One wishes this series was shown again on television, as it is an accurate retelling of the British Suffragette Movement under Emmaline Pankhurst and her two daughters Sylvia and Christobel. But it is also a retelling (that was ignored for most of the last 100 years) of the first successful terrorist movement in Great Britain and the west of the 20th Century. For while it is hard to believe that the rights of women to equality were ever denied in the liberal west, not only has suffrage been less than a century old in Britain and the U.S. but full rights are still being fought for.
Emmaline Pankhurst did not found the movement for political equality for women. It was pushed, initially, in the 1860s by some leading British thinkers, in particular the philosopher and economist John Stuart Mill. One of the leading supporters of the movement was a Dr. Pankhurst, who was the husband of Emmaline. He died in the early 1890s, leaving his wife and two daughters. Emmaline continued the lonely work of agitating for the reform of Britain's voting laws.
She tried to do it like Mill and her husband had: print many pamphlets on the subject, cultivate political figures at social occasions, try to peacefully convince. But this was taking too long, and it was truly questionable if it would ever work. Meanwhile the two daughters were growing - but would both tackle the issue differently. Sylvia, the older one, was a socialist, and joined forces with Labour Party leader James Keir Hardie. She pushed the idea of suffrage on the lower class women of England. But her younger sister Christobel was a snob. She concentrated on spreading the idea among the upper crust friends that she had. Christobel also noted the effectiveness of terrorism (the 1890s and 1900s were the age of anarchist outrages). Christobel advocated rioting, breaking windows, destroying property. She quickly realized that to do what she was doing she had to be out of reach of the British authorities. She moved to Paris, like other agitators like James Stephens, the head of the FENIAN Movement of the 1860s. From there she sent orders through her lieutenants and spread a campaign of terror in Britain.
By our standards, with memories of the World Trade Center disaster and the Bali hotel explosion, the Suffragettes were quite tame - the two best recalled incidents are the destruction of a painting in a gallery and the suicide of Emily Davison which is shown in the series from the original 1913 film (Davison threw herself under the King's horse at the Derby, and was trampled to death). But for the Edwardian/early Georgian period it was quite troublesome, and led to rather barbaric force feedings in prison by the British police (lest we feel superior, the Americans did the same thing for American suffragettes starving themselves in hunger strikes in prison too). The Liberal Party of Prime Minister Asquith and Chancellor of the Exchecquer Lloyd George were on the horns of a dilemma because they were supposed to be the party of political reform, but instead were antagonistic to it. Labour turned out to be a more fruitful party for supporting this reform. But Christobel and her mother were snobbish, and tended to dismiss Sylvia's hard work in that area.
In the end women got the right to vote in England because of the war. To have free hands to prosecute the war, Asquith did not need to worry about a home-grown terror war. Lloyd George and Christobel made an agreement, in 1915, for eventual suffrage (with property considerations), that was not aimed at what Sylvia had hoped to get. But then Christobel said she would support the war effort, and Sylvia refused to do so. By 1918 British women (upper crust women) could vote. It would be ten more years for the lower crust women to also get that vote.
The performances of the series were all good, especially Sian Phillips as Mrs. Pankhurst, Patricia Quinn as Christobel, and Angela Down as Sylvia. The subtle shift of the aging Mrs. Pankhurst to favoring Christobel is shown slowly in the series. Judy Parfitt as Lady Constance Lytton plays a particularly tragic figure - a socialite who dies from mistreatment by the authorities when she went on a hunger strike (including force feeding of soup via a rubber tube up her nose - a typical method used in Britain and America).
By the way, the title "SHOULDER TO SHOULDER" is based on the theme song of the same name. It was an anthem composed by one Dame Edythe Smith, England's leading female composer of the period, and a firm suffragette in her own right.