Munich-based Koch Films has struck a deal with Studiocanal Germany to take over the distributor’s entire sales and logistics activities for all physical home entertainment activities in Germany, Austria and Switzerland.
Studiocanal’s extensive portfolio comprises new releases, series and classic catalog titles such as Francis Ford Coppola’s newly restored 1983 teen drama “The Outsiders” and David Lynch’s “Mulholland Drive” as well as works by the likes of Jean-Luc Godard, Wim Wenders, Jim Jarmusch and Margarethe von Trotta.
The agreement pools Studiocanal and Koch Films’ strengths and bolsters their market position in the home entertainment sector over the long term, the companies said.
Studiocanal’s Arthaus label includes such recently restored films as Federico Fellini’s “La Dolce Vita”; Ousmane Sembène’s 1968 Senegalese classic “Mandabi”; and Richard Kelly’s “Donnie Darko” as well as German titles like Reinhard Hauff’s 1975 drama “The Brutalization of Franz Blum,” featuring Jürgen Prochnow...
Studiocanal’s extensive portfolio comprises new releases, series and classic catalog titles such as Francis Ford Coppola’s newly restored 1983 teen drama “The Outsiders” and David Lynch’s “Mulholland Drive” as well as works by the likes of Jean-Luc Godard, Wim Wenders, Jim Jarmusch and Margarethe von Trotta.
The agreement pools Studiocanal and Koch Films’ strengths and bolsters their market position in the home entertainment sector over the long term, the companies said.
Studiocanal’s Arthaus label includes such recently restored films as Federico Fellini’s “La Dolce Vita”; Ousmane Sembène’s 1968 Senegalese classic “Mandabi”; and Richard Kelly’s “Donnie Darko” as well as German titles like Reinhard Hauff’s 1975 drama “The Brutalization of Franz Blum,” featuring Jürgen Prochnow...
- 10/8/2021
- by Ed Meza
- Variety Film + TV
Trade magazine ad promoting Pollard's nomination for Best Supporting Actor Oscar in "Bonnie and Clyde".
By Lee Pfeiffer
Actor Michael J. Pollard has passed away from cardiac arrest at age 80. Pollard's unique look and acting style propelled him to fame in the 1960s. Pollard was born in New Jersey and crossed the river to study in the famed Actors Studio. He first appeared on Broadway in the smash hit production of "Bye Bye Birdie" and quickly became a familiar face on popular television programs including "Gunsmoke", "Lost in Space", "The Andy Griffith Show", "Star Trek", "The Many Loves of Dobie Gillis", "Alfred Hitchcock Presents", "Route 66", "I Spy", "The Fall Guy", "The Girl from U.N.C.L.E.", "Crime Story", "Superboy" and "Tales from the Crypt". Pollard's trademark onscreen persona was as a lovable but dim-witted, slow moving character. The image paid off handsomely for him when was cast as C.W. Moss...
By Lee Pfeiffer
Actor Michael J. Pollard has passed away from cardiac arrest at age 80. Pollard's unique look and acting style propelled him to fame in the 1960s. Pollard was born in New Jersey and crossed the river to study in the famed Actors Studio. He first appeared on Broadway in the smash hit production of "Bye Bye Birdie" and quickly became a familiar face on popular television programs including "Gunsmoke", "Lost in Space", "The Andy Griffith Show", "Star Trek", "The Many Loves of Dobie Gillis", "Alfred Hitchcock Presents", "Route 66", "I Spy", "The Fall Guy", "The Girl from U.N.C.L.E.", "Crime Story", "Superboy" and "Tales from the Crypt". Pollard's trademark onscreen persona was as a lovable but dim-witted, slow moving character. The image paid off handsomely for him when was cast as C.W. Moss...
- 11/22/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Going...going....
Last Remaining Copies.
Cinema Retro proudly presents this year's Movie Classics 80-page special issue: "World War II Movies of the Sixties", showcasing films that only Cinema Retro would cover in-depth. Some are true classics, others are simply vastly entertaining- and all are celebrated through rare production photos, international marketing campaigns, then-and-now location photos and little-known facts.
Films covered in this issue:
The Guns of Navarone - Gregory Peck, Anthony Quinn, David Niven Battle of the Bulge- Henry Fonda, Robert Shaw, Robert Ryan Anzio- Robert Mitchum, Peter Falk The Victors- George Peppard, Eli Wallach, George Hamilton The Train- Burt Lancaster, Jeanne Moreau Tobruk-Rock Hudson, George Peppard, Nigel Davenport Hannibal Brooks- Oliver Reed, Michael J. Pollard The Devil's Brigade- William Holden, Cliff Robertson, Vince Edwards Von Ryan's Express- Frank Sinatra, Trevor Howard Operation Crossbow- George Peppard, Sophia Loren, Richard Johnson Is Paris Burning?...
Last Remaining Copies.
Cinema Retro proudly presents this year's Movie Classics 80-page special issue: "World War II Movies of the Sixties", showcasing films that only Cinema Retro would cover in-depth. Some are true classics, others are simply vastly entertaining- and all are celebrated through rare production photos, international marketing campaigns, then-and-now location photos and little-known facts.
Films covered in this issue:
The Guns of Navarone - Gregory Peck, Anthony Quinn, David Niven Battle of the Bulge- Henry Fonda, Robert Shaw, Robert Ryan Anzio- Robert Mitchum, Peter Falk The Victors- George Peppard, Eli Wallach, George Hamilton The Train- Burt Lancaster, Jeanne Moreau Tobruk-Rock Hudson, George Peppard, Nigel Davenport Hannibal Brooks- Oliver Reed, Michael J. Pollard The Devil's Brigade- William Holden, Cliff Robertson, Vince Edwards Von Ryan's Express- Frank Sinatra, Trevor Howard Operation Crossbow- George Peppard, Sophia Loren, Richard Johnson Is Paris Burning?...
- 8/25/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Oliver Reed Week! concludes at Trailers from Hell with screenwriter Larry Karaszewski introducing Michael Winner's "Hannibal Brooks," starring Reed as an escaped Pow who rescues an elephant from a bombed-out Nazi zoo and tries to get her to Switzerland.From director Winner's early unpredictable period comes this curate's egg of a Ww II movie aimed, apparently, at families and counterculture fans of Bonnie and Clyde second banana Michael J. Pollard. Based on the true life story of Olga, an elephant rescued from the Vienna Zoo in 1944. This is a textless trailer, which accounts for the opening seconds of black background.
- 3/29/2013
- by Trailers From Hell
- Thompson on Hollywood
Academy awards In Memoriam section fails to include British film director despite his prolific Hollywood career
The Oscars snubbed British film director Michael Winner as – surprisingly – he failed to be acknowledged in the 85th Academy Awards' traditional In Memoriam section.
Winner, who died just over a month ago, was responsible for a major Hollywood hit, Death Wish, starring Charles Bronson, which was one of the most successful films of 1974.
But, while the Academy honoured the likes of Ernest Borgnine and Tony Scott, as well as cult talents such as Chris Marker, Tonino Guerra and Erland Josephson, no place was found for Winner.
Arguably Winner's most productive years were the string of films he made in the 60s in the UK, including The Jokers and I'll Never Forget What's'isname. The success of the war picture Hannibal Brooks saw him picked up by the Hollywood studios and a series of films with major stars,...
The Oscars snubbed British film director Michael Winner as – surprisingly – he failed to be acknowledged in the 85th Academy Awards' traditional In Memoriam section.
Winner, who died just over a month ago, was responsible for a major Hollywood hit, Death Wish, starring Charles Bronson, which was one of the most successful films of 1974.
But, while the Academy honoured the likes of Ernest Borgnine and Tony Scott, as well as cult talents such as Chris Marker, Tonino Guerra and Erland Josephson, no place was found for Winner.
Arguably Winner's most productive years were the string of films he made in the 60s in the UK, including The Jokers and I'll Never Forget What's'isname. The success of the war picture Hannibal Brooks saw him picked up by the Hollywood studios and a series of films with major stars,...
- 2/25/2013
- by Andrew Pulver
- The Guardian - Film News
Some may have thought that British movie director Michael Winner died years ago. He stopped making films in the ‘90s and even wrote his own joke obituary which was picked up on by some media and taken seriously. Winner continued to live in London and found a new career as a film critic with the long-running “Winner’s Dinners” column in the Sunday UK Times newspaper. Winner is remembered in the film industry as well as the restaurant scene for his abrasive personality,
He directed Charles Bronson in six films including three, The Mechanic, Death Wish, and Death 3, that landed in my Top Ten Tuesday: The Best of Charles Bronson list from July 2010 http://wearemoviegeeks.com/2010/06/top-ten-tuesday-charles-bronson/). His other Bronson collaborations were Death Wish 2, Chato’S Land, and The Stone Killer. Death Wish was a monstrous hit for both the star and director, yet in his autobiography Winner Takes All...
He directed Charles Bronson in six films including three, The Mechanic, Death Wish, and Death 3, that landed in my Top Ten Tuesday: The Best of Charles Bronson list from July 2010 http://wearemoviegeeks.com/2010/06/top-ten-tuesday-charles-bronson/). His other Bronson collaborations were Death Wish 2, Chato’S Land, and The Stone Killer. Death Wish was a monstrous hit for both the star and director, yet in his autobiography Winner Takes All...
- 1/29/2013
- by Tom Stockman
- WeAreMovieGeeks.com
Peter Bradshaw looks back at the uneven and often controversial career of Michael Winner, who has died aged 77
'You don't look so bad – here's another!" With these reported words in 1984, the once notorious "subway vigilante" Bernhard Goetz put another bullet into a mugger he'd shot on a New York subway train. It was a sensational incident which briefly rewakened the gun debate in the Us, but for Goetz resulted only in an illegal firearm conviction: a jury found him not guilty of attempted murder and assault. There was no doubt which movie was foremost in the minds of both press and public: the rape-revenge picture Death Wish, made 10 years before by the smart and workmanlike British director Michael Winner.
Goetz had sensationally made Winner's fantasy a reality. The film spawned a number of sequels, the second of which, Death Wish 3 in 1985, was explicitly inspired by Goetz. In the original,...
'You don't look so bad – here's another!" With these reported words in 1984, the once notorious "subway vigilante" Bernhard Goetz put another bullet into a mugger he'd shot on a New York subway train. It was a sensational incident which briefly rewakened the gun debate in the Us, but for Goetz resulted only in an illegal firearm conviction: a jury found him not guilty of attempted murder and assault. There was no doubt which movie was foremost in the minds of both press and public: the rape-revenge picture Death Wish, made 10 years before by the smart and workmanlike British director Michael Winner.
Goetz had sensationally made Winner's fantasy a reality. The film spawned a number of sequels, the second of which, Death Wish 3 in 1985, was explicitly inspired by Goetz. In the original,...
- 1/22/2013
- by Peter Bradshaw
- The Guardian - Film News
Flamboyant film director, best known for Death Wish, and later an outspoken restaurant critic and bon vivant
Michael Winner, who has died aged 77, supplied interviewers with a list of more than 30 films he had directed, not always including the early travelogue This Is Belgium (1956), mostly shot in East Grinstead. But his enduring work was himself – a bravura creation of movies, television, journalism, the law courts and a catchphrase, ''Calm down, dear", from an exasperating series of television commercials.
He was born in London, the only child of George and Helen Winner, who were of Russian and Polish extraction respectively. His builder father made enough money propping up blitzed houses to invest in London property. The profits funded his wife's gambling, which, her son complained, so distracted "Mumsie" that he was never paid due attention. She left him in the bedroom with the mink coats of guests who came to his...
Michael Winner, who has died aged 77, supplied interviewers with a list of more than 30 films he had directed, not always including the early travelogue This Is Belgium (1956), mostly shot in East Grinstead. But his enduring work was himself – a bravura creation of movies, television, journalism, the law courts and a catchphrase, ''Calm down, dear", from an exasperating series of television commercials.
He was born in London, the only child of George and Helen Winner, who were of Russian and Polish extraction respectively. His builder father made enough money propping up blitzed houses to invest in London property. The profits funded his wife's gambling, which, her son complained, so distracted "Mumsie" that he was never paid due attention. She left him in the bedroom with the mink coats of guests who came to his...
- 1/22/2013
- by Veronica Horwell
- The Guardian - Film News
By Lee Pfeiffer
Director Michael Winner has died in his native England at age 77. Winner's star rose in the early to mid 1960s with a string of innovative comedies such as The Jokers and I'll Never Forget What's'isname, that perfectly tapped into the emerging London "mod scene". His eclectic range of movies covered many genres, from Westerns to WWII to urban crime thrillers. Among his more notable titles were Lawman, Chato's Land, Scorpio, Hannibal Brooks, The Games, The Sentinel, The Nightcomers, The Mechanic and The Stone Killer. His greatest and most unexpected success was the 1974 film Death Wish starring Charles Bronson which was released at a time when societies worldwide were bristling at an explosion of urban crime and the perception that the current laws were not protecting them. The film tapped into a vigilante sentiment in its depiction of a New York liberal who takes the law into his...
Director Michael Winner has died in his native England at age 77. Winner's star rose in the early to mid 1960s with a string of innovative comedies such as The Jokers and I'll Never Forget What's'isname, that perfectly tapped into the emerging London "mod scene". His eclectic range of movies covered many genres, from Westerns to WWII to urban crime thrillers. Among his more notable titles were Lawman, Chato's Land, Scorpio, Hannibal Brooks, The Games, The Sentinel, The Nightcomers, The Mechanic and The Stone Killer. His greatest and most unexpected success was the 1974 film Death Wish starring Charles Bronson which was released at a time when societies worldwide were bristling at an explosion of urban crime and the perception that the current laws were not protecting them. The film tapped into a vigilante sentiment in its depiction of a New York liberal who takes the law into his...
- 1/21/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Andrew Pulver looks back through some of the key films of director Michael Winner, who has died aged 77
Play It Cool (1962)
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After a string of short films, Winner broke into features in the early 60s, with low budget thrillers and trendy pop musicals. Quite a few of them had "cool" in the title – including the nudie pic Some Like It Cool. The Billy Fury pic Play It Cool was considerably more commercially viable, no doubt inspired by the success of Cliff Richard's Young Ones film. Fury – in a real stretch – plays an up-and coming rocker called Billy Universe; Anna Palk the heiress who he might or might not get together with, and Dennis Price (!) as her overbearing dad.
The Cool Mikado (1962)
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Frankie Howerd led the line for Winner's followup, produced by Howard Baim,...
Play It Cool (1962)
Reading this on mobile? Click here to view video
After a string of short films, Winner broke into features in the early 60s, with low budget thrillers and trendy pop musicals. Quite a few of them had "cool" in the title – including the nudie pic Some Like It Cool. The Billy Fury pic Play It Cool was considerably more commercially viable, no doubt inspired by the success of Cliff Richard's Young Ones film. Fury – in a real stretch – plays an up-and coming rocker called Billy Universe; Anna Palk the heiress who he might or might not get together with, and Dennis Price (!) as her overbearing dad.
The Cool Mikado (1962)
Reading this on mobile? Click here to view video
Frankie Howerd led the line for Winner's followup, produced by Howard Baim,...
- 1/21/2013
- by Andrew Pulver
- The Guardian - Film News
Michael Winner, director of the Death Wish movie series and A Chorus of Disapproval, who later found fame as a restaurant critic, has died at the age of 77.
Michael Winner, bon viveur, restaurant critic and arguably one of the best known British film-makers of the 20th century has died at the age of 77. "A light has gone out of my life," his wife Geraldine Lynton-Edwards said. "Michael was a wonderful man, brilliant, funny and generous."
Winner had been in ill health for a number of years and almost died after contracting a bacterial infection while holidaying on Barbados in January 2007.
Born to a wealthy family in north London, Winner cut his teeth at the BBC before making his debut as a writer-director with the 1960 crime thriller Shoot to Kill. His freewheeling 1964 sex comedy The System established him as a key chronicler of swinging 60s London and gave rise to a...
Michael Winner, bon viveur, restaurant critic and arguably one of the best known British film-makers of the 20th century has died at the age of 77. "A light has gone out of my life," his wife Geraldine Lynton-Edwards said. "Michael was a wonderful man, brilliant, funny and generous."
Winner had been in ill health for a number of years and almost died after contracting a bacterial infection while holidaying on Barbados in January 2007.
Born to a wealthy family in north London, Winner cut his teeth at the BBC before making his debut as a writer-director with the 1960 crime thriller Shoot to Kill. His freewheeling 1964 sex comedy The System established him as a key chronicler of swinging 60s London and gave rise to a...
- 1/21/2013
- by Xan Brooks
- The Guardian - Film News
Michael Winner, director of Death Wish, producer, and of late, Sunday Times food critic, has died. He was 77.Born in Hampstead in 1935, Winner cut his teeth as a journalist, working as a cub reporter on the Kensington Post, Showgirl Glamour Revue and the NME, before scoring a job as assistant director making BBC television programmes.By the early '60s he'd made a name for himself as a director. Shoot To Kill, a thriller about a showbiz reporter that had shades of autobiography about it, marked his feature debut. But it was his collaboration with Oliver Reed, beginning with The Jokers in 1964 and continuing with I'll Never Forget What'sisname and Hannibal Brooks, that gave his career a timely boost. He was best known as a filmmaker for 1974's tough-guy thriller Death Wish. In it, Charles Bronson played Paul Kersey, a vigilante whose violent quest to avenge the murder of his...
- 1/21/2013
- EmpireOnline
Directed by Michael Winner
Screenplay by Dick Clement and Ian La Frenais; original story by Michael Winner and Tom Wright
Featuring Oliver Reed, Michael J. Pollard, Helmut Lohner, Wolfgang Preiss, Peter Carsten, Karin Baal
Just one look at the poster for Hannibal Brooks tells you United Artists didn’t know what to do with the film.
The promotional material focuses on the action, and the fact that Pollard is the action hero and not Reed, while ignoring the script’s attempt to portray warfare in shades of gray rather than stark black and white. But while the film has the best intentions, the script falters at the end, injecting a moralistic tone at odds with earlier scenes.
The film opens as Stephen Brooks (Reed), a British soldier in World War II, is captured by German troops. Brooks isn’t upset that he’ll spend the rest of the war as...
Screenplay by Dick Clement and Ian La Frenais; original story by Michael Winner and Tom Wright
Featuring Oliver Reed, Michael J. Pollard, Helmut Lohner, Wolfgang Preiss, Peter Carsten, Karin Baal
Just one look at the poster for Hannibal Brooks tells you United Artists didn’t know what to do with the film.
The promotional material focuses on the action, and the fact that Pollard is the action hero and not Reed, while ignoring the script’s attempt to portray warfare in shades of gray rather than stark black and white. But while the film has the best intentions, the script falters at the end, injecting a moralistic tone at odds with earlier scenes.
The film opens as Stephen Brooks (Reed), a British soldier in World War II, is captured by German troops. Brooks isn’t upset that he’ll spend the rest of the war as...
- 3/30/2012
- by Chris McMillan
- Planet Fury
Here are the new MPAA ratings from Bulletin No: 2179.
Atrocious Rated R For grisly images and language throughout. Citizen Jane Rated PG-13 For some violent content. Dolphin Tale Rated PG For some mild thematic elements. Release Date: September 23, 2011 Final Destination 5 Rated R For strong violent/gruesome accidents, and some language. Release Date: August 12, 2011 The Greening Of Whitney Brown Rated PG For brief mild language. Hannibal Brooks Rated PG-13 For some war violence and brief sexuality. Note: Re-rate. Previous M/PG Rating, Bulletin No. 12 (1/27/69) Voided. Jeremy Fink And The Meaning Of Life Rated PG For some mild thematic elements. Reach For The Sky Rated PG-13 For some sexual content. Sex+Money: A National Search For Human Worth Rated R For some sexual material. Tanner Hall Rated R For sexual content including brief nudity, and some drug use. A Very Harold and Kumar Christmas Rated R For strong crude and sexual content,...
Atrocious Rated R For grisly images and language throughout. Citizen Jane Rated PG-13 For some violent content. Dolphin Tale Rated PG For some mild thematic elements. Release Date: September 23, 2011 Final Destination 5 Rated R For strong violent/gruesome accidents, and some language. Release Date: August 12, 2011 The Greening Of Whitney Brown Rated PG For brief mild language. Hannibal Brooks Rated PG-13 For some war violence and brief sexuality. Note: Re-rate. Previous M/PG Rating, Bulletin No. 12 (1/27/69) Voided. Jeremy Fink And The Meaning Of Life Rated PG For some mild thematic elements. Reach For The Sky Rated PG-13 For some sexual content. Sex+Money: A National Search For Human Worth Rated R For some sexual material. Tanner Hall Rated R For sexual content including brief nudity, and some drug use. A Very Harold and Kumar Christmas Rated R For strong crude and sexual content,...
- 7/6/2011
- by Brad Brevet
- Rope of Silicon
Michael Jackson, Thriller Cinematographer Robert Paynter, a frequent Michael Winner and John Landis collaborator among whose credits include the Michael Jackson music video Thriller, died last Oct. 20, The Guardian reported yesterday. Paynter (born in London on March 12, 1928) was 82. Directed by Landis, the 14-minute Thriller (1983) mixed hip dancing and visual effects — Michael Jackson metamorphosing into a werewolf and a zombie — to bring the music video a horror-movie feel. Thriller remains in all likelihood Paynter's best-known and most widely seen effort. Paynter's first feature-film work was on Winner's Hannibal Brooks (1969), in which a British Pow and Lucy the elephant escape across the Alps into Switzerland. Oliver Reed played the latter-day Hannibal. Among Paynter's other efforts in various genres were Winner's spooky The Nightcomers (1971), Landis' comedy blockbuster Trading Places (1983), Richard Lester's fantasy-adventure Superman II (1980), and Frank Oz's cartoonish musical Little Shop of Horrors (1986).
- 11/19/2010
- by Andre Soares
- Alt Film Guide
UK cinematographer with credits including Thriller and Superman
The film directors Michael Winner and John Landis have every reason to be grateful to the British cinematographer Robert Paynter, who has died aged 82. Paynter helped visualise 10 of Winner's films and five by Landis, one of which is considered the most popular music video in history. Directed by Landis, the 14-minute video for Michael Jackson's Thriller (1983) vividly merged a pop song, innovative dancing and horror movie. Shot on 35mm stock, it featured Jackson metamorphosing into a werewolf and a zombie. Both Paynter, who created the eerie mood, and Rick Baker, credited with the stunning makeup effects, had previously teamed up effectively for Landis on An American Werewolf in London (1981).
Paynter was born in south London and educated at Mercer's school, Holborn, before being evacuated to Horsham, West Sussex, during the second world war. While still in his teens, he became a camera...
The film directors Michael Winner and John Landis have every reason to be grateful to the British cinematographer Robert Paynter, who has died aged 82. Paynter helped visualise 10 of Winner's films and five by Landis, one of which is considered the most popular music video in history. Directed by Landis, the 14-minute video for Michael Jackson's Thriller (1983) vividly merged a pop song, innovative dancing and horror movie. Shot on 35mm stock, it featured Jackson metamorphosing into a werewolf and a zombie. Both Paynter, who created the eerie mood, and Rick Baker, credited with the stunning makeup effects, had previously teamed up effectively for Landis on An American Werewolf in London (1981).
Paynter was born in south London and educated at Mercer's school, Holborn, before being evacuated to Horsham, West Sussex, during the second world war. While still in his teens, he became a camera...
- 11/18/2010
- by Ronald Bergan
- The Guardian - Film News
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