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IMDbPro

Fat City

  • 19721972
  • PGPG
  • 1h 36m
IMDb RATING
7.2/10
9.1K
YOUR RATING
Fat City (1972)
Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.
Play trailer2:34
1 Video
59 Photos
  • Drama
  • Sport
Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.
IMDb RATING
7.2/10
9.1K
YOUR RATING
  • Director
    • John Huston
  • Writer
    • Leonard Gardner(screenplay)
  • Stars
    • Stacy Keach
    • Jeff Bridges
    • Susan Tyrrell
Top credits
  • Director
    • John Huston
  • Writer
    • Leonard Gardner(screenplay)
  • Stars
    • Stacy Keach
    • Jeff Bridges
    • Susan Tyrrell
  • See production, box office & company info
    • 73User reviews
    • 84Critic reviews
    • 88Metascore
  • See more at IMDbPro
    • Nominated for 1 Oscar
      • 5 wins & 5 nominations total

    Videos1

    Trailer
    Trailer 2:34
    Trailer

    Photos59

    Fat City (1972)
    Fat City (1972)
    Jeff Bridges, Stacy Keach, Nicholas Colasanto, and Al Silvani in Fat City (1972)
    Fat City (1972)
    Jeff Bridges in Fat City (1972)
    Susan Tyrrell in Fat City (1972)
    Fat City (1972)
    Fat City (1972)
    Susan Tyrrell in Fat City (1972)
    Fat City (1972)
    Stacy Keach in Fat City (1972)
    Fat City (1972)

    Top cast

    Edit
    Stacy Keach
    Stacy Keach
    • Tully
    Jeff Bridges
    Jeff Bridges
    • Ernie
    Susan Tyrrell
    Susan Tyrrell
    • Oma
    Candy Clark
    Candy Clark
    • Faye
    Nicholas Colasanto
    Nicholas Colasanto
    • Ruben
    Art Aragon
    • Babe
    Curtis Cokes
    • Earl
    Sixto Rodriguez
    • Lucero
    Billy Walker
    • Wes
    Wayne Mahan
    • Buford
    Ruben Navarro
    • Fuentes
    Álvaro López
    • Rosales
    • (uncredited)
    Carl D. Parker
    • Paymaster
    • (uncredited)
    Bill Riddle
    • Boxer
    • (uncredited)
    Al Silvani
    Al Silvani
    • Referee at Tully-Lucero Fight
    • (uncredited)
    • Director
      • John Huston
    • Writer
      • Leonard Gardner(screenplay) (novel)
    • All cast & crew
    • See more cast details at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      According to Stacy Keach, Sixto Rodriguez knocked him out during their fight scene and that shot appears in the film.
    • Goofs
      When Oma proposes a toast to Tully at the bar, suddenly she's holding a lighted cigarette, which vanishes again in the next shot.
    • Quotes

      Tully: I know how I look. I look like a bum. I am a bum.

      Oma: You're not a bum. If you took a little more pains in your appearance I bet you could even get a job you really liked.

      Tully: The job I'd really like hasn't been invented.

    • Connections
      Featured in Visions of Light (1992)
    • Soundtracks
      Help Me Make It Through the Night
      Composed by Kris Kristofferson

      Performed by Kris Kristofferson

      © 1970 Combine Music Corporation

      [Played over opening credits]

    User reviews73

    Review
    Top review
    "Just when you get rolling, your life makes a beeline for the drain."
    John Huston is amazing to me. He defined an entire genre with his foot barely in the Hollywood door, then he kicked the door down and walked in to clear well deserved Oscars as both writer and director, he took his Oscars with him to Africa to get hammered with Erol Flynn and go out on safaris leaving behind him a big production to go to hell, then came back to find they had nailed a new door in place of the one he had torn down so he didn't bother to knock at all this time, he packed his things and went to a small dingy bar where Mexicans and barflies go to kill their time to make movies about killing time, movies about misfits and people who are dead inside, movies like Fat City and Under the Volcano, to adapt Flannery O'Connor and James Joyce, to soar above and beyond what anyone might have expected from any director of his generation. It's 1972 and John Huston is still relevant as ever. How many directors can you name who turned out some of their best material in their fifth decade directing movies? Venerable relics like Clint Eastwood move over, American cinema (not simply Hollywood) already had a patriarch in place long before any of you looked through a viewfinder.

    It's also amazing to me how an indomitable absolute badass of a successful director can know failure so well. This is a movie where people box but it's not about boxing. There's no triumph to be had here and the crowd gathered in the small suburban boxing hall in Stockton, California, to pass their time is not there to be pleased. Most of them are probably the same kind of deadbeat with no future and a sh-tty job as the third-grade boxers who beat each other for their amusement. We get the young upstart boxer with the fast legs and a bright future ahead of him if only someone could train him right but this character can only make sense when we see him standing next to Stacy Keach, the aging boxer who won't see thirty again and who maybe had a chance once but blew it for women and alcohol and now he's desperate for one last throw of the dice.

    The sad beauty of Fat City is that we're not looking at some kind of last defiant stand, we don't enter the ring for one last moment of triumph with the lights blaring bright and the crowd cheering, this is not The Wrestler anymore than it is Rocky, the lights were not only dimmed long ago but they probably never shone bright enough anywhere except in the protagonist's head. The closest Stacy Keach came to glory some odd 10 years ago was in itself a failure. Were his eyebrows slashed with a razor or not that fateful night down in Mexico we never find out. For most of its duration Fat City is a beaten man with sunken cheeks and a grim unshaven wan face wearing an expression of incredulous outrage.

    Then we're inside a rundown cafe, the walls are painted in sickly washed-out colors and old men play cards around tables in felt, and we sit down for one last cup of coffee on the cheap formica counter. We see the young boxer standing next to the washed-up has-been one who can't even be a mentor anymore and an old man, a walking shell of someone "who was maybe young once", comes over to serve us and it all makes sense. "Maybe he's happy" says the young one. "Maybe we all are" says the other, and we know we're not, life doesn't quite work out that way, but it's all we have. The old man turns and smiles a toothless smile (senile or knowing, who's to say) and Fat City fades out into one of the most touching heartfelt endings I've seen. Fatalists cannot afford to miss this one, it's the stuff dashed hopes and broken lives are made of. Rejoice.
    helpful•46
    2
    • chaos-rampant
    • Apr 18, 2010

    Details

    Edit
    • Release date
      • July 26, 1972 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • Spanish
    • Also known as
      • Grad izobilja
    • Filming locations
      • Stockton Memorial Civic Auditorium, Stockton, California, USA
    • Production companies
      • Columbia Pictures
      • Rastar Pictures
    • See more company credits at IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 36 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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