog Behemoth. But when the next Decade Flipped Over things seemed Different and the Movie Industry started to take some Real Chances.

    The Result was at first Subtle Inclusions but also some Daring Attempts to be Bold. You can find some of that here in the John Frankenheimer Directed and William Inge Penned Melodrama about a Dysfunctional Family.

    The Strong Cast of Angela Lansbury, Warren Beatty, Karl Malden, Brandon De Wilde, and Eva Marie Saint are Actors Actors and Frankenheim lets Them Act, and boy do They. The Director Plays around with the Setups and the Camera and Cinematically makes this a Movie when by all that is Witnessed in the Story, it is Essentially a Play.

    Heavy on Dialog and Emoting, Dramatics, and Personality the Film Plays Out on the Surface as a Domineering Mother, a Socialist Father, and an Innocent Teen Brother, all Worship the "Lady Killer" in the Family, a Cad and Narcissistic Hunk named Berry-Berry (you know, like a disease), and He Infects Anyone in Close Proximity.

    Not Top Frankenheimer, but Worth a Watch for the Cast and the sometimes Uncomfortable Look-See at the Realities of Real Middle-Class Life, where the People are Beaten Down, Scarred, and Myopic. It's not a Fun Thing to Watch, it's all Nervous Tension and Gut-Wrenching, and this Type was Not Available to Watch on TV Screens at the Time.
  • Warning: Spoilers
    The heading is an actual line of dialogue from All Fall Down.

    I could probably take this movie more seriously if: (A) That wasn't the main character's name, or (B) The other characters didn't feel the need to call him that almost every time they addressed him.

    Another main character is called Echo, which might sound unusual in another movie where the main character wasn't called Berry-Berry.

    The performances otherwise are good enough that I can just get it to a positive rating, but a 3/5 still feels generous. It's a little dry and stagey (not in the best of ways either), and the story is only really serviceable.

    Digging through a lot of lesser known Eva Marie Saint movies, I feel like she probably deserved better. Thankfully she got to shine in On the Waterfront and North By Northwest, which are two absolute classics (and deservedly so), but everything else I've seen her in she seems too good for.

    Oh well. I guess most actors would still kill to be in those two aforementioned movies, and it's not like a movie like All Fall Down is bad, necessarily. It's just not great.
  • I found it true to life and totally believable. I should know... The circumstances and relationships have an eerie close resemblance to my own life and dysfunctional family. And we lived in Cleveland.

    Clinton was me. As I watched the first time I couldn't believe that someone wasn't telling our story. As proof of what I say, my older brother (totally good not bad) shot and killed our mother in bed in 1987.

    Obviously not each and every element of the story reflect my family but so much of them do, especially the major ones.

    So it's hard for me to understand how this terrific film affects the general public. It is too personal for me to be objective.
  • emdragon20 May 2011
    Warning: Spoilers
    A very strange movie. The critics may have been duped here. The movie is beautifully filmed. This sort of puffed out melo-drama kind of turns me off, though. Every scene seems slightly over-crafted toward an eclectic purpose that just does'nt seem to exist. The early scene when Brandon De Wilde goes into the bar with everyone looking just a little too full of malaise sets the tone for the entire film. Every scene just wants to imply something mysteriously artsy and meaningful, but what IS it? Yeah, that name, Berry Berry, that Warren Beatty had to carry the entire film is extremely annoying. WHO in their right mind would name their kid Berry Berry, and if they ever did, what schmuck would allow himself to be called that his whole life? Also, they make a big fuss over how beautiful Eva Marie Saint is supposed to be. . .but in this film anyway, she just does'nt fit the bill. She gives a good acting effort here, but there is something that the film wants her to portray that she is not , IMO. And Warren Beatty, himself, seems kind of lost in his role that confines him to that horrible name, and his extremely self-abusive (and abusive to women as well) character. His good looks is about all he really gives here that makes sense. Karl Malden and Angela Lansbury do a fine job acting wise. I doubt that the shy Brandon De Wilde character would continue to call his mother by her first name (Annabel) if she asked him not to (like she actually does). He is just too empathetic and caring to do that. I dunno, it's pretty odd, that is for sure. Otherwise, a strange over the top melo-dramatic semi-stinker, that's what I thought of this one.
  • Angela Lansbury is only four or five years older that Warren Beatty (One year older than Laurence Harvey, her son in Manchurian Candidate)and yet, through her performance everything makes sense even the most senseless of acts perpetrated by the characters around her. I wonder if David Lynch has seen this film. I don't know why but I sense a link. Viscerally. Brandon de Wilde, floating through the story, beautifully. Aware, trying to find a way out, lovingly, without destroying anything when everything seems destined to destroy him. I love this film.
  • Evans Evans, Constance Ford, Barbara Baxley AND Madame Spivy! All in one movie. Wow! Okay, I know, they're not the stars. It's a Warren Beatty movie, and he's okay, in a sort of sub-James Dean way, and he's easy on the eyes. But the movie belongs to Brandon DeWilde who is an excellent actor and also adorable.

    The script is not up to the level of another of William Inge's films starring Beatty: "Splendor in the Grass," in which Beatty is much better. But it's interesting, as Inge always is. Perhaps nobody does tormented, despairing MidWesterners better than Inge.

    The movie also stars Angela Lansbury and Karl Malden as Beatty's parents, if you can believe that. Lansbury also worked with director Frankenheimer about the same time in "The Manchurian Candidate." Her relationship with her son in that film is not dissimilar to her relationship with Beatty here.

    We're not really shown Beatty and Eva Marie Saint falling in love, which is the crux of the film. It's as if something's missing. There's also an awkward cut to Beatty waking DeWilde up from a bad dream, as if the dream were filmed, but cut from the release print.

    The street that Lansbury and Malden live on seems to be the "Meet Me In St. Louis" street, which would have still been standing on the MGM backlot in 1962.

    There's not nearly enough of Baxley, Evans, Constance Ford or Spivy (who was a tough cabaret owner in NYC and also appears in "Manchurian Candidate"), but they make the most of their moments. Baxley has a little more to do than the others. I don't think she appeared in a lot of films. She shines in "Nashville," of course as the Kennedy lover. And I think she's Sally Field's mother in "Norma Rae." What became of Brandon DeWilde? He's one of those child actors that could really act and seemed to be making the transition from child to adult actor beautifully.
  • You know, I really did try to cut this off-kilter, 1962, melodrama about serious family dysfunction some slack..... But - I'm tellin' ya - Warren Beatty's white-trash, womanizing character - Berry-Berry Willart was so utterly vile and despicable that he made Marlon Brando's Stanley Kowalski character (from "A Streetcar Named Desire") look like an adorable sweetheart by comparison.

    And, what made the Berry-Berry character even more revolting was that (left, right, and centre) women were literally throwing themselves at him. And, even after being humiliated and slapped around, they were still coming back for more.... (Sheesh!).... It was enough to make my skin crawl!

    And, speaking about the name Berry-Berry - I can't begin to tell you how annoying it was having to hear this demented name being repeated, over and over again, throughout All Fall Down's 2-hour running time.

    I mean, who (in their right mind) would name their kid Berry-Berry?.... It sounds like some kind of a disease to me.... Can you just imagine (as a child) all the teasing that Berry-Berry would have had to endure on account of his name?
  • The fact that this was directed by John Frankenheimer also attracted me to this film. Angela Lansbury is excellent as Annabelle, bored and disappointed housewife, mother to Berry-Berry Willart (Warren Beatty).

    Brandon De Wilde as the sensitive younger brother is almost heart-breaking to watch, as at first he worships, then questions, then later resents his older brother. He is to help Berry-Berry buy a shrimp boat, instead learning to enjoy the transient life in Key West Florida. ..."Why bother picking oranges when you're then too tired to enjoy the night life?"... Beatty says, as he cynically corners the next female he will choose to support him, for the moment.

    Echo O'Brien is Eva Marie Saint, the name of the character itself infers a void. Indeed, she has suffered the suicide of her only serious boyfriend, she admits to Annabelle, as she is staying at their home for the holiday. She is also somewhat gullible, and susceptible to the manipulations of Berry-Berry.

    Berry-Berry (Beatty), a drifter, finds numerous women to live off of, and winds up back home after landing in prison for beating his latest conquest. Beatty is certainly believable in the role, albeit a bit flat at times. He does seem filled with anger at his parents, his life. One scene is of a Christmas manger, and he becomes so disgusted he takes a pole and drives it through the window. He has had enough. His mother Annabelle is particularly tragic, treating him as the prodigal son and creating a shrine for him on Christmas Eve, when all that occurs that night is her husband (Karl Malden) returns home drunk yet again, he has, she tells her younger son, been committing suicide for the past 30 years with a bottle of bourbon.

    All in all a story reminiscent of "Come Back, Little Sheba". Life's disappointments, and how various characters respond, or act out their despair. The De Wilde character Clinton, in the end seems the only character to be redeemed, and renewed. Highly recommended. 9/10.
  • Adaptation of James Leo Herlihy's novel is an intriguing misfire. Cold-hearted, embittered teenage loner (Warren Beatty) goes back home to his middle-class parents and idolizing younger brother during the Christmas holiday. Cast including Eva Marie Saint, Brandon de Wilde, Karl Malden and Angela Lansbury very strong, but William Inge's screenplay seems hollowed-out: there's very little here for an audience to respond to. Beatty, surprisingly tough and menacing, soon put his stamp on these type of aloof characters who also serve as gigolos for older women; elsewhere, Malden and Lansbury strike some truthful, ruefully humorous chords as his parents and Saint is sympathetic as a single woman who becomes involved. Handsomely-produced melodrama has jarring moments and florid dialogue, but is still interesting from an acting standpoint. **1/2 from ****
  • wvandale29 August 2020
    What a bizarre movie and if I hear "Berry Berry" one more time I think I'll commit Hari-Kari!!!
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