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  • Early in John Woo's career as a director in Hong Kong, he had the auspiciousness to direct three of the seven fortunes in Yuen Biao, Jackie Chan and Sammo Hung in their first movie together Hand of Death (1976: Chinese Title literally means Shaolin Gate) though much was not made of this at the time because they were all struggling to make a career. They have yet to work together again in such a capacity though they have said nothing but kind words about each other since. An interesting point, in hindsight, is that the star of the film is none of the three (it is hard to spot Yuen Biao as his role is of a stunt double and bit actor) but Korean export and Tae Kwon Do expert Dorian Tan Tao-Liang.

    Dorian Tan Tao-Liang stars as Yun Fei a Shaolin trained fighter looking to find Zhang Yi (John Woo) and escort him through White Stone town and across the White River. Zhang holds a map of all Qing bases in the Guangdong and Guangxi provinces in southeast China. He can get a hold of Zhang by contacting pupil Chiu Guo. However, when he is found, he has already been arrested and ready to be beheaded by the Manchus led by a traitor of the Shaolin Shih Xiaofeng (ubiquitous bad guy James Tien: Fearless Hyena, Winners and Sinners) who has taught himself White Crane Soul Chaser Style (he is the titular Hand of Death). Even though his Kung Fu is superior, he has the additional help of Eight Bodyguards with different styles and two top ranking guards in Smiling Fox and Du Ching (Sammo Hung who also does the stunt coordination) whose overbite is quite preposterous and resembles a "hopping vampire" though he is trained in tiger and crane styles.

    Yun Fei gets the assistance of a woodcutter Tan, who helped him earlier to get past a roadblock and dispose of a body (a true friend helps you get rid of a corpse). Tan's elder brother was killed by Shih's men. Tan also obtains the help of "The Wanderer" (Yeung Wai) an expert swordsman who accidentally killed a prostitute he was in love with also because of Shih and would have given up his sword for good if it was not for Yun. These men will help Zhang Yi get across the river to get the plans to help once and for all defeat the Qing Empire and restore the Ming Dynasty (the plot of the Qing Dynasty as bad guys is one of the staples of Hong Kong martial art movies like Heroes Two, Royal Tramp and Iron Monkey).

    Many will have bought, borrowed or rented this movie because of the presence of Jackie Chan. He originally was only supposed to have a stunt man role (helped hired onto the film by his "big brother" Sammo Hung) but as John Woo found one of the Korean actors lacking in the physical department, he replaced his part with Jackie Chan and expanded his role according to an interview with Lee Server in "Asian Pop Cinema" he stated he "changed the whole script to focus more on him and show his great skill." though there might be some fraudulent hindsight with that statement. Jackie originally had been the stunt coordinator for Woo's first film Young Dragons (1975) that came out a year earlier. Jackie did get hurt on the film, getting knocked unconscious after being pulled by a cable while being kicked by Dorian Tan and landing and hitting his head on a rock (though this would not be as bad as his most famous accident in Operation Condor where he almost lost his life).

    Others might watch this because it belongs in the oeuvre of John Woo. It is still very early in his career (his fourth film in two years of being a director), but you can see traces of his talent. There are some nice hand-held scenes, a little use of slow motion and hints of "heroic bloodshed" elements (though this would come to blossom in Last Hurrah for Chivalry (1979)) like an early scene when Jackie Chan and Dorian Tan first meet which seemed to hint a certain homoerotism (or else those were some of the most strange smiles I have ever seen), but then failed to capitalize on it later in the film.

    Overall, this is a decent, yet unspectacular film. The direction is solid, yet it does not feel like a John Woo directed movie. The scenery of the Korean hillsides is absolutely beautiful and helps makes this movie easier to watch. The story is mediocre, but not too many glaring holes in the story. The Kung Fu ability is give or take. The kicking of Dorian Tan is beautiful to behold, his punching ability and forms are good but not great. Jackie Chan is also awesome with his fighting and you get to see him use a spear the Little Eagle God Lance as it is called in the film (which that and the staff are the traditional weapons that Jackie is best with). The highlight fight scenes of the movie are when Jackie fights several of the Eight Bodyguards and later when Dorian fights Sammo. The latter is especially impressive because of Sammo's willingness to hurt his body to make Tan look good. James Tien is not much of a martial artist, though his acting if fine as he is the consummate Hong Kong bad guy, so his hand-to-hand combat scenes are a bit pedantic though he has one scene wielding a sword that was good.
  • The Hand of Death aka Countdown in Kung Fu (1976) is a vastly underrated early work by director John Woo. The film stars Dorian Tan (Tan Tao-liang) and features Jackie Chan, Sammo Hung and James Tien in significant supporting roles. Many people believe, or have been lead to believe by deceptive advertising, that this is a Jackie Chan film. This is not a Jackie Chan film, Dorian Tan is the star but Jackie gives one of his best (most serious) early performances.

    The Hand of Death is about a Shaolin disciple named Yunfei (Tan) who is sent on a mission to assassinate a Shaolin traitor named Shih Xiaofeng (Tien) and protect a revolutionary named Zhang Yi (Woo). Along his journey Yunfei meets up with a young woodcutter named Tan (Chan) and a disgraced sword fighter (Chang Chung) known as "the wanderer." Both men have suffered at the hands of Shih and want to take revenge. The three team up to defeat Shih and his eight bodyguards and escort the revolutionary to safety.

    The martial arts action is above average under the direction of Sammo Hung. Dorian Tan uses his trademark high kicks very effectively as the "Northern eighteen styles kicks" along with some "Southern five styles boxing." Sammo Hung and Jackie Chan provide excellent martial arts performances as well. James Tien is not the greatest martial artist on the Jade screen but does an acceptable job. Some of the early fights are a bit slow and seem over choreographed but the final showdowns featuring Chan, Tan and Hung are very good.

    Director John Woo provides plenty of interesting character development in the film, which is refreshing. The cinematography by Leung Wing Kat is very stylish, unique and beautiful for a kung fu film of this era. Joseph Koo's music: a combination of soft flutes and 70's "Shaft" style orchestral pieces is kung fu cinema at its best. Hand of Death is not Jackie and Sammo's usual kung fu comedy. Hand of Death is a serious, straightforward revenge driven story.

    Hand of Death aka Countdown in Kung Fu is an underrated classic in the old school kung fu genre. The film is one of the best artistically of its time and a preview of the great things to come from Jackie Chan and Sammo Hung. Hung's great choreography is put on display here before his directorial debut and Chan's early charisma and talent can be clearly seen.

    Hand of Death is a solid, stylish old school kung fu film and a brilliant early work of the legendary John Woo.

    Kung Fu Genre Rating 7.5/10

    Wanderer to Tan (referring to his new weapon): "The Little Eagle Wing God Lance."

    Tan: "Just a knickknack."
  • Old-school martial arts 'classic' Hand of Death has a rather formulaic 'men on a mission'-style storyline, its high-kicking hero Yun Fei (Tao-Liang Tan) teaming up with several other skilled fighters to deal a blow to the evil Ching dynasty by killing traitor Shih Shao-Feng (James Tien), while protecting a revolutionary named Zhang Yi, who is carrying a map vital to the anti-Ching cause.

    But although the plot isn't all that inspired, the film will undoubtedly still prove of interest to avid Hong Kong movie/kung fu fans thanks to its director, Wu Yu Sheng, better known as John Woo, and the involvement of several performers who would go on to be major players in the Asian martial arts movie scene, most notably superstar Jackie Chan, who appears in a supporting role as vengeful brother Tan Feng, and Sammo Hung (sporting hilarious fake buck teeth) as Ching henchman Lord Du.

    Eagle-eyed viewers may also spot Yuen Baio as the guard killed with an arrow by Shih Shao-Feng, and Yuen Wah (my favourite martial arts villain of the 80s) as a bodyguard. I didn't.

    As far as the action is concerned, Woo handles his fight scenes competently but with few of the stylish touches that he would later become known for (there's minimal use of slo-mo and absolutely zero doves in churches). The martial arts involves a variety of styles and weaponry, enough to ensure that boredom never sets in, but in the end it won't be the fighting that most people will remember this film for, but rather the burgeoning talent involved.

    6.5 out of 10, rounded up to 7 for Sammo's teeth.
  • Made during the martial arts period of his career, John Woo came up with one of his best films from this early Woo era. The story is about the Shaolin Temple who sents a young warrior who murder a traitor who has killed many of his compatriots. Shao Lin Men/Hand of Death(1975) features one of the early and most impressible performances from future Hong Kong action hero, Jackie Chan. Sammo Hung also appears as one of the main villains. The main actor Tao-Liang Tan has faded out of the Hong Kong film scene after appearing in this movie while Chan and Hung would go on to become big stars.

    Bruce Lee co star, James Tien makes a memorable turn as the main villain. The last twenty minutes is the film's golden moments. The fight scene in the beach would be repeated by John Woo in both Heroes Shed No Tears(1985) and Mission:Impossible 2(2000). Uses many themes that would become popular in the director's heroic bloodshed pictures. The story of Shao Lin Men(1975) interestingly enough is reused in Mission:Impossible 2(2000).
  • phanthinga11 December 2017
    Before the era of heroic bloodshed John Woo the master of gun-fu make some martial arts movies and the one i particular interest in is The hand of Death starring Jackie Chan and Sammo Hung.The movie is quite genetic with a plot has been done many time before and even when it featuring a young Jackie Chan he not even the main character.Fan of old school martial arts will enjoy this movie
  • Funny how most of the DVD covers for "Hand of Death" has Jackie Chan all over it, despite him only having a supporting role in the movie. But his face sells.

    Regardless, then "Hand of Death" is one of the more interesting movies to Jackie Chan's impressive movie list, prior to making it on an international scale.

    The story in "Hand of Death" is fairly simple, yet straight to the point. It is a story of revenge and for the downtrodden to stand up against their oppressors. The story doesn't really leave much to the imagination and requires absolutely nothing from your intellect. This is straight from point A to point B; and beating up everyone in between these two points.

    The fight sequences were good, although some of them were painfully choreographed, where you saw the opponents, just waiting for the kick or punch to be thrown. And, of course, the sound effects here are hilarious - as they tended to be in many of these old action movies.

    Tao-liang Tan was doing quite a good job in this movie, and it wasn't Jackie Chan who was in focus in this movie. As much as Sammo Hung Kam-Bo used to make great movies back in the day, then the buck-teeth he had to wear in this movie was just a bit too over the top. It was also good to see Wah Yuen in the movie, despite a very small and brief appearance only, not to forget about Biao Yuen as well.

    "Hand of Death" is well worthy of a place in the movie collection of anyone who is fan of martial arts movies (or Jackie Chan's movies). This is simple, yet entertaining entertainment.
  • Warning: Spoilers
    Well this movie has a few firsts and a few unique qualities about it, but as far as that, it has little else. It is Jackie Chan's first movie (at least according to Microsoft's Cinemania, and I will leave it up to you to whether it is to be considered a legitimate source) and it is the only movie in which Jackie Chan has worked with John Woo. It is John Woo's third movie, and as such we cannot expect that much out of it. In fact, compared to his later masterpieces, this is a fingerpainting. It is also the only movie where Jackie Chan has been killed on screen.

    Basically an evil emperor is banning all Shou-lung warriors and one particular warrior has betrayed the order and has joined the emperor. The monks are being slaughtered but one escapes and vows vengeance. He tries to sneak into the order but he is found out and swiftly beaten, but he manages to escape, builds up his force, and then returns to kick butt.

    The plot is basic and has no interesting character developments and interactions as the later Woo movies, though one of the characters refuses to fight because he accidentally killed his mistress. This struggle is not developed though as he is found, talked to, and convinced to take up arms again.

    The cinematography is really bad, and I can see why they say that you not use the zoom in professional film-making, namely because it looks very bad. This movie does not have any of Woo's dazzling camera effects that become obvious in later movies, nor does it focus on minor things that bring out the characters more, but it does show a side that we rarely see, and that is that a great filmmaker must come from somewhere.

    Though it is not the best, it is a start for somebody who goes on to become a famous, and much admired film-maker. It goes to show that just because you begin by making bad movies, that you will not go anywhere.
  • Warning: Spoilers
    When Golden Harvest first released this movie, no one knew who director and writer Wu Yu-sheng, actor Chen Yuen-lung or fight choreographer Hung Chin-pao were.

    Today we know them as John Woo, Jackie Chan and Sammo Hung.

    After Shih Shao-Feng (James Tien), a traitor to the Shaolin eliminates thousands of their number for his own power, a surviving Shaolin master named Yun Fei (Tan Tao-Liang) has one goal. Revenge.

    The problem is that he's going up against an army - and Tu Qing (Sammo Hung) - all by himself. He's already lost one battle against Tu Qing and his extended iron claw technique. Saved by a blacksmith by the name of Tan Feng (Jackie Chan), and soon joins forces with a swordsman named Zorro (Yang Wei) who has refused to draw his weapon since he accidentally killed a lover.

    You can see the influence of Chang Cheh on Woo, as he allows us to get to know every single hero so that their heroic sacrifice means something at the end of the movie. The action is great in this, giving you an idea of the magic that Woo would bring in the 80s, as well as the loyalty between violent men, another theme that continually comes up in his movies.

    It's interesting to see Woo tackling a traditional Hong Kong film, one about the Shaolin Temple, the brave warriors who defend it and the cruel ones who attempt to tear it down. Tao-Liang Tan fights literally armies of people in this all by himself and looks great doing it. Credit for the fight choreography goes to Hung, who also has to wear a ridiculous set of teeth.
  • From the 'Golden (Harvest) age of kung fu comes this old school period style film from a bunch of young guns lead by director Wu Yu Shang (later to become famous as John Woo) featuring Tao Liang Tan (Dorian Tan) James Tien, Chan Yuan Lung (Jackie Chan), Hung Kam Bo (Sammo Hung) and Biao Yuen (Yuen Biao). Good solid stuff with Woo adding some touches of class with some nice scenic shots wrapped around the usual broad brush story and frequent action. Being 'old school' means the action is generally rather contrived and stiff, two guys going through a set series of moves and counters in a kind of rythmic dance, but it seems to improve as the movie progresses (either that or this viewer became less discriminating). A taekwondo champion in Korea, Tan was renowned for his outstanding high kicking technique, which is impressive, however he's not much of an actor and nothing special to look at. James Tien is far more charismatic in the lead villains role, with Hung providing trademark support as a semi comedic henchman. Jackie Chan fills one of the two main friend of the hero roles and gets a couple of spots to show his wares, including what may be the best fight sequences in the film, as one of his adversaries has the most interesting weapon in the movie, a sort of sword blade on the end of a chain. Yuen Biao has a minor role, but was mainly on hand to act as stunt double for the two leads apparently If pre Bruce Lee 70s kung fu is your bag, then this won't let you down.
  • Fun movie! Nothing too deep or something you haven't seen before if you've seen a few Martial Arts or Shaoli, flicks (revenge isn't a dish just served cold but sometimes with some extra oil for the bamboo weapons), but the compositions (especially restored) are lush with color variety and intelligence, a rousing blue-tinted flashback, and a 21 year old Jackie Chan, already with a strong level of charm and dramatic presence as a performer, as a young man scorned by the sadistic villain Shih who is slowly plotting his revenge as a uh Blacksmith (and comes into the film halfway so fyi).

    If you come looking for signs of the John Woo we know today it isn't all that remarkable (probably no extra budget for the birds), but at this time he simply had to show he could handle an ensemble and get good fights on screen, and he does that with rigor and energy and, to be sure, a helluva lot of snap-Zoom. And, you know Woo already naturally, under the control of the studio, a keen and witty visual sense at this stage of his career when, in the flashback where "The Wanderer" beds the female guest, he cuts from the shot of the naked woman in that sexual repose to the shot of the sword that pans from hilt to tip.

    Just the thing after a long, hard day - or after enduring a much lesser series of action-cinema images (like Fast X).
  • Review: For a movie that was made in 1976, the quality is brilliant and the vibrant scenery and amazing landscapes were great. The movie doesn't look dated at all but you can tell how old it is when you see the young Jackie Chan and skinny Sammo Hung, with some strange looking teeth. I was expecting hard hitting action from this John Woo movie but I was quite disappointed. You can tell that the actors knew exactly were the next hit was coming from and it all seemed a bit slow. The storyline was quite good and most of the actors put in a decent performance but the main character really needed to loosen up a bit. Anyway, an ex-Shaolin student, Shih (James Tien), leaves the temple and creates his own clan called the Manchu. He then sends his army to destroy all of the Shaolin members, including the master but there are still a few members left, who are in hiding. Yun Fei (Tao-Laing Tan), who is the most promising Shaolin student, goes on a mission to kill Shih but he knows that he can't do it alone because he is heavily guarded by the Manchu army, led by officer Tu Ching (Sammo Hung), who was also an ex-student at the Shaolin temple. Yun Fei recruits Tan Feng (Jackie Chan) who is seeking revenge after the Manchu killed his brother. He also recruits a brilliant Swordsman who is also seeking revenge after the Manchu killed his girlfriend. They then go into hiding and they plan the perfect attack to kill Shih and destroy the army. Its a well put together storyline which is pretty intense throughout but the action scenes really did let the movie down. There isn't any silly comedy throughout the movie, thank God but the sound effects were pretty bad during the action scenes and some of the fighting seemed to go on forever. With that aside, I have seen worse Kung Fu movies and I was quite impressed with Jackie Chan and Sammo Hung. On the whole, it's a watchable movie which won't go down as a classic but it's still quite enjoyable. Watchable!

    Round-Up: This is the 4th major release from John Woo, 69, who has become famous for his detailed action scenes and unique gun movement styles. He first came to light back in 1986 with A Better Tomorrow I & II, which was a worldwide hit and then he hit the big screens again with The Killer, Bullet In The Head, Once A Thief and Hard Boiled, which made Chow Yun Fat a household name. He then started to make films for the western market, like Broken Arrow and the great Face/Off. In 2000 he made Mission Impossible II, which does have some impressive action scenes and he made Windtalkers, with Nicolas Cage and the poor Paycheck with Ben Affleck. In 2008, he went back to his native country and released Red Cliff I & II and he seems to have gone under the radar since then. For the time, this movie was a great achievement as there wasn't any special effects or fancy camera equipment but you can definitely see a difference in his work today. Personally, I think that he is definitely one of the best action directors because of his unique style but now that he has been out of the picture for some time, I can't really see him coming back to the Western market anytime soon.

    I recommend this movie to people who are into their action/martial arts movies starring Jackie Chan, Sammo Hung, Biao Yuen, James Tien, John Woo and Wah Yuen. 4/10
  • I Bought the Hong Kong Legends DVD and this movie is pure classic. The choreography is excellent, the acting is brilliant and the storyline is also great. This early John Woo movie stars Dorian Tan as the good guy and has an supporting appearance from Jackie Chan as a blacksmith who was a Shaolin disciple. The structure of the fight scenes in the last half-hour showdown were later used in films such as Mission:Impossibe Part II.

    The two flaws this movie has is the fight scenes are shot at awkward angles, making them look fake. The other flaw is that a real Shaolin disciple would not want revenge. In Buddhism, suffering is caused only by want and any real Shaolin disciple should already know this, therefore I rate this movie 8\10 stars.
  • This low budget early John Woo film is a typical example of the kung fu genre, with vengeful heroes teaming up to tackle a big bad. However, it all works, and works pretty well too. The hero of the hour is Dorian Tan, who lives up to his nickname 'Flash Legs'; he's not quite Hwang Jang Lee but he's getting there. The supporting cast, which features Jackie and Sammo in early supporting roles, is excellent, although I had a hard time spotting the Venoms! The decent action is interspersed with the convential plot and Woo's direction is expansive with a good use of editing and depth.
  • There's nothing much to say about this film except that it was a typical and straightforward Shaolin centered martial arts revenge action film, but with a Seven Samurai-like narrative.

    It was kinda draggy at parts, but overall, it's a nothing-too-special kung fu flick that is somewhat entertaining.
  • In China, the Shaolin men are hunted down by a powerful warrior who wants to rid the Shaolin men from China and puts death threats on any shaolin men found. At a remote training camp the last few shaolin men train, their best student (flash legs tan) is given the task of taking down James Tien and his reign of terror. Along the way he befriends Jackie Chan who appears as a farmer however Jackie disappears (reappearing later on).

    He arrives at the main arena (Where James Tien is) and tries to take on Tien, but fails dismally - his shaolin techniques are useless against Tien's extended iron claw. When Tien beats him, he leaves the rest to his eight bodyguards, each mastering different weapons such as swords, shields, staffs, etc.

    Half-beaten, Flash Legs Tan goes to a village and discovers Tien's men are taking apart the village and pillaging anything they can to scare the villagers into submission.

    Tan befriends two people along the way, including a brilliant swordsman who has never drawn his sword after he failed to protect his wife.

    The two men meet up with Jackie again and they convince themselves to stop Tien now or not at all and start training (which I found the best part of the film).

    The film as a whole is a good one, though pretty slow in places, the fight sequences are on a par with later movies - though expect overly long fight sequences.
  • I don't know about other people, but I don't imagine I would've come across this had it not been an early John Woo film that also happened to include Jackie Chan in small roles.

    It's interesting to see three action movie icons honing their skills, and the film as a whole is watchable, if a little dull and by the numbers in parts (the opening half or so is particularly slow).

    It gets better by the second half, and as you'd expect from a classic martial arts film, there's some pretty good action right near the end that's worth sticking around for. I'd say that as long as you go in with moderate expectations, there's enough here to make it worthwhile.
  • John Woo started his career by making comedies and kung fu movies. Jackie Chan and Sammo Hung appear in smaller(but memorable) supporting roles with James Tien as leading man. Sammo also got the gig as action choreographer, so the fights are fast and furious. This was a film for Golden Harvest, but has a Shaw Bros feel. Most notably because Woo was influenced by Cheng Cheh and appreciated his style. Visually, the film looks sharp and moves along quick with its share of fights. Overall, Hand Of Death is a pretty standard 70'kumg fu flick But it's a good one. I did enjoy this as it's a quality production. It is not quite as memorable(or as good) as The Last Hurrah For Chivalry . But I still enjoy th.is and if you like the genre, you should as well.
  • (Credit IMDb) Superkicker Dorian Tan Tao-liang plays a Shaolin student who must find a Manchu traitor responsible for the murder of the abbot. Jackie Chan is a spear fighting expert who decides to help Tan because the traitor killed his brother. Part of their mission is to help a scholar make it safely across the river without getting killed from the Manchus.

    I've been checking out Jackie's older works as of late. He's made a few gems, but a lot of stinkers as well. When I saw the cast and that this was directed by John Woo, my expectations raised significantly. This one comes with a heavy plot. It throws in some fight scenes, but in all honesty I was rather bored. The fights aren't terrible, but none of them are exciting enough to get you into the movie like you should be doing. Jackie Chan has a mere supporting role. Sammo Hung plays a cop with these laughable buck teeth. It's a waste of talent in my opinion. I had trouble paying attention to this movie because it was so boring. You may think differently.

    3/10
  • dasa10822 October 2023
    This film cannot be seen in the light of the films made in the last forty years by John Woo since it is a classic response by the Golden Harvest production company to the films of the Shaw brothers. As is usual in the films of producer Raymond Chow, there is a larger budget and this is noticeable in the locations and the extensive use of the generous Chinese geography. The story is classic as it deals with revenge for the death of the teacher by a vile and despicable traitor. What happens next is completely predictable and neither the choreography nor the cinematography stands out. I want to say it seriously; John Woo is a director who fulfills a role here but has no control of the final product. To remember is Sammo Hung's semi-funny performance that is well done (he has greater acting range than his colleagues) and Jackie Chan's important supporting role that stands out for embracing a tragic ending like Hung's and that is surely a unique case in his filmography. It is a film that can hardly be seen a second time.
  • poe4261 December 2008
    Warning: Spoilers
    THE HAND OF DEATH most definitely rates a ten on a scale of one to- due, in no small part, to John Woo's masterful direction, coupled with Kat's superb cinematography: some of the leisurely tracking shots alone are worth the price of a rental; there are moments when this one borders on becoming an art-house film. Both James Tien and Sammo Hung make for the kind of villains you can't help but love to hate. Tien is particularly good as the baddest of the bad. It's a role reversal the likes of which I don't think I've ever seen before (Tien normally played a hero and, in fact, with his moustache, I didn't even recognize him at first). Sammo's goofy "buck teeth" only make an already unsavory character seem even more flawed; that he also happens to be a skilled martial artist makes him even less likable- in a villain you love to hate kind of way. His choreography of the fight scenes throughout is fantastic. Jackie Chan appears briefly (early on and late in the going) as a blacksmith, and I believe I actually glimpsed Yuen Biao somewhere along the way. Tan as the lead is nothing less than magnificent.
  • It begins with a fight and ends with a fight. In between its a tale of revenge to be taken upon the main protagonist Shih Shao-Feng, a Manchu traitor, whilst protecting Zhang Yi, a revolutionary scholar who carries a map vital to the, anti Quin rulers, resistance.

    The headlining star is 'Fast kick' Tao-Liang Tan, with support from Jackie Chan, James Tien and Sammo Hung etc. Its the basic Kung Fu fodder of the Hong Kong 1970's films but, the fighting and choreography is very bland and mediocre. If, like me, you are fan of the 3 support actors mentioned then its worth a watch; other than that its not good viewing! From watching this you would never guess that it was the same John Woo who makes those high octane incredible guns and gangster thrillers we all love!
  • nathanathompson4 April 2009
    10/10
    Wow!
    Warning: Spoilers
    This movie is amazing. You will NEVER laugh harder. It's a target. No, I think it's...yes it's...A BOOB! This movie gets funnier by the second--like when Jackie Chan's character finally dies in his final fight scene. This movie is velly velly seekwet like treasha! Congrats if you buy or rent this. You'll never return it, in my opinion. I didn't, and I haven't found it in a store since. I watched this movie once and I was forever in love with Kung-Fu action flicks. If you're looking for an amazing film in the realm of great production value, good or even mediocre acting, and good special effects...this is NOT that movie. If you're looking for laughs and timeless wonderment, pick this up for a dollar and you'll probably never let it go. With friends, popcorn and drinks, it's the perfect evening.
  • The Hand of Death (1976) is a movie that I recently rewatched on Amazon Prime. The storyline follows the Manchu invasion of China and the decline of the Shaolin. The Manchu take advantage of the dwindling Shaolin and kill the Abbot. A student of the Abbot will set out for revenge while also helping his people during the invasion.

    This movie is written and directed by John Woo (Face/Off) and stars Jackie Chan (Rush Hour), Tao-Liang Tan (Breathing Fire), James Tien (Fist of Fury), Ching Chu (The Brave Archer 1 & 2) and Sammo Hung (Prodigal Son).

    Everything about this movie is really entertaining. The choreography is excellent and includes a nice range of hand to hand combat and weapons. Jackie Chan is amazing and easy to root for. The flashback scenes are well done and the ruthlessness of the various villains are perfectly depicted. The arrow scene really set up the final battle to perfection. The final battle is really good and the beach closing and stabbing was great.

    Overall, this was a martial arts genre gem that's an absolute must see. I would score this a 8.5/10 and strongly recommend it.