Bring Me the Head of Alfredo Garcia (1974)

R   |    |  Action, Crime, Drama

Bring Me the Head of Alfredo Garcia (1974) Poster

An American barroom pianist and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a bounty on the head of a dead gigolo.

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  • Warren Oates in Bring Me the Head of Alfredo Garcia (1974)
  • Warren Oates and Isela Vega in Bring Me the Head of Alfredo Garcia (1974)
  • Warren Oates in Bring Me the Head of Alfredo Garcia (1974)
  • Warren Oates in Bring Me the Head of Alfredo Garcia (1974)
  • Warren Oates and Isela Vega in Bring Me the Head of Alfredo Garcia (1974)
  • Warren Oates in Bring Me the Head of Alfredo Garcia (1974)

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4 July 2011 | ma-cortes
| American piano player in Mexico gets involved with bounty hunters , psychos and a bloody vendetta
Film starts promisingly enough , as the story takes place in the Mexican frontier with the U.S. , in 1974 . The Mexican baron land dubbed "The Boss" (Emilio Fernandez) to be aware his teenage daughter "Teresa" is pregnant , and he offers a reward : to take the head of Alfredo Garcia , a former employee . It is concerned by two American bounty hunters , "Quill" (Gig Young) and "Sappensly" (Robert Webber). Also, "Bennie" (Warren Oates), piano player and co-owner of a bar , along with her lover "Elita" Peach Vega (frequently naked Isela Vega), a prostitute and former girlfriend of "Alfredo Garcia" ; all of them are determined to get the reward . The pianist becomes mixed up vicious bounty hunters who are looking for the head of the man who has impregnated the wealthy owner's daughter and finishing in an orgy of blood and destruction .

An enjoyable film , it turns to be an elegiac and tough perspective at the world of losers . Taut excitement throughout , though soon becomes to drawn out , beautifully photographed and with brutal scenes and some images filmed in slow-moving . The film results to be one of the most strong and ferocious directed by Peckinpah . Tenth Sam Peckinpah film , shot with limited financial resources and total freedom . As it was the only movie directed by Sam Peckinpah that he had final cut on , all the others were re-cut by the studios . However , upon release , it was banned in Sweden, Germany and Argentina . The screenplay from S. Peckinpah , Gordon T. Dawson, develops a plot of S. Peckinpah and Frank Kawalski . It is filmed on location in various localities of Mexico . The picture is full of action , drama , adventure , crime , thriller , romance and western . There is a lot of bloodletting but seems almost restrained alongside nowadays's movies . It proposes a rough history , violent , sordid and heartbreaking . Abundant dust , odors , standing water covered with algae , watering foul , squalid housing , etc. It shows the poverty of the region , school children , nasty motorists , rapists stalking , assault , murder , shootouts , etc . Extremely violent throughout , it does show a side of Mexico rarely shot in American movies . Violence takes many forms , including long shootouts , punching, pushing malicious torture in private and in public . The central motive is a cruel revenge . The film is possibly the most brutal and ferocious made by Peckinpah , when he was dominated by alcohol , melancholy , loneliness and despair . Warren Oates turns in an excellent acting as independent pianist who is searching redemption by a crazy vengeance , he and Isela Vega strike real sparks . Warren Oates is on the screen as "alter ego" of the director, who creates one of his most candid self-portraits . It is a road movie , which develops the action as a long drive from the city of Mexico , near which lies the estate of "The Boss" . The film is formatted in a violent odyssey , peppered with unexpected incidents , outrageous situations , social problems and a stark as well as shocking bloody violence . It also has exalted friendship , companionship , affection and love . Displays signs of misogyny that characterizes the filmmaker , where women are not reliable : they are infidels , weak character , disloyal , deceitful, and all men are big losers . In the context of this bleak world , explores the mythic figure of the loser, in line with the general mood of the country after the end of the Vietnam War . It pays tribute to "The Treasure of Sierra Madre (Huston, 1948) , which is inspired and takes some elements included in the screenplay .

The soundtrack by Jerry Fielding , Peckinpah's usual ("The Wild Bunch" 1969), composed a score in short melodies that evoke the folk music traditional Mexican and 4 songs notables : "Bennie's Song", "A place to go", "Bad Blood Baby "(voice of Peckinpah) and" JF. " Photography, Alex Phillips ("Robinson Crusoe", Buñuel, 1954) , offers images that accompany and underscore the dirty , rough and violent film . Action , dialog , cinematography , score and slow-moving editing are Peckinpah classic in his film more authentic and personal. Professionally made by the famous director who was a real creator and author of masterpieces as ¨Cross of Iron¨,¨The ballad of Cable Hogue¨, ¨Wild bunch¨ . ¨Bring me the head of Alfredo Garcia¨ was lovely realized by Sam Peckinpah in his punchy directorial style . Hardcore Peckinpah moviegoers will appreciate this one more than the casual spectator .

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