15 March 2017 | ma-cortes
Atypical Spaghetti /Paella Western co-produced between Spain and Italy , plenty of thrills , violence and crossfire
Outlandish as well as violent Chorizo/Pasta Western that packs emotion , crossfire , rare events , twists , action-filled with fierce fights , twists and turns with exciting final . For money, for pleasure, for revenge, he doesn't care why he kills or how . A band formed by Phil (Luis Dávila) , Ted (Antonio Salines), and Mary (Claudia Gravy) rescues an outlaw called Bart (Corrado Pani) from the gallows to join them and carry out robbing and crimes . Later on , they execute a stagecoach assault with a stash full of gold . When they get the loot , doublé-cross him and leave him dying in the middle of the sunny desert . Shortly after , the bunch arrives in a scrawny village called Benson town , where they perceive that there is something weird about . Soon after , the band finds out that there only lives a suspicious old woman called Constance Benson (Ana María Noé) , the authentic owner of the mysterious ghost town where dangers lurk and strange shadows show up . But then , there appears a mysterious drifter who wields boomerangs , Ray (Lou Castel) , and things go wrong .
Italian/Spanish production full of noisy action , excessive characters , shootouts and lots of violence . Director Cesare Canevari achieved in "Matalo¡" or "Kill Him!" possibly his best work of a modest career , with some memorable scenes and shaky camera movement as the initial prologue and during the successive confrontations . Surreal Spaghetti mayhem at its finest , this meaty Western contains an interesting but twisted plot , violence , shoot'em up and results to be quite entertaining , though drags at times , balancing in ups and downs . It turns out to be a strange spaghetti Western , as you can bone up on the bloodier side of that genre ; including bloody , grisly killings in cold blood , nightmares , rape attempt and many other things . It relies heavily on a complex narrative , modern narration full of flashbacks , stop-frames , zooms , and an uneven screenplay . A good example of Latino western genre from Italy and Spain ; it is a daring , surreal and notoriously exciting Spaghetti , so extreme in every way , it is one of the handful of great Italian/Spain Westerns that characterize for its peculiarity , rareness and offbeat events , such as : "Django Kill... If You Live, Shoot!" (67) by Giulio Questi or "And God Said to Cain" (70) by Antonio Margheritti or "Cut-Throats Nine" (72) by Joaquin Romero Marchernt , most of them including eerie and terrifying elements .
The motion picture was written and produced by Eduardo Manzanos Brochero who was the real creator of this complex Western , he started producing ¨Il Coyote¨ and ¨The Jiusticia De Coyote¨ by Joaquin Romero Marchent with Abel Salazar and Gloria Marin . After that , he produced with his company Copercines ¨Vengeance of Zorro¨ and ¨L'Ombra Di Zorro¨ (1962) by Joaquin Romero Marchent with Frank Latimore . Eduardo Manzanos built a Western town in Hoyo De Manzanares (Madrid) with sets by Cubero and Jose Luis Galicia , today sadly disappeared , called ¨Golden City¨ where filmed several Western as ¨Welcome Padre Murray¨ , ¨Brandy¨ , various Zorros and this one . He produced various films for Marchent brothers as Joaquin Romero Marchent : ¨Cabalgando Hacia Muerte¨ , ¨Three good men¨; and Rafael Marchent : ¨Quien Grita vengeance¨, ¨Two crosses in Danger Pass¨ ; and for Italian directors as ¨Sabor Odio¨ by Umberto Lenzi¨ . In 1962 , Eduardo Manzanos created -near Hoyo de Manzanares (Madrid)- the first Western scenario of the notorious Spaghetti/Paella sub-genre . This original initiative corresponded to this prestigious writer /producer/director Eduardo Brochero who saw the potential of European Westerns and commissioned to the production designers Jaime Pérez Cubero and José Luis Galicia (Construcine) the task of raising the set , as in 1962 the first ¨Paella¨ set in Spain was built . Then , the first filming there was made : ¨The terrible sheriff (62) by Antonio Momplet and Alberto De Martino . A year later , there came Sergio Leone to shoot the iconic ¨A fistful of Dollars¨ with which the boom of Spaghetti/Chorizo Western was burst . More than 50 Spaghetti Westerns were filmed here from 1962 to 73 . Since early 70s the shooting began to be less frequent due to the progressive decline of the genre and the producers preferred to shoot in Almeria . With the decline in the number of shootings , revenue also fell and the sets started slowly to deteriorate as it can be seen , for example , in this Western ¨Matalo¡¨ and ¨Fast Hand¨ (73) by Mario Bianchi . As a result Manzanos decided in 1975 not to renew the contract , leaving a large debts . The remains of the set remained a few years , until the mid-80s or so to disappear later .
The picture was strangely directed by Cesare Canevari , including good camera movement ; as he creates an offbeat Western that manages to be both scary , tragic and skilfully made , he even attempted to combine western elements with horror elements . Furthermore , adding a peculiar electric guitar music score in Jimmy Hendrix style , and evocative cinematography by Julio Ortas . Cesare directed a few films of all kinds of genres as Giallo : ¨Delitto Carnale¨ 1969 , ¨Una Iena in Cassaforte¨ 1968 ; Erotic : ¨The naked princess¨ 1976 , ¨Io, Emmanuelle¨ 1969 ; Porno Nazi : "The Gestapo's Last Orgy" and Western : "Die for a Dollar in Tucson" (1964) and this ¨Matalo¡¨ .