User Reviews (14)

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  • Featuring outstanding Arizona scenery in Cinemascope color, one interestingly written character (Billy), and Jack Nicholson in a young anti-hero performance, what is wrong with this Western? The answer is: Nothing is wrong. Having a budget that obviously consists of little more than pennies does not negatively impact this film much, except for some low-paid "discount" acting at times.

    To me the most intriguing Westerns are ones that portray some aspect of the Old West based at least partly on fact. I put this film in that category as it does portray a phenomenon of those days, namely the existence of a few Sheriffs who were little more than legalized executioners.

    The cast and crew just went out to Arizona and filmed this on the desert in a straightforward manner. It works for me.
  • whpratt114 February 2009
    The story opens up with a drifter stumbling into a town ruled by a sheriff who trusted no one and would make certain that everyone in town lived or died by his rules.

    Many people in the town would love to just up and move away but the crazy sheriff would some way convince them to stay.

    There was also a woman who recently moved into town and had an affair with the sheriff and held some deep dark secrets about him, which made him want her to leave on the next stagecoach out of town.

    Jack Nicholson was very young in this picture but just his appearance in the film makes it worth your while to watch and enjoy.
  • This early 60s western would be totally forgotten if not for a performance by a young Jack Nicholson. The film barely clocks in at 60 minutes, IMDb timing notwithstanding, and its bare bones screenplay tries to to far too much in that brief span. Characters are thinly drawn and poorly (and bizarrely) motivated. Not much to recommend here except for Jack completists.
  • This short 1-hour Western movie centers on a drifter who comes to a small town and has run-in with its sadistic sheriff. A string of circumstances leads to running from a posse, robbery, and murder. Considering the limited length of this movie, it's a good story, the characters are likable, the dialog is literate, the performances are good (particularly Jack Nicholson), and it's well directed. If you collect Western movies, this one is worth having.
  • Except for the strangely out of water Jack Nicholson as a cowboy, this movie has nothing to recommend it. Here, he looks and sounds like a TV sidekick, the only thing missing is a comb to run through his hey, daddy-o hair. No where near as compelling as his later western, RIDE THE WHIRLWIND, which, if you think about it, is basically the same story as this one. Except, with Monte Hellman directing, it was watchable. This movie wasn't good back in the early sixties when it was made-- it certainly hasn't stood the test of time. This looks and feels like a contract obligation movie-- meaning they had a slot in the production schedule and threw this junk together to fill the opening. The direction is boring, strictly point the camera and shoot-- one take by the look of it. The female lead, a pivotal role for the last half of the movie, can be seen looking down every time she moves, to make sure she hits her mark. Unwatchable.
  • ctomvelu-128 September 2008
    The only reason to see BROKEN LAND, a low-rent western from 1962, is for a young Jack Nicholson as a hot head who tangles with a small town's evil sheriff and then teams up with two other men and a "wayward" woman who also have run afoul of the sheriff. Shot in Arizona, the film looks pretty good for a DeLuxe color print job, but the acting and dialogue are absolutely atrocious. Nicholson at least stands out with his toothy grin and hambone delivery. Apparently, Burt Reynoldsa was originally cast in the Nicholson role, not that that would have helped this turkey. All the cowpokes are laughably clean shaven with 1950s-style hairdos. The "wayward" woman of the film looks like someone's grandma in a bad wig. The entire cast consists of maybe 12 people. It is a very small town, obviously. My best guess is this was shot to fill out the bottom half of a movie bill, as it barely runs 70 minutes. Any kid watching this in a theater or drive-in must have been ready to jump off a bridge long before its short running time was played out.
  • Warning: Spoilers
    Ever watch a low budget film and wonder how the original audience felt about it after watching it in their cars at the drive-through? I'm sure that a vast majority of people who watched this originally in 1962 either fell asleep or hated it. Those that did like it may have been some women and those enjoying the color scenery photography. I say perhaps some women may have liked it because the female lead of the film has a lot of lines. This film has so much talking and it ends in a fistfight instead of a gunfight. Jack Nicholson has a co star role that's OK, nothing memorable as far as lines go, he does have a crooked type grin so by now he had begun establishing his master character in all his films. I rate this a 4, 2 for the color photography and 2 to see Jack in his early career. I recorded this from my DVR set to record Roger Corman films which he produced here uncredited. The Broken Land broke my fast forward button even at its short length. 4 out of 10, pass.
  • To Put it in Perspective, Anthony Mann and Budd Boetticher put a "New Face" on the Western in the 1950's and Sam Peckinpah put an Amen to it with Ride the High Country (1962) and then Reincarnated the "New" Western with The Wild Bunch (1969). Peckinpah, it Could be Said, Ended the New Wave of Westerns and Started the New New Wave of Westerns. No Mean Feat.

    While Hardly in the Mann/Boetticher/Peckinpah Camp, This Little Movie is Indeed a Bit Different from Standard Stuff in its Introspection of Some Off Beat Characters that Include a Brutal Dictatorial Sheriff, a Dim-Witted Likable Stiff, a Good Hearted Drifter, and Jack Nicholson as a Slightly Miscast Bad/Good Guy. Diana Darin is the Damaged Goods still Managing to Look Good and Emote Kindness.

    Overall, Worth a Watch for Early Nicholson, a Good but Short Story, and Some Colorful Cinemascope Landscapes.
  • A young Jack Nicholson is the only reason to watch this film. Jack was 25 years old when he appeared in "The Broken Land." At first, I didn't even recognize him, or even his classic one-of-a kind voice. Jack's the only actor in the cast (veteran Kent Taylor comes in second) who can bring to life the lousy dialogue. With a 60 minute run time (the "director's cut" is 75 minutes, according to IMDb), at least it goes by quickly. Maybe this film was the bottom half of a drive-in double feature (if anyone remembers drive-ins). If one does remember drive-ins, there was undoubtedly more action going on in the back seat of Daddy's Chevy then on the screen. Could be grindhouse material as well.
  • Warning: Spoilers
    An impossibly young looking Jack Nicholson is probably the main draw for this early Sixties Western which takes place in an unnamed town. However a Wanted Poster appears at one point with a two thousand dollar reward for the Hole in the Wall Gang, so my instincts tell me the story took place in the upper mid-West, quite possibly Wyoming where Hole in the Wall was located.

    If there's anything to recommend about the picture besides Nicholson's place in the credits, it would have to be that it takes your normal B Western convention of the sheriff as a good guy and stands it on it's head. Here, Marshal Jim Cogan (Kent Taylor) rules his small town with an iron fist, a throwback to his days as a Union Major when his word was law and if you disagreed, you usually wound up in jail. Minor infractions that could be ironed out simply by talking things through don't work for Cogan, best illustrated by his willingness to jail a young store clerk (Gary Sneed) who hands a woman he admires a necklace he hadn't paid for.

    The woman (Diana Darrin), exacts a measure of revenge on the wayward marshal by springing the young man out of jail, along with Nicholson's character Will Brocious, and a third man (Robert Sampson) prior to high-tailing it out of town on the next stage. This sets up a pact among the men to trail the stage and protect Mavera (Darrin) from the unscrupulous Cogan once he realizes the jail break was enabled by her intervention.

    The thought just occurred to me that had the marshal simply let things be, he would have had all four characters out of his hair for good, but instead, his obsession to put the trio back in jail and teach Mavera a lesson eventually leads to his own undoing when the former waitress speaks up in front of the town folk. Killing his own deputy and knifing the misfit clerk in the back didn't help either. Score this one for the good bad guys.
  • Warning: Spoilers
    This low-budget but offbeat Twentieth Century Fox western generates a lot of interest despite its B-movie origins. The lead actor Kent Taylor specialized in B-movies, but today's audiences probably wouldn't recognize him. On the other hand, the actor listed fifth in the credits Jack Nicholson is probably the only reason that most viewers would watch this 60-minute oater. "The Broken Land" turns out to be more rewarding than a lot of westerns because the characters stand out more than the actors playing them. Indeed, the lead actor in a movie is typically a sympathetic character, someone that we either identify with or we like because they have charisma. Kent Taylor doesn't radiate charisma of any kind, but he is ideally suited to play the character of Marshal Jim Cogan. Cogan isn't the kind of lawman you want to cross swords with, and he doesn't tolerate those he doesn't like.

    Less than twenty minutes into "The Broken Land," you'll find yourself wondering where this modest western is heading. Cogan catches a glimpse of a person and makes up his mind about him without any solid evidence. He has the Jack Nicholson character under lock and key for no good reason. Later, he arrests a simple-minded twentysomething whose infatuation with a pretty woman prompted him to give her a necklace that he has not bought. When Billy (Gary Sneed) offers Mavera (Diana Darrin of "Reform School Girl") a necklace, his boss discovers he hasn't paid for the item. Billy assures him he plans to work off what he owes for the necklace. Suddenly, the necklace comes apart and falls into the middle of the street. The storeowner is upset, and Cogan decides Billy is a thief and arrests him. Reluctantly, the storekeeper signs a complaint so Cogan can keep Billy in jail. When a stranger, Dave Dunson (Robert Sampson of "Re-Animator"), tries to intervene only Billy's behalf, Cogan decides to throw him in jail, too. Dunson and Cogan brawl on the street, and Cogan's deputy, Ed Flynn (veteran western actor Joel McCrea's son Jody McCrea), gets the drop on Dunson, and they lock both Billy and Dunson up. Basically, everybody Cogan either arrests or runs out of town receives unfair treatment. Eventually, even Cogan's deputy decides Cogan rules the town like a dictator, imprisoning people for acts that aren't necessarily crimes.

    Mavera knows something about Cogan that Cogan doesn't want the townspeople to learn. He threatens her if she doesn't keep quiet about his past, but she gets on his bad side early on because she creates a minor disturbance with a customer at the restaurant where she works as a waitress. Dunson has just ridden into town and had run-in when Billy. Billy upsets a stack of metal milk containers, and the noise of these containers falling into the street spooked Dunson's horse. Dunson isn't too happy when he orders his meal, and she baptizes him accidentally with water . Dunson complains to the manager. Cogan has just entered the restaurant, and he watches Dunson just long enough to decide Dunson needs to be run out of town. Somehow Dunson persuades Cogan to give him the benefit of the doubt so that he can dine. Later, however, Cogan isn't so indulgent with Dunson, and he slings him in jail. Meanwhile, Mavera delivers food to the prisoners, and she has meet harmless Will Brocious (Jack Nicholson of "Chinatown") and takes pity on him because Cogan arrested him for no good reason. After Cogan tells her to leave town on the next stagecoach, she slips over to the jail and gives the keys to the prisoners. She tells them to wait until she has left town before they escape. Unfortunately, Deputy Flynn sees her leaving, so when Dunson, Brocious, and Billy break out, they have to overpower Flynn and leave him locked up. Brocious steals four horses for them and explains to Dunson that they need to overtake the stage and get Mavera off it because Cogan will figure out her role in their jailbreak. Meanwhile, harmless but simple-minded Billy buckles on a gun belt. When they halt the stage to rescue Mavera, the shotgun rider wounds Billy. Brocious threatens them with his rifle and the coach driver tosses the money pouch at their feet before he drives the coach off. It doesn't take Cogan long to hit the trail after the jail breakers. By this time, Deputy Flynn has decided that Cogan creates more problems than he solves. He tries to intervene for the jail breakers and Cogan shoots him and rides off after his prisoners.

    Movies where either the lead actor or apparent protagonist is villainous are always more interesting since these movies shatter the formula. The lawman in a western is usually the good guy, but Cogan is anybody good. Eventually, we learn from Mavera that Cogan was once a Union officer who declared marshal law and ruled a town ruthlessly. Since Cogan has the power, he can take advantage of his position as the top lawman to do whatever he pleases. "The Broken Land" is interesting because the man who is supposed to be the protagonist turns out to be the antagonist. Dunson is the real hero, and Brocious is the first to tell him he considers his acts of intervention on Billy's behalf qualifies him as a hero. Dunson shrugs off this label; he only wants to get out of jail.

    Director John A. Bushelman of "Sniper's Ridge" does a really good job with this routine sagebrusher. He paces the action well, and this 60-minute B-movie is constantly provocative. "The Broken Land" wasn't a major production, but this minor western is still fun to watch because it goes against the grain. The western scenery from which the film derives its title is also a plus.
  • I enjoy westerns but have noticed that about 95% of them have 3-4 different plots. Originality is NOT a trademark of the genre! Because of this, while "The Broken Land" is far from a great film, it IS original and kept my interest.

    The film is set in some old western town. Soon you realize that the Marshal is insane or a total sadist. I'd vot for him being BOTH!! For him, the law is a meant to control everyone and soon he locks up one guy for having a father who was a crook! Then, he insists that a poor feeble-minded guy is a thief and is about to shoot him!! A stranger in town attacks the Marshal to stop this murder...and ends up getting locked up as well! And, it only gets worse!

    While the film has a very nice plot, it was far from perfect...hence the score of 6. The actors were all no-names at the time (of course, Jack Nicholson has gone on to better things....or so I've been told). Most were reasonably good but not outstanding. The script also had a few loose ends such as the 'big revelation' from the lady at the end...which turned out to be not much of a revolation. Still, it IS original and kept my interest. Plus, if you aren't sure about investing your time, it's only a hour in length!
  • And what a delight to watch it in LBX please folks !!!! What a pleasure because it is so rare from an API production. The story itself is not that terrific, but for a B western, that's what I like, instead of the bland and standard yarns with the same character, as the likes of Bill Elliot or Roy Rogers.... Don't mind about Jack Nicholson, focus instead on this cosy tale, despite the fact that it won't bring anything exceptional, except the villain as lead character, but it is only a rare little gem, so unique and hard to find in LBX. And the acting is pretty good too for this kind of production, even the directing, from this unknown director. But I have always craved for evil lead characters, especially a rogue sheriff, played here by Kent Taylor.
  • Very early Jack Nicholson vehicle that is nothing more than a quick B-western with some exotic Arizona Apache Zone locales. Evil small town sheriff Kent Taylor rules the community with an iron fist and several within the small landscape join forces to change things. Nicholson is way down the list on the credits as a young hothead who has an itchy trigger-finger and likes to solve things with a rifle rather than by talking things out. An extremely wishy-washy film that is shorter than most documentaries these days (the film is only about an hour in length) and sports no real recommendations anywhere across the board. Only memorable to see how Nicholson was before his "Easy Rider" days. Turkey (0 stars out of 5).