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The Godfather (1972)

R   |    |  Crime, Drama


The Godfather (1972) Poster

The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.

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9.2/10
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  • "The Godfather" Marlon Brando, Dir. Francis Ford Coppola 1971 Paramount
  • Al Pacino in The Godfather (1972)
  • Diane Keaton at an event for The Godfather (1972)
  • Al Pacino at an event for The Godfather (1972)
  • Marlon Brando and Salvatore Corsitto in The Godfather (1972)
  • Robert De Niro at an event for The Godfather (1972)

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2 June 2018 | BiiivAL
9
| A movie that can not be abandoned
An important place in American history is the period when several thousand Sicilian emigrants went to the United States in search of a new, better life, in which there would be no tyranny of the Palermo and Messinxich dons. Who knew at that time that this "bunch of Sicilian emigrants" would occupy a high place in the United States and in the history of this country.

Sicily is one of the most beautiful places in Italy. Unfortunately Sicilians, quite friendly inhabitants of this island, the words-synonyms of Sicily are not only olives, butter and wine, but also words like omerta, vendetta and mafia. Yes, the mafia. A small bunch of bandit mackerel in Sicily, run by the Don. In the US, this word took a slightly different meaning. A huge number of gangsters who seek to conquer and rule all the States. A family is a mafia, a mafia is a family headed by a cruel and wise person who manages everything and who owns everything. Proudly and shortly - don.

Mario Puzo is a brilliant writer, rightly considered to be a recognized classic of the twentieth-century literature, having written several excellent and worthy works, the best of which is undoubtedly the novel "The Godfather". A book about the life of gangsters and revealing all the doors to the world of the mafia. Mario Puzo was a great connoisseur of human psychology, but the psychology of people who transgressed the law especially. That is why in his novel he explores each character to the depths of his soul and climbs into the most intimate corners of their thoughts.

The novel, and indeed, the film - is not a direct and reliable historical source, but, nevertheless, it contains the quintessence of the criminal world. Five families of New York Piuso wrote from the real five families of New York, Johnny Fontaine Puzo wrote from Frank Sinatra. The literature was tired of books about Al Capone and Frank Costello, and Puzo made a move to a horse-invented a criminal family that was not really there, but which subsequently won, without exaggeration, the whole world.

It often happens that the director, when stating a picture, leaves the original and is engaged in arbitrariness. Francis Ford Coppola director is no less brilliant than the rest of the directors. He squeezed everything that can be learned from the novel Puzo and put it into the film. Doing nothing without adding something new or removing something from the book, Coppola and Puzo created a masterpiece. A masterpiece in everything. Mario Puzo's book became a masterpiece of literature, and Francis Ford Coppola created the film - a masterpiece, a film - a classic that just can not help but like it. Coppola not only superbly put the film, but simply brilliantly picked up the actors. Who knows what was the fate of the film without Marlon Brando and Al Pacino. Coppola skillfully created the atmosphere of New York at the end of the forties, but also the atmosphere of family life, the life of people from Sicily.

Vito Carleone is a wise and cruel man with clear principles, a loving but stern father. Marlon Brando was just awesome dona Carleone. His character is a serious strategist who has achieved power and respect himself. Don Carleone's sad gaze, his smooth gestures, his unique voice and his unforgettable "bulldog jaw" forever blended into the image of the viewer.

Don Carleone - this is Marlon Brando - sloven and lover in life, but on the screen - a genius who embodied the image of Don Carleone - a strong spirit of a man and a cruel gangster, who has enormous authority. Vito Carleone is a very impressive person who knew how to get others to do things their own way. Marlon Brando with his game was able to make the viewer believe that before him is not just an actor playing a role, but a real person is that same severe don. Brando is a great improvisator.

Michael Carleone character is no less interesting than his father. Michael is kind-hearted and truthful, knowing what his father does, he never wanted to deal with his family and participate in criminal quarrels. Al Pacino played his character no less brilliant than Marlon Brando. Pacino showed all the destruction of the human psyche and the transformation of his hero: from the uninitiated in the affairs of the family of the young war hero, to the new Don Carleone, possessing an iron will, foresight, wisdom and dignity. Sonny Carleone is not at all like Michael and Vito. He is an impulsive warrior, but a bad strategist who prefers to go ahead, not act cunning. Coppola did not lose on the fact that he called for the role of an American from Sicily. James Caan brilliantly played the role of Sonny - a man with an explosive Italian temperament, ready to always stand up for the family.

In addition to the brilliant acting and excellent production in the film, there is the wonderful music of the composer Nina Rota. An excellent melody, fallen in love with everyone and has long become a classic.

"Godfather" is a masterpiece, an ideal gangster movie. The film without minuses, blunders and cliches, which pulls to review, even if you know it by heart. This is a classic, a gangster epic, a bible for cinephiles, giving answers to all the questions. A movie that teems with crown phrases that have long since become part of everyday life. A worthy picture, without exaggeration, is the best in its kind.

"Behind every wealth lies a crime" (c) - it is this phrase Honore De Balzac stands at the beginning of the work of Puzo. The film, if briefly, actually about it. And about the proposal, "from which you can not refuse" (c).

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