David Lynch, London & Edinburgh
Has Lynch really retired? Maybe not, but you get the feeling he has done all he can and he's created a body of work that only gets stronger with age. Even "failures" like Dune are worth revisiting, while triumphs such as Eraserhead, Blue Velvet, The Elephant Man or Mulholland Drive can be watched over and over – with the help of this retrospective. Lynch's influence has seeped into not just cinema but advertising, design and music, where his new disguise as "Lana Del Rey" seems to be working out just fine.
BFI Southbank & Edinburgh Filmhouse, Wed to 11 Mar
Steve Rose
Barbara Hammer, London
"Radical content deserves radical form," says Hammer and, since the late 1960s, the American experimental film-maker has been pushing the boundaries of both film language and sexual politics with a steady succession of works focusing on lesbian identity, both personal and political. The titles...
Has Lynch really retired? Maybe not, but you get the feeling he has done all he can and he's created a body of work that only gets stronger with age. Even "failures" like Dune are worth revisiting, while triumphs such as Eraserhead, Blue Velvet, The Elephant Man or Mulholland Drive can be watched over and over – with the help of this retrospective. Lynch's influence has seeped into not just cinema but advertising, design and music, where his new disguise as "Lana Del Rey" seems to be working out just fine.
BFI Southbank & Edinburgh Filmhouse, Wed to 11 Mar
Steve Rose
Barbara Hammer, London
"Radical content deserves radical form," says Hammer and, since the late 1960s, the American experimental film-maker has been pushing the boundaries of both film language and sexual politics with a steady succession of works focusing on lesbian identity, both personal and political. The titles...
- 1/28/2012
- by Steve Rose, Katrina Dixon
- The Guardian - Film News
Before there was Donna Deitch (Desert Hearts) and Cheryl Dunye (Watermelon Woman) there was Barbara Hammer. In 1974, while attending school in UCLA, the young Barbara met a group of women and realized she was both a lesbian and a feminist, something that would influence not only Barbara herself, but generations of women — whether they realize it or not.
1974 is when Barbara put the first lesbian sex scene on film. It was a short, called Dyketatics, and shot close-up in all black and white. It was real sex between two women (Hammer and a friend) and it was controversial, of course. But it helped Barbara realized that capturing lesbian life on screen was part of her ideal life, and she wouldn't stop using her camera and her sexuality to infiltrate the worlds of art and film. Now, she's giving herself to the world of publishing with her new book, Hammer! Making...
1974 is when Barbara put the first lesbian sex scene on film. It was a short, called Dyketatics, and shot close-up in all black and white. It was real sex between two women (Hammer and a friend) and it was controversial, of course. But it helped Barbara realized that capturing lesbian life on screen was part of her ideal life, and she wouldn't stop using her camera and her sexuality to infiltrate the worlds of art and film. Now, she's giving herself to the world of publishing with her new book, Hammer! Making...
- 3/8/2010
- by Trish Bendix
- AfterEllen.com
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