On Nov. 12 of this year, Impact Partners executive director and documentary producer Dan Cogan wrote a powerful call to action on Facebook. “The last 4 days have been a horror. The next 4 years will be worse,” he wrote. “And yet my pulse is quickening, because there is so much to be done, and we, the documentary film community, are in pole position to make a huge difference.”
Over 400 documentary filmmakers, producers and executives “liked” Cogan’s message—including Oscar-nominated directors Barbara Kopple, Matt Heineman, Heidi Ewing, Amy Berg and Lucy Walker—and over 40 individuals added comments.
But despite Cogan’s passionate and inspiring plea, the Facebook post also brought up some soul-searching within the documentary community: How do you make a difference if your work is only seen and discussed within the progressive “bubbles” of social media and urban centers? How do you avoid — as suggested by executives such as Jason Spingarn-Koff,...
Over 400 documentary filmmakers, producers and executives “liked” Cogan’s message—including Oscar-nominated directors Barbara Kopple, Matt Heineman, Heidi Ewing, Amy Berg and Lucy Walker—and over 40 individuals added comments.
But despite Cogan’s passionate and inspiring plea, the Facebook post also brought up some soul-searching within the documentary community: How do you make a difference if your work is only seen and discussed within the progressive “bubbles” of social media and urban centers? How do you avoid — as suggested by executives such as Jason Spingarn-Koff,...
- 12/15/2016
- by Anthony Kaufman
- Indiewire
Italian neorealist film director and screenwriter who made Last Days of Mussolini, starring Rod Steiger
Carlo Lizzani, who has died aged 91, after falling from a balcony at his home, was a screenwriter and director of Italian neorealist cinema who made more than 40 feature films, as well as documentaries and television series.
His first professional experiences in the film world were as an actor, playing cameos in two powerful neorealist films: Il Sole Sorge Ancora (The Sun Still Rises, 1946), directed by Aldo Vergano; and Caccia Tragica (Tragic Hunt, 1947), Giuseppe De Santis's first feature film.
In 1947 Roberto Rossellini summoned Lizzani to Berlin where he was preparing to shoot Germania Anno Zero (Germany Year Zero). Lizzani did research with East German locals which Rossellini would find useful when the film was being made without a definitive shooting script. Lizzani said later: "Rossellini filmed the story of the boy [Edmund] as if growing up...
Carlo Lizzani, who has died aged 91, after falling from a balcony at his home, was a screenwriter and director of Italian neorealist cinema who made more than 40 feature films, as well as documentaries and television series.
His first professional experiences in the film world were as an actor, playing cameos in two powerful neorealist films: Il Sole Sorge Ancora (The Sun Still Rises, 1946), directed by Aldo Vergano; and Caccia Tragica (Tragic Hunt, 1947), Giuseppe De Santis's first feature film.
In 1947 Roberto Rossellini summoned Lizzani to Berlin where he was preparing to shoot Germania Anno Zero (Germany Year Zero). Lizzani did research with East German locals which Rossellini would find useful when the film was being made without a definitive shooting script. Lizzani said later: "Rossellini filmed the story of the boy [Edmund] as if growing up...
- 10/15/2013
- by John Francis Lane
- The Guardian - Film News
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