IMDb RATING
7.1/10
111K
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A poor boy named Arthur learns the power of love, kindness, knowledge and bravery with the help of a wizard called Merlin in the path to become one of the most beloved kings in English histo... Read allA poor boy named Arthur learns the power of love, kindness, knowledge and bravery with the help of a wizard called Merlin in the path to become one of the most beloved kings in English history.A poor boy named Arthur learns the power of love, kindness, knowledge and bravery with the help of a wizard called Merlin in the path to become one of the most beloved kings in English history.
- Directors
- Writers
- Stars
- Nominated for 1 Oscar
- 1 win & 1 nomination total
Rickie Sorensen
- Wart
- (voice)
Sebastian Cabot
- Sir Ector
- (voice)
- …
Karl Swenson
- Merlin
- (voice)
Junius Matthews
- Archimedes
- (voice)
Martha Wentworth
- Madam Mim
- (voice)
- …
Norman Alden
- Sir Kay
- (voice)
Alan Napier
- Sir Pellinore
- (voice)
Richard Reitherman
- Wart
- (voice)
Robert Reitherman
- Wart
- (voice)
Jack Albertson
- Knight in Crowd #1
- (uncredited)
Barbara Jo Allen
- Scullery Maid
- (voice)
- (uncredited)
Fred Darian
- The Minstrel in opening sequence
- (voice)
- (uncredited)
James MacDonald
- The Wolf
- (voice)
- (uncredited)
- …
Tudor Owen
- Knight in Crowd
- (voice)
- (uncredited)
Thurl Ravenscroft
- Black Bart
- (voice)
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie is another proof of the high quality of the classic Disney films. Today feature films are quite funny too... but they based mostly on simple, crude jokes and spoofing of other topical movies (remember the bullet time-spoof in "Shrek"). There is no substance to think about in it. You can see them, laughing about them...and forgot them almost completely a few years later. Who will remember, i.e., "Ice Age" or "Madagascar" in 40, 50 or 60 years? The old Disney classics are different, there are timeless! "The Sword in the Stone" contains a lot of joyful gags too, but no gag stands above the characters, no joke was made only to fill a hole in the plot. The story, the plot, and the characters are primary. And Disney add not only joyful gags. As Walt himself once said: "For every laugh, there should be a tear." Disney take children always quite seriously, and a lot of his early films contains a lesson for life, sometimes the lesson can be very sad and cruel, like in "Bambi", sometimes lesser sad, like in "The Sword in the Stone"... but can anybody forget the cute little girl squirrel, that was left by Wart, desperately crying and with a broken heart? And Merlin's closing words about love: "Well, yes, in its own way... yes, I'd say it's the most powerful force on Earth"!
This is one of the main ingredient of the famous Disney Magic: Joy and tragedy! Another is the art of hand drawn animation. The quality of the animation went downwards at Disney after WW-II too, slowly, but surely. But in 1963 cel-animation was still on a high level. Not so good as in the golden Era, when "Fantasia", "Pinocchio" or especially "Bambi" set the utmost high standards of perfectionism, but quite better than in "Hercules", "The Lion King" or "The Rescuers down under". 7 of 10 stars for "The Sword in the Stone"! It is not the best of all Disney films, but quite better and deeper than the most of the modern CGI movies!
This is one of the main ingredient of the famous Disney Magic: Joy and tragedy! Another is the art of hand drawn animation. The quality of the animation went downwards at Disney after WW-II too, slowly, but surely. But in 1963 cel-animation was still on a high level. Not so good as in the golden Era, when "Fantasia", "Pinocchio" or especially "Bambi" set the utmost high standards of perfectionism, but quite better than in "Hercules", "The Lion King" or "The Rescuers down under". 7 of 10 stars for "The Sword in the Stone"! It is not the best of all Disney films, but quite better and deeper than the most of the modern CGI movies!
The 90 minute cartoon is in fact the first chapter of T.H. White's novel The Once and Future King. Made for the kids, Disney does it again taking a classic story and adding fictional animal characters that can talk. Still, Disney remains loyal to the story by keeping many of the characters in the story including Kay, Sr. Pellinoire, and Sir Ector.
Worth watching twice with the family. An animated classic
Worth watching twice with the family. An animated classic
I'm really not much of a Disney fan, and a lot of their films I find are sentimental rubbish, to put it bluntly. This, however, is different. I remember watching this when I was little and finding it hilarious. I hadn't watched it for years until recently when my younger siblings borrowed some videos from a friend. I still find it funny. The animation's nothing amazing, it's done more or less in the style of 101 Dalmations, and the storyline is basic King Arthur stuff (but I do like King Arthur stories anyway). It's the humour that really makes it memorable and charming. The characters have personality, there are no bimbo princesses or princes, and I find myself warming greatly to Merlin and Arthur and even grumpy Archimedes. Well worth watching.
Pleasant Disney animation, without being a classic. It has its moments, particularly the magic-fight between Merlin and Mim, but is light on characterisation and especially good songs. The soundtrack tunes are very simplistic both melodically and especially lyrically and resolutely refuse to stay in your brain.
The narrative itself is unusual, introducing the sword in the stone legend immediately and then dispensing with it until the last five minutes or so, concentrating its energies instead on young Arthur (read Wort) and his upbringing by the kindly Merlin and his obstinate talking owl Archimedes.
I kept seeing recollections of past Disney (and other) cartoon forebears, everything from, naturally enough the Sorcerer's Apprentice from "Fantasia" and "Cinderella" while the chasing wolf early on is a blatant lift of Wile E Coyote in the "Road Runner" shorts. The old Disney trick of an experienced elder mentoring a young innocent had of course been done before in "Pinocchio" and "The Jungle Book" although I could also see some ideas which were adapted in future projects, the animated crockery anticipates "Beauty and the Beast" for instance.
Disney never did return to the Arthurian Legnd in future animations as was hinted might happen here which is a pity but for me there's far too much diversion from the legend itself so that I was willing young Arthur to hurry up and give the sword the required pull long before the ending, which when it does arrive seems far too rushed in any case.
No, not the best Disney by a long way and certainly not in the vanguard of the studio's work.
The narrative itself is unusual, introducing the sword in the stone legend immediately and then dispensing with it until the last five minutes or so, concentrating its energies instead on young Arthur (read Wort) and his upbringing by the kindly Merlin and his obstinate talking owl Archimedes.
I kept seeing recollections of past Disney (and other) cartoon forebears, everything from, naturally enough the Sorcerer's Apprentice from "Fantasia" and "Cinderella" while the chasing wolf early on is a blatant lift of Wile E Coyote in the "Road Runner" shorts. The old Disney trick of an experienced elder mentoring a young innocent had of course been done before in "Pinocchio" and "The Jungle Book" although I could also see some ideas which were adapted in future projects, the animated crockery anticipates "Beauty and the Beast" for instance.
Disney never did return to the Arthurian Legnd in future animations as was hinted might happen here which is a pity but for me there's far too much diversion from the legend itself so that I was willing young Arthur to hurry up and give the sword the required pull long before the ending, which when it does arrive seems far too rushed in any case.
No, not the best Disney by a long way and certainly not in the vanguard of the studio's work.
The Sword and the Stone is a very relaxing movie to watch. In an animation, you want humour and emotion, and this movie had plenty of both. Most of the humour comes from Sir Ektor(voice of Sebastian Cabot) and Archimedes (voice of Junius Matthews), but Merlin (voice of Karl Swenson) had some truly delicious lines. I just love Archimedes, he is absolutely hilarious, and still manages to be likable, despite being very grumpy. The animation was lovely, and the scenes when Wart (voice of Ricky Sorenson)was an animal were truly entertaining. My personal favourite was the squirrel scene, but the duel of Merlin and Mim was the highlight of the film for me. The songs by the Sherman Brothers, while not particularly memorable, were very pleasant to listen to, as was the incidental music by the composer of the Jungle Book George Bruns. All in all, a truly enjoyable movie, that is definitely underrated. 9/10 from me. Bethany Cox
Storyline
Did you know
- TriviaArthur was voiced by three different boys - Rickie Sorensen, Richard Reitherman and Robert Reitherman. The changes in voice are very noticeable in the film because of the way Arthur's voice keeps going from broken to unbroken, sometimes in the same scene. One of the easiest noticed is in the last scene in the throne room when Arthur asks in his "changed voice", "Oh, Archimedes, I wish Merlin was here!" Then, the camera cuts farther back and Arthur shouts in his "unchanged voice," "Merlin! Merlin!"
- GoofsThroughout the entire film Wart's voice keeps on changing from being child-like to adult-like. One of the easiest spots to notice this is in the throne room towards the end when Wart is trying to get somebody else to take his place. He says "Oh Archimedes, I wish Merlin were here!" in his adult voice, then the camera goes to a distant view and he calls "Merlin, Merlin" in his child voice.
- Quotes
Madame Mim: Sounds like someone's sick. How lovely. I do hope it's serious. Something dreadful.
- Alternate versionsThe UK DVD version omits part of Madam Mim's first line "Sounds like someone's sick. How lovely. I do hope it's serious. Something dreadful." She now says "Sounds like someone's sick. How lovely."
- ConnectionsEdited into The Jungle Book (1967)
- SoundtracksThe Legend of the Sword in the Stone
(1963) (uncredited)
Music and Lyrics by Richard M. Sherman and Robert B. Sherman
Sung by Fred Darian
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La espada en la piedra
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $12,000,000
- Opening weekend US & Canada
- $2,230,614
- Mar 27, 1983
- Gross worldwide
- $12,000,000
- Runtime1 hour 19 minutes
- Aspect ratio
- 1.37 : 1(original & negative ratio, open matte)
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Top Gap
By what name was The Sword in the Stone (1963) officially released in India in English?
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