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  • sberner-122 February 2007
    Watching episodes is a supreme act of willing suspension of disbelief for a fan of author William Faulkner. Essentially all that remains of Faulkner's original creation is the Southern setting and a few character names. Given how little the television drama draws on the original, and how little drawing power Faulkner had at the time one wonders why producers went to the trouble and expense of getting the rights to Faulkner's name, when it would have been so easy to develop a series with the same characters and character relationships without the Faulkner link. This was not the last time that television fixated on this story - 20 years later came a three hour made-for-TV movie starring Don Johnson, Cybill Shepherd, and Jason Robards. Making LONG HOT SUMMER the most-filmed Faulkner story. About which one can only say: bizarre.

    But for those of us devoted to all things Faulkner-related does anyone know how or where one might obtain the 26 (27?) episodes of this television series? I have eight and would like to watch the others. Cheryenne-Bodie, you seem extremely knowledgeable - any leads?
  • Only recently discovered this show on YouTube seen two episodes so far & will definitely watch the rest of the series. The casting is great Roy Thinnes & Nancy Malone look terrific. Edmund O' Brien what can you say? The guy makes the Royal Shakespeare Company look like the local amateur dramatics! Must have been been a big blow when he left the show tho one episode I've seen was with his replacement Dan O' Herlirhy who made an excellent replacement for O'Brien & was little if any inferior. The stories & settings are great. If only TV shows today had this depth of quality,integrity & talent. Sad that this show was pulled after one season certainly deserved a better run. Tho the very different but equally excellent Target The Corrupters was pulled after one season it certainly makes you wonder what was in TV exec's minds in those days. Here in UK I can think of some stinkbomb shows that have gone on to a second even third run. If you ain't seen this show watch one & you'll soon want to watch more.
  • Executive producer Frank Glicksman had done an excellent job in 1964 of turning the movie "Twelve O'Clock High" into a TV series. Gregory Peck gave perhaps his finest performance as Brigadier General Frank Savage, and coming up with a TV replacement for Peck was daunting. But Robert Lansing was so good it would be hard to say which actor was the better Savage.

    The next year Frank Glicksman turned "The Long, Hot Summer", another 20th Century Fox movie, into a TV series.

    The toughest job here was the casting of Ben Quick, who had been played by Paul Newman in one of his best, loosest performances. Roy Thinnes had done a couple of impressive supporting guest roles on "The Eleventh Hour" and "Gunsmoke", but he was far from a star. He wasn't even working that much. Gary Conway ("Burke's Law" "Land of the Giants") was reportedly the early front runner for the role of Ben Quick, but Thinnes beat him out with an audacious sexually aggressive audition. Burt Reynolds also once said this was the one TV role he really wanted, and he was extremely disappointed in not getting it. Reynolds said he wasn't pretty enough for the producers, and he had some dismissive things to say about Thinnes who he didn't name.

    Roy Thinnes gave a very strong, star-making performance that was almost as impressive as Robert Lansing's had been the previous year. When this series ended, Quinn Martin immediately signed Thinnes for "The Invaders".

    The rest of the cast was also terrific. Edmond O'Brien ("D.O.A.") played stormy patriarch Will Varner and blond Nancy Malone ("Naked City") was subdued Clara Varner. Lana Wood was Eula (the role in which Lee Remick simmered.) Ruth Roman was outstanding in the Angela Lansbury role and John Kerr ("Tea and Sympathy") played the Richard Anderson role of Clara's gentlemanly beau. Only the casting of Jody Varner (a fascinating Anthony Francisosa in the movie) seemed a little weak. Maybe they could have gotten Robert Blake or Dennis Hopper.

    But, all in all, Frank Glicksman did a remarkable job of casting.

    The series was done with independent stand alone episodes rather than in serial format (as had originally been planned), and that was probably a mistake. The series didn't get you involved enough in what was going to happen next. The characters were basically frozen and weren't truly allowed to develop and change as the characters on "Peyton Place" did. Also none of the characters was given enough of a dark side or allowed to engage in outlandish behavior. Even old Will Varner seemed a pretty agreeable guy, sort of like Ben Cartwright. (Edmond O'Brien quit the series when the producers decided to focus on Thinnes (who received third billing after O'Brien and Malone.) Dan O'Herlihy ("Fail Safe") replaced O'Brien.)

    If "The Long, Hot Summer" wasn't going to be a serial, maybe they should have made Ben Quick a man drifting from town to town, and forgotten the rest of the characters.

    Frank Glicksman was a little too straight laced and serious to make his "Long, Hot Summer" the true guilty pleasure that the movie is. But the series was very professionally done. Glicksman had a big success three years later with "Medical Center".
  • The Long, Hot Summer TV series (65-66) was the best tv adaptation of Faulkner's story. In my opinion, Roy Thinnes was the best Ben Quick and Nancy Malone was the best Clara Varner. The scenes focused Ben and Clara were the most romantic and exciting scenes. All women watching them was melting seeing the chemistry between them, I know in those days Roy Thinnes have been receiving 1500 love letters from his female fans this proves the success of the series. The IMDB point is high, the ratings of the show was high, %91 of the Wikipedia users loved the show and Roy Thinnes is very handsome, sexy than Paul Newman and Don Johnsson I never ever understand why they cancelled the show. Women of the world adored this tv series. I wish I can find all 26 episodes. I wish Netflix remake it. RIP Nancy Malone.