Barry Lyndon (1975)

PG   |    |  Adventure, Drama, History


Barry Lyndon (1975) Poster

An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England.

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8.1/10
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  • Ryan O'Neal and Godfrey Quigley in Barry Lyndon (1975)
  • Marisa Berenson in Barry Lyndon (1975)
  • Marisa Berenson and Ryan O'Neal in Barry Lyndon (1975)
  • Marisa Berenson in Barry Lyndon (1975)
  • Stanley Kubrick directing "Barry Lyndon"
  • Barry Lyndon (1975)

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Cast & Crew

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Director:

Stanley Kubrick

Writers:

Stanley Kubrick (written for the screen by), William Makepeace Thackeray (novel)

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18 May 2007 | G_a_l_i_n_a
10
| "… good or bad, handsome or ugly, rich or poor, they are all equal now".
The beauty, the depth, and the mystery of this film are unsurpassable - what Kubrick was doing with light is just a miracle. Special lenses were designed to shoot interiors and exteriors in natural light. In one scene Barry (Ryan O'Neil) was having a dinner with a German woman who was feeding her baby and the candle light made the whole scene look like a Caravaggio's painting. This is just one of many scenes. Each of them is perfection and harmony. Costumes and sets were crafted in the era's design. Age of Enlightenment with its gallantry, wars, and duels, had been recreated in the film with the precision of the celebrated landscape and portrait masters of the period such as Thomas Gainsborough; Sir Joshua Reynolds, founder of the Royal Academy of Arts; George Romney to name just a few. If nothing else, watching BL is pure aesthetic delight - and there is one man who responsible for it, Stanley Kubrick. If ever divine film was made, "Barry Lyndon" was it and Kubrick could've quoted the Bible - "God looked at everything he had made, and he found it very good".

I've read the comments and articles that call "Barry Lyndon" cold, slow, boring, "the collection of pretty pictures', "flawed" masterpiece, and the most ridiculous one, "glittering ornament with a hollow center". I simply can't understand it. "Barry Lyndon" is the most compelling and compassionate realization of the inevitable finality of everything in this world which was presented by the visionary director with elegant sensual melancholy. Stanley Kubrick known for his detached, seemingly remote and non-sentimental style chose to reach out to his viewer directly during the epilogue, "It was in the reign of George III that the aforesaid personalities lived and quarreled, good or bad, handsome or ugly, rich or poor, they are all equal now". I don't recall any other movie that would illustrate the old wisdom, "everything will pass" in such sublime and deeply moving way.

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