it is special. for atmosphere, music by Tiberiu Olah, the mark of Malvina Urșianu universe, acting. and, for the performance of Beate Fredanov in a extraordinary role, an old lady, in original form of script from Russia, after censor intervention, from Bretagne , short reflection of story essence. her presence is touching not only for the symbolic confession but for the fact than it is first role from a short actress career of this theater teacher. the film can be a love story, a self definition in deep crisis period of a man, image of return to roots and time passing and the present as isle, too far to be peninsula of past, too short to suppose a future. at first sigh, it can be one of a direction for Romanian cinema. a form of self definition of director, exercise to avoid the propaganda pressure. a film about need of the other and truth coldness, about last way and new silhouette of Ulissses, it is one of touching demonstration of force, sensitivity and use of delicate nuances from an original director and her manner to define reality as clay for art.
