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  • Its writers/creators included Mel Brooks and Buck Henry.

    'Nuff said.

    But, since IMDb won't let me get away with saying just that, I'll just have to write more.

    How can you go wrong with something by Mel Brooks and Buck Henry? It's obvious that the actors are thoroughly enjoying themselves in this show, and this enthusiasm was infectious. I was a very little girl in 1965, and I used to sit up with my father to watch TV after dinner and the nightly installment of whatever book he was reading to us. We sat together and watched Get Smart, Hogan's Heroes, McHale's Navy, among others, all of which are now considered classics. Why? Because, while the shows themselves were very topical (Get Smart was about the Cold War - as is Bullwinkle -- and Hogan and McHale fought in WWII which had ended barely 20 years earlier), the humor itself did not rely on specific current events. They were just out-and-out funny.

    They still are.
  • The funniest but rarest episodes were those that involved Hymie the robot who delivered wacky lines deadpan like....er...a robot. He fell in love with another robot - a soda vending machine and his wooing line was: "I like you so much because.....you are so simple." How about The Claw, the FuManChu-like or Dr. No doppleganger, who was about as inept as Maxwell himself. He tells his factotum to show the captive Smart the bamboo under the fingernails torture and starts screaming "Aaaaa! Not on me, you fool!."

    At one time, Smart was assigned to solve a case of a spate of kidnappings of blond young women. It turns out that The Claw was just after one blond woman. He explains to Smart: "Unfortunately to us orientals, all blond women look alike."

    Unfortunately, the movies were not as funny as the original season episodes.
  • This comedy is definitely my favourite show and is one of my favourite Mel Brooks shows as well(which really says something as I am a huge Mel Brooks fan). This show has nothing wrong with it with humour and lines that have become famous around the whole world now knows and respects for example "I am the Craw" "well then Craw..." "not Craw craw" thats Mel Brooks humour at its funniest(which also says something). Another good aspect of shows is that Agent 86 is the only incompetent main character so it makes him stand out even more as everyone else while being aware of his clumsiness and stupidity but never mentions anything. One thing that is really good about Get Smart is that it has stood the test of time which so little shows would be able to manage to do nowadays. Overall I rate this show a solid 86% for being the best 60s show out there and I hope that the 2008 remake will be at least half as good as this wonderfully funny Mel Brooks show.
  • 'Get Smart' holds a special place in the hearts of Australian kids growing up in the 1970s. Throughout that decade it was on almost continuous repeat, and at least two generations of couch potatoes almost had the whole series memorized by the time they graduated high school. But you know what? Watch it today and it's STILL the funniest TV show EVER!

    Nobody but Don Adams could have played Maxwell Smart. He IS Maxwell Smart! Adams comic timing and expressions are superb. It's a pity he hasn't gotten the recognition he deserves. Surrounded by the first rate Barbara Feldon ('99') and Edward Platt ('The Chief'), supported by a fabulous group of comic actors (particularly Bernie Kopell as Siegfried), and some talented guest stars (most unforgettable - Larry Storch as 'The Groovy Guru'!), and with consistently funny scripts, this show set a standard in comedy that is as good as, if not better than, much more "respected" shows like 'M.A.S.H.', 'Taxi' and 'Cheers'.

    Forget the reunions, movies and attempts to revive 'Get Smart'. Just stick with the original and best "grooovy baby" Super Spy! There's nothing as hilarious as this show at its best! One of the greatest TV shows of all time.
  • I come from China,I'm 23 years now,I saw it when I was still young.I really like it,smart and 99 gave me a deep impression. I can't image that, this TV series was showed in 1965,i couldn't believe Don Adams had been over 40 years old.

    I saw it about in 1995s and a lot of Chinese saw it and like it. i know it had issued DVD version,i want to know how to buy it in China.

    Your comment does not contain enough lines - the minimum length for comments is 10 lines of text. who made this rule?I am a Chinese I don't have a ability to write a comment for 10 lines. come on let me submit please.and forgive my poor English.
  • pablocarlos23 September 2007
    I can't say enough about this show. Don Adams was brilliant as Maxwell Smart, charming in his ineptitude, flawless in his comic timing. The gags were consistently hilarious. The bits of business like the shoe phone or the cone of silence were outrageous. And Barbara Feldon as agent 99 was deliciously sexy. The plots weren't the point really, the gags were, and the excellent comic characterizations. Check out Bernie Kopell pre Love Boat as KAOS agent Siegfried or Dick Gautier as Hymie. With Mel Brooks and Buck Henry at the helm, how could you go wrong. Maxwell Smart lives on in the pantheon of fictional cold war spies alongside James Bond, Harry Palmer and Derek Flint. Austin Powers has nothing on these cats.
  • I would like to say that, the only ever 10 I have given was to LA Confidential. This show was easily the best show on Television. Don Adams was brilliant. Get Smart was incredibly intelligent, it didn't have the CGI of today, so it had to have good scripts. I always found the the shows were entertaining and hilarious. Don Adams was perfect for the role of Maxwell Smart, Barbra Feldon was Sexy, Smart, and Hilarious. You feel bad for Ed Platt as the Chief because nothing good ever seems to happen to him. I would easily recommend this series to anyone to watch, buy, or give as a gift. I guarantee watching it you will be hard pressed not to laugh. I wish a Farewell to Don Adams, you will be missed, may you Rest in Peace.
  • 'Get Smart' is a fantastic show that manages to mix humor with loveable characters and interesting story lines perfectly. The show's humor hold up very well and can still be considered a classic to this day. Don Adams steals the show and is backed up a great supporting cast with Barbara Feldon, Edward Platt and Bernie Kopell. Overall a fantastic and loveable show
  • What can you say about Get Smart, you have to let your mind go and just enjoy the mind numbing stupidity that is Maxwell Smart! Control vs. KAOS! Characters with the names of Hymie, Seigfried, The Claw, Fang, Agent 13, Chief, Mr. Big, Simon The Likable and Shtarker where do you go wrong! Gadgets like the shoe phone, poisonous lip stick, cone of silence and the ejection seat in Max's car! Agent 13 hiding out in mailboxes, bowling ball lockers, who ever thought up this series is sheer genius! Edward Platt is excellent as the chief and his reactions to Max's screw up is priceless! The cast is brilliant along with the people that guest star! Get Smart will never age, it was funny back in the day, its funny today and will be in the future! If you have never seen a episode, sit back and enjoy the dumbness that is Maxwell Smart!
  • Get Smart is by far one of my favorite television shows of all-time. The characters are put through a variety of humorous and intriguing situations, and I always marvel at how the scriptwriters are able to get Maxwell Smart through yet another dangerous situation alive! Don Adams was a smash hit in this show, as was Edward Platt. Add in the beautiful Barbara Feldon, and you've got a dynamic trio that truly creates something magical. The characters really got into their roles, and I often forget that I am watching actors and not real people. Yes, Maxwell Smart at times is convincing! And Larabee or Siegfried always make me laugh.

    One of my favorite aspects of the show is also in the music. The culture of the 60s is reflected in many of the episodes, such as the well-known "Groovy Guru" or "Diplomat's Daughter" where vivacious girls are swinging their hips and "doing the pony" to groovy rock 'n' roll music in a late-night dance club. I can't help but feel my body move along to those groovy sounds as well. If those were the 60s, what a great time they were to grow up! This is truly a show for not just the 60s, but for the ages. Its innocent humor, wide variety of interesting plot lines, and phenomenal actors catapults it to being one of the greatest shows of all-time. I highly recommend Get Smart, and I wish that there were shows like it today.
  • What would TV's outrageously zany spy-spoof, Get Smart, be without actor Don Adams, as Agent #86, Maxwell Smart, the bungling boob-of-an-agent with his signature shoe-phone?

    Filled with crazy, back-firing gadgets (the Cone of Silence props were priceless), hilarious sight gags and brilliant, off-the-wall one-liners (delivered completely straight-faced by Maxwell Smart), Get Smart has got to be one of the smartest, and funniest, TV Sit-Coms from the 1960s.

    Don Adams (a unique comedian), with his Maxwell Smart character (a great parody of James Bond), was a classic.

    While watching these episodes from the show's first season I can't tell you how many times Adams' deadpan character absolutely killed me and had me roaring to the rafters with genuine laughter.

    Set in the American capital city of Washington DC and filmed in color, Get Smart was created by Mel Brooks and Buck Henry.
  • This was re-run a couple years ago and I watched quite a few episodes again, having watched it when it was first aired. I was amazed how funny it still is. So many funny lines Max said, and of course the Cone of Silence jokes never got old and are still funny today. Jaime the robot. Agent K-9. And the lovely Barbara Feldon as Agent 99 who every teenager was "in love" with at the time. The Chief was a great character as well! The show was a Perfect 10 and that's why it gets 10 stars from me.
  • This show was far, far from being the "best TV show of all time. Some of the reviews are obvious shills (claques)-- one can't compare this show to true classics like "The Carol Burnett Show", "Star Trek (the original series)", "Sesame Street", "Gunsmoke", "Seinfeld", "Looney Tunes", The Daily Show, MST3k, "Mr. Roger's Neighborhood", "FireFly", "The X Files", "Twilight Zone", "Outer Limits"... one would have to go quite far down the list, well past 100 shows, to find this show on a list of "great TV shows of the past".

    Neither is it a cultural icon, or a picture of the era's zeitgeist. For that, shows like "Star Trek", "All in the Family", "Sesame Street", or "The Outer Limits" are far better at capturing a slice of what people thought and felt at the time.

    As another reviewer put it, the main character was rather funny over a short period, but the voice was grating if one watched more than one episode at a time. Likewise the Cone of Silence was a great gag...if used only once, but it got overused. The show was defined by a) being a James Bond parody, and b) shallow, overly repetitious humor.

    It's true that many of the show's catch-phrases have become commonly-known and often-used language in daily life, as has Maxwell Smart's voice, but they only made it to that exalted status by being repeated often on the show...which means that the show relied heavily on rehashed dialog and series-long running gags rather than inventiveness.

    So...view it once in a while on a TV retro station, as you would "Gilligan's Island" or "I Dream of Jeannie" or "The Partridge Family". Do not expect to find the show witty and sophisticated, or thought-provoking. At best, it's a cultural icon but a shallow one...a blast from the past, worth an occasional quiet reminiscing chuckle for the over-40 folks. At worst, it's the sort of repetitious won't-entertain-anyone-over-6yo stuff typified by "Gilligan's Island".
  • Warning: Spoilers
    Get Smart was truly a product of its time. In the mid 1960s, James Bond was all the rage, and Inspector Closseau was a hit across the pond, so comedy legend Mel Brooks, along with Buck Henry, decided one day to put those two together. That and Mel was tired of all the comedy shows being about families and wanted one starring an idiot. This was during the era when television comedies revolved around idiotic main characters. Shows like The Beverly Hillbillies, Gilligan's Island, and Car 54 Where Are You, took place in worlds where just because the main characters are idiots, this means everybody else has to be one too. That didn't happen in the '50s. Characters like Ralph Kramden, Ed Norton and Lucy Ricardo could be funny without being total idiots. With Get Smart, they did it a little different: Max was just a bit of an idiot, and the people around him were just below-average intelligence. Get Smart was a satirical parody of James Bond and the spy genre in general, where James was smart and suave, Max was incompetent and clumsy, and he just happened to get lucky in spite of his screw-ups. So, what is this show about? It's about an agency of good (CONTROL) battling an agency of evil (KAOS). The names don't stand for anything, but then, they don't really need to. Every episode details an agent or agents of KAOS doing something malevolent and so CONTROL has to dispatch its only two agents, Max and 99. Yeah, it's always them on every mission. The other CONTROL agents are usually messengers, informants, or worthless bitches who always seem to get themselves killed. Seriously, every other episode seems to be about a CONTROL agent who was killed and Max and 99 have to find out why. CONTROL kind of sucks, if you think about it. Who's in charge here? The most competent character, The Chief, heads CONTROL, and even though he's a very important figure, he shows no qualms risking his life to accompany Max on his missions. I guess he figures he's going to royally screw things up if he doesn't come along. Regardless, Max and Chief are terrific comic foils.

    Get Smart is known for very creative gadgets, settings, and often times, characters. You all know them so there's no need to list them all. The one big problem I have with this show is just how ridiculous they try to make the whole thing. Max is basically a live-action cartoon character, he's overconfident, accident prone, and still, he manages to save the day. His character is inconsistent. Yes, I know it's a parody, but it really gets old after so much time. Just like the 1966 Batman show. It was a creative and clever premise, but it's only gimmick was making fun of itself, and so it got obnoxious after some time. That's Get Smart's problem as well, it illustrates just how silly everything is, it doesn't try to ignore how ludicrous this world is. Also, Max has a collection of catchphrases he spouts out in every episode, another cartoon trait. Max is accompanied by Agent 99, who was never given a real name for some reason, however given the absurdity of this show, I think 99 IS her real name. She's beautiful, cunning, and smarter than Smart, though in the first season she seemed to be amazed by everything Max does and think of him as some sort of superhero. Thank God they dropped that. Anyway, these two went everywhere together, and eventually they got married. It was bound to happen, as was the addition of the Smart twins. The babies were eventually phased out of the show because...I guess it was becoming a family sitcom, or so one of the producers said. Oh, and we got a new character in Season 5: Larrabee. If you thought Max was stupid, Larrabee makes him look like Einstein. I guess the Chief needed an assistant, but why did he hire a doofus like that? Also, Larrabee used to be a background agent, and a straight man before he became Chief's assistant. Again, CONTROL kinda sucks as an agency.

    The series ran from 1965 to 1970. It was canceled when the networks were looking to change their images from silly comedies into the next generation. Hardcore stuff like All in the Family. As for GS, it had an unsuccessful 1980 movie spin-off and a 1989 reunion movie, then in 1995, some idiots at Fox thought it would be a good idea to relaunch the series... it wasn't. There was a 2008 remake film, but I wouldn't shake two craps at it. If being a nonsensical parody of the spy genre is what they set out to achieve, the original Get Smart definitely does its job. It is what it supposed to be and doesn't try to be anything more. Folks who grew up in that era will appreciate this show and probably love it to death. That's fine, but I personally find it extremely obnoxious and just too removed from reality. Some villains were creative, and some were downright stupid, like the one who brainwashed Max to kill the Chief. And let's not forget all the deus ex machinas they pulled out of their asses at the last minute: Max and 99 drowning in a phone booth, as they're moments from death, 99 suddenly remembers her diamond ring. Oh, and when Max commands Fang to drop a bomb down an elevator chute. I forgot to mention Fang. He's a dog. Agent K-13. Why 13? Why not K-10 or K-8. I don't get it. But anyway, performers Don Adams, Barbara Feldon and Edward Platt were all very good in their portrayals as secret agents in a back-ass-wards world. People who like silly comedies will love this show, but I really can't stand it. I like silly comedies, but when they don't have rhyme nor reason, I just can't get into it.
  • To review GET SMART is like giving a speech on "What I think of my Mother-In-Law! There will NEVER be another Max - even "Max" himself couldn't do it in 1995. GET SMART is a 60's time-capsule, a reminder of a life style that has so long disappeared it hurts to remember!

    No matter how many times you see it - its still funny..it will ALWAYS be funny - it even transcends humor. It is something so comfortable and embraceable you can temporarily forget every day to day hassle that may be niggling at you. For those with even longer memories, Maxwell Smart had his embryonic exposure as the store detective "Glick" in the Bill Dana show...almost exactly the same character. No matter, the combination of Don Adams, Barbara Feldon and the long suffering (and late) Ed Platt were arguably the most charismatic acting trilogy ever screened. Dear old Bernie Kopell as Siegfried, Max's nemesis in CHAOS and David Ketchum as the insanely hidden Agent 13 combined to raise GET SMART to heights will never again be assailed. Probably the only show ever came close to being as fondly remembered is the Adam West/Burt Ward BATMAN series of the same period.

    Think about it! How many people in the Western World of most any age have never heard of Max's shoe-phone, the cone of silence? or the phrase "Would you believe?" THAT is a measure of the penetration of GET SMART in current society. Along with THE FLINSTONES, our lives have all been enriched by this most enduring of legends!
  • Get Smart was a popular series and no wonder it was created by the geniuses of Buck Henry and Mel Brooks. The show stars the late and beloved Don Adams as the bumbling Maxwell Smart, a government agent, with his female partner and love interest played by the wonderful Barbara Feldon. The show has been made into a movie like Bewitched and others. One of the reasons that Get Smart was a very smart show was that it didn't take itself too seriously and we enjoyed watching Smart and his fellow agent getting into all sorts of trouble during the cold war era. The show did not have a studio audience despite it was a comedy series. The show thrived in syndication where I watched it as a child. They don't offer us that anymore and I miss it terribly. The kids today don't know what it is like to wake up and watch Get Smart and the other comedies.
  • In 1965 the cold war was made a little warmer and a lot funnier due in part to the efforts of an inept, underpaid, overzealous spy: Maxwell Smart, Agent 86. The hit comedy series 'Get Smart' is the creation of comic geniuses Buck Henry and Mel Brooks. Henry teamed with Brooks to create what has undoubtedly become one of the finest parody/satires of all time.

    The project seemed headed for success from the start: ABC had green lighted it based on the strength of the concept, and they had an actor already under contract to play Smart. Brooks was approached to write the pilot. As he was looking for a way to finance his new movie The Producers, he agreed. Deemed "not funny", the initial script was rejected by ABC. Undaunted, the production team shopped the script around and NBC accepted it with one minor change. They wanted Don Adams in the title role. And so, an unlikely legend was born.

    Set in Washington, D.C., the show features Agent 86 Maxwell Smart , his boss The Chief , Smart's partner and later wife Agent 99 and a host of other agents both good and evil. Perhaps one of the most important elements of the show is the gadgetry created to help Smart in his quest to keep the free world free. On this show, anything including the kitchen sink can be a phone, a tape recorder, a camera or weapon. Looking for an Agent? Check under your seat cushion. Want a weapon? Try your finger-gun. Need to make a phone call? Open up that bologna sandwich.

    The show was painted in the broadest of strokes and played every moment for its own delightful reality. In order to give the agents of CONTROL, a series of worthy opponents, KAOS was created. Smart and 99 battled the likes of Mr. Big, The Claw, and Siegfried. On the home front, Max and 99 had a relationship that developed as the show ran and eventually they married. 99 soon gave birth to twins boy and a girl and the Smart family and the show began to experience some growing pains. Get Smart ran from 1965 through 1970 on both NBC and CBS. For one month in 1995 FOX attempted to bring the series back with some changes; Max as the Chief, 99 as a Congresswoman, and the Smart twins were now inexplicably only one child. Despite the lack of success experienced by the sequel, Get Smart remains a favorite by agents and civilians alike.

    Get Smart has a wide range of hilarious quotes including,

    "Sorry about that, Chief." Said by Max to Mainly the Chief after bumping up again, quite commonly after banging his fish on the ashtray on the CHief's desk, causing a spray of cigarettes over him. "Missed it by that much." Said by Max. "Would you believe...", a more complex one that signals a form of inverted Inflationary Dialogue. For example: Max: At the moment, seven Coast Guard cutters are converging on us. Would you believe it? Seven. Villain: I find that hard to believe. Max: Would you believe six? Villain: I don't think so. Max: How about two cops in a rowboat? In one late episode, it was subverted in that the Chief actually HAD surrounded the building with CONTROL agents! "Of course! It's X! It's obvious it's X! Uh, just one question, Chief... What is X? At one point, the Chief actually recites that last part with him! Max "insulting crack about x"; Punch! Punch! Punch! Uh Oh...; "I hope I wasn't out of line with that insulting crack about x comment..."-Max following a statement like "We'll be in mortal danger every second of this mission." "...and loving it." Said by Max to the Chief after he is issued his latest mission Usually suicide mission. "Oh, Max..."by 99, usually in a disappointed or dismayed tone after Max has fouled up yet again. "That's the second biggest whatever I've ever seen."Max "99, don't tell me something bad has happened or is about to happen" "Statement of that explicit thing which has happened or is about to happen." "I asked you not to tell me that, 99."By Max "Zis is KAOS. Ve do not onomatopoeia here!" By Siegfried Max's greatest, bitter enemy, by also friend with a certain code of conduct. Usually said by Siegfried to Sharker, his henchman, like for example:

    99: How can you move around an island this size? Siegfried: I don't suppose you've seen the back of this island, have you? Maxwell Smart: No, why? Siegfried: We have the biggest outboard motor you ever saw! Starker: The biggest! imitates motor sound Siegfried: Starker! This is KAOS! We don't imitates same sound but much duller Siegfried: here! "If you don't mind, I'd like to handle this, 99." Followed by a repetition of whatever she just suggested. Said by Max, after she suggests a good plan for the mission. after an Expodump "Would you mind repeating that last bit?", "Which bit?", "That bit after 'Ok, now listen here, Max...'" Guess who said it! "Of course, the old incredibly specific description of what just happened trick!" Said by Max (Of course) "That's the second time I'veer 'they've' fallen for that this month/week/year!" -Max

    Variants of the following conversation: Max: Wait a minute, chief. Isn't this classified information? The Chief: Yes, Max. Max: Shouldn't we activate the Cone of Silence? The Chief: Max, do we have to? Common responses from Max being "I demand the Cone of Silence!" and reminding the Chief about CONTROL regulations.The joke, of course, is that the Cone of Silence never works properly. Except once... and the Chief is trapped inside it at the time, so no one can hear him when he yells for help! after a KAOS agent meets a karmic death: "If only he used his talents for good/niceness, instead of evil." -Maxwell Smart.
  • As a kid I loved 60s American tv comedies but now I cant even look at them any more, except for one!

    Get Smart is as funny now as when I first saw it and is Mel Brooks & Buck Henry's best TV work.

    Don Adams and the split second editing are spot on, each time, every time. You can almost see the stop watch making sure every punchline hits with maximum effect. Also unlike many american comedies of the era the comedy is often physical so it is universaly funny regardless of your language.

    The rest of the cast is excellent as well even the dog. Everyone is both smart & stupid, brave & cowardly.

    A strange combination of Pink Panther & James Bond that steam rolled along until sadly the last season which definitely started to run out of steam. But... The first four season are pure gold;)
  • I remember watching Get Smart when it first aired in the 60s as well as reruns thereafter and I thought it was a hilarious spy spoof. The key to the show's success was Don Adams' portrayal of the bumbling secret agent Maxwell Smart, who along with Barbara Feldon Agent 99 (real name never revealed) battled various KAOS agents who tried to take over the world.

    Of course, there were Smart's numerous catch phrases, such as "Sorry about that, Chief. Would you believe... and The old____________ trick." Also adding to the mayhem were Dick Gautier as Hymie the Robot, who took everything literally, Robert Karvelas as Larrabee and as The Chief, Edward Platt. There was one episode I remember where the Chief was undercover as a singing waiter, which put the Julliard trained Platt's talents to good use.

    On the bad guys side, there was Bernie Kopell who played the head of KAOS, Siegfried, who always referred to Smart as "Schmart." King Moody portrayed his assistant Starker (aka Schtarker).

    What also made Get Smart entertaining were the movie spoofs such as Casablanca and Rear Window. In real life, Adams was a classic movie buff and he also directed episodes.

    Unfortunately, I felt the show jumped the shark when Max and 99 got married in the fourth season and declining ratings forced NBC to cancel the show but CBS picked it up for one more season before it was finally canceled.

    One thing I'll always remember about Get smart was the opening, where Smart goes through a number of doors, accompanied by Irving Szathmary's up tempo theme before heading into a phone booth and falling through the bottom.

    And loving it.
  • Yes, the TV show was light entertainment. No, it had no deep meaning and never pretended to. Yes, the story is like that of the Pink Panther movies: bumbling hero manages to defeat his adversaries anyway. The show was conceived as a parody of James Bond movies, and though Agent 86 wasn't altogether like Bond (he wasn't a womanizer, and he wasn't cool all the time), the show still did its job.

    So what made the series work? For one thing, 86 may have been a stumble-bum, but he wasn't a complete idiot. He was able to figure out things on his own, such as how a woman pretending to be regressed to childhood was in fact pretending due to her "Captain Kangaroo" reference. When he fought, he did so realistically and with genuine ability. Like Clouseau, he was able to think and act intelligently at times, not just bumble his way to victory, or have others do the work while he got the credit.

    The series wasn't perfect. Many jokes and phrases were overused, including the Cone Of Silence. But it was overall quite enjoyable.
  • This show is one of the great classics, it is funny, edgy, and has fantastic story lines. Each episode is its own masterpiece and it never relies on the mistakes of Maxwell Smart to progress the story. Film today is headed toward television and this show is an example of what (hopefully) comedy may become. The main characters are lovable, funny, and perfectly portrayed. This is what great T.V. is.
  • mm-394 March 2023
    Warning: Spoilers
    So bad it's good! Get Smart was the show everyone watch on re runs after school on C K N D! A spy in comic situations with comic characters. Over at Fred and Peters the gang would watch Max, Zig agent 89, the guy in the garbage can. Then of course there was Chief who put up with Max. Storylines of doomsday devices, killer agents, and music which kills mixes silly with humor what more could you ask. Well I watched Get Smart as an adult the series was/is still funny. The above mentioned characters and plot devices work well with one liners and comic gags. The tie which gets caught in the dooms day device, now tell me all what you said after now hear this Max would say every 2nd show. The Cone of silence Chief and Max would use just keeps misfunctioning is classic. Did you ever try this weapon before Max would ask and the answer is no well I will come back after you practice. Is a great series of character and story set ups for comic one liners and gimmicks. Of course your shoe is ringing or it's Smart because he's talking in his shoe never got old. The set up humor never get old just like an old silly joke. 6 stars.
  • Created by the team of Mel Brooks and Buck Henry,and produced by Leonard Stern(who served as executive producer)along with Burt Nodella, Jay Sandrich, Arnie Rosen,Chris Hayward,and David Davis, the television series "Get Smart" premiered on NBC's Saturday night prime time schedule on September 18,1965 and remained for four seasons producing 112 episodes(which also includes the pilot episode of the series which was in black and white)until March 29, 1969. Then after it was canceled by NBC in 1969,the series in it's final season went to CBS where it ended up on it's Friday night prime time schedule for 26 episodes on September 26,1969 until the final episode of the series on May 15,1970. "Get Smart" in all produced 138 episodes in total where it ran on two major television networks first on NBC and then over at CBS in it's final season from 1965 to 1970 spanning five seasons. Only the pilot episode of the series was in black and white. Episodes 2 thru 137 were in color.

    "Get Smart" upon it's premiere in 1965 was truly a product of it's era. Creators Mel Brooks along with Buck Henry developed a comedy spoof about a bumbling secret agent that was cross between James Bond and Inspector Clouseau. This series came at the height of the "James Bond/007", "The Pink Panther" craze of the 1960's when espionage shows and comedies were the norm. "Get Smart" premiered on NBC after the success of "The Man From UNCLE" the previous year and had it's television debut one day after CBS aired "The Wild,Wild West",and aired three days after the first episode of the Sheldon Leonard produced espionage series "I Spy" (which was on the same network as part of NBC's prime-time schedule). "Get Smart" was a satirical parody of James Bond and the espionage business in general that was mixed in as a satirical parody of Inspector Clouseau of "The Pink Panther" films. Where James Bond was the smart and suave secret agent,Maxwell Smart was incompetent and clumsy,where in just about any episode was lucky in spite of his screw-ups.

    Mel Brooks and Buck Henry centered this show as a spoof on "The Man From UNCLE" where Maxwell Smart(Don Adams)was an agent who worked for the underground secret agency known as CONTROL based somewhere in Washington,D.C.,who were battling the forces behind a sinister organization known as KAOS with the help of Max's assistant,Secret Agent 99,a female counterpart(Barbara Feldon)to whom both agents answer to the head man of CONTROL known as "The Chief"(Edward Platt)who basically had to put up with Max's bumbling incompetency in every aspect. And this is where they got their assignments from "The Chief" since they were the only two agents they had to dispatch. In just about every episode details with an agent or agents of KAOS doing something maleviolent during their dangerous but sometimes hilarious missions. The other CONTROL agents were usually messengers,informants,or worthless counterparts who always seem to get themselves killed. It just about every other episode opens with a CONTROL agent getting killed and it is up to Max and 99 to find out why with Max fouling up one mission after another with hilarious but funny as hell results. CONTROL's arch-nemesis was the diabolical Siegfried(the head of KAOS) played by Bernie Kopell.

    "Get Smart" was known for it's very creative gadgets, settings,and often times,characters. Not to mention Max's clever catchphrases always spout out in just about every episode. This is what set the show apart from all the others when it premiered in 1965. The comedical writing and funny lines that what made this stand out was one of the biggest hits of the mid-1960's. The result of "Get Smart" spawned a total of winning 7 Prime-Time Emmys for Best Actor(Don Adams), Best Outstanding Continue Performance,and Best Comedy Writing in a Prime-Time Series(during it's four-year run on NBC) along with 2 Golden Globe nominations for Best Comedy Series in Prime Time. Top name directors ranging from Gary Nelson to Bruce Bilson, James Komack, Earl Bellamy, Jay Sandrich,and Alan Rafkin and top writers from Mel Brooks, Buck Henry, Arne Sultan, Chris Hayward, Leonard Stern, Stan Burns, Allan Burns, Mike Marmer and Dee Caruso contribute to some of the hilarious episodes of the series.

    The big time guest stars that appeared on "Get Smart" ranged from Robert Culp, Leonard Nimoy, Victor French, William Schallart, Jonathan Harris, Barbara Bain, Vic Tayback, Larry Storch, Ted Knight, Ernest Borgnine, Vito Scotti, Michael Dunn, Bill Dana, Don Rickles, Carol Burnett, Stu Gilliam, Julie Sommars, Cesar Romero, Jamie Farr, Marj Dusay, Edward G. Robinson, Regis Philbin, Simon Oakland, Vincent Price, to Antoinette Bower, Julie Newmar, John Dehner, Broderick Crawford, to walk on cameos from Bob Hope, Danny Thomas, Steve Allen, Buddy Hackett, to Milton Berle, Phyllis Diller, and Sid Caesar. Even walk on cameos from other celebrities made appearances on the show mostly playing extras in various episodes.

    The astounding success of "Get Smart" spawned the 1980 theatrical film "The Nude Bomb"(with Don Adams and Barbara Feldon reprising their original roles from the television series),and in 1989 ABC aired the two hour movie "Get Smart Again!"(again with Don Adams and Barbara Feldon in the original roles of Max and 99),and in 1995,the FOX Television Network brought back "Get Smart" as a weekly series with Don Adams in charge of CONTROL and his son fighting the forces of KAOS. A 2009 theatrical feature based on "Get Smart" starring Steve Carell and Anne Hathaway did big business and a sequel to the 2009 theatrical feature in expected to come out in 2018.
  • Get Smart stands as the single most brilliant television comedy EVER. Before Hot Shots!, before Frank Drebin, before Airplane!, before Kentucky Fried Movie, before Young Frankenstein, and before Blazing Saddles, there was Get Smart, the creation of Mel Brooks and Buck Henry. This show, which would go on to inspire Police Squad!, arguably the second most brilliant television comedy ever, presented in Maxwell Smart the most completely asanine leading man thus far in television history, and as a result provided for more stupid jokes than ever before. Perhaps the first moment in television where comedy did not require a laugh track (though it did USE one, it would have flown fine without one), this show would inspire nearly every film by Mel Brooks and Zucker-Abrahams-Zucker. Can we really imagine Hedley Lamaar from Blazing Saddles without Maxwell Smart having preceded him? Can we really imagine Frank Drebin without Maxwell Smart having preceded him? The answer to these questions MUST be "no." Get Smart was a rare moment in television comedy history, and it has given us a truly rich comedic tradition ever since. Thank you, Buck, Don, and Barbara!
  • Many folks who were fans of this series remember that anything that was not funny was spoken in the "cone of silence." There is no doubt that this is Don Adams (Inspector Gadgets voice) and Barbara Feldon's best work. Buck Henry also did some of his best writing for this series. While it ran on NBC, it was a powerhouse. When it went to CBS, it seemed to lose a lot of it's zip for some reason.

    Maybe by then it was wearing a little thin as there wasn't much more that could be done with a limited format such as this by then. Bernie Koppell who went on to be the Doctor on The Love Boat has a recurring role as Maxwell Smart's (Adams) nemesis which is pretty good in this. Michael Dunn (Dr.Loveless on the WILD WILD WEST) has all too brief a role in the pilot episode.

    The show also helped careers of John Schuck & Ed Platt along quite handsomely & is still very watchable. Some of the technology such as the shoe phone is now starting to age, but aren't we all?
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