A mixed bag of tones runs through this gangster picture, veering from comedy to violence and pathos and back again. The mix doesn't always work, but makes for some good scenes here and there. Palance is effective, even subdued more than he often was during the era, and he's backed up by some talent (the always underused Carol Lynley, Adam Roarke, etc.) Obviously not well remembered, but possibly worth a look.
Add a Review
-
fs318 November 2000
-
Boy_with_no_name13 December 2005In this comic book style gangster flick Jack Palance gives a good but sometimes dreamy performance.He was definitely a great performer and by the end of the movie you do find his character admirable.The film suffers from the fact that the director instead of making a full scale dramatic gangster epic(The Godfather,Part-II etc.),well at least he could've tried instead whenever the plot thickens, an idiotic comedy scene or a parody of a violent scene ruins the whole feel.The supporting cast is o.k. and so is the screenplay.A special mention should be made for the art design which is pretty authentic.
The most beautiful shot comes near the climax when Palance's character get's out of his car and walks into his club.
Nearly O.K. but nothing special. -
wes-connors24 April 2010"This is a tongue-in-cheek crime melodrama that became a 'Late Late Show' fixture in the 1980s," according to the DVD sleeve, "Jack Palance plays Vic Morono, a high-ranking Prohibition-era mobster with a weakness for women who is waging an ongoing war with rival hoodlum Chico Hamilton (Warren Berlinger). Vic falls for gorgeous blonde Wendy (Carol Lynley). The film's title refers to the name of his speakeasy, and to his gang, which consists of himself, Wendy, and a brace comic-relief hoodlums."
"The Four Deuces" opens with cartoon credits, and attempts a stylish comic strip look. Expecting some wit upon seeing the name Don Martin in the credits will drive you stark raving nuts - this is not the cartoonist who worked for "Mad" magazine. Light bondage and female flesh scenes might have upped ratings for those 1980s "Late Late Show" airings. Perhaps most notable is the that Ms. Lynley and Mr. Berlinger worked much more memorably together in the stage and film versions of "Blue Denim".
*** The Four Deuces (1/76) William H. Bushnell ~ Jack Palance, Carol Lynley, Warren Berlinger, Adam Roarke -
rmt12428 February 2006This is one of the worst movies I have ever seen. Palance totally overacts; and that is the best thing I have to say. The tone of the movie is all over the map and the dramatic parts are not dramatic and the forced comedic scenes are actually the best dramatic parts of the movie. It is so bad, you can't even make fun of it (believe me- we tried). Overall, it was truly painful. The only reason to watch this movie is to see martin kove at his best, unless you like watching people chew- Palance et al. seem to have some cud in their mouths the entire movie- maybe it was aspirin to overcome the pain of making the movie!
-
Wizard-82 April 2013In the 1970s, I am pretty sure that regular movie producers didn't think seriously about casting Jack Palance in a movie with comic elements. But that didn't stop Menahem Golan and Yoram Globus doing so in this early effort by them. Actually, the movie is a mix between seriousness and comedy, and as you can probably imagine, the end results are a real mess. Seeing people get graphically killed along with other acts of violence does not mix well with the movie's stabs at goofy humor. But there are further problems with this exercise. The low budget was apparently almost all spent on renting antique cars and props, because the set design is often something you'd see in a high school play. The biggest problem with the movie, however, is how incredibly boring it is. It won't take long for you to start nodding off and having no interest in these uninteresting characters.
-
dbborroughs26 July 2010Really odd gangster film in a way that some 1970's films were this garish neon comic book spoof concerns warring gang leaders, their gangs and the night clubs they operate out of. There are songs, shoot outs, a comic book style of getting things from place to place and a mix of comedy and drama that never works. The film stars Jack Palance in role that allows him not so much as chew scenery but eat it whole. Its a weird film that is neither fish nor fowl. My over riding thought while watching this was "this isn't very good". Actually its not any good. I would take a pass even if you can get it cheaply as I did since its time you'll never get back
-
bombersflyup31 July 2020The Four Deuces lacks purpose and is overall dull.
I don't mind Palance's performance as the boss, or Lynley in the scenes with Palance. Everything else though, silly and there needs to be more to it than caricature mob rivalry. The reporter, just nothing and the other mob boss woeful. Not a fan of the fast forward skit shootout either. -
Bunuel197617 November 2006Yet another jokey gangster film which proliferated the screens in the wake of BONNIE AND CLYDE (1967); the ragtime score, then, is clearly inspired by the recent success of THE STING (1973).
It's evidently cheaply made and pretty bad overall but, I guess, harmless enough; still, virtually the only thing of interest here is the film's comic-strip look, complete with captioned descriptions during transitions.
Jack Palance (another film I watched as a tribute to him - renting this one would certainly not have been a priority otherwise!) mercilessly chews the scenery as one of two warring gang bosses. -
caa82114 October 2006When I was a kid in Ohio, I had a good friend whose parents had a well-decorated house each Christmas season. But their neighbor, a couple of doors away, had one of those displays with hundreds of lights - on the house, trees, shrubs, along the long driveway, etc. There were figures on the roof and in the yard yard, and the owner spent hundreds - if not thousands - of dollars each year, not including massive utility bills. These were really nice homes, and the man could well-afford it.
Across the street, lived a top personality from one of the radio stations, with the most popular afternoon program, and his specialty was very funny and clever comedy. He did absolutely nothing to his home, except to post a well-painted, large sign in his yard, which said, "Please see our display across the street!"
I thought of this as I watched this flick - the second of a double-feature which our PBS station has, featuring older movies, each Saturday evening. "The Defiant Ones," a truly great film was first, and then this one followed.
In the same vein as the DJ I referenced above, I would only paraphrase by saying: "See my comment under the heading "rmt124" in this section!" -
The film opens with a clever looking take off on the popular Dick Tracy comic strip, and by the time you're a few minutes into the story you're left wondering whether this is supposed to be a gangster flick or some parody thereof. Comic style captions appear throughout and there are a couple of up-tempo scenes that don't fit in with the general tone of the picture, which basically has two rival gangs facing off against each other in the early Thirties. Jack Palance and Warren Berlinger are the opposing mobsters, taking turns at brutalizing their opposition, but they had almost a cordial relationship with each other in person, which skewed the dynamic of the picture for me. In other words, this wasn't "The Godfather".
Say, remember that scene when Vic Morono's (Palance) 'deuces' blow up and set fire to Chico's (Berlinger) Hi-Hat Club? The place was totally renovated and back in business the very next day! Even the Coca-Cola sign was shiny and brand new. You know, when you stop and think about it, Coke's presence in just about any film you could watch means we're paying for a lot of brand placement with every Coke we buy.
The surprise of the picture for me was seeing H.B. Haggerty in his role as the Deuce of Spades, Mickey. I remember him from his pro wrestling days back in the Sixties; the H.B. stands for 'Hard Boiled'. Haggerty utilizes his wrestling skills near the end of the picture when he winds up shooting himself in that tussle with reporter Timmons (Adam Roarke). He falls face down to the floor, and just before he hits he uses his 'dead' arms to brace his fall.
I recently caught Palance in his very first starring role, also portraying a gangster in 1950's "Panic in the Streets". He looked like a gangly young actor with very limited range, and even though 'Four Deuces' is no prize, you can see how he improved over time. It's too bad the same thing can't be said for some of his pictures; I guess a paycheck is a paycheck. -
mark.waltz5 November 2021I give this film an extra point for an attempt at cleverness which ultimately failed because this film has no idea what it's supposed to be. Is it a crime drama? Action film? Parody? I'm not going to waste time on trying to describe the plot because all you've got is Jack Palance and an evil psychotic laugh, and basically that's the extent of his career of the 1960's into the 1980s before he had a surprising comeback. The Dick Tracy like credits gave me some promise, but even before the credits were over, I was annoyed with its Wackadoo theme song played over montages of mob hits.
This is just 90 minutes of that with a goofy attempt at comedy that makes "Bugsy Malone" seem adult. Obviously some film producer got their hands on a bunch of classic automobiles and foot suits and decided to toss together a script of mob violence done in the most inane unfunny way that its supposed to be slapstick. Outside of Palance and Warren Berlinger, I've never heard of any of the people in the test, and they are the typical cliched characters that you've been seeing Envy crime films since the beginning of sound. You've heard of Scarface? This is scar script. -
BandSAboutMovies19 November 2023Vic Morano (Jack Palance) owns the speakeasy nightclub The Four Deuces while also being in the middle of a war with rival businessman Chico Hamilton (Warren Berlinger). The Four Deuces are his soldiers Chip Morono (Giani Russo), Mickey Navarro (Hard Boiled Haggerty) Ben Arlen (Johnny Hamer) and Smokey Ross (Martin Kove).
This has a lot of comic book in it, from the look of the opening introductions to Vic reading a Batman comic book years before Palance would play Carl Grissom.
This was produced by Menahem Golan and Yoram Globus after they made Lepke. Sam Firstenberg was a set decorator. Nick Dimitri, Gianni Russo, Vincent Di Paolo, Lany Gustavson and Warren Berlinger were part of both movies and this was a production of both Cannon Pictures and Golan-Globus Productions.
Director William H. Bushnell also made Prisoners and writer Don Martin had been writing since 1947's Lighthouse. C. Lester Franklin, the other writer, only worked on this movie.
Carol Lynley is Vic's lover Wendy Rittenhouse and Adam Rourke is reporter Russ Timmons, who becomes part of Vic's gang and also Wendy's lover. It's strange movie because it feels like a comic strip in look only, as the story itself doesn't feel like it matches the visual of the movie.
It also tries to be a comedy with sped-up slapstick scenes that also don't feel like they should be in the same movie. But it is one of Carl Weathers' first movies and the only theatrical movie that Palance appeared in with his daughter Brooke.