In the 23rd Century, Captain James T. Kirk and the crew of the U.S.S. Enterprise explore the galaxy and defend the United Federation of Planets.In the 23rd Century, Captain James T. Kirk and the crew of the U.S.S. Enterprise explore the galaxy and defend the United Federation of Planets.In the 23rd Century, Captain James T. Kirk and the crew of the U.S.S. Enterprise explore the galaxy and defend the United Federation of Planets.
- Won 1 Primetime Emmy
- 16 wins & 32 nominations total
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Does anyone need an introduction anymore to this great series? In the beginning Desilu said yes to the budget and schedule of Roddenberry only because there were many space stories being pitched and picked up in the mid-sixties, and this was going to be theirs. NBC used Star Trek to compete with Lost in Space, which was already on CBS the year before.
NBC being the all color network made the series very high key in lighting and primary-colored in the uniforms and the instrument displays, to better sell color TV at the time.
There were so many innovations shown on the screen from Dr.McCoy's diagnostic helpers to the auto door movements to hand communicators, transporters, phased light weapons, all of which impressed viewers. Added to that, they all seemed like they really worked!
People have said that Star Trek was the first to show an alien working harmoniously on a space crew and this is not fully true. You might laugh now, but in 1950 there was a very popular, well written, well acted radio and TV series called "Tom Corbett, Space Cadet" that had that very element working for it. Nothing much was very ground breaking on that show except that the acting was a cut above other shows. Roddenberry did go a few steps farther with Star Trek, adding a multi-racial crew and women having real authority as crew members or aliens.
Prior to Star Trek, the "alien" or "other" was a concept meant to inspire fear and justify violence. However it seemed that the series delighted in reversing this. Repeatedly the aliens are shown to be less dangerous than thought: the Talosians want the best for Capt. Pike, Balok isn't so bad, the Salt Creature is meant to be pitied, and so on. However if the villain was inanimate or a Frankenstein composed of man's ignorance, say NOMAD or the Planet Killer, then all violence the Federation can muster could be justified.
For my money Roddenberry, who appeared to be a casting couch throwback producer from an "Ed Wood" era, accomplished nothing so amazingly wonderful prior to Star Trek, and certainly nothing afterward that ever surpassed this singular achievement. He fought to keep Mr. Spock in the show and oversaw all the writing for a stable consistency,(I'm not a Harlan Ellison fan), so from this perspective, you could say he was born to create Star Trek then step off the stage. His whole life after Trek seemed warped by the show's gravity, and often he was pulled back into it for the 1987 follow on series and the first round of feature films.
Some audience members may prefer TNG, or the feature films. They may look back at the 1966 debut of Star Trek as merely "the future looked a lot like the Sixties". But why is it that the pure human emotions in those 79 episodes still attracts new converts? There must be something there that's communicating beyond the show's original five year mission. Star Trek still works as an adventure; one that considers human drama primary. That is unusual for any science fiction based story, wouldn't you say?
NBC being the all color network made the series very high key in lighting and primary-colored in the uniforms and the instrument displays, to better sell color TV at the time.
There were so many innovations shown on the screen from Dr.McCoy's diagnostic helpers to the auto door movements to hand communicators, transporters, phased light weapons, all of which impressed viewers. Added to that, they all seemed like they really worked!
People have said that Star Trek was the first to show an alien working harmoniously on a space crew and this is not fully true. You might laugh now, but in 1950 there was a very popular, well written, well acted radio and TV series called "Tom Corbett, Space Cadet" that had that very element working for it. Nothing much was very ground breaking on that show except that the acting was a cut above other shows. Roddenberry did go a few steps farther with Star Trek, adding a multi-racial crew and women having real authority as crew members or aliens.
Prior to Star Trek, the "alien" or "other" was a concept meant to inspire fear and justify violence. However it seemed that the series delighted in reversing this. Repeatedly the aliens are shown to be less dangerous than thought: the Talosians want the best for Capt. Pike, Balok isn't so bad, the Salt Creature is meant to be pitied, and so on. However if the villain was inanimate or a Frankenstein composed of man's ignorance, say NOMAD or the Planet Killer, then all violence the Federation can muster could be justified.
For my money Roddenberry, who appeared to be a casting couch throwback producer from an "Ed Wood" era, accomplished nothing so amazingly wonderful prior to Star Trek, and certainly nothing afterward that ever surpassed this singular achievement. He fought to keep Mr. Spock in the show and oversaw all the writing for a stable consistency,(I'm not a Harlan Ellison fan), so from this perspective, you could say he was born to create Star Trek then step off the stage. His whole life after Trek seemed warped by the show's gravity, and often he was pulled back into it for the 1987 follow on series and the first round of feature films.
Some audience members may prefer TNG, or the feature films. They may look back at the 1966 debut of Star Trek as merely "the future looked a lot like the Sixties". But why is it that the pure human emotions in those 79 episodes still attracts new converts? There must be something there that's communicating beyond the show's original five year mission. Star Trek still works as an adventure; one that considers human drama primary. That is unusual for any science fiction based story, wouldn't you say?
10macbug
One must remember that Star Trek was made as a for profit network TV. The amount of money and total lack of any computer aided special effects. Was the norm, it a call for innovation, creativity, thinking outside the box, in fact they did not even have a box. So remember 10 years before Star Wars, Ten years before the the first Apple Computer, during the Civil Rights movement, during the peak of the Viet Nam War, Before man had set foot on the surface of the moon, a man name Roddenberry had a vision to " Go where no man went before". Exploring social issues, with appearances by some of the days leading actors, and actresses. Star Trek in a way is a time warp of the mid 1960's. The styles and culture are mixed in series. Indian mysticism, invaded the series just like the white album. I believe the most diverse cast and characters in the history of TV. The one high tech aspect of the show is and was it was filmed in color when few people owned color TV's. Live long and prosper.
This show changed the way we looked at science fiction forever. Before there was The Next Generation, Deep Space Nine, Voyager, and the prequel Enterprise. There was Captain James T. Kirk and crew on the Starship Enterprise. Exploring new worlds and new life. Traveling through time and space. Leonard Nimoy is great has Mr. Spock, the half human/half alien science officer and second in command. Deforest Kelly is also great Has Dr. Leonard Bones Mccoy, our favorite whiney Doctor, who came out with favorite sayings like "He's dead Jim" and "I'm a Doctor not a brick layer". The special effects may have seemed hoaky at times. But the show was still great in it's day. Gene Roddenberry was a genuis when he created this show. The show was well acted by everyone . So Star Trek fans live long and prosper.
This show made all of it's principles into cause celebrities & in fact did the same for it's producers & almost everyone involved with it. This was one of the last series produced by Desilu studios it's first season. Then Desilu was sold to Paramont in order for Lucy & Ricky to separate their business interests after the divorce. Oh, but what a way to end their partnership.
This original series & it's films & syndicated sequels have produced more money for Paramont than any other franchise. William Shatner became so famous for his role in this, that he went to to advertise Promise Margerine, do TJ HOOKER (a Cop series) in the 1970's for ABC. Then he kept working on other stuff until now he has managed to become a TV regular again on Boston Legal.
Lenoard Nimoy(Spock) went on to do several other projects including hosting the syndicated series "In Search of". All the others came back for the movies as well. The big thing that made this series so popular was the plot lines which especially in the first seasons were so imaginative. These were from creator Gene Roddenbury who had learned his craft in the unusual Western series hit Have Gun, Will travel.
Roddenbury made morality a major strength in plotting these original episodes. He tapped some talented science fiction writers as well for ideas. This was really his wagon train to the stars. This original series has a couple of fine veteran Western folks behind the camera with Gene L. Coons & Fred Friedberger who worked on action series like The Wild Wild West. The resemblance of Kirks fight scenes in Star Trek to the Wild Wild West are no coincidence.
Towards the end, as NBC kept cutting the budget, the show suffered too, but by then, NBC still had not realized what they had & killed off the series. Thank goodness for re-runs, then video & now DVDs to keep this original going. The guest list for this series was small, but it had some excellent guest stars including William Windom, Roger C. Carmel, Michael Dunn (Dr Lovelass on Wild Wild West), Ricardo Montoban, & others (Most did guest shots on West too). It is one of the rare Science Fiction series to combine serious themes & comedy successfully & really be inventive. After all, to me it seems like these guys invented the cell phone style of communication in the 1960's. European Scientists are still experimenting to see if beaming people up can be done. What a legacy this series has left all of us.
This original series & it's films & syndicated sequels have produced more money for Paramont than any other franchise. William Shatner became so famous for his role in this, that he went to to advertise Promise Margerine, do TJ HOOKER (a Cop series) in the 1970's for ABC. Then he kept working on other stuff until now he has managed to become a TV regular again on Boston Legal.
Lenoard Nimoy(Spock) went on to do several other projects including hosting the syndicated series "In Search of". All the others came back for the movies as well. The big thing that made this series so popular was the plot lines which especially in the first seasons were so imaginative. These were from creator Gene Roddenbury who had learned his craft in the unusual Western series hit Have Gun, Will travel.
Roddenbury made morality a major strength in plotting these original episodes. He tapped some talented science fiction writers as well for ideas. This was really his wagon train to the stars. This original series has a couple of fine veteran Western folks behind the camera with Gene L. Coons & Fred Friedberger who worked on action series like The Wild Wild West. The resemblance of Kirks fight scenes in Star Trek to the Wild Wild West are no coincidence.
Towards the end, as NBC kept cutting the budget, the show suffered too, but by then, NBC still had not realized what they had & killed off the series. Thank goodness for re-runs, then video & now DVDs to keep this original going. The guest list for this series was small, but it had some excellent guest stars including William Windom, Roger C. Carmel, Michael Dunn (Dr Lovelass on Wild Wild West), Ricardo Montoban, & others (Most did guest shots on West too). It is one of the rare Science Fiction series to combine serious themes & comedy successfully & really be inventive. After all, to me it seems like these guys invented the cell phone style of communication in the 1960's. European Scientists are still experimenting to see if beaming people up can be done. What a legacy this series has left all of us.
I have loved Star Trek since I first watched it as a child. However, the series which followed - Star Trek: TNG, Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Enterprise - although generally still entertaining, seem to me to have left out the element which made the original series so special. Namely, the interaction between the characters, particularly Spock, Jim, and Bones.
So well written, and generally well acted.
With Bones (Dr Leonard H McCoy) being the opposite to Spock in terms of personality, so that the two of them always found something to argue about. Jim (Captain James T Kirk) in the middle, as a referee, displaying faults and strengths taken from both extremes. Extremes in the sense of McCoy being a very caring, compassionate, yet also highly emotional character. Representative of humanity, perhaps. Spock, the dry, cold, logical, emotionless Vulcan. Jim "a man of deep feelings", as Spock once said, yet also no stranger to thorough analysis of whatever situation the crew found themselves in. Bones seeking always to heal, to return everybody he met (whether friend or foe, human or otherwise) to as close to perfect health as possible. Frustrated by the fact that he (Bones) could not fully understand, for example, Spock's Vulcan anatomy. All three of them the closest friends. All three displaying unwavering loyalty toward each other - even though Spock would have found the suggestion of his displaying such a human quality to be insulting.
The dynamics involved, the interaction, led to brilliant moments of humour. A science fiction programme to be not only enjoyed for the imaginative stories and the themes, but also for the humour, for the humanity.
Which is not to suggest that the other characters were in any way second rate. Scotty's loyalty and his supreme confidence in his engineering abilities, Chekov's almost adolescent playfulness and humour, Sulu's loyalty, honour, and physical prowess, Uhura's dedication to duty and femininity in a masculine world, all added important and welcome elements to what I still consider to be the best science fiction television series ever.
The special effects were often laughable, the sets cheap and often reused, but the humanity, the character interaction, the stories, imagination, the brilliant writing... all added up to something very special indeed.
So well written, and generally well acted.
With Bones (Dr Leonard H McCoy) being the opposite to Spock in terms of personality, so that the two of them always found something to argue about. Jim (Captain James T Kirk) in the middle, as a referee, displaying faults and strengths taken from both extremes. Extremes in the sense of McCoy being a very caring, compassionate, yet also highly emotional character. Representative of humanity, perhaps. Spock, the dry, cold, logical, emotionless Vulcan. Jim "a man of deep feelings", as Spock once said, yet also no stranger to thorough analysis of whatever situation the crew found themselves in. Bones seeking always to heal, to return everybody he met (whether friend or foe, human or otherwise) to as close to perfect health as possible. Frustrated by the fact that he (Bones) could not fully understand, for example, Spock's Vulcan anatomy. All three of them the closest friends. All three displaying unwavering loyalty toward each other - even though Spock would have found the suggestion of his displaying such a human quality to be insulting.
The dynamics involved, the interaction, led to brilliant moments of humour. A science fiction programme to be not only enjoyed for the imaginative stories and the themes, but also for the humour, for the humanity.
Which is not to suggest that the other characters were in any way second rate. Scotty's loyalty and his supreme confidence in his engineering abilities, Chekov's almost adolescent playfulness and humour, Sulu's loyalty, honour, and physical prowess, Uhura's dedication to duty and femininity in a masculine world, all added important and welcome elements to what I still consider to be the best science fiction television series ever.
The special effects were often laughable, the sets cheap and often reused, but the humanity, the character interaction, the stories, imagination, the brilliant writing... all added up to something very special indeed.
Stellar Photos From the "Star Trek" TV Universe
Stellar Photos From the "Star Trek" TV Universe
We've rounded up some of our favorite photos from across the "Star Trek" TV universe. Take a look at memorable moments from red carpet premieres and classic episodes.
Did you know
- TriviaShortly after the cancellation of the series due to low ratings, the staff of the marketing department of NBC confronted the network executives and berated them for canceling this show, which had been one of their most profitable series without anyone realizing it. They explained that although the show was never higher than number fifty-two in the general ratings, when running the numbers though the replacement of the Nielsen rating system, its audience profile had the largest concentration of viewers of ages 18 to 45. In other words, not only did the show have the most sought-after demographic that television advertisers hunger for, it was also one of the most successful series the network had ever aired, and did even better in reruns. This was more than ample justification to contact Gene Roddenberry with a request to revitalize the show. Unfortunately, this turned out impossible, as Paramount had just cleared out their warehouses of most of the sets and props, and rebuilding them would cost around $750,000, so instead, the studio greenlit Star Trek: The Animated Series (1973). Although Roddenberry wasn't really interested in doing an animated show, he agreed, in the hope that the show would be successful enough to revive the original series (which it unfortunately didn't).
- GoofsThe deck locations for Kirk's Quarters, Sickbay and Transporter Room vary (usually between decks 4-7) throughout the series.
- Crazy creditsOn some episodes, the closing credits show a still that is actually from the Star Trek blooper reel. It is a close-up of stunt man Bill Blackburn who played an android in Return to Tomorrow (1968), removing his latex make up. In the reel, He is shown taking it off, while an off-screen voice says "You wanted show business, you got it!"
- Alternate versionsIn 2006, CBS went back to the archives and created HD prints of every episode of the show. In addition to the new video transfer, they re-did all of the model shots and some matte paintings using CGI effects, and re-recorded the original theme song to clean it up. These "Enhanced" versions of the episodes aired on syndication and have been released on DVD and Blu-Ray.
- ConnectionsEdited into Ben 10: Secrets (2006)
- SoundtracksStar Trek
Music by Alexander Courage
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