Directed by
| William A. Graham | ||
Writing Credits (in alphabetical order)
| Jack DeWitt | ... | (screenplay) |
| Jack DeWitt | ... | (story) |
| Joe Greene | ... | (screenplay) |
Cast (in credits order)
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Ahmad Nurradin | ... | H. J. |
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Anthony Wilson | ... | Tommy |
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Nelson Sims | ... | A. P. |
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Kenneth Bell | ... | Mau Mau |
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Owen Pace | ... | Monk |
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Kim Dorsey | ... | Gri Gri |
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Ed Bernard | ... | Mr. Kool |
| Lincoln Kilpatrick | ... | Billy Most | |
| Glynn Turman | ... | Dr. Johnson | |
| Richard Yniguez | ... | Vega | |
| Mwako Cumbuka | ... | Strokes McGee | |
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Frances E. Williams | ... | Mama Wes |
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Craig Campfield | ... | Maria |
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Bessie Griffin | ... | Rev Mary Healing Brown |
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Lynne Holmes | ... | Sugar |
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Danny 'Big Black' Rey | ... | Armstrong (as Danny Big Black) |
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Gloria Calomee | ... | Alice Martin |
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Charles Lemons | ... | Matthew (as Charles Robinson) |
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Joe Zapata | ... | Chicano |
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Leah Ward | ... | Clutie |
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William Dagg | ... | Desk Officer |
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Roberta Ester | ... | Nurse |
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Ernest Boyd | ... | Harry |
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John Jennings | ... | Policeman |
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Lane Mitchell | ... | Dude |
| Angela Elayne Gibbs | ... | Francine (as Angela Gibbs) | |
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Howard Picard | ... | Police Detective |
Produced by
| Sandy Howard | ... | executive producer (as Sanford Howard) |
| Alan Levine | ... | associate producer |
| Robert L. Rosen | ... | producer |
Music by
| Barry White | ||
Cinematography by
| Philip H. Lathrop | ||
| Charles Rosher Jr. | ... | (as Charles Rosher) |
Editing by
| Stanley E. Johnson | ||
Casting By
| Eddie Foy III | ||
Set Decoration by
| Cheryal Kearney | ||
Costume Design by
| Ray Summers | ... | (as Raymond H. Summers) |
Makeup Department
| Bernadine M. Anderson | ... | makeup (as Bernadine Anderson) |
Production Management
| James H. Brown | ... | unit production manager |
Second Unit Director or Assistant Director
| James H. Brown | ... | assistant director |
| Jay Daniel | ... | second assistant director |
Art Department
| Donald B. Nunley | ... | property master (as Donald Nunley) |
Sound Department
| Bud Alper | ... | production mixer |
| Richard Portman | ... | re-recording mixer |
Camera and Electrical Department
| Frank P. Flynn | ... | key grip (as Frank Flynn) |
| Calvin Maehl | ... | best boy electric |
| Ross A. Maehl | ... | chief electrician |
Location Management
| Robert Monosmith | ... | location auditor |
Music Department
| Gene Page | ... | conductor |
| Barry White | ... | music & lyrics by |
| Gene Page | ... | music arranger (uncredited) |
Script and Continuity Department
| Cynnie Troup | ... | script supervisor |
Additional Crew
| Eddie Kafafian | ... | assistant to producer |
| Erika Koppitz | ... | production assistant |
| Arthur Thomas | ... | creative and technical consultant (as Dr. Arthur Thomas) |
Thanks
| Margaret Bott | ... | the producers wish to extend their grateful appreciation to |
| Floyd Courville | ... | the producers wish to extend their grateful appreciation to: St Vincent's Center |
| Kermit Courville | ... | the producers wish to extend their grateful appreciation to |
| D.K. Lack | ... | the producers wish to extend their grateful appreciation to: the Galveston Police Department (as Police Chief D.K. Lack) |
| Howard Picard | ... | the producers wish to extend their grateful appreciation to |
| Warren Skaaren | ... | the producers wish to extend their grateful appreciation to: the Texas Film Commission |
