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  • This time, the insects trying to destroy humanity aren't giant ones. It's all of them, though, which is worse.

    Like most well-made science fiction movies, this has a strong symbolic component, rendering it a fable or parable. Here, the thought is that mankind is being destroyed by its inability to communicate and thus cooperate. American soldiers are looking for "Eastern bloc" spies, and try to find a lost H-bomb without anyone finding out; the blonde lady who's using the insects hates people; a girl thinks of having an abortion, because she doesn't know that her lover wants it.

    Some characters can't be found, some won't talk, resulting in a solution being impossible to arrive at. Normally I would call this idiot plotting, a problem that wouldn't be a problem if people talked. Here, that's the point of this movie: problems are caused by people not talking.
  • Warning: Spoilers
    Also known as Konchu Daisenso (which translates to Insect War), this Japanese apocalyptic film was directed by Kazui Nihonmatsu, who often found himself as an assistant director to Akira Kurosawa (on 1952's The Idiot), Keisuke Kinoshita (Carmen Come Home) and Masaki Kobayashi (1956's The Thick-Walled Room). He would use the name Norman Cooper here.

    It's written by Susumu Takaku, who would later write 92 episodes of the anime Mazinger Z, the Fist of the North Star anime movie and numerous Sentai shows.

    The Shochiku Company was considered a prestige studio, not one that was part of the kaiju and science fiction crazes of the 50's and 60's in Japan. But here we are, with one of the few films that the studio made within these genres.

    Somewhere in the Anan Archipelago, Akiyama Joji is making time with Annabelle, who is not his full-time woman, when an American jet carrying a nuke goes horribly off-course above. Charly, one of the crew, has a flashback to World War II thanks to an insect. He begs for drugs as a release from his pain, begging not to go back into the war. This is 1968, not today when PTSD is common knowledge. Suddenly, the plane flies into a swarm of insects and explodes, with several parachutes escaping the wreckage.

    Charly is played by Arthur "Chico" Lourant, who made his way to Japan via the Korean War before staying there as an actor, with roles in Gamera vs. Jiger and Prophecies of Nostradamus, which was released in the U.S. as The Last Days of Planet Earth.

    The hydrogen bomb on board is missing and now Lieutenant-Colonel Gordon must find it. At the same time, Joji's wife Akiyama must deal with her adulterous husband and the unwanted attentions of her boss Kudo. And hey - there's Charly, who seems to be the only survivor. The rest? Dead in a cave and covered with insect bites.

    Joji has found a watch whole looking for insects for Dr. Nagumo. This is the only fact that the military needs to put the blame for the two deaths on him, as the watch is government issue. Yukari begs the doctor to speak for her husband, just as we learn that insects are destroying India.

    Meanwhile, Dr. Nagumo meets the only other witness to the accident, Joji's lover Annabelle, who knows way more about the insects on the island than maybe even this scientist. That's because she's at once a scarlet woman, a lover of nature, an enemy to capitalism and, yes, a mad scientist.

    This is a film with no real heroes and constant inhumanity to man, so you take the good where you can get it, you know?

    "I don't care whether I live in a free society of a Communist one. I just want to breed vast numbers of insects that drive people mad and scatter them all over the world." Oh Annabelle!

    Kathy Horan, who plays this role, shows up as a stock American in plenty of Japanese films of this era, including The Green Slime and the astoundingly great King Kong Escapes.

    Meanwhile, Charly dies and it's revealed that the insects have laid their eggs inside him. As he expires, they all chant "Genocide! Genocide!" This movie has become pure drug-filled post-nuke madness. What follows is even more buggy, as they say: the good doctor allows himself to be injected with insect venom so he can connect with their hive mind and learn their plan for dominating the world. Seriously, do not dose yourself before this scene.

    Nobody really gets out of this alive and if you think Japanese directors are going to allow the Americans to not look like amoral scientists who will quickly nuke their small island from orbit, perhaps you don't understand that, well, we already did that twice to them.

    Seriously, this is one demented film.
  • SnoopyStyle2 October 2023
    An American B-52 is brought down by insects. An operation is launched to recover the nuclear bomb. The sole survivor has gone mad and deadly afraid of bugs. The other crewmen died from mysterious bite-like wounds.

    This should be a simple disaster movie with bugs. The title should be Murder Hornets. I do like the one crazy guy driven mad by bugs. Auschwitz comes out of nowhere. I can see that as an idea but it's not executed that well. I could imagine a more compelling story if she's a survivor of a Japanese war camp, but that couldn't be allowed. I don't care about the people. I want more bugs.
  • GENOCIDE (1968) is a Japanese sci-fi movie with an apocalyptic theme and a mix of intriguing elements that culminate in a rather bleak denouement. I don't want to give away any of the twists, so suffice it to say that a series of separate experiments involving poisonous insects by a pair of disparate characters fuses with a plot about an American H-bomb that's been accidentally dropped—intact—on a remote Japanese island and is the subject of a frenetic search by American officers and shady local characters with ulterior motives of their own. What I found most significant about this film is the presence of so many non-Japanese characters, including an arrogant American Colonel (played by Ralph Jesser), a black American airman named Charly (Chico Roland), and Annabelle (Kathy Horan), a blonde from Eastern Europe with deep emotional scars from WWII. The majority of scenes feature interaction with non-Japanese characters and the tensions between the Japanese and the Americans are quite palpable, much more so than in most Japanese films I've seen set in the postwar era. In the Japanese-language/English-subtitled edition which I watched for this review (released by Criterion), all the characters speak Japanese to each other and all are post-dubbed by Japanese voice actors. Even inside the plane, the Americans speak only Japanese to each other. This is not always the case with Japanese movies featuring non-Japanese characters. For instance, I've seen Chico Roland in other movies, including Koreyoshi Kurahara's BLACK SUN (1964), and he speaks only English in that one. And in numerous kaiju (giant monster) movies, there are scenes with American crew members or scientists and they often speak English to each other (albeit sometimes dubbed by Japanese voice actors speaking heavily accented English).

    The plot of GENOCIDE is rather complicated but is deftly told in a compact 84 minutes, with all the different tangents coming together for quite a suspenseful finale. The Americans are not only eager to find the missing H-bomb, but are also intent on finding out who—or what-- killed two of the American crew members. The local police on the island take custody of an insect collector named Joji (Yusuke Kawazu) who is in possession of a watch that belonged to one of the crewmen. Joji is married to a local girl, Yukari (Emi Shindo), but is having an affair with Annabelle. Joji's employer, a biologist named Dr. Nagumo (Keisuke Sonoi), comes to the island to try to aid Joji's efforts to prove his innocence and help with the case any way he can. He becomes the nominal hero of the piece. Annabelle experiments with insects and may have something to do with the strange, unpredictable behavior of insects in the area, including a cloud of them that enveloped the American bomber plane and brought it down. Things heat up with various characters in the course of the narrative and Charly, the black airman wounded in the crash of the plane carrying the bomb, becomes the cruelly-treated pawn of the various factions in conflict on the island. Eventually, we learn that the insects have an agenda of their own.

    There are some special effects sequences, chiefly involving obvious miniatures representing the planes seen in the film and the insect "clouds" that attack them. There are some miniature sets of structures on the island, although most outdoors scenes were shot on location on an actual island, with indoor scenes done in studio sets. The insect action seems to be done mostly with live insects, which must have been quite a chore for the crew to handle, although the scenes are quite effective. One extremely harrowing sequence involves the young couple, Joji and Yukari, trapped in a hut under attack by the insects. There are frequent closeups of insects at work, including quite a few gruesome shots of insects biting flesh or leaving eggs inside the skin or organs of human victims. I don't know how much special effects work was involved in these shots, but they're all quite convincing. Viewers who get freaked out by these kinds of images should avoid this film.

    There are distinct anti-nuclear and anti-war sentiments expressed throughout the film and a disgust with the way U.S.-Soviet confrontations impact negatively on everyone else. Memories of World War II are frequently invoked. Some of the characters seem to have been designed purely to voice certain sentiments heard in the film. The fast pace of the narrative keeps us from dwelling on that problem too much. The ending may not be a conclusive one, although I think that might have been the point. This isn't a fun film like something you'd see in the Godzilla and Gamera series of the time or, say, THE GREEN SLIME, which came out a month later and offers its own distinct pleasures, but it is compelling and much harder-edged than the average Japanese sci-fi film of the 1960s. Some may find it disturbing, but I'd definitely recommend it as a unique and unusual viewing experience for fans of Japanese genre films.
  • Warning: Spoilers
    This is a bad movie and I'm going to try and make this a bland as possible so you don't think there is any reason to see the film.

    Huge cloud of bees brings down a bomber carrying an atomic bomb over an island near Japan. Some of the crew escapes and makes it to the island where they are killed by the insects. One of the local men is charged with the men's murder. Through a long winding chain of events it transpires the bees are a new species that were being bred by a mad scientist to get revenge on Germany for what happened during World War 2. (There's more but trust me you don't want to know) Disaster of a film is a kin to the horrible eco-films (Last Days of Planet Earth) Japan turned out in the 1970's. These were big on having a point but small on any real plot. Here the film drones on with lots of talk and not much happening. Sure there is two late in the game bee attacks but it doesn't make it worth sitting through the preceding 80 minutes. A dreadful film in the unfun way that only Japanese scifi films can be.

    2 out of 10 because the two plane sequences at either end of the film are screamingly funny for all of the wrong reasons.(However they are not a reason to watch this movie)
  • Genocide (1968) is a movie that I recently watched on a random streaming service. The storyline follows a young lady who recently became pregnant and is planning to have an abortion when an insect outbreak occurs. All life becomes at risk as no one knows how to stop the bugs. A diabolical plan to take over the world becomes apparent and will anyone be able to stop the mastermind behind the plot?

    This movie is directed by Kazui Nihonmatsu (The X from Outer Space) and stars Eiji Okada (Woman in the Dunes), Hiroshi Fujioka (Kamen Rider), Ryûji Kita (King Kong Escapes) and Reiko Mutô (Arcadia of My Youth).

    This is one of those "almost good" movies that had all the ingredients to be fun but somehow falls short. The film starts with a fun model burning airplane crash scene that made me smile. The sets, settings and characters were fun. The villain was a smoking hot blond with a few screws loose...but somehow all the pieces of the puzzle weren't put together well. The storyline was a bit stale, slow and didn't have enough kills for me to get excited. The ending was cool and worked for me.

    Overall this is a very average addition to the horror genre that's still a fun watch. I would score this a 4.5-5/10 and only recommend watching it if nothing better is available.
  • Maybe if the bugs had been big and/or radioactive, we could have had some fun set pieces, but eventually it sets in that maybe this doesn't want to be a fun, silly bug movie.

    I mean, the premise of insects wanting to wipe out humanity before humanity wipes them out is absurd, but through this crazy premise, the film gets pretty serious, thematically, while looking at things like the atomic bomb attacks on Japan and the Holocaust, which must given this its title of Genocide.

    Not sure I've ever had a B-movie like this go so heavy (especially when at the start it looked like it was going to be very silly), and I don't think it truly works, but it's an admirable effort.

    It will surely stick out in my memory the more and more old Japanese horror movies I work through in the future.
  • I'm rating this movie higher than it probably deserves for a couple of reasons. Firs, one has to admire the audacious, lurching combination of genres and plot lines, hallucinatory in their variations. Secondly, the final two shots of this movie are stunning. I won't give them away, although I wish I could because they are just some of the coolest final images of any science fiction movie of that era, and make the entire movie worthwhile.

    All of these impressions reflects some advice I would give if you choose to watch this movie. I don't think one ought to watch it literally, as a plot-driven film, because doing so could be frustrating given some of the illogic and seeming randomness of the events. Instead, I ultimately watched it for the imagery, the drunken, staggering wackiness of it all, and the utterly fascinating cultural aspects of the movie (for example, wow, do Americans not come off particularly well in this flick!).

    I would also recommend Genocide for those who enjoy eco-horror or eco-scifi, such as Frogs, Phase IV, Bug (the Bradford Dillman flick), Food of the Gods, and even classic giant irradiated "bug" movies such as Them and Tarantula, which were among the first eco-scifi movies.
  • All the insects on Earth become wild and attack humans, causing Armageddon.

    The film's staff includes Shizuo Hirase as the cinematographer, who also worked on the Shochiku films "The X from Outer Space" and "Goke, Body Snatcher from Hell". Composer Shunsuke Kikuchi, who also worked on "Goke", does the music here; he may be best known today for "Female Convict Scorpion" or perhaps "Dragon Ball Z".

    Because this was the last horror film Shochiku would produce, it is suitably ambitious and apocalyptic. This is dark, bleak, and edgy beyond what we typically see from horror of the era, especially in Japan. We (at least Americans) expect men in rubber suits to beat on each other, but this is a far worse menace!
  • Warning: Spoilers
    A group of military personal investigate the crash of an army plane on a remote island. They uncover an evil plot by lethal insects to bring about the end of the human race.

    Director Kazui Nihonmatsu relates the intricate and absorbing story at a constant pace, grounds the fantastic premise in a believable everyday reality, and adroitly creates and maintains an extremely grim and uncompromising take-no-prisoners nihilistic tone. Susumu Takaku's harsh script makes a bleak point on how mankind's self-destructive nature will bring about his own ruination. This film further benefits from several interesting hateful characters: Kathy Horan as bitter and vengeful holocaust survivor Annabelle, Ralph Jesser as the ruthless Lt. Gordon, and Chico Roland as the unhinged Charlie. The surprise bummer ending packs a startling punch. A solid little Japanese sci-fi/horror movie.
  • Warning: Spoilers
    More or less I am sort of responding to the first review that was done in 2009, which was very negative of the film. I think that the film is interesting, and watching it you realize why the film may never have been released overseas.

    Many years ago, when I was in College, there was a white individual, who after watching a black exploitation film made a very rude comment, especially considering the one black female in the room. "Now I understand the black mentality". Sadly, in watching this film made in 1968, one could almost say the same exact thing.

    In the film, the Americans are played as if an occupying force in Japan, at least on this Island. the Americans, especially with the lead American character, one could almost say he is portrayed as some kind of Nazi type official, though he does not go and execute people. A little bit is made of the War that the United States fought Japan in the Pacific, though now as one of the Japanese characters does say in the film, and paraphrasing, "now we're friends.

    Yet watching the film, the Japanese seem to be portrayed as innocent victim. Any Japanese person who is bad in the film,, is actually working for the Communists. Much of course is made of nuclear war, and of course the blame somehow will be put on the Americans, and perhaps in this case somewhat understandably.

    But however here is the kicker, Their is this one woman, who looks way to young for her to have been a young victim of the holocaust, as she is somehow shown to be somewhat sexy. Of course, she is the one behind some experimentation of the insects, and working with the communists, wants to get revenge on the world for what happened to her. Of course in this case it is the Germans who are portrayed as the villains who did this to her, but to blame another country, and not your own, as the Japanese creators of this movie have done, and it is well documented that Japan was just as bad as Nazi Germany was, and many POW's were treated far worse by the Japanese than the Germans.

    In some ways, what happened to her in world war II is somehow made to equal what happened to the Japanese in WWII with the dropping of the atomic bomb, but of course there is no mention in this movie of the atrocities that Japan was responsible for. Japan is only shown as innocent victim of American aggression. Also of course highlighted, with the participation of Chico Rolands, a black actor who it would be interesting to know more about, and the alleged racism that is shown in this film by his American white superiors. One amazing scene certainly demonstrates that.

    Merits of the film are that it is rather suspenseful, and in many cases you do care about some of the characters. One person here gives his life in what is rather moving, and of course the way he dies for what is a greater good. Also the last image of the film of someone in a boat was touching.
  • Warning: Spoilers
    "They're in my body... insects. They're crawling inside me. Running... it's coming closer... insects... insects... insects... insects. Insects are singing. Insects are talking...".

    Gotta say, there's quite a lot talk about insects. Those abnormal insects they're talking about, look like a deadly new strain of bees. That believe a good human, is a dead human. How do they know, well these ones can communicate leading to some trippy, psychedelic colors. They're not happy about the reckless nature of mankind and their obsession for nuclear warfare. Asking the question can you really have faith in those (narrow minded individuals) with the power to flick the switch? Cue in world war stock footage.

    "GENOCIDE" (aka "WAR OF THE INSECTS") is a peculiar, blunt and cruel Japanese Sci-fi film, which can get silly, but at same time remaining edgy the further along it progresses. Not even the daft dialogues (with numerous stern encounters) and outrageous plot inclusions (insect breeder with a James Bond villain-esque motive and an evil cackle to go along with it), could stop it from being strangely compelling and concerningly symbolic. Although the blaring dramatics of the island's inhabitants could at times grate on the nerves, but they do play a part to the overall scheme of things. Obviously the material's social themes are seriously critical and very anti-war, yet somehow it stays unique in its vision, despite the clunky and erratic low-budget execution. One thing I did like was how it doesn't play it safe with a disturbed finale, I didn't see coming. It's a stunning, relevant final shot that lingers on the mind.
  • DanTheMan2150AD17 November 2023
    Exceptionally convoluted and deliriously nihilistic, Genocide is appropriately harrowing and periodically bonkers if a little middling around the second act. The second of only two movies from director Kazui Nihonmatsu, having previously helmed The X from Outer Space, Genocide is all over the place with enough hair-brained ideas to fill two movies let alone a single 84-minute one, primarily the hallucinogenic bees being bred by an insane holocaust survivor. Nihonmatsu handles the film with considerably more skill than his prior effort, there's a wider variety of shots and a better building of suspense thanks in part to the photography of Shizuo Hirase and the passable score from Shunsuke Kikuchi. It's very much an accident of a film, suitably ambitious and apocalyptic in its finality, ultimately hinging on the potential detonation of a hydrogen bomb and the single mother who may have to single-handedly repopulate a country. Genocide is an exhausting yet very rewarding experience, showcasing so pretty damn good filmmaking for its small budget but, as noted before, has too much plot for its own good.
  • Warning: Spoilers
    A Japanese sci-fi movie that's more interesting than it is entertaining, feeling as it does rather disjointed and all over the place at times. There are diverse characters trapped on an island, including a vengeful concentration camp survivor, some spies working for the Russians, random USAF crew hunting for a missing bomb, and insect collectors! The plot's a tough one to describe, but there's a fair bit of melodrama, some cheesy insect attack scenes, and an incredibly downbeat climax which is the best part of the movie. See it to believe it...
  • Greetings And Salutations, and welcome to my review of Genocide; here's the breakdown of my ratings:

    Story: 1.50 Direction: 1.50 Pace: 1.25 Acting: 1.00 Enjoyment: 1.25

    TOTAL: 6.50 out of 10.00

    There's something about Genocide that ticked all the right boxes in my movie consideration checklist - Sci-Fi, Horror Overtones, Creature-Feature, Interesting Concept. So I sat down to watch the insects fight for control of the planet.

    What I received was more than I expected, and pleasingly so. The writers Kingen Amada and Susumu Takaku weave a superabundance of plotlines together magnificently. In essence, the insects of the world have had enough of humankind abusing their planet. However, until recently, they've been powerless to affect a change in the status quo. But something has modified the insects on a remote Japanese island, and now they realise they may have the upper hand in the battle and start to make their presence felt. Through the hour and a half runtime, the writers give the audience a disbelieving military who can't believe insects destroyed their plane carrying a nuclear bomb: A womanising handyman, cheating on his wife with his latest employer - a woman who collects bugs: The handyman's friend and employer of the guy's missus - who he tries to molest her at every opportunity, calling it love: A scientist called in to assess the problematic insects and plan a course of action - if any: A couple of shady figures who are a militia group wanting to overthrow the government: And, the bug collecting lady, who may not be what she appears. I was amazed at how well the writers thread this together and create a comprehensive and semi-credible narrative. And the ending, though bleak, is just as logical.

    Kazui Nihonmatsu directs this complex tale superbly and uses everything in his cameraman's box of tricks. He stays with strongly composed scenes and doesn't attempt to get too flashy. He has an outstanding talent for placing the camera in the best spot to get the best shot. This style of filmmaking allows the intricate story to unfold effortlessly for the audience. One thing he could have tweaked was the tempo. He keeps the same strolling pace throughout the picture. It works to a certain degree, as he's skilled enough to imbue the time with essential content. However, I did think a few scenes were a tad overly long. Such as the airman going nuts when the first swarm attacks the nuke carrier. And particularly the segments where he needed to heighten the tension. The only section where he allows his wings of imagination to unfurl is in the hallucination scene. He does this using a double exposure technique along with a couple of lens distortions. It's not too elaborate: Nonetheless, it works exquisitely to set the atmosphere.

    I watched the dubbed version of the movie, so it's awkward to give an actual representation of the performances. Visually the actors and actresses appear fine, though there are one or two scenes where a couple seem to overcook their portrayals, like the infected aircraftman. His movements and actions look too exaggerated and absurd. And the same can be said of the hotel owner who ventures to force his unwanted affections on the Handyman's wife. The main issue I have is the dubbing: As is the case with many a foreign film, the distribution company rope in some cheap vocal talent for the parts. For the most part, the vocals are okay, but a few of the performers tend to read their lines like reading a shopping list - monotonously and without emotion. You'll be accustomed to this if you've watched a few dubbed movies in your time.

    Therefore, if you're a Sci-Fi or Horror fan with a penchant for Creature-Feature B-Movies, I strongly suggest you search for a copy of Genocide. You may like it so much you might purchase a copy. I'll be taking myself back to the Island one of these days.

    Look, The Swarm Is Coming! You have enough time to cast your eyes over my Absolute Horror, The Final Frontier, and Monstrous lists to see where I ranked Genocide before they get here!

    Take Care & Stay Well.
  • In GENOCIDE (aka: WAR OF THE INSECTS), a new insect species is discovered on an island. Disturbingly, the venom of these tiny creatures causes insanity in anyone bitten by them.

    Meanwhile, a B-52 Bomber, complete with its full nuclear arsenal, crashes nearby, after being swarmed by the killer bugs. Carnage ensues, as nefarious men attempt to procure the bombs, and the insects begin destroying humanity.

    The most interesting aspect of this movie is its diverse, unusual cast of characters. There are actual, flawed people inhabiting the island, some of whom are very damaged. Some are downright reprehensible! Especially, the wicked Annabelle (Cathy Horan), a concentration camp survivor who takes on the very characteristics of the Nazis from her tortured past. Her plot for global annihilation is the black center of the movie.

    This is an ambitious project that suffers from its miniscule budget, as well as the merciless march of time. Released in the 1960's, it's certainly a movie of its period. Still, it's worth seeing at least once...