G | | Comedy, Musical
Four socialite old friends unexpectedly clash, and switch partners during a party and attempt to make each other jealous.
Burt Reynolds's first big screen musical. The Best Little Whorehouse in Texas (1982) would be the second (and last).
Man at Racetrack:
Dames don't belong down here!
Elizabeth: Ah, go suck an egg!
The Camera begins on a silver music box on which rest bas-reliefs of the 4 principals, they dance to a song and then the camera pans around Kitty Kelly's sumptuous black-and white art deco penthouse.
TV version was re-edited and reworked by director Peter Bogdanovich and runs three minutes shorter than the theatrical release.