As I've noted in other reviews, whenever a successful movie appears you can be sure that television will try and ape it one way or another. In 1969, George Roy Hill's splendid 'Butch Cassidy & The Sundance Kid' - starring Paul Newman and Robert Redford - cleaned up at the box office. Two years later, co-writer/producer Glen A.Larson gave us 'Alias Smith & Jones'. If 'Butch' was, as some have claimed, the perfect Western for those who normally hate Westerns, 'Alias' then is the perfect Western series for haters of Western series. Pete Duel plays 'Hannibal Hayes' and Ben Murphy ( who bears an uncanny resemblance to a young Newman ) his sidekick 'Kid Curry', outlaws who head up an incompetent gang. As the opening narration says, they never ever shot anyone, making them very popular with everyone except the railroads and the banks. When we first see them, they are robbing a train. but the dynamite they try to blow the safe door open with fizzles out, so they take the whole thing with them, and twice push it off a cliff. It eventually sinks into a river, and they finally give up. Hayes spots a poster promising amnesty for crooks in nearby Porterville. Tired of forever running from the law, he suggests to Curry they go there and give themselves up. On arrival, Sheriff Lom Travers ( James Drury of 'The Virginian' ) tries to throw them in jail. He leaves to go and see the Governor, putting useless Deputy Wilkins ( Forrest Tucker ) in charge. Calling themselves 'Joshua Smith' and 'Thaddeus Jones', our heroes attempt to adjust to a new crime-free lifestyle ( Hayes even gets a job in the local bank ). But then, their former gang - now headed by surly Wheat ( Earl Holliman ) - ride into town, intending to rob the very same bank...
While never equalling its inspiration for entertainment, this is nonetheless a decent enough pilot, and Duel and Murphy captivated audiences as the wisecracking duo. At the end, the Sheriff tells them they must stay out of trouble for a year in order to qualify for amnesty. Susan Saint James, who plays 'Miss Porter', later went on to partner Rock Hudson in 'MacMillan & Wife'. In his excellent book on '70's television 'Nice To See It, To See It Nice', Brian Viner devotes the best part of a chapter to the show, and relates his shock when the grisly news of Pete Duel's suicide ( he was only 31 ) got out. He said it mystified him that such a chirpy and resourceful character as 'Hayes' could have been portrayed by someone so disturbed.
The role went to Roger Davis, but viewers did not accept him and the show was scrapped. Had Duel lived, there is a good chance it might have been scrapped anyway as television Westerns were dying out and police shows such as 'Kojak' and 'Starsky & Hutch' taking over.
The British comic 'T.V. Action' carried a strip based on the show, but did not change Pete Duel's face to that of Roger Davis. 'Hayes' stayed the same throughout. Duel, a likable, good-looking actor, may have possibly had a great future ahead of him. We shall never really know.