What the Peeper Saw (1972)

R   |    |  Crime, Drama, Horror


What the Peeper Saw (1972) Poster

A wealthy author's second wife begins to suspect that her 12 year old stepson may have murdered his mother, who mysteriously died in a bathtub accident.

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6/10
569

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  • Britt Ekland and Mark Lester in What the Peeper Saw (1972)
  • Britt Ekland in What the Peeper Saw (1972)
  • Mark Lester in What the Peeper Saw (1972)
  • Britt Ekland and Hardy Krüger in What the Peeper Saw (1972)
  • Lilli Palmer in What the Peeper Saw (1972)
  • Mark Lester in What the Peeper Saw (1972)

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13 July 2008 | The_Void
6
| Disappointing performances in a lacklustre thriller
Night Hair Child has all the elements to be a disturbing and dark thriller; especially considering the sick and twisted plot line. However, despite a few interesting ideas; this film doesn't capitalise on them, and unfortunately it's only an average film that is nowhere near as disturbing as it could have been. The plot basically focuses on the idea of a 'problem child' causing problems between his parent and a new significant other. The problem child idea has been done many times throughout cinema; but a less common variant is a film like this, where sleaze take centre stage. However, such is the disappointment of Night Hair Child; not even the sleaze is all that prominent. The plot focuses on Elise; a beautiful young woman who has married older man Paul. Paul's wife apparently died in a strange bathtub incident and this has had a damning effect on her son Marcus, who unluckily for Elise, has returned home from school early and has took it upon himself to wreck their marriage by way of getting in between them with lies and bad behaviour.

The main problem with this film is definitely the acting. A plot like this needs strong performances from the leads and it just doesn't get them. Britt Ekland has been good in other films where a great performance is not needed; but she just doesn't have the talent for this role and despite looking nice, she doesn't deliver what is needed. Her opposite number is Mark Lester. I can completely understand the attraction of having the star of Oliver in a role as a twisted sex pervert; but unfortunately, he's a terrible actor that never conveys any emotion at all and simply does not convince in his role. He's also very irritating and every scene he features in is a struggle to get through. The plot is nowhere near as interesting as it could have been either; the exchanges between the central characters lack imagination, and only the scene where Britt Ekland strips for Mark Lester is really memorable; and it's not as memorable as a similar scene in Lucio Fulci's Don't Torture a Duckling starring Barbara Bouchet. Overall, it's a shame but I wouldn't really say that this film is even worth a look.

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