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The Godfather (1972)

R   |    |  Crime, Drama


The Godfather (1972) Poster

The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.

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9.2/10
1,401,856

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  • Al Pacino at an event for The Godfather (1972)
  • "The Godfather" Marlon Brando 1971 Paramount
  • "The Godfather" Marlon Brando 1971 Paramount
  • "The Godfather" Marlon Brando 1971 Paramount
  • Al Pacino and Diane Keaton in The Godfather (1972)
  • Marlon Brando in The Godfather (1972)

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6 August 2006 | The-Other-Monkey
10
| A Masterpiece
This must rank as the best film (along with part 2)of all time.An ensemble performance that has no weak spot.

Particularly, John Cazale ( Fredo) and Richard Castellano ( Clemenza) give wonderfully understated performances. You just have to believe that Castellano WAS Clemenza, he brings a real touch to his role.

John Cazale brings the troubled Fredo to life, and you can see the weak Fredo desperately trying to live up to the family reputation but knowing that he can never be what his father wants.

The story of one man's reluctance to be drawn into the murky family business,and his gradual change through circumstance, paints a vivid picture of this violent period of US history.

Do not miss this film!

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Did You Know?

Trivia

According to Talia Shire, her therapist urged her to start asserting herself in the family, which is why she tried out for the film.


Quotes

Bonasera: I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend," not an Italian. She went to the movies with him. She ...
Bonasera: ...


Goofs

In Vito's brush with death, one hitman's pistol emits a muzzle flash, visible just after a cut to the overhead shot of them running away, but there is no accompanying sound effect for this last gunshot.


Crazy Credits

In the end credits, Marlon Brando's name is the only one that is not accompanied by the character name that he plays (e.g. "as Vito Corleone").


Alternate Versions

In 1977, a special version for television titled The Godfather Saga (1977) was prepared by director Francis Ford Coppola and editor Barry Malkin by re-editing The Godfather (1972) and The Godfather: Part II (1974) in chronological order and adding deleted scenes. Most of these deleted scenes are also included separately on the DVD release and in The Godfather Trilogy: 1901-1980 (1992). Among the deleted scenes:

  • Following Bonasera's exit in the first scene, Vito whistles at Sonny for not paying attention to business.
  • During the wedding reception, Tom Hagen informs Don Vito that consigliere Genco won't last the night in the hospital.
  • After the wedding, the Don and his sons are leaving the compound with Johnny Fontane to visit Genco. Vito asks Michael if Kay was able to get home all right.
  • In the hospital, the Don looks at Michael's military decorations with disdain then tells Michael that he has plans for him after graduation.
  • A dying Genco begs Vito to stay with him believing that Vito will somehow stop his death.
  • An extended version of Jack Woltz's party for his child star, Janie.
  • After being thrown out by Woltz, Tom looks up and sees Janie crying and her mother push her back into Woltz's bedroom.
  • Connie and Carlo argue and she runs crying into Mama's arms. Sonny wants to confront Carlo but Vito tells him not to interfere.
  • After Tom returns from Hollywood, he discusses with Vito what he has discovered about Woltz.
  • Michael and Kay are in their hotel bed in New York City and don't want to go to the family compound. Michael has Kay call Tom pretending to be an operator, then Michael tells Tom that they are in New Hampshire and will be at the compound the next day.
  • On the way to meet Sollozzo, Luca sees the nightclub's neon sign burn out.
  • Sonny gets a call from a detective telling him about his father's shooting. He then tries to call Tom.
  • Sonny tells Mama about the shooting. He then goes into Vito's study, calls Tessio and tells him to prepare his men. He then tries to call Luca.
  • A quick shot of Michael driving, returning home after his father's shooting and Rocco offering to escort Michael into the house.
  • Michael brings Tom's wife Theresa into the study where Sonny and Tessio are. Sonny comforts her and tells them both to wait outside but Michael stays. They discuss with Michael whether Clemenza or Paulie was the traitor. Michael tries to talk Sonny out of going to war stating Vito would not want it. Then Tom returns home and hugs Theresa.
  • Immediately following is a quick shot of the Corleone compound that dissolves to the scene where they discuss their next course of action.
  • Rocco admires Clemenza's car but Clemenza complains that the bumpers are wooden due to the war effort. He then tells Rocco that he is to kill Paulie.
  • Clemenza has Paulie check the hideout spot. He then has Paulie make a stop so he can buy some cannoli and have a meal at a restaurant.
  • In Sicily, Michael and the bodyguards watch a Communist demonstration march.
  • While relaxing in the afternoon sun, Fabrizio begs Michael to bring him along to America when he returns.
  • Michael and his bodyguards visit his father's childhood home and find it abandoned.
  • After Connie hangs up the phone on Carlo's "girlfriend", she then confronts him in the shower. Then, Carlo orders her to make him dinner.
  • Bonasera is shown getting ready to return his favor to Don Vito. Bonasera tells his wife who is helping him get dressed that maybe he will be asked to be an accomplice to murder.
  • After the car bomb, Michael wakes up in bed surrounded by nurses and Don Tommasino. Michael tells Tommasino to find Fabrizio and he passes out.
  • Michael and Vito talk in the new garden after his return from Sicily. Michael takes responsibility for avenging the deaths of Sonny and Apollonia so Vito will not have to break his promise to the other Dons.
  • Additional dialogue when Michael removes Tom from his position as consigliere.
  • The final scene is Kay in a Catholic church lighting candles and praying.


Soundtracks

Santa Claus Is Coming To Town
(1934)
Written by
Haven Gillespie, J. Fred Coots

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Crime | Drama

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