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  • These international films were big in the '60s, and Triple Cross is no exception. It stars Christopher Plummer, Romy Schneider, Trevor Howard, Yul Brynner, Gert Frobe, and Claudine Auger.

    Triple Cross is loosely based on the exploits of Eddie Chapman, a successful thief who becomes an agent for the Germans and then an agent for the English, though he keeps working for the Germans.

    The story is even more fascinating because it's true, but somehow, the film falls flat. Instead of being on the edge of your seat, you relax on the couch. Its pace was somewhat slow, the editing jumpy, and the film is short on action.

    Christopher Plummer is a wonderful actor, but one gets the feeling that Eddie Chapman was scrappier and lower class than he's portrayed here. The beautiful Romy Schneider is wasted.

    The film is directed by Terence Young, responsible for some wonderful films: Wait Until Dark and some James Bond films, and then some not as successful, such as one of the worst films ever made, Bloodline, and another bomb, Mayerling. So one can say he was inconsistent. Unfortunate.

    There are apparently two books on Chapman which are probably more interesting.
  • Quite right, it is definitely not a German plane. The aircraft is a 1946 French SNCAC Martinet.

    This was enjoyable to watch on a quiet evening at home. It was particularly interesting for me because I knew nothing of Edward Chapman's charmed life and wartime exploits so now I would like to know more about him and I'll be tempted to read up a bit and do some research about him.

    The film was well made with good production values and direction. My complaint is with the editing which was off kilter at times. The story line was abrupt and frequently resulted in too many fast changes. For instance we needed to see how Edward Chapman got passage on the vessel to Lisbon.
  • This espionage-Flic based on fact concerns an astute safe-cracker named David Chapman (Christopher Plummer) who encounters himself working for both contenders in the 40s , as the German secret service commanded by a baron (Yul Brynner) and a colonel (Get Frobe) , and British military (led by Trevor Howard and Jess Hahn) . Meanwhile , he falls in love with a gorgeous resistance fighter (Claudine Auger) and a mysterious German countess (Romy Schneider) . Chapman attempts to cheat both sides and play each other . The he's sent a dangerous mission and parachuted in England with objective to reconnaissance and factory's sabotages . He's even decorated by General Von Runstedt (Marcel Journet).

    Based on real events starred by a true bank robber named Eddie Chapman , this film packs action , suspense , warlike feats and being quite entertaining. First-rate main cast as Christopher Plummer as an amoral but sympathetic double agent adding a bemusing touch , Yul Brynner as a disillusioned German officer, Von Stauffemberg-alike , and a splendid Get Frobe as a cunning Colonel . Ample and stunning supporting cast with a magnificent Trevor Howard , and the beautiful Claudine Auger and Romy Schneider, among others . Here appears uncredited prestigious secondaries , such as Gordon Jackson , Howard Vernon , Bernard Fresson and Gordon Jackson . Colorful and evocative cinematography by Henry Alekan , Terence Young's usual cameraman (Mayerling , Poppies are also flowers) . Enjoyable musical score by George Garvarentz in a James Bond style . The motion picture was professionaly directed by Terence Young , but contains some flaws and gaps , though tension at times, as well . The film was realized in his best period when he made the classic Bonds films (Dr No, From Russia with love and Thunderball). In fact Young directed actors who played in James Bond movies as Claudine Auger-Thunderball and Anthony Dawson-Dr. No and also performed Gert Frobe who made Goldfinger and Terence wanted his Dr. No leading lady Ursula Andress to star opposite Christopher Plummer . Rating : 6/10 : Acceptable and passable.
  • Oct25 September 2004
    Terence Young directed the first two James Bond films and magnificently set the style of the series. He tries to bring some of that flamboyance to "Triple Cross", down to a title song which should have been sung by Shirley Bassey. But this wartime shaggy-dog espionage yarn resisted the 007 treatment and laid a big egg.

    Compared with, say, "Five Fingers" or "I Was Monty's Double", "Triple Cross" is sluggish. It's a European co-production, always a difficult diplomatic problem, and the cast is a mini-United Nations: a Canadian as the secret agent, a British spy master, Germans, an Austrian love interest and Yul Brynner, whose origins (like those of the slab in "2001") were still a total mystery.

    Christopher Plummer is sleek and sardonic as Eddie Chapman, a master safe cracker and in reality a working class charmer from North East England who had been a Guardsman; here he seems more of a toff, like Raffles or Bond. The bare bones of his story were true and incredible enough not to need polishing.

    Eddie was in jail in the Channel Island of Jersey when the Germans occupied it in 1940 (by air, not as shown here from ships docked directly under Chapman's cell). He offered himself as a Nazi spy to get back to England. There he immediately re-ratted and got sent to Germany, where he trained other agents whom the British caught and turned. The unsuspecting Nazis were so pleased with his apparent perfidy that he was given the Iron Cross. Hence the film's title.

    Brynner is a "good German" colonel, an anti-Nazi aristo who pays the price of involvement in the Hitler assassination plot. Among other heel-clickers who think they are controlling Chapman is Gert Frobe-- so that's what Goldfinger was up to before he became a card sharp in Miami. Trevor Howard sports an ugly little ginger beard. Romy Schneider, no longer the plump little ingenue of the Sissi trilogy, is sharp-jawed and wan as Eddie's aristocratic girlfriend.

    Their lack of chemistry underscores Plummer's lack of sex appeal. He was losing the kudos he had gained as Baron von Trapp-- maybe he'd have felt more at ease in Brynner's part-- and his stellar status was as brief as Julie Andrews's. Eddie Chapman fared better. Given a blanket amnesty at the war's end, he married and lived long, prosperously and respectably.
  • What seems sometimes like an incredible tale of how a con man easily convinces the British and the Germans that he's working for them during WWII, with very little effort, is given rather routine treatment under the direction of Terence Young.

    Christopher Plummer, fresh from playing the Captain in "The Sound of Music," lends a polished air of humor and sarcasm to the role of Eddie Chapman, a safe cracker who makes himself useful to both the British and the German armies by acting as a go between who uses his skills to thwart Germany's war plans for bombing London. Based on a true story, I'm sure it embellishes the truth with lots of fictional twists and turns that serve the purpose of keeping a viewer tuned in to find out what happens next.

    A shorter running time would have helped, but the performances are all on a good level with special nods to Yul Brynner, Trevor Howard, Gert Frobe and Romy Schneider. Much of the story seems unconvincing despite the fact that the basic ingredients are based on a true story.

    Somehow, Plummer's casting seems slightly off for this kind of material. Gert Frobe is a standout as a doubting Nazi who suspects Plummer is not quite what he pretends to be. Brynner is more low key than usual as an anti-Nazi German officer who knows the end of the war is near. Romy Schneider is excellent as Plummer's love interest.

    Could have been a much tighter, more suspenseful tale than it is.
  • bkoganbing2 September 2007
    Triple Cross tells the story of professional thief Eddie Chapman who worked as a double agent for the Germans and the British during World War II. He's charmingly played by Christopher Plummer who was at the height of his career with The Sound of Music on the horizon for him.

    Chapman was some piece of work and he was only able to accomplish this whole thing by dint of the fact that he was operating on the Channel islands when World War II broke out. By that time he'd eschewed opening safes by cracking combinations, he was using controlled amounts of gelignite in his work.

    Sent to prison on the Isle of Jersey, Plummer is there when the Germans take over those islands and promptly offers his services to the Nazis. After taking him up on the offer despite the stern objections of Gert Frobe, Plummer gets an assignment back in the United Kingdom. Of course upon landing there he promptly offers his services to the British and they take him up on it as well.

    I love to watch Christopher Plummer on screen. He's so suave and professional in everything he does whether it's the Duke of Wellington in the film Waterloo, to Baron Von Trapp in The Sound of Music, to even the villainous hypocritical reverend in Dragnet. He's never anything, but at his best for his audience.

    His handlers at the British and German ends are Trevor Howard and Yul Brynner. Howard is in the stiff upper lip tradition of his country and Brynner provides an air of melancholia for his part. It ends in tragedy for him as he's part of the bomb plot to kill Hitler in 1944.

    By the way it is just that somehow Plummer was conned biggest of all in the end. To see what I'm talking about by all means catch Triple Cross.
  • Proudly declaring itself in the opening credits 'Terence Young's Triple Cross', the first half is basically James Bond With Nazis, reuniting Gert Frobe from 'Goldfinger' and Claudine Auger from 'Thunderball' (with Anthony Dawson from 'Dr No', Francis de Wolff from 'From Russia with Love' and Edward Underdown from 'Thunderball' in smaller parts).

    Christopher Plummer seems to having more fun here than in 'The Sound of Music', and the gun with a curved barrel for shooting round corners suggests someone's tongue was initially in their cheek. But Young's direction is lazily dependent on pans and zooms, it all goes on for far too long, and becomes increasingly plot-heavy as it grinds it's way towards the two-hour mark.
  • Warning: Spoilers
    Interesting if somewhat lifeless WWII espionage tale that's loosely based on a true story and has hints of James Bond. Christopher Plummer plays a British criminal who's caught pulling a heist in Nazi Germany. While in jail he convinces his captors that he could be a double agent and work for them. He's tasked with going back to England to blow up a British airplane factory (for a hefty payday and a pardon for past crimes) and does so by telling the British he'll work for them as a double agent if they let him blow up the airplane factory (for a hefty payday and a pardon for past crimes). Plummer then returns to German having accomplished his mission, looking to collect his payday, but the tide is turning against the Germans at this point and he may not be able to collect his payday and must soon choose sides. The most interesting part of the film is that it's never made clear where Plummer's true allegiances lie, which sets up a clever shot at the end of the film when he stares at himself in a mirror, highlighting the lack of clarity who we are really looking at. The film boasts a strong supporting cast that includes German love interest Romy Schneider, Yul Brynner as a monocle wearing Nazi, Trevor Howard as a MI6 agent, and even Bond alumni Gert "Goldfinger" Fröbe and Bond Girl Claudine Auger, Domino from "Thunderball." The film was directed by veteran Bond director Terence Young ("Dr. No," "From Russia With Love," and "Thunderball"). However, on the downside, Plumber is disappointingly uncharismatic in the lead. Also, as interesting of a story premise the film has, it lacked any real drama, either on an emotional level between Plummer and Schneider or with any sort of inner conflict over his changing allegiances, but also lacking with basic action or suspense with the factory bombing or the other espionage sequences, which all felt rather perfunctory and by the numbers. The film needed either more James Bond thrills or more "The Spy Who Came in From the Cold" drama. Instead, we're left with a bit of both and not enough of either. Still, the story and the cast are enough to carry the picture and make it worth watching.
  • dimplet30 April 2011
    Warning: Spoilers
    First of all, this is an entertaining movie, with the requisite suspense and action well done, interesting characters and good acting. Frankly, I don't see what all the griping is about.

    Some of the comments downplay the historical accuracy of the movie, but from what I can learn online, the basic elements are astonishingly correct. The impact Eddie Chapman, an otherwise obscure criminal languishing in a remote jail, had on the course of World War II is, if anything, underplayed in the movie.

    We've all seen the newsreel footage of V1 and V2 bombs falling on London. What they fail to mention is that they were not landing where the Germans thought they were aiming for. And we have Chapman to thank for that. He was sending back skewed information about the locations of impact, which led the Germans to correct their aim away from central London. That's a pretty sweet trick to play on the Germans. And that part of the story is absolutely true, though you have to listen closely to documentaries of WWII to catch any mention of it.

    What the movie focuses on, instead, is Chapman, the audacious con man. Without reading his autobiography, it is hard to be sure of the details, but anyone who pulled off what he did must have been worthy of this portrayal.

    What we also see is the fallibility of decision making by German leaders, contrary to the near omniscience they are sometimes credited with. Hinted at also is that some of those German military leaders were not totally loyal Nazis. There was a loose underground among the upper levels of the old military guard, people like Baron Von Grunen. You can read about the German underground, such as it was, on Wikipedia. It's good to see a movie that doesn't portray Nazis in simplistic stereotypes.

    And it should be noted that Gert Fröbe, who was an actual member of the Nazi Party during the war, only used this as a cover to rescue Jews from the Holocaust, like a minor Oscar Schindler. BTW, I wonder if we hear Fröbe's actual voice here, unlike in Goldfinger?

    Looking at the photo of the real Eddie Chapman, you wonder how he was such a ladies man, yet he was. The Christopher Plummer portrayal makes him look more glamorous than he probably was, as a sophisticated jewel thief, much like Cary Grant in To Catch a Thief, rather than a crook who burglarized movie theaters.

    But the basic story is correct, and effectively portrayed. How would you feel being inside the Nazi Reich being trained as a spy to be sent to England, who might be uncovered with the slightest slip, by either side, and executed? The tension is well portrayed in the film.

    However, and here is the spoiler, the movie's title is misleading: I can't find a triple cross, though he did cross enemy lines several times. He was a Brit who offered to work for the Germans, but when he got to England he never delivered; he went straight to British authorities and told them the truth. This was a very wise decision, because the British already knew something about his mission from their decoded German Enigma messages.

    So the British then have him send back false intelligence to the Germans. That's a pretty good double cross, but then Chapman goes back to Germany, convinces them he is still working for them, and is eventually sent back to England again, where he sends back more false information. Truly amazing! But still only a double cross.

    There is some brief mention of plans for the D Day invasion of France. It is well known that the Allies used General Patton in England to set up a ruse that we were planning to invade at Calais, which Hitler firmly believed. This deception was perpetrated on many levels, including a fictional corpse created with the help of Ian Flemming. Chapman may have sent back information confirming the presence of real troops around Patton, instead of the plywood tanks they actually had, though this is not stated in the movie.

    So, while there is almost inevitably some fictional elements in a movie based on history, the fundamentals are accurate enough in Triple Cross for it to be a valuable supplement to factual information found in the countless documentaries about World War II. And the story is amazing enough that someone should make a genuine documentary about Eddie Chapman's exploits.

    Eddie Chapman was a brave man, doubly so because when he conned the Germans, he had no way of knowing if England would win the war.

    I highly recommend this movie.
  • I like Triple Cross mainly for two reasons - the cast (Plummer, Fröbe, Brunner, Schneider) and the production value. But what Triple Cross always dragged down for me - even if it's based on a true story - is the fact that I cannot believe that the Germans would have trusted a character like the Eddie Chapman aka Franz Graumann of the movie: he is a romantic and a gambler. Would you trust such a man with secretive and dirt work?
  • War is loaming for England. In London, jewel thief Eddie Chapman (Christopher Plummer) uses self-made explosives to blow up safes proclaiming to be the Gelignite Gang. He goes to the popular holiday location Jersey Islands and gets arrested by the police. After ten months in solitary, the Germans occupy the islands. He offers his services to the Nazis.

    Apparently, this is a true story... sorta. Plummer is playing him like James Bond. It would be more compelling for him to be a darker criminal with murky morality. In the real story, the Germans are completely taken by him which is so dumb. Of course, nothing is more unbelievable than true life. The problem is that this is an unbelievable story. It's hard to see why they would trust this man. As a movie, the story unfolds in a series of unconvincing incidents. Tension is limited. It's all rather flat.
  • Fascinating thriller of espionage and how to survive the most impossible circumstances by simply collaborating with any criminal and make him trust you, even if he doesn't. This is no James Bond entertainment but bloody war and a true one, and Eddie Chapman existed for real and managed to trick his way through the war by selling his soul to any devil that offered a price. He was doomed from the beginning and would have passed the entire war in jail for burglary on an advanced scale if he hadn't offered himself as a spy for the Germans. There it all began.

    The main character of the drama however is not Chapman/Christopher Plummer but Yul Brunner as his main employer in Germany, the Baron von Grunen, who has no illusions about the war and admits defeat when there is one. Gert Frobe is another, an honest policeman who survives by his honesty and sticking to it, even when it could be argued away. Romy Schneider is the one woman of some realism who also admits defeat and recognizes a fatal farewell and accepts it even when there is one too many. All actors are good but none outstanding, because a complicated story like this admits no stars, and the grim reality and circumstances of the intrigue play of a war like this lets no star shine through. Only in the end, after the war, when Christopher Plummer finally is able to relax at a pub home in London there is finally room for an ego when it has got through it all alive and kicking after all, – but it took many difficult twists and turns to get there.
  • Warning: Spoilers
    An interesting if not wholly successful WWII/Spy movie, based (very loosely) on a true story. Unfortunately, the use of a James Bond director and a couple of actors from Bond films naturally prompts comparisons, which is not completely fair. I don't know if Terence Young consciously tried to make a wartime Bond imitation; I simply can't believe he could of regarded Christopher Plummer as a adequate substitute for Sean Connery! But if one disregards the Bondian roots of the movie, "Triple Cross" is a fairly good film. Yes, Plummer is no Sean Connery, but he pulls off a fairly good performance; and if he comes off to viewers as bemused and smirking, then he succeeded in capturing at least one side of the real Eddie Chapman's persona. I agree with previous posters that he and Romy Schneider make an unconvincing pair; they just don't have any chemistry in their scenes together. Also, the script was a bit turgid, especially concerning Yul Brynner's activities, but that wasn't a major handicap.

    I think the worst thing about "Triple Cross" is the annoying, "mod" Sixties theme song. A song like that might have worked in a Bond film, but it's totally out-of-place in a thriller set in the 1940's. I remember thinking so when I first saw the movie in 1967, and now of course the theme sounds horribly dated. Surprised they didn't get Tom Jones of "Thunderball" fame to sing it (instead of the unknown Tony Allen)! Well, maybe Tom was busy recording "What's New, Pussycat?".

    The rest of the score is an improvement, but still barely adequate. By comparison, that other WWII thriller produced in 1966, "The Night of the Generals", had a much superior musical score -- and without a "hip" theme song! Interestingly, both movies manage to work-in the Hitler assassination plot, and Christopher Plummer even made a cameo appearance in "Night of the Generals" as Rommel.

    I think of any movie, "Triple Cross" perhaps has more in common with "The Man Who Never Was"; though admittedly that movie played it much more serious. Seeing the Trevor Howard character immediately reminded me of Clifton Webb, right down to the beard!
  • After making Quite a Splash Directing the First Two James Bond Films and by doing so Set the Template for the Quintessential, still Considered Today, Bond Movies, Terence Young delivered this somewhat Lighthearted and Tepid Spy Thriller that just Never Thrills.

    In Fact, it Doesn't Do Much of anything Except Disappoint. The Aloof Whimsical Tone is its Biggest Misstep. Christopher Plummer Plays a Real Life Double Agent Working for the Nazis and the Brits, but Mostly Working for Himself, Hence the Title.

    The Film is Flat and Never at all Seems Real in any sense. It's Wartime Setting is Never Convincing. Plummer does OK adopting a Sarcastic, Winning Personality that Helps Him Con Everyone in Close Proximity, including the Charming of Women. The Film Makes Much of this Playboy Image, Probably a Nod to James Bond.

    Yul Brynner just About Steals the Show as a Bespectacled Aristocratic Officer that Befriends Plummer. Gerte Frobe Adds some Intrigue as an X-Policeman, Now a Nazi Officer that has Suspicions about the British "Turncoat" from the Beginning.

    Overall, Recommended for Fluffy Wartime Entertainment. But the Film Overall will Disappoint Serious Film Fans of the Subject, as it is Universally Panned for Not Living Up to its Potential. An Average Movie at Best and a Mishandled Mess at Worst.
  • ok, it has its flaws...and it's too long but nevermind that. 'fantastique histoire..' features a stellar international cast with christopher plummer playing the amoral eddie chapman playing the enemies against each other. it's dialogue and style is quite 'tongue-in-the-cheek', quite humorous at times. one of the more light-headed yet very entertaining WW2/spy-movies. definitely worth seeing, but don't take it too seriously.
  • Warning: Spoilers
    TRIPLE CROSS is a slightly unwieldy but generally workable WW2 thriller with a starring role for Christopher Plummer, hot off the success of THE SOUND OF MUSIC. The film is directed by Terence Young and has a bright and breezy feel to it which makes it feel like a Bond imitation, particularly in the early scenes of Plummer's womanising. However, it also happens to be based on a true story and sees Plummer's safebreaker recruited by the Nazis to work as a spy against the British; little do they know he's a double agent informing on them as well. Plummer feels a bit awkward as the lead, but a Euro-centric supporting cast keeps the interest high, with good turns for Jess Hahn (dubbed with a Yorkshire accent!), Howard Vernon, Claudine Auger, Gert Frobe, Romy Schneider, Trevor Howard, and the great Yul Brynner in an interesting role. The story is all over the place tonally, but interesting and unique enough to see you through until the end.
  • Though based on a true story, Triple Cross is made in the standard spy pattern , slow-paced, loosely plotted movie.In his autobiography, Christopher Plummer said that Chapman was to have been a technical adviser on the film but the French authorities would not allow him in the country because he was still wanted over an alleged plot to kidnap the Sultan of Morocco, and Chapman was disappointed with it.
  • Warning: Spoilers
    Interesting if somewhat lifeless WWII espionage tale that's loosely based on a true story and has hints of James Bond. Christopher Plummer plays a British criminal who's caught pulling a heist in Nazi Germany. While in jail he convinces his captors.that he could be a double agent and work for them. He's tasked with going back to England to blow up a British airplane factory (for a hefty payday and a pardon for past crimes) and does so by telling the British he'll work for them as a double agent if they let him blow up the airplane factory (for a hefty payday and a pardon for past crimes). Plummer then returns to German having accomplished his mission, looking to collect his payday, but the tide is turning against the Germans at this point and he may not be able to collect his payday and must soon choose sides. The most interesting part of the film is that it's never makes clear where Plummer's true allegiances lie, which sets up a clever shot at the end of the film when he stares at himself in a mirror, highlighting the lack of clarity who we are really looking at. The film boasts a strong supporting cast that includes German love interest Romy Schneider, Yul Brynner as a monocle wearing Nazi, Trevor Howard as a MI6 agent, and even Bond alumni Gert "Goldfinger" Fröbe and Bond Girl Claudine Auger, Domino from "Thunderball." The film was also directed by veteran Bond director Terence Young ("Dr. No," "From Russia With Love," and "Thunderball"). However, on the downside, Plumber is disappointingly uncharismatic in the lead. Also, as interesting of a story premise the film has, it lacked any real drama, either on an emotional level between Plummer and Schneider or with any sort of inner conflict over his changing alligences, but also lacking with basic action or suspense with the factory bombing or the other espionage sequences, which all felt rather perfunctory and by the numbers. The film needed either more James Bond thrills or more "The Spy Who Came in From the Cold" drama. Instead, we're left with a bit of both and not enough of either. Still, the story and the cast are enough to carry the picture and make it worth watching.
  • This is a decent if frivolous film, and 20 mins too long. It's pretty, it's colorful, it's big budget, it's very well acted with reliable WWII-movie players, but it's handicapped far too much by a pet peeve -- everyone looks like they're in the 1960s. 1960s hair, 1960s makeup, even 1960s suits. Plummer looks like he borrowed from the 007 wardrobe across the hall. After all, same director, probably same production crew. It shares the greatest 007 villain actor of all time, Gert Frobe. It even ends with a brassy, over-crooned 007-style song that sounds like it was re-written from Goldfinger. Because of all these collective nods to its dated efforts to appeal to 1960s audiences, this falls short.

    Oh, and the germans aren't believable; not in their reactions, not in their motivations, not in their moral virtues. No one needs a monochromatic nazi bad guy, but these guys are too forgiving.
  • robertasmith16 February 2021
    This is not a perfect film but it does tell (albeit in a fictionalised way) one of the most remarkable stories of WW2. Chapman's true story is just as remarkable and I think his post war life is worthy of a film in itself. Christopher Plummer is superb and I have always thought this is one of his best performances. The supporting cast is terrific and as always, Trevor Howard, is brilliant. The Nazi characters are a bit stereotyped as are the British but it brings a bit of fun to the story, which is in keeping with Chapman's character in real life. The advantage of a WW2 film made in the sixties is that the cars, uniforms and sets are far more realistic than such films made today. This is one of my favourite WW2 films and I think it is consistently underrated by critics.
  • The ghost of Bond is fairly obvious here. Plummer as the real life safe cracker Eddy Chapman is suitably suave and charming and Yul Brynner is his normal stiff martinet (with added monocle)and Romi Schneider is "okay" (the love scenes are mostly a dud and show little chemistry between Romi and Chris). The production design is pretty good, lots of authentic uniforms and arms, plus plenty of genuine WW2 trucks and cars, the naughty Nazis are a tad stereotypical, but the conference scenes in the Paris hotel are well produced. Perhaps an aircraft buff can identify the twin engined plane used in several sequences, it certainly didn't look German! Overall an entertaining way of passing the time with few phony heroics.
  • I enjoyed this movie. It's got all the right moves. Humor, drama, action scenes, unexpected twists, charming actors. There probably are holes in the story, but it's such a fun, fast-acting movie that I was too busy enjoying it to care. Christopher Plummer is the lead in this film, and he gets a chance to be more than charming. He's downright sexy. And then there's Yul Brynner in breeches and jack boots. Yowwwww! I had a good time watching this film. I have no idea if the uniforms, the planes, the story, or any of it, is accurate to the period. And I don't care. Christopher Plummer with his shirt undone. Demolition experts demonstrating how to detonate things with a mixture of sugar and saltpeter. The great Trevor Howard wearing the world's worst beard. Yul Brynner in jackboots. Just what a war movie ought to be. Triple Cross is available in a Region 2 DVD, but not, as of 1/21/12, in a Region 1. If it were available in Region 1 format, I would snap up a copy so I could watch it often. I hope Christopher Plummer's recent Golden Globe and possible Oscar nomination for "Beginners" might stimulate folks to put out more of his films on DVDs, especially on Region 1 DVDs.
  • Right from the start I was captivated by this story which is fiction inspired by a true story of the the undercover agent Chapman, used from the book by Frank Owen. We're introduced to a British bank robber, or more like jewelry thief, which gets caught and put in prison while on holiday on the island of Jersey, which not much later is occupied by Germans during the outbreak of the 2nd world war. After some time he convinces the Germans that he is not a patriot.

    The film has the feel as an James Bond film from the 60'ies. Christopher Plummer is just as horny as Bond, the the film makers is probably doing too much out of that. No wonder, though, since director Terence Young was a main director of the James Bond films. He was the director of "Dr. No" in 1962 and the following "From Russia with love" and "Thunderball", before this one. The film language is very alike.

    I find the film very cozy and entertaining watching. With a good good feel of the 60'ies film making. Which I'm not old enough to remember, but which I've seen depicted on film a thousand times., though I'd is mad of being the 40'ies.

    This film wasn't very popular in the British intelligence, which allegedly tried to drop this bring made. It was also mean to be directed by Alfred Hitchcock, this story, but he was advised not to do so. Terence Young was handles the script, and made a quite different film from what Hitchcock would have made. Young has used a lot of former Bond actors in this, in addition to a good Christopher Plummer, and when Yul Brunner as a German commandant.

    On the nag entice side, the story will be, like many agent stories, a bit confusing to many. I also find the women stories less charming than they are made to be. So it ends if as an well made and entertaining watch, but by far a classic. To be a classic, it way to tedious and too much of a rip-off f the earliest Janes Bond-stories.
  • I love war movies, and especially WWII ones. Also, a theme of a double agent who was involved in some very high levels of power of 2 sides, and was into some very high levels of authorities seems a very captivating plot. Plus, come a great cast of outstanding actors, such as Christopher Plummer as Eddie Chapman, Romy Schneider as Countess, Trevor Howard as British Intelligence Officer, Gert Fröbe as Col. Steinhager, Claudine Auger as Paulette, Yul Brynner as Col. Baron Von Grunen - so, the final result may seem a thrilling watch. Well, it was not, sadly. The very good and promising start of a movie gave us some large hope for better, but then, the film fell onto a trap of slow tempo, very predictable twists and very trite clichés. Plummer is good here yes, cool, polishes, withdrawn, sarcastic ( as he later would prove as a Duke Of Wellington in a great, sadly underestimated 1970's Waterloo), but he cannot save this otherwise plodded and oftentimes messy array of unexpected comic twists, unconvincing drama, very poorly depicted personal conflicts. Generally, the movie makes you yawn and wait for a quicker ending. Yul Brinner is not bad here, too, but this highly comic, artificial accent brings all down to a pure farce. My opinion? Not that bad, sure, but not good at all, either. A very middle-of-the-road run, a very medium try at the highly potential story.
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