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  • Living in a rattling house beside the Hollywood Freeway, McGavin plays a hard-luck detective, who resembles the character he played later in the "Night Stalker". He pursues a missing girl through the underbelly of 1967 Los Angeles, going from some Hollywood Hills decadence with a wild gay couple (think "Vanishing Point"), down to a go-go on the Sunset Strip, and eventually find her tripping on LSD in the Malibu shack of a part-time "guru", while the man's mother watches a game show in the other room with headphones. This scene, with McGavin waiting on the couch, both the mother and the girl on LSD laughing hysterically, is one of the weirdest. I hope this one gets released someday--it definitely stands on its own and is a a fun vehicle for McGavin, although the later show apparently failed miserably. As a noirish late 1960s portrayal of Los Angeles, this one is right up there with "The Long Goodbye" and "Marlowe". Indeed, as the writer moved on to "The Rockford Files", this is very closely linked to the stylish "Marlowe".
  • gordonl5618 December 2006
    Warning: Spoilers
    THE OUTSIDER - 1967

    This is a gritty, no nonsense private eye film that was the pilot film for the short-lived series of the same name. Darren McGavin is a private eye who is hired by film executive, Edmond O'Brien. O'Brien wants McGavin to keep tabs on one of his employees. O'Brien tells McGavin the woman might be dipping into the company funds. "An easy job that should only take a couple of days", says O'Brien.

    The case is of course anything but easy. The woman is hanging around with some most unsavoury types whose main income seems to be from blackmail. McGavin ends up in the hot seat as the bodies begin to pile up. First the woman he is watching gets the deep six, then O'Brien gets a couple of slugs in the head.

    McGavin ends up on the wrong end of several beatings, a gun battle and even gets pushed off a cliff in his car. A bad day at the office or what! This comes across as a harder edged version of the same producer, Roy Huggins' later series, The Rockford Files. Directed by Michael Ricthie who gave us that great Lee Marvin film PRIME CUT. A very enjoyable nights entertainment.

    Audrey Totter and Ann Sothern have bits in the film as well. A real treat!
  • screenman28 June 2010
    Warning: Spoilers
    Darren McGavin was an excellent choice as the square-jawed, world-weary middle-aged gumshoe, living in some rat-trap next to a freeway and keeping his telephone in the fridge at night.

    The movie was pilot to a short-running series. It was a gritty little outing in light of its made-for-TV origins and I enjoyed it immensely. Although nowhere near as hard-hitting as Mike Hammer, there was plenty to involve the viewer each short week. The series never outstayed its welcome, and I would very much like to see the pilot movie again. It was like 'The Rockford Files' but with a sharper edge.

    I have never seen the movie since, neither has the series been repeated (unlike 'Rockford') and suspect that it has probably been lost.
  • The legendary Roy Huggins created "Cheyenne", "Maverick", "Colt 45", "77 Sunset Strip", "The Fugitive", "Run For Your Life", and "The Rockford Files". This pilot movie was Roy Huggins' attempt to reinvent the private eye show (with a hint of "The Fugitive").

    Los Angeles private detective David Ross was a man on the edge. He was an ex-con who had been unjustly convicted of a crime. Ross wasn't a high school graduate. He drove a beat up old car. He had no partners or secretary. His office was the opposite of plush. He handled divorce cases. He could barely make a living. His "friend on the force" treated him like scum. David Ross wasn't even his real name. At the end of this terrific pilot movie, the police solve the case rather than Ross.

    This was a brilliant conception for a private eye show. Huggins might have tried reversing still more traditional attributes of the private eye. Maybe David Ross wasn't attractive to women and could never get a date. Maybe he didn't drink. And maybe he was unfailingly polite and somewhat timid-a soft-boiled detective.

    But "The Outsider" had a real shot at greatness just the way it was. Roy Huggins offered the role of David Ross to Jack Lord, who would have been superb, but Lord chose "Hawaii 5-0" instead.

    Other actors who might have been interesting as David Ross are Jack Palance, Charles Aidman, Hershel Bernardi, Herb Edelman, Bruce Dern, Clint Walker, Gerald S. O'Loughlin, Peter Falk, Telly Savalas, Stuart Whitman, Roy Thinnes, George Maharis, Vince Edwards or Bradford Dillman.

    Darren McGavin had already brilliantly played private eye Mike Hammer, so he wasn't the freshest casting. But McGavin was one of the great TV actors, and he made a good David Ross. Director Michael Ritchie ("The Candidate", "Downhill Racer") did a stylish job with the pilot. The supporting cast was also first rate and included Edmond O'Brien, Shirley Knight, Ann Southern, and Ossie Davis.

    This fine pilot movie lead to a very good series, but "Hawaii 5-0" killed "The Outsider" in the ratings.
  • I loved the opening shots: his phone in the refrigerator, old pizza, that gulp of sour milk . . . and the teaser (paraphrased) : "My name is David Ross and you're probably wondering how I got into this mess."

    One episode ended with an aerial view of him looking a broken rear-view mirror on his car. There was a note on his windshield. As his voice-over read the letter, the camera panned higher and higher. The note said something like: "Sorry, I broke your mirror. There were several witnesses. They think I'm writing down my name and address. I'm not."

    His ups and downs remind me of one of my favorite fictional detectives, Shel Scott, who was always getting in and our of jams.
  • This hard core noir thriller recalls the best days of Humphrey Bogart, Raymond Chandler and Alan Ladd, with even a beautiful false lady to compete with Lauren Bacall. The tempo is swift, it's hard action all the way with constant surprising turnings, and Darren McGavin has to go through quite some hard blows and ordeals, even becoming involuntarily drugged and subject to a number of assassination attempts, but don't worry - detectives like this always survive and return. You will recognise Joseph Wiseman in an interesting supporting role, there is always something eerie about him, like he was in "Doctor No" in the title role. He has only one scene here, but it is enough to make an unforgettable impression. The real part here is Edmond O'Brien as Mr Bishop, who hires McGavin to spy on his secretary on suspicion of embezzlement, but what O'Brien really wants to know is if she, his mistress, is deceiving him with a younger fellow, which she is. That's how McGavin gets mixed up in a nightmare of a mess in which he almost ends up dead. That's how the film starts. Enjoy!
  • David Ross (Darren McGavin) is a private detective who has a most unusual case. A man wants his secretary to be followed and he comes up with some pretext for Ross to do this. However, this man is lying....and there's far more about the secretary he hasn't told Ross. Additionally, there are other folks involved in the case that Ross knows nothing about nor their intentions. During the investigation, which seems pretty routine, things get crazy and the secretary is found murdered. Later, the man who hired Ross is shot...and several attempts are made on Ross' life. What is really going on here?!

    This is a pilot for a short-lived TV series--many episodes as well as this pilot are on YouTube. I decided to watch it, as I like detective shows and McGavin. It was pretty good. While the end was a tad talky and disappointing in some ways, there was lots of action, some excellent acting as well as the most unusual and artsy camerawork I've ever seen for a TV detective show. Well worth seeing, though I have no idea is the episodes of the series are worth your time.
  • cartjos29 November 2017
    Warning: Spoilers
    It's 1AM and I am checking the channels for something interesting or it's off to bed. On "Grit" I see this and am intrigued. I initially thought it was an episode from a series, but when hitting the "info" button on the remote saw it was scheduled for 2 hours. On IMDb discovered this was the pilot for a series. I enjoyed the heck out of it. McGavin wasn't this indestructible tough guy, but more like Jim Rockford, he took his lumps and made mistakes. He didn't have a good relationship with the police and even had a line where he said the PD didn't cooperate with private detectives like himself. The cars, the 60's drug culture, pretty impressive cast, made this a well spent 2 hours. The only problem I had was the ending where even after being knocked out and driven off a cliff he somehow wins a shootout and apprehends the remaining bad guy (a hot Shirley Knight).