G | | Adventure, Sci-Fi
After discovering a mysterious artifact buried beneath the lunar surface, mankind sets off on a quest to find its origins with help from intelligent supercomputer HAL 9000.
Stanley Kubrick was initially forced by MGM to have Alex North (who had written the score for Kubrick's Spartacus (1960)) compose an original score for this film. Kubrick, however, always intended to use classical music for the film. He allowed North to score the first half of the film before informing him they planned to use only sound effects for the second half. It wasn't until he was watching the film at its premier in New York that North discovered that his music had not been used. He later reused themes composed for this film in The Shoes of the Fisherman (1968), Shanks (1974) and Dragonslayer (1981). North's original score was unheard for 25 years until composer Jerry Goldsmith re-recorded it for Varese Sarabande in 1993. In 2007, however, Intrada, working with North's estate, released North's personal copies of the 1968 recording sessions on CD.
Here you are, sir, main level please.
When Dave, then Frank, go outside the Discovery to replace the AE-35 unit, neither one communicates with the other man who remains inside the ship to monitor the operation. In reality, there would be almost constant talk between the two because of the inherent dangers in going EVA.
The original theatrical release had Ligeti's Atmospheres to a black screen for roughly 8 to 10 minutes before the movie began, and Strauss' The Blue Danube well after the end credits to a black screen.
Some versions have title cards on-screen during the Overture and Entr'acte sections, while other versions omit these titles and simply play the music over a black screen.
£69,567 (UK) (30 November 2014)
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