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  • I'd wanted to see this rather badly for years - maybe that was the reason, when I finally got my hands on the DVD, that it was a let-down. Too-high expectations. It's nice to see the Rankin/Bass team NOT cashing in on a holiday, of course. We're treated to an all-to-brief bit of Jack Gilford's "imitation of a pot of pea soup coming to a boil" that was one of his signature pieces, early in his career. The vocal talents are, for the most part, a delight: Tallulah Bankhead as the Sea Witch has a field day with the little she has to work with; Ed Wynn, as the unclothed Emperor, is very funny, though at times he sounds like he's reading from the script, while Terry-Thomas is perfect as the first tailor; Victor Borge, though, seems a bit subdued as his partner; Boris Karloff, perfect as the Rat, makes full use of his mellifluous voice and long experience in radio and voice-over work.

    But those are the real hi-lights. The rest sort of fade out of memory. There are some extremely effective sequences - the Little Mermaid's journey to the lair of the Sea Witch, for example, would have had me under my seat, if I'd seen it in the theater as a child - but many of the other voice actors (well, all of them really) seem wasted in their roles. The performances are fine, but it's like being at a buffet where you only get a small taste of the delicacies - you want more.

    I think that's part of the problem here. Another is the number of Anderson stories drawn upon - none of them has the time to build any depth, and none of them provides a real sense of resolution. Added to that is the parade of stars. Ray Bolger as the Pieman - the point of this was... what? He doesn't get to do much of what made him a great performer.

    All of which is to say that THE DAYDREAMER isn't a bad little film - but it isn't a very good little film either.
  • "The Daydreamer" is a full-length film by Rankin-Bass, the same folks who brought us Christmas classics such as "Santa Claus in Coming to Town" and "Rudolph the Red Nose Reindeer". The pair were very prolific and made a bunch more...though today most, aside from the Christmas specials, has been forgotten.

    The story seems to be set in some difficult to determine time in Europe long ago. The cobbler's son, Chris, is a dreamer who has many adventures after he meets the Sandman. With the Sandman's urging, he goes off on some dreamy adventures...all of which are based on the stories of Hans Christian Andersen. During the course of the film, Chris dreams of The Little Mermaid, Thumbelina, The Emperor's New Clothes and the Garden of Paradise (which is essentially a retelling of the Garden of Eden from GENESIS). And, in most of them, Chris is kind of a selfish jerk!

    So is it any good? Well, the animation is exactly what you'd expect from Rankin-Bass...very cute and a bit old fashioned. There's also the obligatory singing...most of which seemed like padding, though I liked "Does Anyone Have Some Luck to Sell?". Overall, a good film with tons of interesting voice actors but also one that I am afraid today's kids might not enjoy as much as we did long ago. Worth seeing...and on YouTube.
  • ksf-221 July 2020
    Could you fit more big stars (or their voices) into one film? i don't think so. too many to list right here, but if you aren't familiar, take a minute and check out the cast list. incredible This is a great mix of live action and animated stop motion action of critters and characters. and some fun special effects. stars a 15 year old Paul O'Keefe as "Chris", a danish boy who goes on daydreams and adventures. He's supposed to be studying, but has big dreams of money and success. O'Keefe had been appearing on the Patty Duke Show before this, and they would appear together in this one. When he's animated, the characters look just like the guys in all the christmas specials, (very round heads, lots of big beards) which were also a specialty of director Jules Bass. and of course, there's the connection to Irving Berlin. He had written the music for so many christmas shows. animated Christ spurns the love of the mermaid (Hayley Mills) and goes on to other adventures. it gets kind of tedious after a while, but we're seeing all the characters in the stories from Hans Andersen. definitely made for the kids. it's all right. kids will love it! Directed by Jules Bass; he was BIG in animation and music.. made so many of the christmas specials we all watched growing up.
  • "The Daydreamer" is not really an "animated" kiddie film; it's a pretty clever blend of live action and stop-motion puppetry from the people who gave the world "Rudolph the Red-nosed Reindeer" and "Frosty the Snowman." Inventive and ambitious, it makes use of dozens of sets and numerous characters, all of them created from scratch and painstakingly photographed one frame at a time-- something no one today (except Nick Park) would take the trouble to do.

    To label this film as "embarrassingly dated" is arrogant and absurd, unless you're willing to pass the same judgment on "King Kong" or "Jason and the Argonauts." Most films are a product of their time. A few are ahead of their time, and those films set the pace for others to follow. But to condemn something from the '60s for not being "Toy Story" is unfair, just as it is unfair for an adult to condemn a movie intended for children.

    Apparently an unfortunate result of computer animation is to render much of the history of filmmaking unwatchable because the special effects don't live up to today's standards. It's like kicking away the ladder that got you onto the roof. Today's effects-laden blockbusters would not have been possible--indeed, the film industry itself would not have survived the lean years when television was making inroads--had filmmakers not been willing to "go ahead and tell the story," plowing through budget and technical limitations, doing the best they could with whatever was at hand. To me, using plastic sheeting to achieve the water effects is ingenious. Obviously they couldn't use REAL water in stop-action animation. I challenge anyone to come up with a better solution using 1966 technology.

    Of far more importance than technical effects, however, is the effect a film will have on its viewers. Here "The Daydreamer" succeeds brilliantly. Wholesome fare for the current generation of value-starved children, it is to be applauded for its strong ethical stance on the dangers of selfishness and the importance of obedience and loyalty. Far from our present diet of bland postmodern gruel that can come no closer to a moral principle than "have self-esteem, be tolerant and everybody wins," this film teaches that right is right and wrong is wrong, and that actions have serious and often irreversible consequences.

    Lament, if you must, the inclusion of so many songs, but again, this picture is a product of its time. '60s moviegoers still had at least a fading appreciation for music--something modern audiences cannot claim (witness the death of the entire musical film genre)--and any children's feature worth its salt was expected to include a smattering of musical numbers. And while the music may be forgettable, the film itself obviously is not -- I saw it ONCE as a small child 25 years ago, and it has remained with me vividly until I saw it again yesterday.

    I look forward to the time when my own daughter is old enough to enjoy it as much as I did.
  • One of the three stop-motion feature films produced by Rankin/Bass. I haven't seen "Willy McBean and His Magic Machine", but "Mad Monster Party?" is much better than this one. It's a musical fantasy compiling several fairy tales by Andersen, that also contains a good number of live-action parts. The songs are not very memorable, but there are some famous actors in secondary roles to make up for it.
  • Despite a terrific "Emperor's New Clothes" episode, I'm hard-pressed to recall anything in "The Daydreamer" which really works, and that's a shame because the team of Arthur Rankin and Jules Bass are obviously working with love and sincerity. Plot concerns a young Hans Christian Andersen who runs away from home and meets up with all the fairy tale characters he'll someday write about. Live-action prologue and epilogue are cringingly awkward, animated middle not nearly as bad but certainly not magical. Top vocal talents abound, however they're weakly used (Hayley Mills voices the Little Mermaid, yet when it's Hayley's turn to sing, we are instead treated to some kiddie variation on Marni Nixon). "New Clothes" segment is funny and better paced than the rest of the film, and is certainly helped by Ed Wynn as the delightfully egomaniacal Emperor. ** from ****
  • Cmon, this film is a holiday favorite. A local TV station would show it every Thanksgiving. I even saw it in the theatre when it came out. It's a simplistic film for children. Perhaps you're not getting that fact.

    For it's time....it was done very well. This was before FINDING NEMO, RATATOUILLE, and TOY STORY. Remember, in 1966, there were no computer generated images to dazzle. It was all done one frame at a time. We're not talking Spielberg here. You have to give credit to the crew members. In the day...this was state of the art.

    OK, so it's not to everyone's taste, I understand. But to this child, it will always bring back wonderful memories of turkey, a lit fireplace, adults at the dining room table, and us kids glued to the TV screen watching Hans Christian Anderson come to life. When this was played we knew Christmas wasn't far behind.

    This movie is truly an ensemble piece. Most of the stars are dead. At least we have the DVD to see the great performances. They really were great. This is a true classic!
  • "The Daydreamer" is a movie which I hadn't heard of before until I saw it in the children's section of a movie store. I usually like Rankin-Bass's other movies and TV specials, especially "Rudolph The Red Nosed Reindeer" and "The Little Drummer Boy". Sure, the animation is archaic compared to the 3D animation we know today, but most of their specials have stood the test of time because they're still entertaining to watch, and they tell great stories. Plus, stop-motion animation is considered more of an art form now than in was in the 1960's and 70's.

    For those reasons, I really thought I was going to like "The Daydreamer". Not only that, but it also seemed like the first animated movie to feature celebrities as voices, rather than having mostly anonymous voice-over artists. Well, although "The Daydreamer" was made with the best of intentions, it didn't really work for me.

    "The Daydreamer" is a movie that can be considered an even more fictionalized prequel to 1952's "Hans Christian Anderson", starring Danny Kaye. This movie tells the story of a young Anderson, known to his father and others as "Chris". Tired of his meager life with his father (there apparently is a mother in this movie as well, but she is mentioned, not shown), Chris is prompted by a Sandman (or a dream maker) to seek out a Magic Garden where all his troubles will be forgotten and he will live happily for the rest of his life. Chris sets out in the middle of the night, and through his journey dreams of encounters with The Little Mermaid, Thumbelina, and the shady tailors who are going to make an Emperor's New Clothes. These journeys, however, exist only in Chris' dreams. The idea behind this movie is that a young Chris will be inspired by these dreams that he will grow up and write famous stories about his "experiences". His dreams are all in stop-motion animation, while the real-life segments are acted in real time.

    Now here are my problems with the movie. First, the people in the live action parts didn't act very well, and were completely unbelievable. Although it was great to see Ray Bolger and Margaret Hamilton on screen (the Scarecrow and the Wicked Witch from 1939's "The Wizard of Oz", respectively.), the thrill was lost to me with the principle characters. The kid who played young Hans Christian Anderson looked and sounded awkward every moment he was on screen, and actually sounded worse when he was voicing his own character. Jack Gilford, who played Papa Anderson, delivered dialogue that almost seemed to insult the intelligence of the audience, no matter what the age.

    Although the stop-motion animation wasn't bad, the story that went along with it was weak and sometimes very confusing. It's doubtful anyone watching the movie would actually care about Chris' quest to find this Garden of Eden by any other name. Plus, when he actually reaches this Garden he was searching for, the story took on a very dark, weird, and unnecessarily Biblical turn that really didn't sit well with me. It was almost as if the screenwriters tried to find a way to tie each Anderson story together, and didn't know where to go after they covered Thumbelina. It's also interesting how The Little Mermaid segment of the story didn't quite have an ending. Most children will probably be sad to know the end of this version of The Little Mermaid, made long before Disney got their hands on it. So rather than spilling the beans on the true ending to The Little Mermaid, this movie decided to cut the ending off altogether. Not a smart move at all.

    This movie required the viewer to shed far more disbelief than necessary, especially in regards to the Thumbelina section of the story. In it, Chris meets Thumbelina and eventually they find their way to the home of a villainous rat, voiced by Boris Karloff. The rat does a poor job of seeming hospitable, yet both heroes fall for it. They also wander into a dark cave to visit a mole that is a walking, talking negative Asian stereotype. If I saw these creatures, I would run! I bet other kids would too. Why Chris sticks around is beyond me.

    I thought when I picked up this DVD in stores that it would be an enjoyable classic that I would tell my friends was an underrated classic. I tell my friends about "The Adventures of Mark Twain", which was a very pleasant surprise of a movie. This movie was an unpleasant surprise, and probably bombed when it was released forty years ago. Looking back on it now, it really hasn't stood the test of time. Although the animation was close to stellar, the storytelling, acting, and over plausibility was weak. I can't recommend it.
  • Fairy Tale lovers are in for a treat with this star-studded live action/animation feature film produced by the wonderful Rankin/Bass team - best known for their holiday masterpieces "Rudolph the Red-Nosed Reindeer", "Frosty the Snowman" and "Mad Monster Party", just to name a few.

    The wraparound story (which is live-action) deals with a young Hans Christian Anderson struggling to find The Garden of Paradise. These parts of the movie are admittedly corny, but on his journey, we are treated to four enchanting stories, each filmed in Rankin/Bass's trademark stop-motion "Animagic". The stories are unusual in that they all end on a low note rather than a typical "Disney happy ending" - keeping true to Anderson's original tales. Included here are "The Little Mermaid", "The Emperor's New Clothes", "Thumbelina" and "The Garden of Paradise". Once again Arthur Rankin and Jules Bass have created a fantasyland of wonder and imagination filled to the brim with beautiful tunes. This movie should get 10 stars alone for getting Tallulah Bankhead to voice the sea-witch in "Little Mermaid".

    Magnificent Eye-Candy!
  • Just perfect for rugrats and pre-schoolers. Several Hans Christian Anderson tales told by way of live action and stop motion puppetry. A diverse cast donated time and talent to this somewhat dated film. The cast features Ed Wynn, Ray Bolger, Patty Duke, Boris Karloff, Burl Ives, Margaret Hamilton, Tallulah Bankhead and Paul O'Keefe.
  • The charismatic storyteller from Denmark was never quite like this, but it is none-the-less a profound and entrancing time capsule of fantasy spun with gossamer whole-cloth from the 1960's era. What it doesn't convey with staging and costume and storyline it equally expresses with what it leaves out from the whole of historical relation. The balance weighs it as entertaining, but it is also quite educational. Simply put, keep this one in your collection and pull it out when you feel like retreating into the younger years of a bygone age.
  • Award-winning animation producers Arthur Rankin, Jr. and Jules Bass, fresh from the success of the now-classic TV special RUDOLPH THE RED-NOSED REINDEER, aimed extremely high for this ambitious live-action/animated musical fantasy. The story is a fictionalized account of the young life of Hans Christian Andersen, with Paul O'Keefe (Patty Lane's brother on the PATTY DUKE SHOW) as "Chris" and Jack Gilford (COCOON) as his Papa. Chris enters the animated stories of THE LITTLE MERMAID, THE EMPEROR'S NEW CLOTHES and THUMBELINA. There are also references to other Andersen tales like "The Garden of Paradise," "Big Claus" and "The Ugly Duckling." Even though some of the production values betray the fact that Executive Producer Joe Levine expected Mary Poppins but only provided a Tom Terrific budget, there is a lot to like in THE DAYDREAMER: a star-studded, perfectly selected voice cast, impressive AniMagic stop-motion art direction, and a knockout score by Maury Laws (check out "The Cartoon Music Book" on amazon.com) and Jules Bass. Fans of the late AL HIRSCHFELD will want to see the caricatured opening sequence; fans of THE WIZARD OF OZ will enjoy Margaret Hamilton's feisty cameo, fans of THE LORD OF THE RINGS will have fun comparing this to the Rankin/Bass production of THE HOBBIT released 11 years later and how far they had come since. Even Oleg Cassini designed the Emperor's New Clothes! The live-action sequences were directed by Ezra Stone, who starred as Henry Aldrich on radio and by that time was directing THE MUNSTERS. If you visited the 1964 World's Fair, look for the Denmark pavilion doubling for the streets of Odense.
  • The Daydreamer is a wonderful piece of artfully combined live-action and stop-motion animation, also combining several classic folk tales. But what stuck in my mind since I first saw it in 1967 was Hayley Mills' poignant vocal on "Wishes & Teardrops", among the most intimate and affecting performances I have ever heard, an overlooked gem. Mills has a brittle vibrato which uncannily matches the undersea motif of her character, the Little Mermaid, and combined with the faintly comic bubble sounds in the background and lush orchestral accompaniment to her unusual surprisingly powerful alto range reminiscent of Karen Carpenter, and a thoroughly natural and idiomatic interpretation, produces a powerfully intimate connection reinforced by a superlative lyric impeccably matched to a captivating musical theme and a perfect choice of 3/4 waltz time signature, so evocative of the sea, a musicality reminiscent of Debussy's La Mer. Although this apparently represents Ms. Mills' sole adult commercial musical work, for me it's easily worth a lifetime of contribution to the universe of music. Almost half a century later, it still feels as if I'm hearing it for the first time.
  • Ripshin19 April 2004
    This Rankin/Bass production is quite a trip, and not the most lucid one, at that. Embarrassing cameos from a variety of stars, with "animation" well below par, considering their wonderful "Rudolph" specials. The story appears thrown together, connecting famous Anderson tales with an incoherent story line. How they managed to wrangle so many well-known voice-overs, I'll never understand. I grew up with Rankin/Bass, but did not see this film as a child. The DVD does make for a great conversation piece at parties, so I'd recommend the purchase. Perhaps, if they'd avoided the live-action segments, this film would have been a bit more enjoyable. The whole Ray-Bolger-running-around-with-pies is bizarre. Margaret Hamilton is wasted with about three lines. My 5 and 7 year-old nephews found it disturbing..."what about the 'cold tears from his hair'???"
  • silasandpattiebarnaby11 February 2004
    I've always enjoyed Rankin Bass produtions, but this has to be my favourite. The other Rankin/Bas works, are great, but a bit sterilzed so that nothing goes out of bounds. The daydreamer was the first vehicle where Rankin/Bass could be a little loose and have fun, and it was aimed at all ages. I love Ray Bolger weaving in and out of scenes at random, throwing a pie here and there. It was a very clever movie, and by far outshines R/B's monster party.
  • gcarras25 December 2013
    Warning: Spoilers
    Forget what another reviewer (back in 2000) said about modern audiences having no ability to embrace the musical numbers in the older films. This was a longtime staple of both theatrical and television viewing. Rankin/Bass's experimental, and unusual combination of live-action and the animation that they themselves trademarked as "animagic" are both featured, with the AnimagicTM illustrating the daydreams, where our young hero (Paul O'Keefe of THE PATTY DUKE SHOW-speaking of Patty, she also appears in this as seen below) as 13-year old CHris has some dreams about his later storybook characters, with the Little Mermaid with Hayley Mills as the Mermaid, the Emporer's New Clothes with Ed Wynn in his final appearance as the emperor with VIctor Borge and Terry-Thomas as the con-man tailors (warning: NEVER buy your clothes from these guys] who take Chris with them to make the clothes), and (SPOILERS)(in the only dream not shown to us as one at first, despite the Animagic, Thumbleina with Patty Duke (whose appearance in the opening titles by Al Hirschfield may just well be the best done animation of her character] headlining this, and also the only dream that had two stories, the former and "Garden of Paradise". Chris eventually wakes up, returns to his normal life only to create the characters and stories we now know and love.And.."Isn't it Cozy...Here".
  • OF COURSE I`VE SEEN THIS FILM!!! And quite honestly, seeing it over and over again, brings back so many fond memories of my childhood!! When it first came out, I was only a year old at the time, but as with most good childrens films, I always waited for the yearly reruns...(this of course being long befor VCRs). Now I own this film on video, and do watch it from time to time, and notice how sad it is that we dont see many of these claymation films anymore. The wonderful character voices of Patty Duke, Tallulah Bankhead, etc tec... you just dont find quality childrens films like this anymore. A classic in my opinion!! Children of all ages ...young and old , should see it!

    Two thumbs up from VEGAS!!
  • stluke11282 January 2016
    like or not like. have certain expectations, or do not have certain expectations. beautiful ideas. check. sweet song in "Be a Happy Guy too." check. profundity in the Tree of Knowledge. check. sweetness all around. check. ingratitude for the skill and talent which produced this movie. no check. smug criticism by "sophisticated" reviewers. check. proof the movie is good and is truly a delight by the reviews of smug critics. check, and thank you. i guess i have to write more, because my review isn't able to be published without 10 lines. OK, here's some more. and more yet. OK, i'll keep writing.. is this enough? how about this? and is this enough? and what about this? am i in a college class? am i back in my film class in college? i don't feel that young anymore. maybe the sandman has brought me there.
  • Brings back memories when I was a kid. This was one of the special movies they showed on TV when we got a rare day off from school.From the award-winning team that delights youngsters annually with their 1964 classic Rudolph the Red-Nosed Reindeer . One of Rankin Bass' best-loved theatrical movies, filmed in an enchanting combination of live-action and stop-motion animation.

    It is a fictional story based around Hans Christian Andersen's life and how he day dreamed his classic stories with the help of The Sandman (Cyril Ritchard), such as Chris's encounter with the little mermaid(Haley Mills) and the Evil Sea-Witch (Talluah Bankhead), His adventures with Thumbelina (Patty Duke) ,Mr. Field-Mouse (Boris Karloff) and Mr. Mole (Sessue Hayakawa), and of course the Emperor (Ed Wynn) and the two rogue tailors (Victor Borge and Terry Thomas). An All star cast comes together ! Best suited for sentimental Rudolph fans and kids who adore lengthy song-and-dance classics like Willy Wonka and the Chocolate Factory, this visual candy store runs 99 minutes. Wonderful family film!
  • Delightful musical feature with thought-provoking lessons for both children and adults alike. A magical opening with Ritchard's "Sandman" sets the tone for an equally magical adventure through the mind of Hans Christhian Anderson. A memorable all-star cast accompanied by a whimsical score (who could resist "Isn't It Cozy Here!!"??). Not as good as Rankin/Bass' classic Christmas specials, but a winner, nonetheless.
  • I loved watching this whenever it came on when I was a kid. I loved how they took a young Hans Christian Anderson and put him in the middle of the stories that would later bring him fame. The thing that I think was a great moral to this story was that it is better to stay and face your problems than it is to run away. Too bad it is not shown on broadcast television anymore for the few people who don't have cable or sattelite.
  • Viewed this film many years ago and it always was a great film for children and adults. The cast of actors were all veterans of the screen, namely: Jack Gilford, Ray Bolger(The Tin Man from the Wizard of Oz) and Margaret Hamilton(The Wicked Witch from the Wizard of Oz) and the king of Horror, Boris Karloff (Frankenstein Monster). It also featured the voices of: Burl Ives, Tallulah Bankhead, Terry-Thomas, Victor Borge, Ed Wynn, Patty Duke and Robert Goulet. Karloff was the menacing voice of "THE RAT" in this internationally produced, live-action puppet fantasy. It is a MUST SEE to find out the complete story and ending.
  • Those among us who treasure Rankin/Bass' annual holiday specials like RUDOLPH THE REINDEER and SANTA CLAUS IS COMING TO TOWN undoubtably have wondered at some point or another why the production company never tried any full-length feature efforts. Well, they did, with mixed results. The most ambitious effort of several was THE DAYDREAMER, Rankin/Bass' live action/stop-motion animation effort that was apparently supposed to be their masterwork but didn't quite deliver. Sure, it's a children's musical fantasy, and it's cast with a plethora of then-famous movie and television stars, but the whole thing just doesn't work. The story concerns an adolescent Hans Christian Andersen, learning life's lessons as he dreams himself into adventures(the animated sequences)that turn out to be several of the beloved Danish storyteller's famous stories, like Thumbelina, the Little Murmaid, etc. What really puts one's teeth on edge are the live-action sequences with Paul O'Keefe and Jack Gilford as Chris and Papa Andersen. Despite their distracting Brooklyn accents, what really spoils the mood is the degree of disfunction in this family. Papa Andersen is indecisive and easily put-upon by his harpie customers. Chris is selfish and is easily swayed into abandoning many of his new-found friends. Several of the animated sequences are atmospherically dark with less than happy resolutions. The songs are not on par with most of the television offerings, and the film drags intolerably so that, by the time it does end, you really don't care if Chris does get back home. As an adult, I found it hard to sit through, and I can't see a child today(or in 1966)watching this with any degree of sustained interest, with the exception of Tim Burton. And surely, the decision to have Robert Goulet sing the film's theme song was the kiss of death . . .
  • I've always admired the work of Arthur Rankin and Jules Bass. Very few people's Holiday Seasons would be complete without "Rudolph the Red-Nosed Reindeer," "Frosty the Snowman," et. al. Similarly, their only other feature film, 1967's "Mad Monster Party," has acquired a considerable cult following over the years, with Tim Burton and William Castle among its many admirers.

    Which is what makes "The Daydreamer" such an incredible disappointment by comparison. The animation is incredibly sloppy, by comparison to their TV work during the same period. Paul O'Keefe was a repugnant little brat on the "Patty Duke Show" and he makes an even less appealing Hans Christian Anderson. Among the only bright spots in the live action cast are Ray Bolger and Margaret Hamilton, almost thirty years after "Wizard of Oz," proving themselves as talents that can shine in a broom closet. An all-star cast tries hard during the animated segments, but even they can't bring uninspired material to life. When you consider that the best part of the film is the Al Hirschfeld-designed opening credits, that's a sad commentary.

    In sum, "Daydreamer" is the only blot on Rankin and Bass' otherwise distinguished careers, and long-time fans, like myself, can forgive them this one transgression.
  • raysond20 February 2001
    Out of all the animated features that Arthur Rankin and Jules Bass produced throughout the 1960's and 1970's for that manner,this one entitled "The Daydreamer" was very stale for its premise,and one of the most boring. This one which features claymation and live action sequences.It concerns a boy and his wanderings around the dreams of being with the characters (based on an anthology of stories by Hans Christian Anderson) to find adventures whereever he goes. The only thing that saves this film is Maury Laws' brilliant score along with several of the songs in which the characters that lend their voices to the songs can't save this film,and it loses interest very quickly. Great for the kids,but for older children and adults,be forewarned. If you liked good children's material from the team of Rankin and Bass,I highly suggest getting a tape of "Rudolph:The Red Nose Reindeer",and be satisfied.