Good combination of humor, action and a couple of twists (although if one watches enough of the Zatoichi movies, twists should be expected). I especially thought in this movie, Zatoichi came across more human and not just the guy that hides his cleverness through bumbling. Things to watch for: Zatoichi hustling the dice players but also failing at his own game, the battle in the swamp with his desperate search for the box of medicine and not one but two suspenseful battles at the end. His discussion with the chess expert on fighting was also insightful. There are swordfights and these last a little longer than the earlier movies but no geysers of blood or decapitated limbs so stay away if you are looking for that.
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susansweb21 January 2003
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mistymountain2 April 2006This is another good performance from Shintaro Katsu as Zatoichi. Also, the character, Jumonji, was very versatile. First, he befriends Zatoichi on a boat journey, where they play a game of chess. After they land in town, they stay at the same inn,and Zatoichi becomes the area masseur in the inn. Then, Jumonji finally challenges Zatoichi to a fight. What's really intriguing about this film is that the compassion that Zatoichi has for children. When the little girl thanks him for getting her the medicine needed to save her life, he gets all emotional and has to run outside. And another heartwarming scene is towards the end of the movie, when she helps Zatoichi with his shoes, he gets down and touches her face, before he moves on his journey.
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Zatoichi and the Chess Expert is the twelfth entry in the franchise and one of the best movies about the blind masseur, skilled gambler and skillful swordsman. The story of this film is unusually clever, complex and twisted. Zatoichi meets a smart chess player while traveling on a ship and the two end up respecting one another so much that they start traveling together. When Zatoichi is attacked by some folks whom he tricked during a dice game on the ship, a young girl traveling with a beautiful woman gets injured, so Zatoichi organizes some medicine and travels with the two as he grows fond of the joyful child. Zatoichi also encounters a sick man and his sister who is disguised as a man to avoid trouble on the road who travel with a helpful retainer who gets brutally murdered during a prayer. Soon enough, these three seemingly different story lines end up being connected in most surprising ways as Zatoichi needs to figure out who is friend and who is foe.
What I really liked about this film is the complex story with its numerous clever twists. The characters also have great depth. Even Zatoichi seems more emotional than usual as he opens up about the love of his life and his low self-esteem while being caring, helpful and respectful to those who need his help. The perfectly portrayed chess expert is hard to figure out because of his harsh convictions versus his impressive intelligence. The young woman Zatoichi travels with falls in love with the blind samurai and is at times desperate and at other times joyful about their complicated relationship. Her child is quirky but polite and its heart-warming to see how the girl and Zatoichi grow fond of one another. The sick man, his mysterious sister and his helpful retainer are also quite intriguing characters. This movie is more than just a classic chambara film and also a drama for all the complex relationships going on and a thriller because of the cruel murder of the retainer. The movie's atmosphere gets more and more mysterious throughout the nicely paced film. The landscapes are memorable, gorgeous and authentic, especially the port and ship in the beginning of the film and the modest inn with the hot springs that plays a central role in this film. The fight scenes are more vivid than in the preceding film. Most sword fights occur at the beginning and in the final five minutes but they are nicely choreographed. My favorite fight scene was when Zatoichi got ambushed in the middle of the night in the muddy meadows while carrying the expensive medicine for the sick child.
There really isn't much to criticize regarding one of the franchise's very best films. Obviously, there are some recurring elements in the movie such as numerous gambling scenes, traditional sword fights and Zatoichi traveling through rural landscapes but these predictable elements give each film about the blind masseur their very own identity.
If you like sword fighting movies or care for Japanese culture, history and nature, you will particularly like Zatoichi and the Chess Expert. You an learns more about Japan in one hour and a half here than you could by watching anime for a whole year. Since this is one of the most profound entries in the franchise, this movie would be recommendable to get to know a true piece of Japanese art. -
rsoonsa24 August 2001The state of blindness does not hinder the swordsman masseur, Zato Ichi, in this well-crafted tale of pre-modern Japan, as he is determined to do what is correct by assisting a young girl's recovery from a severe wound suffered in tangential fashion during a sword-fight involving gangsters in the bandit-ridden country. Of the approximately 25 Zato Ichi films, this must rank as one of the better ones, as Shintaro Katsu who portrays the sightless samurai during the entire series, permits us to see more of the inner man behind the warrior facade, aided by an interesting story written by Kan Shimozawa, who contributes the most complex scenarios of this group of works. In early civilized Japan, all masseurs were blind, as then they could not look upon the bodies of their clients, and Zato Ichi ("Ichi the Masseur") is following this tradition, but he is as well an inordinately successful warrior with his cane sword, mastering with cold aplomb each challenge by aggressors, no matter how many they might be. Ichi is a prototypical loner who makes his way in this work, as in all others, by massaging, while handsomely adding to his income through his cheating skills at gambling, since he is also an inveterate confidence man, yet one who makes mistakes and these errors in judgement serve in strengthening his accessibility to the viewer. There is a pleasingly intricate plot, which places Ichi as a travelling companion of an itinerant samurai named Jumonji, played well by Mikio Narita in his first cinematic role, who is the chess expert of the English language title, and the two interact with several other groups of characters in a neatly-woven narrative. The complicated scenario is capably handled by veteran director of samurai motion pictures, Kenji Misumi, who later added other outstanding Zato Ichi films to this first one in his list, as he balances the interwoven dramatics neatly and nicely. Reasons for the societal and artistic success of this series are manifest in this film, wherein Ichi represents values that most peoples are struggling to identify and capture, with the blind swordsman becoming an iconic figure as he stumbles and totters, rather than riding, into the sunset, after completing his clash with evil.
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Gary-The King-Tooze16 June 2004Zatoichi films are all pretty similar. There are gambling (dice) scenes, Zatoichi vs. large gang fighting scenes, massaging scenes (usually of beautiful women), Zatoichi eating and drinking scenes, bath scenes, travel sequences, often a scenes with a child (or children) - and they all wonderful. One other consistent element is that they all are shot in glorious widescreen and contain some exquisite cinematography. I always find at least a couple of scenes in each film of this series to be quite breathtaking - certainly worthy of pondering over. I find these films so appealing regardless that I know exactly what is to come.
In this chapter Zatoichi meets a rather confident and intelligent foe in the guise of a chess expert. This is, of course, after he has easily defeated all his lesser foes who seek vengeance on his gambling prowess (sound familiar?). We have a female love interest and Zatoichi spurning her because of his opinion of his own "lowlife" status. All in all I was more enthralled with the first 3/4's of this particular film, but felt it failed slightly at the end. Still I think the world of Zatoichi so I give this 4.5 /5 -
alice_frye8 September 2005I agree with the positive remarks left by others about the overall charm of this movie, but the real treasure is actor Mikio Narita (January 31, 1935-April 9, 1990.) He was one of the better character actors of his generation, which is obvious when you compare this performance to his portrayal of an effete imperial minister, who happens to be deadly with a sword, in "Shogun's Samurai", a/k/a "The Yagyu Clan Conspiracy." As Jumonji, Narita borrowed Sam Spade's unique gesture from "The Maltese Falcon," that is, when contemplating a problem, he rubs the side of his nose and then snaps his fingers when inspired with a solution. The script gives him plenty of opportunities to emerge as a full and unforgettable character, and his presence in this episode of the Zatoichi franchise is reason enough to see this film.
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bighouseaz31 January 2005The year is now 1965 and this is the twelfth entry in the Zatoichi series. Far from being stale, Zatoichi and the Chess Master heralds the start of a three film run of some of the best the series has to offer. Katsu Shintaro is now fully adept in his role as Zatoichi and director Misumi Kenji does an excellent job with the material. The story is full of surprises and little twists and turns. Some people compare Zatoichi to Columbo, and it's easy to see why here.
There is not a great deal of fighting in the film, but there is suspense and great character development. Two scenes are especially moving. First, when the little girl (Miki) is cured thanks to the medicine that Zatoichi procures at great danger to himself. Miki thanks Zatoichi, and Zatoichi is all choked up. All he can do is run out of the room, full of emotion, and truly blind. He runs head first into a wooden pole, stops, and pounds his head into the pole a few more times. The second memorable scene is the scene where the Chess Master (Jumonji) begins to believe that Zatoichi has the crime figured out. Zatoichi leaves the room, the two are only separated by a thin shoji screen. Jumonji slowly grabs for the hilt of his sword. On the other side of the screen, Zatoichi stands completely still, his hand moves towards the hilt of his sword. A tense moment ensues before Jumonji relaxes and so do we all!
Zatoichi feels the Force. Now he probably passes his time practicing with Yoda somewhere far, far away. -
silicontourist24 November 2021If you don't like reading subtitles, or you don't like to watch foreign movies, and you don't have a fondness of Samurai sword action drama...don't read any further as its not for you!
A Japanese Chambara (sword fighting) film directed by Kenji Misumi and starring Shintaro Katsu as the blind masseur Zatoichi. It was originally released by the Daiei Motion Picture Company. Zatoichi and the Chess Expert is the twelfth episode in the 26-part film series devoted to the character of Zatoichi. It has also been known as Showdown for Zatoichi and Zatoichi's Trip to Hell.
Its an intricate tale of a blind expert swordsman, who travels the land as a masseur. He makes friends with a dangerous chess player, while fending off angry yakuza and bloodthirsty relatives out for revenge, and trying to save a sick child. As the film progresses we are introduced to other characters, some of whom have interweaving connections to both Zatoichi and the chess playing Samurai.
As is usual with the Zatoichi series of films/story's it is cleverly done; as has been done since the very first Chambara film of the early 1940's, '47 RONIN' (which incidently is a favourite of Keanu Reeves, hence the reason he starred in his own retelling of the ancient true story in 2013...a sequel is being made starting early 2021). -
zetes22 January 2002There's little to recommend about this cheaply made samurai film. The films of this genre boast great patience, but within that patience there ought to be at least a few good samurai battles. There are only two real battles in this one. The first one has a neat setting, but it takes place during the night and it is so dark that it is difficult to see anything. The climactic battle, which is actually two consecutive battles, is very good but nothing compared to those in much more well known samurai flicks. The editing of the film is consistently poor and reduces the effectiveness of many of its scenes. This movie is only 90 minutes long, but it feels as long as The Seven Samurai. 5/10.
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mevmijaumau8 August 2015Zatoichi and the Chess Expert (Zatoichi #12), known under the more obscure title Showdown for Zatoichi (while the original title translates to something like Zatoichi's Infernal Journey) is director Kenji Misumi's third Zatoichi film and is often brought up by fans when discussing the best entries of the series. While I certainly understand why some people would think this was one of the better ones, I don't really hold it in much of a high regard, especially when compared to previous Misumi films.
#12 doesn't throw a lot of its budget on action sequences, focusing instead on character-driven drama and suspense. The few action scenes we get sadly can't hold a candle to sword-fight choreography of previous installments, although the violence in #12 is a bit more brutal at some points. The characters are nothing new, really. There's the love interest, the endangered kid and the obligatory up-to-no-good ronin dressed all in black (the titular chess master). However, we do get an ass-kicking lady taking vengeance on the said ronin, and this isn't really the shiniest spot in Zatoichi's career either. His gambling streak oscillates and he is really clumsy in this movie.
It is kinda refreshing that there is no criminal organization in cahoots with the officials this time, but the major problem of the film that it spends too much of its running time on numerous run-on-the-mill gambling scenes instead of developing the female samurai sub-plot. Also, the ending is rushed. So, so rushed. The only thing I got out of this movie is that chess figures had a very unimaginative design in feudal Japan.
Highlight of the film would probably have to be Zatoichi's mini-speech on dirt: "The man you're looking at is dirt. And everyone who comes close to him or touches him, in one way or another gets muddied by that dirt. There's nothing I can do about being dirt myself, but I don't what you to get mired in my dirt." -
Towards the beginning of the film, you have a scene that was often (too often) repeated in this series of films. It's very clever and funny, but was used in at least three different film--possibly more. It's where Ichi is the dealer with dice and "accidentally" drops dice out of the cup again and again--so the other gamblers know whether it will be odds or evens. However, using this ploy, he is able to film-flam the other gamblers by eventually dropping a much larger bet--at which time he springs his little surprise for them. Cute, but way overdone.
As a result of Ichi's gambling, a certain family is angry and set out to teach Zatoichi a lesson. In a tough scene to watch, they try to break his fingers. However, Ichi escapes and in a chaotic scuffle, he starts breaking their fingers again and again. While all this seems pretty funny, the end result is that an innocent and adorable little girl is accidentally stabbed in the foot. Tetanus sets in and unless she gets medicine, she will die. Of course, despite the cost, the good Ichi promises to somehow get the medicine and save the child.
Along the way, Ichi strikes up a friendship with a rather fierce ronin (a master-less samurai) who loves to play chess. Despite being a very tough character, he promises to go along with Zatoichi to protect him--mostly because this warrior is very taken with Ichi. Well, once again, Ichi does the same gambling bit he did at the beginning of the film, though things don't work out exactly the same. So, instead of a big haul, he and the ronin hit on another moneymaking plan. Thanks to their efforts, the medicine is obtained and the child quickly recovers.
Ichi accompanies the lady with the child to a nearby hot spring known for its curative powers. Now the child refers to Ichi as "Uncle" and he learns that the lady is not the child's mother but a relative who has taken in the child after the death of her parents. The lady also begins to show more than just casual interest in Ichi--after all, he's awfully lovable and women in quite a few films have tried to marry him. But, like Spiderman, he knows he can't settle down, as his lifestyle and idiots seeking him out for revenge make for a miserable and very short life for any woman. In addition, the woman holds on to a secret--something she only reveals to Ichi near the end of the movie.
At the spring, there are also two main characters who are introduced--a sickly young man and his sister who has traveled dressed like a man in order to come meet him. However, this plot point is kind of silly, as Kume is an exceptionally beautiful lady. Sure, she has her hair up in a ponytail like some men, but she is just too pretty to be mistaken for a man--even by Ichi! For some time you have no idea what they are up to, but Ichi knows it's something. After their servant is murdered, the young man divulges to Ichi that they have been tracking a samurai who murdered their father over a chess game and the servant was the only one who could identify the murderer. The young man assumes that now there is no way to find the killer, but Ichi realizes this sounds a lot like his new friend, the ronin.
Overall, this is one of the better Zatoichi films despite the repetitive gambling scenes. That's because the plot is very complex, relationships are stressed over the action scenes and there is no usual "boss battle" at the end of the film. Sure, there are a couple serious fights, but not the usual type nor does the film end exactly as you might assume. Very good stuff, here.