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  • John Derek has never made a good movie in his life. He's been IN some good ones, but he's never MADE a good one, and there's no better example of his almost complete lack of talent as a filmmaker than this. He takes a potentially interesting story--the guerrilla war waged against the Japanese after their takeover of the Philippines in World War II--and for some reason turns it into a game of who's going to nail Ursula Andress before the Japanese kill everybody. Derek apparently thought that the sight of Andress, his wife (or girlfriend, or whatever she was) at that time, in various stages of undress was enough to draw people into the theaters (it wasn't). Because of that, he obviously paid no attention whatsoever to minor things like having a coherent script, directing the other actors, maintaining a semblance of continuity--trivial matters like that. The only saving grace (professionally, that is) is Richard Jaeckel's performance as a soldier eventually driven insane by the fighting. Jaeckel was always one of the most watchable actors around; he had that cockiness and explosive quality that Cagney had, and no matter how lousy the movie was (like this one), he always pulled it up a couple of notches. Unfortunately, he wouldn't have been able to pull this thing up with a crane. Its infuriating pretentiousness is its main undoing. The dialogue is so Ed Woods-ian in its rambling, nonsensical "what-the-HELL-are-they-talking-about?" absurdity that you finally find yourself wishing that the Japanese would come in, whack everybody and put the cast--and the audience--out of their misery. An absolutely painful experience that makes you wonder, "How in God's name did he get anyone to put up the money to make this thing?" Skip it.
  • This is actually two plots as I remember it.

    I saw it in the days of antenna TV, when we were lucky if we could make out faces. Antenna TV was why it was necessary to make TV shows and movies (which would eventually go to TV) with very different looking actors, unless it was a plot device to cause confusion.

    It had a style to it. And I didn't become annoyed by the Ursula character, probably because while the title suggested her character was the forefront, she was actually just the backdrop.

    Her story about the soldier who may die a virgin, and other soldiers who are constantly near her, is the weaker story here, and is downplayed, despite the title.

    The strong story, which really became the forefront story, was the one about the loose cannon soldier.

    The loose cannon soldier dominates the story, especially in a scene where he gives an account of how he destroyed an enemy unit, and is ridiculed by those he gives the account to, until he shows them the proof.

    It probably would have been a much better film without Ursula in it, although she is talented, and does her best. The fact is that her part is just not really a part of the story here.
  • Warning: Spoilers
    ***SPOILERS*** It's December 1941 and the Japanese have just bombed Pearl Harbor with the Philippines their next target on the agenda that has a unit of US Army cavalrymen playing a game of polo caught with their pants down and strafed by Japanese Zero fighter planes. It the man is charge Maj. Bailey, John Derek, who's job it is to get his unit back to Manila and join the US/Filipino troops there to fight the soon to be invading Japanese who are planning an assault landing there.

    The movie soon degenerates like the US positions on the Islands into total chaos with the outnumbered US troopers slowly picked off and wiped out by the advancing Japanese military. With their commander and chief Maj.Bailey blowing himself up with a loose hand grenade while looking for a puppy that got itself lost in the fighting.It's Bailey's girlfriend Alex, Ursual Andress, who now takes center stage in trying to find a way out of this mess with the few US troops still left alive. It's the crazed eyes Lt. "Blood & Guts" Custer, Played by a clean shaven and skin head looking Richard Jaeckel, who eventually leads the remainder of the US unit into a Japanese trap. That by him staging a hopeless and suicide assault on the far more superior in both men and equipment Japanese that leaves Alex as the only survivor. Alex for her part showed her kind feelings for humanity or mankind by offering her womanly pleasures to 22 year old virgin US soldier Rpd Lauren just before, with a big smile on his face, the Japanese troops gunned him down.

    ***SPOILERS****Not much to see with the exception of actress-boy is she hot-Ursula Andress who gives her all, off camera, for her fellow man as well as country in the fight against the Japanese Empire. It's while the film was being made that Ursula and her husband John Derek called it quits that gave the film an extra reason for watching it. It also explains why John Derke was killed off so soon in the movie in him not just leaving his wife Ursula but the rotten script that he was handed.
  • This film, in spite of a few capable performers, like Ron Ely and Richard Jaeckel, for example, deserved to be left in the jungles of the Philippines from whence it came. Ursula Andress (once dubbed by the press as "Ursula Undress") is nice to look at, but in this film she hasn't much to do except show off her well-nourished superstructure through anachronistic wet clothing - The screenplay certainly doesn't show off her acting ability. John Derek treats her contributions to this picture like one of those front-page, soft-focus pictorials in "Playboy" that Andress (and, subsequent subject Linda Evans) did so often throughout the 1960s and 70s. For better material featuring Ursula Andress, see "Dr. No" (1962) and "Casino Royale" (1967). What a waste of time for anyone looking for serious drama about the post-Pearl Harbor Philippine invasion of 1941-42.
  • chinn15 July 2007
    What a waste of time confusing. pointless and annoying. The action scenes in this were stupid beyond belief. Why would you drive around in circles in a truck whilst trying to shoot a passing aircraft with a machine gun you're not aiming? Sticking red circles on a Sherman tank does not make it Japanese! I know they weren't really central to the plot - if you can call it that but still what a crock o crap. So many scenes were unexplained, why would senior officers be sitting in a strip club with enlisted men and then brawling? Why didn't they believe Custer about the rear guard action? Why is Custer allowed to cut the sleeves off his shirt and wear it like that? How does Ursula keep her outfit clean and pressed after jumping in every river she sees? Oh and another thing - why, after the battle, does Custer hand Alex his .45? She's never touched a gun before and never shown any interest! Disjointed and without flow, I really regretted watching this one through to the end. it's dire!

    J
  • It almost defies belief that a movie can be as bad as this one, without it being fun to watch, like any number of Ed Wood films.

    Put this DVD on if you have unwanted guests, and watch them exit your house, rushing to depart to save whatever sanity they have left.

    A rotten, lousy waste of time.
  • One of the Worst Movie Ever

    The unique point that worth in this movie is the astonishing beauty of Ursula Andress. She plays Alex, a dumb blonde in Manila, 1941, shortly after the Japanese attack to Pearl Harbor. Her character is so shallow and stupid that impress, the same way the countless closes of her gorgeous face. But this movie is so cheesy, with such an awful director, horrible story and screenplay, ridiculous dialogs and ham actors, which even Ursula Andress performance and beauty is unable to save. A film to be forgotten, and I am going to get rid of it from my collection. My vote is two.

    Title (Brazil): `Chamas da Paixão' (`Flames of Passion')
  • lorne_jbr25 August 2001
    It's been many years since I've seen this movie on TV, but it's badness is permanently engrained in my memory. I kept looking for the high school theatre dept. mention in the closing credits. All these soldiers wanting to have a crack at Ursula Andress, before they meet their doom. Hopefully, the next time it's on, there'll be an Ed Wood film on another station!
  • Once Before I Die is far more entertaining than most recent WW2 films such as Steven Spielberg's anaemic "Saving Private Ryan". This film may be the cinematic equivalent of a car crash but I would prefer to see Ursula Andress strolling through battle fields with perfect hair and make-up than watch Matt Damon pollute the screen as a lost soldier. This may also be the first and last war film to contain a "Porkies" style subplot about a soldier trying to lose his virginity.

    John Derek is a hugely misunderstood director. Admittedly, he has made some of the most inept films in cinema history but at least he had the decency to fill his movies with large doses of gratuitous nudity and unintentionally hilarious scenarios. His films may be crap but they are rarely boring. Once Before I Die provides John with an opportunity to direct his lovely wife, Ursula Andress. The plot that John chose for his then wife is startling to say the least.

    Ursula plays Alex, a Swiss "refugee" stuck in the Philippines during WW2. When the Japanese attack, Alex's soldier boyfriend, Bailey (played by John himself), invites Alex to tag along with his battalion on their way to Manila. Unfortunately, Bailey accidentally drops a grenade while trying to steal Alex a teddy bear and leaves Alex to make a general nuisance of herself during enemy attacks. A major exception to this occurs when Alex makes herself uncharacteristically useful by deflowering a soldier while the rest of the battalion attack a Japanese tank with tree stumps.

    The film's storyline is undeniably ridiculous but it does compensate the viewer with surprisingly violent content for a movie made in 1965 and amusing visuals of Ursula prancing through the jungle like a slightly disheveled Bond girl. The combat scenes are reasonably well done but would have been more convincing if John Derek didn't superimpose faded images of Ursula over the action. The most bizarre example of this is the image of Ursula holding a glowing orb, which is superimposed over the opening air attack. The film also offers some beautiful photography and a visually impressive, if utterly confusing finale. The acting is hit and miss, with significantly more misses than hits, but Ursula is rather wonderful as Alex. It takes a special kind of genius to walk through a war zone in riding pants and high heeled boots without coming across as completely demented. Richard Jaeckel also scores points for his fantastically over the top portrayal of Custer, a deluded soldier.

    Once Before I Die is a treat for John Derek aficionados and fans of crappy film oddities. You definitely wont see another war movie like this ever again.
  • Warning: Spoilers
    The biggest problem with this one is the fact that John Derek couldn't resist the temptation to make it artsy, using every camera trick in the book to awe his viewers. All it ends up doing is making us want to turn away from it in disgust. The story is a mix so ambiguous that it ends up making no sense. It's interesting that he cast James Dean lookalike Rod Lauren in a major role and then filmed him in torrid love scenes with his then-wife Ursula Andress, especially odd since Derek and Andress both bedded James Dean........just before he died. Lauren's death scene in the film is downright laughable as he is somehow shot multiple times through a large tree trunk, with not so much as a single facial expression of shock, pain or agony. Weird scene. Andress is obviously there to be the "one before they all die", and the film is a total waste of some fine actors. A real mess.
  • Androyd2 December 2019
    I saw this with my friends when we were in basic training in Texas. Man, did we laugh!
  • I first heard about the film, in a book by Danny Peary called Guide For the Film Fanatic. The question he seemed to ask was, How someone like John Derek could have made such a good film? Having seen this film on TV, I have to agree with him.

    While John Derek may have made many bad films, and I can't say they were all bad, because I have not studied his work. However, I wonder if those other reviewers who hated this film so much just hated John Derek.

    When I watched this film, I couldn't help but feel that Derek was influenced by the Polish Films of the 1950's by Wajda, particularly CANAL. While filmed in color, this film has that despair of war. Considering that most of television, and some movies portrayed World War II as something heroic, this film was ahead of its time. It shows war as very ugly, almost a warning about the Viet Nam conflict that the US was just getting involved with. I also enjoy his shots of other people who inhabit the scenes, as if they have stories to tell themselves, particularly the native population of the Phillpines. It is a use of the camera I believe called 'foregrounding', something that was used in the Cuban film THREE JULIAS, which I think was made later. Another person, not on IMDb, mentioned that he felt this film had an influence on Appocolypse Now, especially if you see the Redux version.

    His use of Freeze Frames was ahead of it's time, though occasionally it looks cheesy, and may have helped keep the budget down. Also, with John Derek as the star of the film, he does have some surprises in the story, something that has been copied in later films, which I will not name. Finally the Use of Mrs. Andress in the film, may have helped get more financing for the movie. While some of you might look at her as only eye candy, I would suggest that her performance and presence does not distract from this film, and is not wrong. The final image of her on the screen, with the beautiful song, is a haunting image.
  • Most reviewers didn't seem to like this movie but I did. American soldiers on duty, in the Philippines when the Japanese attack at the start of WWII. Their idealistic life of Polo playing and just enjoying their free time is soon Shattered as the bullets start to fly and reality sets in. They are ordered to leave their station and head to the capital. All they have is their Polo ponies for transport which serve them well in the rugged terrain. (This kinda reminds me of the 2020 movie TWELVE STRONG where US soldiers use horses to their advantage). We ride along with the troop as they encounter and best everything in their path that might stop them. I must say I enjoyed this movie as pure entertainment. Aside from the constant freeze-frames and the side story of a 22 year old's sex challenges, it is a lot of fun. Richard Jaeckal is outstanding as the one soldier who kicks ass and bests the enemy at every turn. If you have seen some of Richard's movies, you will have to agree he was one fantastic actor.
  • Failed war film with Ursula Andress and John Derek

    When his acting career was no longer going well, John Derek (1926-1998) tried his hand at directing. Not a bad idea in itself, but talent should be there. Filming for the Hollywood major WARNER BROTHERS took place in the Philippines.

    In 1941, the Americans stationed in the Philippines are enjoying life: the beautiful Swiss woman Alex (Ursula Andress) is sailing through wild waters in a canoe, her tanned fiancé, Major Bailey (John Derek), is having fun playing polo with his men. Suddenly an air raid by the Japanese and all hell breaks loose! Alex - contrary to her gray-haired lover's urgent orders - doesn't get to safety in Manila in time, but first picks up her sweet puppies. Missed airplane! You can't be that stupid! Now the breathtaking beauty has to fight her way through the jungle with the major's troops, always accompanied by Japanese attacks. Soon there are the first victims: the major also dies when he discovers a cuddly toy for his beloved and clumsily loses his hand grenade. WUMMS! Can that be grasped? From now on it's all about who can land with Alex to become the Major's successor. The men blithely fawn over the beautiful woman, who repeatedly emerges from various rivers with a soaking wet blouse. A well-built captain (Ron Ely from the upcoming TARZAN television series) tries hard. The fanatical, sadistic Lieutenant Custer (really good: Richard Jaeckel) enjoys killing the enemy, but he is a little afraid of the dream woman. However, a shy 22-year-old (one-hit wonder Rod Lauren) wins the jackpot. He confesses to the beautiful Swiss woman that he has never slept with a woman. One more time - before I die! Of course the blonde beauty helps out and fulfills the virgin soldier's deepest desire. During a Japanese tank attack, she gives herself to him in the tall grasses of the Philippines. Oh, that's nice! Dreams come true! Then the inevitable end can come...

    You can tell that war slaughter is unpleasantly mixed with erotic kitsch here. Without the involvement of his wife Ursula Andress (their marriage had long since divorced before the film's premiere), John Derek would certainly not have been able to raise the film's budget. But portraying her as a naive sexual object in the chaos of war doesn't seem very credible. John Derek, who completed his military service in the Philippines, can be credited for having an eye for the country and its people. However, the gimmicks with frozen images and crossfades seem too trying and don't fit with the plot. Richard Jaeckel in the role of the nasty bald berserker is really good. Marlon Brando was able to copy a lot of things for his Colonel Kurtz. But this storyline is pushed far too much into the background by the flat waste of Golden Globe winner Ursula Andress as an erotic eye-catcher.

    Conclusion: If you enjoy admiring the beautiful Ursula Andress in a confusing war film, you will get your money's worth here. For everyone else, this film has rightly been forgotten.
  • Warning: Spoilers
    Yeah, the story is a mess and some of the performances are wacked-out but it has its moments. Has anybody mentioned that Ursula Andress looks grrrrrrrrreeeeat in a wet, white blouse? Derek's films, though lacking coherence, could be visually impressive and this one was ahead of its time with some psychedelic shots that would eventually become tiresome by about 1969. Ron Ely (from Amarillo, Texas) gives a pretty good performance and the U.S. Cavalry uniforms are well done But, Andress is such a dolt that you pray she'll meet a slow and agonizing death. After a low flying Zero strafes a polo match, leaving Filipino corpses strewn about, Miss Andress pouts and whines about needing to take her puppy with her on the long trek to Manila. Pretty boy singer Rod Lauren does his best James Dean and scores with Ursula while the rest of the gang takes out a Japanese tank. Talk about dereliction of duty! Ursula's charms then make him impervious to enemy bullets. As for Richard Jaeckel, I will just have to believe that he was a psycho from the word go.

    "Once Before I Die," you won't understand it but you may love it!
  • There was an interesting tension between Andress as the life force and the fate each of the men met after they became involved with her. Moths to the flame. I wish the film had made more of this theme (and been better in general).