Two Weeks in Another Town (1962)

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Two Weeks in Another Town (1962) Poster

After spending three years in an asylum, a washed-up actor views a minor assignment from his old director in Rome as a chance for personal and professional redemption.




  • Kirk Douglas and Cyd Charisse in Two Weeks in Another Town (1962)
  • Kirk Douglas in Two Weeks in Another Town (1962)
  • Kirk Douglas and Cyd Charisse in Two Weeks in Another Town (1962)
  • Kirk Douglas and Cyd Charisse in Two Weeks in Another Town (1962)
  • George Hamilton and Daliah Lavi in Two Weeks in Another Town (1962)
  • Kirk Douglas and Daliah Lavi in Two Weeks in Another Town (1962)

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16 December 2006 | gaby01575
Camping out for two weeks in another town...
What the heck were they thinking? Oh, I get it: Take the success of "La Dolce Vita", infuse it w/ the elements of a behind-the-scenes look into the tawdry goings on of a troubled Hollywood production and transplant it back to Rome (Say, "Cinecitta", boys and girls!). And for good measure, have a director w/ an Italian sounding name take responsibility for it.

Trashy camp only begins to describe the little seen(and therefore intriguing to self-confessed cinephiles--we have TCM to thank) "Two Weeks In Another Town"(1962), but what a gloriously colorful bit of camp it is. Director Vincente Minnelli is an acknowledged master of color and---I don't know what else. The dialog has to be heard to be believed("Don't swallow all those pills! The doctor will have to come up and pump your stomach. You know how much that sickens me!"). Everybody spits, dribbles and sweats acid in this movie. Need it be said that everyone overacts? It's a wonder anything at all was left of the scenery after they chewed it up! And having pretty boy George Hamilton play a knife-wielding bad boy is a bit much, no? One exception is the young Daliah Lavi who left the bad acting to the two other women principals (Cyd Charisse and Claire Trevor)and just let her natural charms show through. She's even more fetching here because she looks to have more meat on her bones than in her subsequent roles( The Detainer in the OTHER Casino Royale).

Kirk Douglas as the main character who gets to do the thankless job of saving a movie in trouble after its director(Edward G. Robinson) suffers a heart attack tries to do the same thing w/ this movie and barely succeeds. A plus, though, is that he tools around in(and gets to trash) a cool-looking Maserati convertible. Watching that car alone is worth it. As for the rest of the movie, it's like bad tabloid reportage. We know it's trash, but we can't keep our eyes off it!

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