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  • I don't think I've really ever given Walter Matthau his due as a comedic performer. He's certainly been wonderful in plenty of lighthearted roles, but I guess I always put his success down to his characters' grumpiness and ruthlessness, a gruff contrast to the flamboyant personality of his frequent co-star Jack Lemmon, and, I suppose, a natural extension of his earlier work in dramatic pictures. Watching Gene Saks' 'The Odd Couple (1968),' adapted from a popular Neil Simon play, the realisation suddenly clicked: Matthau is, in his own right, absolutely hilarious! Initially striking the audience as filthy, crude and generally unappealing, his Oscar Madison eventually manages to worm his way into our hearts, culminating in a hilariously overplayed confession of emotions that Matthau rasps out in a voice not entirely his own. At the same time, while holding his own as a comedian, his interplay with Lemmon is, of course, pitch-perfect; indeed, the film rightly belongs to both actors, who have never failed to light up the cinema screen by themselves, let alone together.

    Calling to mind Billy Wilder's screenplay for 'The Apartment (1960),' this Neil Simon comedy builds itself around around a rather morbid premise. Compulsive house-cleaner Felix Unger (Lemmon), having just been evicted by his wife of twelve years, attempts to commit suicide, but fruitlessly abandons the idea after he wrecks his back trying to open the hotel window. Dejected, he arrives at the house of good friend Oscar (Matthau), a divorced slob who lives alone on a diet of potato crisps and green sandwiches (that might contain either very new cheese or very old meat!). Oscar kindly offers Felix a place to stay, but is soon overwhelmed by his friend's finicky personality and constant insistence on absolute cleanliness. The pair form an unusual sort of marital arrangement, with Felix assuming the role of the effeminate and constantly-nagging wife, and Oscar as the sloppy, unappreciative husband who always comes home later than he's supposed to. This is a marriage that barely lasts three weeks, and, by the end of it, we can completely sympathise with Felix's ex-wife, who remains unseen.

    'The Odd Couple' is a terrific comedy, most of all because it has a lot of heart. For all their arguing, it's obvious that the two roommates have plenty of affection for each other, most movingly seen when Felix tries to launch into a furious tirade, instead – perhaps inadvertently – ending up informing Oscar how "tops" he his. The pair's four poker buddies (John Fiedler, Herb Edelman, David Sheiner and Larry Haines) are also constantly badgering each other about some obscure annoyance, but you can't deny that they've got the best of intentions. Their decision to treat Felix as though nothing has happened to him may have sounded fine in theory, but maybe being ignored wasn't quite the correct solution to Felix's gloomy feelings of inadequacy and inconsequentiality. Unlike some comedies based on popular stage plays {I was recently disappointed by Wilder's 'The Seven Year Itch (1955)}, this film doesn't simply strike at the same chord throughout, and the relationship between the two leads is progressively developed, through tears, laughter and much disagreement.
  • Of all of the versions and variations on Neil Simon's classic, "The Odd Couple," from its original production on Broadway, to the celebrated television series starring Jack Klugman and Tony Randall, the 1968 film version is, arguably, the best representation of the dynamic twosome.

    Felix Unger (Jack Lemmon) and Oscar Madison (Walter Matthau) are friends and sharing an apartment because Felix's marriage has fallen apart and needs a place to stay temporarily. Though Felix and Oscar are friends, their lifestyles and housekeeping skills are as different as night and day, which leads inevitably to endless confrontations fueled by frustration, and the results are pure comedic splendor. The hilarious, second to none chemistry between Lemmon and Matthau is the backbone of this film, accompanied by Neil Simon's incisive, wholehearted writing gives the movie its timeless quality.

    Matthau and Lemmon both do a sensational job, because even though they can't stand living together, they both do care for each other, and their performances reflect just that magnificently. If you are looking for a timeless comedy classic with brilliant writing and wonderful performances, there is no need to search any further. The film received two Academy Award Nominations for Film Editing and Adapted Screenplay.
  • Warning: Spoilers
    SPOILERS

    In the words of Jean-Paul Sartre, "Hell is other people". In "The Odd Couple", Jack Lemmon and Walter Matthau demonstrate just how accurate this can be. As Felix Ungar and Oscar Madison, Lemmon and Matthau respectively create two good friends who decide to live together. As the two begin to slowly grow more and more frustrated with each other, the laughs come thick and fast, before Felix departs, leaving Oscar a changed and more cleanly individual.

    Jack Lemmon as Ungar is absolutely superb as the neurotic, cleaning obsessed divorcee coping with life as a single man. Walter Matthau in contrast to Lemmon's character is equally as good as the slobbish sports writer who simply wants to play poker to earn money for his child benefits.

    Lemmon and Matthau are magnificant in their selected parts, to some degree dependent upon the beautiful script by Neil Simon, and simultaneously because they work well as a team. As two friends who are inherently different in lifestyles, although similar in relationships with ex-wives and children, these two, late, great actors create a partnership which is practically impossible to recreate. So great in fact, that the world screamed out so much for something similar, that two years before Matthau's death and three before Lemmon's, the characters were reunited in an inferior sequel. This idea, whilst following Hollywood's irritating obsession with sequels, might have worked to a certain degree, but at the same time, it could never come close to replicating the genius of this original film.

    Ultimately it's not really possible to say anything else. With Simon's amazing script, filled with humour and laughter, the creators of this film were already onto a hit. The casting of Jack Lemmon and Walter Matthau as Felix Ungar and Oscar Madison though, is the most important part of this film. "The Odd Couple", with it's traditional soundtrack (which even gained a tribute in "The Simpsons"), it's excellent script and it's genius leading men, is a tribute to cinema and a feature for history to remember.
  • I remember something that Roger Ebert said in an interview with Martin Scorcese. Ebert said that "Raging Bull" was a great movie. People would protest that they didn't want to see it because they didn't want to see a film about boxers. No, Ebert insisted. The subject matter of a film is not the heart of the film. Rather, it's how well a film is made that matters. An expertly made film about boxers is better than a badly made film about a topic you may be interested in. So, no, I'm not a man; I'm not divorced. But "The Odd Couple" was so well made that I fell in love with it. I surprised myself by laughing out loud throughout the film.

    "The Odd Couple," of course, is the story of news writer Felix Unger leaving his wife and children and moving in with his friend, sports writer Oscar Madison, who is himself a divorcée. Oscar lives in an eight-room Manhattan apartment, which he used to share with his wife and their kids. Felix is neat; Oscar is messy. Sounds pretty trite.

    But the movie is a revelation. The script reveals surprising depth about love, hate, and human relationships. The Walter-Matthau-Jack-Lemmon team is like a well-oiled machine – they seem to have perfected their shtick together through several lifetimes.

    Jack Lemmon plays the entire movie completely straight. He gives the exact same kind of performance as he did when he was acting in "The Days of Wine and Roses," a hyper serious film about alcoholism. When Lemmon, as Felix, is upset about his meatloaf burning, he shows as much agony as he showed in the previous film about a drunk ruining his own life. It's hysterically funny to watch this poor schmuck wrestle with his petty obsessions and compulsions, oblivious to how he affects others. Even as you laugh at him, you realize he can't help himself. Felix Unger has Asperger's.

    What has changed in America, and American film, that this film from 1968 feels like a time capsule from a lost moment in America? Oscar lives in a spacious, eight-room Manhattan apartment. Manhattan real estate has become more expensive, of course. But it's more than that.

    The words that kept going through my head as I was watching the movie were "grown-up" and "intelligent."

    Oscar, Felix, and their poker buddies are six white guys. They meet and play poker. There are no scenes where these adult, white men are revealed to be inept in comparison to women, blacks, or homosexuals. There are no scenes where the sassy gay man instructs the straight men on how to dress or create romance. There are no scenes where the "magical negro" shows the men that they can't dance. There are no scenes where a woman puts the men down for not knowing how to take care of children or shows the men up as being blinded by lust. There are no scenes where these straight, white men are made to apologize for being straight, white men.

    The men are grownups. They have jobs. They wear adult clothing. They wear white shirts and ties, slacks, belts, and shiny shoes. Oscar does wear a backwards baseball cap, but he is the clown of the group. And he does not wear it throughout the film. When he goes out, he dresses properly.

    They speak of their marriages as if marriage were something important. They speak of their children as if they love them.

    They go on dates. They ask women out, dress up for the occasion, and make witty banter with subtle double entendres.

    While watching "The Odd Couple," I thought of recent Judd Apatow comedies starring men like Jason Segel, Paul Rudd and Jonah Hill. These current male stars all play children; they all play losers. They play failed men. The humor in these films is built around what pathetic creatures they are. In "Forgetting Sarah Marshall," Jason Segel, who is fat and prematurely saggy, is shown fully naked. The nakedness highlights his humiliation when his girlfriend, Sarah Marshall, dumps him. These films all use the F word over and over in a manner that feels desperate and limited.

    There is one very sly, very funny reference to the f word in "The Odd Couple." Oscar complains to Felix Unger that he is tired of getting little notes from Felix like "We are all out of cornflakes. Signed, FU." Oscar says it took him hours to figure out what "FU" meant. A funny joke. Delivered deliciously. The only time "The Odd Couple" has to refer to the F word to get a laugh.

    I've never felt, while watching a Judd Apatow comedy, that I was gaining any insight into the human condition. There are so many payoff moments of absurd comedy in "The Odd Couple," as when Oscar steps on a vacuum cleaner cord and then takes his foot off the cord at just the right moment to send Felix reeling. But there were so many moments that made me say, "Gosh, yes, that's what human relationships are like. That's what it's like to love/hate another human being."

    I can't imagine a film like "The Odd Couple" being made today. A genuinely funny, intelligent, rich, grownup comedy about men that shines light on the human condition and that need never speak the F word to get a laugh. And I can't imagine anyone other than a Trump being able to afford that eight-room apartment in Manhattan.
  • dr_foreman23 January 2004
    "The Odd Couple" is one of those movies that far surpasses its reputation. People all know it, they hum the theme song, they complain of living with a sloppy "Oscar" or a fastidious "Felix"...but they're under-selling the film without knowing it. This isn't just about a neat guy living with a sloppy guy; it's a portrait of two friends helping each other through the agony of divorce. It's also damn funny from start to finish, but it's the kind of comedy that arises from realistic, stressful, and just plain awful situations. So, some viewers have actually found the film to be a bit uncomfortable, but I think its verisimilitude is its strength. Besides, Matthau's bulldog face just cracks me up! My favorite comedy, by a country mile.
  • No need to recap the plot. What a triumph of scripting and casting. The premise, viz. the neat freak and the slob, has got to be one of the most durable on record, accounting for both this movie and the long-running TV series. In fact, I count that early 20-minutes around the card table as one of the funniest and best-written episodes I've seen anywhere. If this isn't playwright Simon's best work, I don't know what is.

    And what a fine example of ensemble acting are the poker-playing buddies, even if they never seem to play. Then too, get a load of the giddy Pigeon sisters. I love it when killjoy Felix gets them out of a romantic mood with a good cry. No wonder I-need-to-touch-something-soft Oscar wants to throttle him. And I'm still wondering whether Simon came up with the name "Felix Unger" because of the loaded initials or just happened to notice them. Anyway, the initials provide a good laugh.

    Of course, filming a stage play is always tricky since there're minimal scene changes. Here there're basically only two sets. But I hardly notice because director Saks manages to keep somebody moving all the time. That, plus the quality of writing and acting, keeps attention from wandering. One thing I did notice. Catch how the poker players are bunched on one side of the table so that the camera can have an unobstructed angle. It's artificial but understandable.

    Anyway, this is one of my favorite comedies, and I catch re-runs of the TV series when I can. Thanks Neil Simon for a truly inspired comedic set-up.
  • A hallmark Neil Simon comedy shot with Panavision parameter by film/stage director Gene Saks, his second feature film, paired with Lemmon and Matthau, the second out of their 10 collaborations, after their prize-winning bash in Billy Wilder's THE FORTUNE COOKIE (1966).

    In the main, it is a one-apartment knockabout, the eponymous couple, Felix Ungar (Lemmon) and Oscar Madison (Matthau), are best friends but equipped with diametrical personalities, Felix is a fastidious neat-freak whereas Oscar a congenital slob. In the opening scenes, we follow Felix wandering off a hotel-dotted Manhattan in the night, he checks in a high-story room and decides to kill himself spurred by the unforeseen cessation of his 12-year marriage, only to find the window is jammed.

    Starting with a suicidal attempt going awry, that's the spirit a quality comedy should have because it heralds that nothing would go more serious than that! So once Felix thinks better of it, he goes to Oscar's place, literally a divorcé's dump littered with garbage, food and permeated with smoke, sweat and other repugnant odor, where he meets their usual poker friends, after a flurry of misunderstanding, Felix moves into Oscar 8-room apartment, that's when the discord begins to ratchet up. It is a time-honored template of mis-matched buddy romp, Neil Simon's script ensures that their disparity runs to the maximum in opposite scales, even to a fault at the expense of its characters' likability, especially Oscar, emblazoned as a macho ingrate, in comparison with Felix's nagging but at least good-natured punctiliousness. Thankfully, the two stars' chemistry gratifyingly hits the right mark (Lemmon is a compelling sprain-prone dynamo and Matthau is in his element with his trademark rakish sloppiness), and leavens the implausible story with trenchant one-liners (that F.U. monogram for instance), including a hilarious double date with the Pigeon sisters (Evans and Shelley) from Britain, where sensuality humbled by sentimentality.

    In retrospect, THE ODD COUPLE is an archetype of urban bromance (minus the gay undertone), likens the friendship between two men to a married couple (the only missing link is the consummation) when they are shoved under the same roof, and aggrandizes their tough/vulnerable dichotomy for laughter, a thoroughly pleasurable pot-boiler (if not a sharp-edged satire or an irresistibly droll goofball) borne out of an ingenious idea.
  • I simply can't get over how brilliant the pairing of Walter Matthau and Jack Lemmon is. It's like the movie doesn't even need additional characters because you can never get tired of the dialog between these two.

    Lemmon had already been in several well-known films like Mr. Roberts and The Apartment and Matthau was fresh off his Oscar win for The Fortune Cookie (another Billy Wilder film also with Lemmon). That particular movie wasn't as great as this one because the story couldn't sustain such a long running time (I think it was almost 2 hours). However, this goes by at a brisk hour and a half, even though the introduction of the events leading up to Lemmon ending up at Matthau's apartment is a tad long (so was this sentence). That's a minor quibble though and for the rest of the running time you have a marvelous time.

    I have already written a comment about how the follow-up to this film sucked and I won't go deeper into that. The reason why this is such a joy is probably that the movie was made just as the innocence of American movies was beginning to fade fast into oblivion. There are some sexual references but they are dealt with in such an innocent way that you couldn't even get a "Well, I never..." out of the most prudish person out there. It is kind of fun to see a movie from a long lost era and that was probably why the sequel didn't work because you had Matthau and Lemmon say quite a few f-words and that just doesn't fit them.

    Of course, now they are both gone and you can just be happy that you still can enjoy them in a marvelous film like this. I think the only male actor in this film who is still alive is John Fiedler. Edelman died recently. So there you have it. Simply one of the best comedies and films ever.

    Add: I have just learned recently that John Fiedler has died so to all the fans of him I am deeply sorry. I didn't mean any disrespect and I will try to be more careful of what I am blah blah blahing next time.
  • Warning: Spoilers
    The disadvantage I seem to have is that I'm such a big fan of the TV show with Tony Randall and Jack Klugman. I saw them first and so many times that they define the Odd Couple for me. So I was conscious of my bias when I began watching this for the first time the other day.

    Nevertheless Jack Lemmon and Walter Matthau did a fairly admirable and funny job with this assignment. The same opening theme music that was used later in the TV series sets the proper mood and I was surprised to see so many of the later elements used here, obviously for the first time. The bit that really got me was when Felix (Lemmon) started his honking routine to clear his ears, closely followed by the 'brown sandwiches or green sandwiches' offer from Oscar (Matthau) to his poker buddies. One thing I don't remember from the series, and it's something I might have missed, was that not only was Felix divorced, but he had kids.

    There's another layer of entertainment woven into the picture for viewers like myself who grew up in New York (State, not the City, but still). The scene at Shea Stadium was pretty cool, and when Felix goes shopping at a Bohack Supermarket it was like a trip down memory lane. That goes for the prices too - bagels at four for ninety nine cents and turkey roast at sixty nine cents a pound. But the one that really got me was when Felix checked in to a New York City hotel and got charged five bucks! Holy cow, for a minute this comedy became a fantasy flick!
  • Warning: Spoilers
    This cordial comedy confronts a few bizarre characters. Especially, of course, the two leading characters. Jack Lemmon plays Felix, a hypochondriac whose wife lost him because she couldn't stand his cleaning and cooking attacks any longer. So he tries to kill himself but every attempt fails. Walter Matthau plays Oscar, his friend, an untidy, unreliable sports-reporter who lives in divorce from his ex-wife in a bachelor apartment. He offers his distressed friend Felix a new home in his apartment. And soon the trouble begins because two such contrary characters can't live together for a long time. Felix turns Oscar's disorderly flat into a clean exhibition flat. He cleans and cooks the whole time. After a short while, Oscar feels persecution mania ... Filmed in a theatrical way and excellent acted. Above all, Jack Lemmon's play is wonderful. He is the perfect clown. He makes us laugh but in a tragi-comic way. Look for the wonderful scene when both men invite their two female neighbours for supper, because Oscar has to touch something more softer than a bowling-ball. While he is preparing the drinks, Felix sits with the two young ladies in the living-room. To get out of this embarrassing situation, he starts to talk about the weather. A minute later, he changes the subject and talks about his ex-wife and children. Suddenly he begins to weep and when Oscar comes back with the drinks, there are three weeping people in the living-room. The film is full of such amusing and at the same time touching scenes. An intelligent, entertaining comedy with much heart. 10 out of 10!
  • Neil Simon writes one of his funniest screenplays and while the plot lacks true character arcs (Felix sudden change by the end of the film doesn't achieve anything; on the other hand Oscar has a more substantial turn of character, but still shy) it hits some high notes. The first Poker scene is absolutely hilarious with a remarkable "gang" of actors and a simple but effective camera direction.
  • Warning: Spoilers
    A man ( Jack Lemmon ) intending to commit suicide books into a seedy hotel room. His name is Felix Ungar. After straining his back trying to open a window, he goes to a strip club, and from there on to the apartment of his friend Oscar Madison ( Walter Matthau ). A poker game is in session. Oscar and his friends have heard that Felix's wife Frances threw him out, and try to prevent him from doing away with himself. Felix moves in and the two men - who are of diametrically opposed personalities - drive each other nuts. Oscar is one of Nature's slobs, while Felix is tidy to the point of obsession. He is also a hypochondriac, forever complaining of sinus trouble. They are bound to drive one another mad in the end, and do...

    Based on the stage play by Neil Simon, 'The Odd Couple' has not been opened out much for the big screen, and that's one of its strengths. Walter Matthau and Jack Lemmon are brilliant as Oscar and Felix, and the supporting cast are wonderful, particularly John Fielder as 'Vinnie'. Cute Monica Evans and Carole Shelley giggle their way through the film as 'Cecily and 'Gwendolyn' - the cuckoo 'Pigeon' sisters who live upstairs, and whom Felix later moves in with ( lucky guy ).

    Even now after all these years, certain moments can reduce me to tears of laughter - Felix interrupting Oscar in the middle of a ball game with a dinner request, Oscar cracking up and chasing Felix around the apartment, the Pigeon Sisters brought low by Felix's sob stories, and of course, the legendary cafeteria scene ( later ripped off by Nora Ephron's 'When Harry Met Sally' ). Razor-sharp dialogue too. When the boys think Felix has taken an overdose, Oscar says: "They could be vitamins! He could be the healthiest one in the room!".

    Neal Hefti's theme will be going round in her head for days after you see this.

    Later spun off into a long-running television series starring Tony Randall as 'Felix' and Jack Klugman as 'Oscar', with Evans and Shelley reprising their movie roles.

    In 1998, 'The Odd Couple 2' appeared. It had its moments but could not compete with the original.
  • Matthau and Lemon are very good as expected and watching this comedy all these years later you can clearly see where so many sitcoms got there inspiration from. There are a few laughs but ultimately its more of an average chuckle of a film that an outright belly ache.
  • In what must have been the biggest redundancy of the year, Neil Simon actually got an Academy Award nomination for adapting his Tony winning 1965 play "The Odd Couple" to the screen--redundant since the film seems to have preserved Simon's stage text word-for-word, with the pauses for theatrical effect kept intact. In their second screen-teaming after 1966's "The Fortune Cookie", Walter Matthau and Jack Lemmon are equally good here, and often times very funny, but the material is crassly labored, with Simon over-emphasizing every irritating quirk (Matthau's sports writer is not just sloppy, he tracks in dirt and likes it that way; Lemmon's divorced hypochondriac isn't just natty, he's a walking phobia). Slim comedic story about two bachelors in New York City attempting to live together (in a humongous eight-room apartment with a view) has set-ups that constantly remind one this is just a loud transfer from its source. The jokes aren't varied, they're all in the same pushy vein, and Simon thinks hollering is funny; he uses yelling as the capper to every volley, every barrage of put-downs. ** from ****
  • Buddy comedies always come down to two things: actors and their scripts. "The Odd Couple" works because it has two endearing characters and an often hilarious and always down-to-earth script, making it one of the best odd couple films of all time -- inspiring but not surpassing movies that share its genre, such as John Hughes' "Planes, Trains and Automobiles" (1987) and Martin Brest's "Midnight Run" (1988). And, in some ways, even Barry Levinson's "Rain Man" (1988), a more dramatic buddy comedy that nevertheless takes a lot of pointers from this one.

    Plots always help buddy comedies, of course, but it really depends on whether the two actors -- when confined to a solitary confinement -- can interact and make the audience laugh. Jack Lemmon and Walter Matthau, two legendary screen comedians, can do just that. Their comedic chemistry in this film has often been mimicked by other rip-offs, such as "Grumpy Old Men." But this remains their ultimate combined-effort comedy.

    This is the type of movie that is often referenced as the pinnacle buddy movie. Sure, it may not be the best, but it did inspire the entire odd couple genre, and I would definitely place it in the top five buddy comedies list if I ever made such a thing.

    Felix (Jack Lemmon) has just been left by his wife, and so he goes to live with long-time poker pal Oscar (Walter Matthau), a grumpy and filthy slob who is the exact opposite of Felix, an uptight orderly man with a fetish for cleaning. In fact, he does just that in Oscar's apartment, which drives Oscar to the point of ultimate frustration. If these guys can't get along much longer, they'll just have to move along and forget their friendship. But things don't always turn out the way they appear.

    Neil Simon's "The Odd Couple" is full of inspired lunacy. It has some truly hilarious moments with great gags and interaction between its two lead stars, whose screen chemistry is undeniable -- there's a reason Hollywood paired Lemmon and Matthau together an uncountable number of times.

    The film is lacking the humanity and sorrow of its characters that shines through in "Planes, Trains and Automobiles"; there are few -- if any -- moments where the characters become so frustrated with each other that they blow up and then realize that they're not exactly how they thought. Remember the scene in the motel when Neal Page (Steve Martin) lashed out against Del Griffith (John Candy)? But after the comedy tirade ended, and as we laughed, the film took an unexpected turn when it revealed the Del character's utter hurt inside. Then we stopped laughing and we started crying.

    That's lacking in "The Odd Couple," making it inferior to Hughes' comedy masterpiece, but it's a clever little film that inspired it all. Perhaps the best gag in the entire movie is one that was quite controversial at the time: Oscar finds a note next to his bed from Felix that says they're out of cereal, and the last two letters of the note are, "F U." Of course, the two letters "F U" are Felix Ungar's initials, but as Oscar implies, just imagine what he thought it meant when he first read the note.

    I love comedies where you lock down a small number of people -- preferably a pair of opposites -- in a room and let their characters take over. I like when the dialogue is rich and funny and so very real. I guess I just like subtle character comedies -- overblown special effects comedies aren't always favorites of mine. "Dumb and Dumber" is one of my favorite buddy comedies, and it's not because it's crude or silly but because I like the pairing of its two stars, Jim Carrey and Jeff Daniels, and I like the situations they get into.

    "The Odd Couple" (based on the stage play by Simon) is the odd comedy that puts a smile on your face and delights the viewer. It's a fun movie, a great comedy, one of the finest and arguably the most acknowledged buddy film of all time. I saw it years ago and I've been laughing ever since. And despite its inferiority to some of the other buddy films that followed in its path, "The Odd Couple" is a delightful character comedy that will inspire similar comedies for years to come. Lord knows it already has.

    5/5.
  • funkyfry28 October 2002
    Often laugh out loud, sometimes sad story of 2 working divorced guys -- Lemmon a neurotic clean "house husband" and Matthau a slob sportswriter -- who decide to live together to cut down on expenses.

    Nicely photographed and directed. The script is very barbed -- that is, there's always more than one side to almost every line. Particularly funny scene involves 2 british sisters (Evans and Shelley) who seem amused by everything anyone says, but when Lemmon busts out his photos of kids and, yes, ex-wife-to-be, he has the girls sobbing along with him before Matthau can show up with the promised drinks!

    Very entertaining.
  • Warning: Spoilers
    The Odd Couple is one of the funniest movies ever made. Oscar and Felix are more than just characters: they have become cinematic archetypes.

    Felix (Jack Lemmon) has been left by his wife and is suicidal. His best friend Oscar (Walter Matthau) offers him to stay in his house. However, the two are polar opposites. Felix is neurotic, hypochondriac, petulant, obsessed with order. Oscar is a pig: his house is a dirty mess, with food rotting in the refrigerator and other amenities of the sort. Soon they get on each other's nerves and a domestic war ensues.

    There are two reasons this movie is so enjoyable. The first is the marvellous dialogue, with dozens of memorable quotes. Equally crucial is the acting: the work of the lead actors is the stuff of legends. Matthau, with his scornful stare, was just born to play Oscar. He gets all the best lines: his comedic timing is impeccable, his body language hilarious. Lemmon is just as great as Felix, a man so whiny you want to strangle him - and yet, while ridiculous, he does keep a certain quiet dignity.

    Iconic and worth multiple viewings.

    10/10
  • caspian197821 February 2005
    Jack Lemmon and Walter Matthau began and ending their career together. Remember best as the Grumpiest of Old Men as well as the Oddest Couple to have ever made us laugh, Lemmon and Matthau were one of Hollywood's best loved comedy teams of the last 100 years. Not as "raunchy" as Pryor and Wilder, instead, they were the classic comedy team that reflected a more modern Marx Brothers routine. Such as the physical comedy as well as the mixed blend of chaos that Marx, Chaplin and Keaton were so famous for. In the Odd Couple, Lemmon and Matthau play complete opposites that create the chaos. The physical comedy is as unique as Chaplins. The joke is usually on themselves as oppose to passing the joke onto another. Not your typical guy film, it is in a way a coming of age comedy with two old men as oppose to two young teenagers in their prime. The chemistry between Lemmon and Matthau is entertainment enough. Although this movie isn't for everyone, this is a great comedy.
  • Warning: Spoilers
    Much has already been said about the humor. Lemmon and Matthau were never better and went on to make other great films, Grumpy Old Men I and II, Witness, Bad News Bears.

    But this film's picture of the lives of middle class white men, pre hippies, is so depressing. They dress alike, act alike, think alike, talk alike. Their homes and existence are drab and dull, living in run down box like apartments. They have no future but more of the same dreariness, and numb themselves with booze and cards.

    Watching this film, suddenly I understood the appeal of the hippie counter culture, the children of these drab men, and why they didn't want to be their parents so much they wore goofy clothes, listened to pretentious 15 minute songs, and abused drugs.

    So this film works as both a witty comedy about two opposites, but also as a time capsule for Square America. It's the dark side of Leave It to Beaver.
  • Neil Simon's plays have enjoyed great popularity ever since he started writing in the 1960s, not only in the theatre but also as the basis for film scripts, generally written by Simon himself. Most of his plays are set in his native New York- "Biloxi Blues", based on his wartime experiences, is an exception- and it is notable that Gene Saks, the director of "The Odd Couple", is a New Yorker, as was Walter Matthau, one of its stars. (The other star, Jack Lemmon, was a Bostonian). All three men were involved in other Simon films. The previous year, Saks had directed "Barefoot in the Park", Lemmon was to appear in "The Out-of-Towners" and "The Prisoner of Second Avenue" and Matthau was to appear in several, including "Plaza Suite" and "California Suite".

    When New Yorker Felix Ungar and his wife split up, he decides to move in with his old friend Oscar Madison, himself a divorcée. The film, which tells the story of their co-habitation, is essentially a one-joke comedy, the joke being that, despite their long-running friendship, the two men are very different in character. Oscar, a highly-paid sportswriter, takes no interest in cooking, cleaning or housework. Although he lives in a luxurious and obviously expensive apartment, he has, ever since his wife left him several months earlier, allowed the place to degenerate into an untidy mess. Felix, by comparison, is not only an excellent cook but also neurotically obsessive about cleanliness; after he moves into the apartment he spends most of his time cleaning and tidying it and berating Oscar for his slovenly ways. As a result the two men continually quarrel and bicker like an old married couple.

    Most one-joke comedies do not really work in the cinema, but "The Odd Couple" is perhaps one of the few exceptions. Its great advantage is that Lemmon and Matthau were two of the best comic actors of the period, and both are on good form here. In his comedies Lemmon played various different personality types, but one thing that several of his characters have in common is that they like to be in control of their lives, and the humour derives from their (usually vain) attempts to reassert control after losing it. Thus Stanley, the hero of "How to Murder Your Wife", wakes up one morning to find that he has inadvertently got married while drunk, and George, the testy, impatient business executive in "The Out-of-Towners" finds himself confronted with an insuperable series of disasters.

    Felix's problem is precisely the opposite of that which confronts Stanley. Stanley is a confirmed bachelor suddenly threatened by the loss of his bachelor status, which he equates with a loss of freedom. Felix is an apparently happily married man whose world collapses with the sudden collapse of his marriage. (Oscar, by contrast, treats his divorce with much greater equanimity). Felix is a comic character but also a genuinely pitiable one; in the early scenes he is actually contemplating suicide. His obsessive tidying of Oscar's flat can be seen as a desperate attempt to regain control over at least one area of his life. Although Felix might sometimes act like Oscar's "wife", there is nothing effeminate about Lemmon's portrayal, not is there any attempt to insinuate a gay relationship, which is important. Not only would any implication of homosexuality been frowned upon in 1968, much of the humour derives from the fact that the relationship is between two masculine, heterosexual men. Suggest that one, or both, is gay, and much of that humour is lost.

    "The Odd Couple" is not Simon's best screenplay, but he always had the ability to write witty dialogue, and there is enough in this film to prevent the humour from becoming merely repetitive. Another plus is the attractive, witty jazz score from Neal Hefti, who also wrote the score for "How to Murder Your Wife". 6/10
  • I have seen this film many times and I like all bad teachers want to give it ten out of ten but feel that it would be unfair to other good films. However, I do think that this is one of those rare gems: a perfect comedy. It is I would venture one of the greatest comic films of all times. Matthau and Lemmon are perfectly matched and mismatched. The script is so sharp that you need to staunch the bleeding. The story is well known and has already been described in other comments. The two leads give extraordinary performances, the girls are superb and the situations are side-splittingly funny. Not one swear-word in sight (mark that Hollywood, you don't have to swear to be funny, you have to be witty) and the move from stage to film is seamless. They don't make'em like this any more. Timeless.
  • THE ODD COUPLE (3+ outta 5 stars)

    Like most people I will always feel that Jack Klugman and Tony Randall are the definitive "Odd Couple". Their incredible work on the TV series from the early to mid-70s was a highwater mark for television at the time... easily surpassing the stage and screen versions of the tale. Nonetheless, how can you go wrong with a Jack Lemmon/Walter Matthau pairing? Matthau is in especially good form as Oscar, the slob. Lemmon takes a bit of getting used to as Felix, particularly if you have previously seen Tony Randall's outstanding performance. The script is good... definitely Neil Simon's best. (I will go on record here as stating that Neil Simon is probably one of the worst, most over-rated playwrights of American theatre.) The storyline is simple: Felix, a neat freak and newly separated from his wife moves in with Oscar, the slob who needs some help saving money for alimony payments. Their living arrangement becomes much like a marriage as well, culminating in some amusing tiffs and spats. Lots of fun and some great one-liners.
  • Neil Simon's play was successfully transferred to the big screen in this hilarious film with stars Jack Lemmon and Walter Matthau as Felix Unger(Super neat but depressed) & Oscar Madison(Super slob but happy). After Felix's wife leaves him, friend Oscar invites him to move in with him for a while(concerned he might kill himself) not counting on the disruption of his life this will cause.

    Both Lemmon & Matthau are superb, perfectly cast and bring both unique characters to memorable life. Viewer will most likely identify with one character over the over, but that's to be expected. So many funny scenes and supporting characters, though does tip a bit too much in sympathy with Oscar, Lemmon is so appealing that story doesn't feel lopsided.

    This inspired the famous sitcom with Tony Randall & Jack Klugman.
  • "Felix" (Jack Lemmon) and "Oscar" (Walter Matthau) are best pals who get together once a week with their friends to play poker and shoot the breeze. Their friendship is about to be severely tested, though, when the former man announced that he has split up with his wife. "Oscar" rides to the rescue with an offer for him to move in with him, and what now ensues are a cleverly written, and generally entertaining, series of domestic scenarios in which these two men must learn to cohabit. It's pretty clear from the outset that "Oscar" is not exactly house-proud and as the story develops their relationship starts to creak. Neil Simon has created a wonderfully witty, pithy and humorous dialogue which both men deliver with a great deal of natural timing; they immerse themselves in the roles - an unusual narrative for two men - and deliver quite an engaging observation on how these two friends simply cannot cope with each other full time. Aside from a few scenes from their card-playing buddies and a rather difficult double date with posh Brits "Gwendolyn" (Carole Shelley) and "Cecily" (Monica Evans) - which follows a scene of domestic petulance over some tardiness and meatloaf that is instantly recognisable to most of us, this is a fine example of two actors who gel really well on screen. Oddly enough, I think this is a bit of a love story. Not in the conventional, romantic, sense - but despite their bickering and squabbling these men do care for each other. The theme tune is pretty good, too.
  • Warning: Spoilers
    And how many times has it been made and remade? I'm probably more familiar overall with the TV series version, with Jack Krugman and Tony Randall, which by necessity had to broaden the story and pump up the minor supporting characters. There's even 1-2 FEMALE versions.

    But the original has more lives than a cat -- several FILM versions, plus countless stage productions since the 1960s.

    I've never completely got what is supposedly so funny about it, except some universal battle between sloppy folks and neat freaks.

    Just caught some of it on late-night TV, and one thing -- nit picky, but it drove me nuts (my inner Felix Ungar?) -- is when Felix is cooking dinner for Oscar and two ditsy Pidgeon sisters.

    The whole thing is predicated on Oscar coming home "late" -- by about 30 minutes -- and Felix's meatloaf is "ruined". In fact, we see it later as a flaming charcoal briquette....why not turn the heat OFF?

    This is the kind of departure from reality that makes me crazy in films. Meatloaf is about the easiest, most relaxed food on earth. It keeps for HOURS -- even DAYS -- once cooked, you can eat it COLD (it's delicious -- try it some time!). You can cook it and reheat it, and if anything, the flavor is even better having mellowed.

    There is no way, not even for a nut like Felix, that a meatloaf would have to be served instantly or "go bad". For starters: after cooking, the meat must "rest" for 20 minutes or so.

    On top of that: when he goes shopping....and the whole premise is they are eating at home to "save money"...Felix goes to the butcher and orders FOUR POUNDS of freshly ground beef. Good lordy! Neil Simon clearly never cooked a meatloaf in his life, nor even bothered to look up a recipe! FOUR POUNDS! that would make enough meatloaf for a dozen people, with leftovers.

    Meatloaf is a classic Depression-era recipe intended to STRETCH a very small amount of ground meat - with fillers, bread crumbs, chopped veggies, beaten eggs, etc. -- so that a pound of meat or LESS could feed a family. A meatloaf that was "all beef" would be greasy, heavy and terrible.

    It makes no sense for two "broke bachelor's" trying to save money on a dinner date, to buy FOUR POUNDS of ground beef (even at 1967 prices). Even considering how eccentric Felix is - - how OCD -- the way he's cooking this, and acting like a meatloaf is a fragile soufflé, just makes zero sense.

    NOTE: as a broke young woman years ago, I used to be able to concoct a full sized -- and delicious! -- meatloaf from one scant HALF POUND of ground beef, bolstered with a lot of add-ins like bread crumbs and beaten egg, and a few secret ingredients. I will happily supply that recipe -- Lily"s Famous Meatloaf" on request to anyone interested!
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