The Taking of Pelham One Two Three (1974)

R   |    |  Action, Crime, Thriller


The Taking of Pelham One Two Three (1974) Poster

In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?


7.7/10
24,318

Photos

  • Robert Shaw and James Broderick in The Taking of Pelham One Two Three (1974)
  • Walter Matthau in The Taking of Pelham One Two Three (1974)
  • Hector Elizondo in The Taking of Pelham One Two Three (1974)
  • Robert Shaw in The Taking of Pelham One Two Three (1974)
  • Walter Matthau in The Taking of Pelham One Two Three (1974)
  • Lee Wallace in The Taking of Pelham One Two Three (1974)

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Cast & Crew

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Director:

Joseph Sargent

Writers:

John Godey (novel), Peter Stone (screenplay)

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User Reviews


28 September 2006 | ntvnyr30
9
| Another example of why the 70's was the finest decade for films.
It is my belief that the finest era for films was the 1970's. Consider all the classics that were produced in that era (Godfather I and II, Patton, The Sting, Jaws, Mean Streets, The Exorcist, The French Connection, Star Wars etc). My belief was recently validated by Jodie Foster, who essentially said the same thing. One of the reasons why the films were great was that the directors were ostensibly in control of the films, rather than by a committee of the usual Hollywood "insiders" who think they know what people want to see, but rarely make the correct decisions.

I know that this film was re-made( for TV)--God knows why--but I'm sure if they attempted another film version Matt Damon would be playing the grizzled transit police cop (Matthau's role) and Jude Law would be playing the Robert Shaw role. That's another reason why the original and other films of the 70's were so great: the casting was more believable. Today Hollywood is so incredibly youth-obsessed that actors are completely miscast.

I am not stating that this is another 70's classic, but even this film is far superior to many of today's films. And yet, I'll bet you couldn't find "Pelham" in your local video store.

I love several things about this film. The first thing to hit you is that wonderful, funky score that in some parts sounds like controlled chaos. I love the script, which is not completely dark despite the underlying theme, as there are some very funny moments throughout the film: for instance, the chagrined look on Matthau's face when he discovers the Japanese visitors can speak English.

There are many examples of mistaken identity in this film: the supervisor who is gunned down is called "goombah", but he isn't Italian; Matthau thinks the black police captain is white over the radio; Matthau mistakes the long-haired undercover cop (who was shot on the train tracks) for a female. I also love the character who plays the mayor, who unbelievably bears a striking resemblance to Mayor Koch, who was elected 3 years later!!!! All in all a great action film, and one that will hold up for years.

Addendum: Well, they're doing it--they're re-making this film because Hollywood is almost completely bereft of new ideas (see "Josie and the Pussycats" "Bewitched" the upcoming "I Dream of Jeannie"). I half-expect they will remake "The Paper Chase" next with P.Diddy as Professor Kingsfield.

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