9 September 2004 | terenceallen
Not One of Poitier's Best
The Lost Man is notable for several things, none of which includes it being a great example of cinema. Sidney Poitier's future wife, Joanna Shimkus. co-starred with him in this film. It's notable for being one of the first films of Poitier where he is trying to buck the system, rather than fit it. In most of his earlier films, he was always dealing with the problems of being a black man in a mostly white society, while living a respectable and useful existence. In this film, he plays a black revolutionary who is robbing "The Man's" bank in order to finance his group's activities. This group is a shadowy, seemingly monolithic entity that remains enigmatic throughout the film.
No one is horrible in this movie. It just doesn't stand up very well. If Poitier's black militant group had been more like the Black Panthers instead of what the Panther would have liked to have been, the movie might seem more of a product of its times. Instead, it comes like a black revolutionary fable. Interesting, but not compelling.