19 August 2001 | hedricj
Saw this film in a wonderful class on Japanese new wave cinema (thanks, Jyotsna). Along with Imamura's "Ballad of Narayama," some of the finest Japanese work I've seen. This film is brilliant in its portrayal of modern voyeurism and its psychological implications. Beyond that though, it stands out as a film preparing us for things to come in the cinema of the 90's. It took pt Anderson's "magnolia" to finally bring full circle some of the innovative qualities of this truly amazing film. Note the merging of the wonderful score and the main character's consciousness at the end of the film. Shocking, sad, and beautiful.