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When Tom Hagen is trying to convince Sonny not to go to war after Vito Corleone was almost murdered, he states that the Corleone family will be outcasts and all the five families will go after the Corleone family. However, the Corleone family is one of the five families, so he should have said that the other four families will go after the Corleone family.
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Errors in geography
When Sollozzo is taking Michael to the restaurant for their conference, his car drives onto a bridge, where Michael sees a sign reading "To New Jersey", and he asks, "We're going to Jersey?", just before the car U-turns in mid-span. In fact, the only bridge between Manhattan (where they picked Michael up) and New Jersey is the George Washington Bridge, and the bridge on which the car is shown is definitely not the GWB. (It may be the Williamsburg or 59th Street bridge.)
Incorrectly regarded as goofs
When Michael is moving Vito to a different room in the hospital with the help of the nurse, we can see that Marlon Brando instinctively moves his hand when it hits the door post. However he is conscious, hence his crying while Michael is holding his hand, just heavily sedated due to the pain inflicted by his gunshot wounds.
During the sequences filmed in Sicily, Michael's broken-jaw make-up does not match the make-up used during the sequences filmed in New York. This is because Paramount Pictures would not pay the costs of sending makeup artist Dick Smith to Italy with the rest of the crew.
Outside the hospital, as McCluskey prepares to punch Michael, as the shot changes showing McCluskey (Sterling Hayden) punching Michael, it is clearly not Sterling Hayden throwing the punch as evidenced by the longer, brown hair of the man doing the punching (vs. Hayden's short, gray hair).
When Michael is arriving in Las Vegas, supposedly set in the very early 1950s, when he, Fredo, Tom and others are getting out of the car in the hotel driveway, two long-haired, bearded "hippie types" from the early '70s can be seen through the window in the lobby. (In the DVD commentary, Francis Ford Coppola admits that he is embarrassed by this oversight, but that the shot was done on the cheap by the second unit.)