Graveyard of Honor (1975)

  |  Action, Crime

Graveyard of Honor (1975) Poster

A self-destructive man becomes a powerful member of the Japanese mafia but quickly loses his self control. Based on the true story of Rikio Ishikawa.

Add this title to your Watchlist
Save movies and shows to keep track of what you want to watch.



  • Graveyard of Honor (1975)
  • Graveyard of Honor (1975)
  • Graveyard of Honor (1975)
  • Graveyard of Honor (1975)
  • Graveyard of Honor (1975)
  • Graveyard of Honor (1975)

See all photos

More of What You Love

Find what you're looking for even quicker with the IMDb app on your smartphone or tablet.

Get the IMDb app


1 win.

Reviews & Commentary

Add a Review

User Reviews

24 April 2007 | JoeytheBrit
30 Years of Madness
Kinji Fukasaku's mid-70s faux-biopic of a sociopath Yakuza gangster in late-40s Japan is certainly an absorbing experience, even if it never quite manages to immerse the viewer entirely in the nihilism of the world in which Tetsuya Watari's Rikio Ishikawa exists. It's difficult really to determine whether Fukasaku is trying to attract or repulse us here and, for me, this is the film's main weakness. Ishikawa has no redeeming features: he's simply a crude, boorish rapist and murderer who invokes unexplainable loyalty in those around him. There is some amusement to be found in the bewilderment of Ishikawa's Yakuza superiors, who don't seem to know quite what to do with the loose cannon in their midst (presumably something in the Yakuza code prevents them from simply taking him into a back alley and shooting him like a dog) but, for all its kinetic energy and undeniable style Graveyard of Honour mostly fails to fascinate, and fascinate it must – the way a caterpillar squirming on the end of a pin fascinates – if it is to hold an audience who can feel little or no connection with its main character.

Despite these criticisms, the film is never dull. Fukasaku is an unsurpassable director, completely confident of his skills, totally focused, and unafraid to adopt subjects and styles that must have seemed out of the ordinary at the time. It's to his credit that most of the techniques he uses in this film are still widely used today – especially by US gangster flicks. Fukasaku fills the screen with people in this one, countless people, hundreds of them, conveying the raucous and claustrophobic overcrowding of a country recovering from a bruising war. And while attention to period detail is perhaps not this film's strong point, this shortcoming is overcome by good use of sepia tones to reinforce the sense of history.

Critic Reviews

More Like This

  • Cops vs Thugs

    Cops vs Thugs

  • Graveyard of Honor

    Graveyard of Honor

  • Street Mobster

    Street Mobster

  • Battles Without Honor and Humanity

    Battles Without Honor and Humanity

  • Sympathy for the Underdog

    Sympathy for the Underdog

  • Under the Flag of the Rising Sun

    Under the Flag of the Rising Sun

  • Hiroshima Death Match

    Hiroshima Death Match

  • Proxy War

    Proxy War

  • Yakuza Graveyard

    Yakuza Graveyard

  • Police Tactics

    Police Tactics

  • The Boss's Head

    The Boss's Head

  • Final Episode

    Final Episode

Did You Know?


Plot Summary


Action | Crime

Jared Harris Admits He Cried During 'Legally Blonde 2'

"Chernobyl" star Jared Harris takes our "Take 5" challenge, revealing the movie he thinks is basically perfect, the '80s hit he still hasn't seen, and more.

Watch now

Featured on IMDb

See what TV shows editors are excited about this month and check out our guide to Star Wars, video games, and more.

Around The Web


Powered by ZergNet

More To Explore

Search on