Short dramas each with a twist of some kind; across the first four seasons most of these are from short stories by Roald Dahl.Short dramas each with a twist of some kind; across the first four seasons most of these are from short stories by Roald Dahl.Short dramas each with a twist of some kind; across the first four seasons most of these are from short stories by Roald Dahl.
- Won 1 BAFTA Award
- 2 wins & 1 nomination total
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This series was on the air in the U.S. very briefly - about one year only, which is unlike the British series that lasted nearly a decade. I recall watching it, and seeing John Houseman introduce the episodes. The particular one I can recall seeing (I was on a date the night it was being shown) was shown in April 1983 and called THE MEMORY MAN. Colin Redgrave is an expert in helping people improve their memory by various ways, including hypnosis. He discovers that a new customer (Bernard Cribbins) is having problems with his memory, but also seems quite hostile to questions that Redgrave asks innocently enough. Soon Redgrave remembers that Cribbins had another name, and was involved in a violent robbery where he stole thousand of pounds. Redgrave is slowly using his knowledge of hypnosis to extract the information that Cribbins has forgotten (and so has sought Redgrave's assistance to recall). In the end neither man does too well out of the experience.
When Houseman introduced the episode, he tried to illustrate the problem of memory by shooting out one question after another. One he shot out was, "Who was the 14th President of the United States?" I amused my date by shouting out, "Franklin Pierce".
Many of the stories are by Roald Dahl, and I suspect, if they are watched, some of them would have to be compared with versions of the same stories (like "Mrs.Bixby and the Colonel's Coat") that originally appeared on Alfred Hitchcock Presents (in that case, and in "Lamb to the Slaughter", Hitchcock directed the television episodes). One wonders if the image of Hitchcock, with his plump person, and his delivery of his introduction, was behind the use of Houseman (with his plump person and delivery) as the host.
When Houseman introduced the episode, he tried to illustrate the problem of memory by shooting out one question after another. One he shot out was, "Who was the 14th President of the United States?" I amused my date by shouting out, "Franklin Pierce".
Many of the stories are by Roald Dahl, and I suspect, if they are watched, some of them would have to be compared with versions of the same stories (like "Mrs.Bixby and the Colonel's Coat") that originally appeared on Alfred Hitchcock Presents (in that case, and in "Lamb to the Slaughter", Hitchcock directed the television episodes). One wonders if the image of Hitchcock, with his plump person, and his delivery of his introduction, was behind the use of Houseman (with his plump person and delivery) as the host.
one evening my dad made me sit down and watch this show with the family and i thought what rubbish it seemed! however once i watched one episode i was hooked! ok so the storylines are silly but they are surprsingly entertaining. unfortunately granarda plus have stopped showing them!
I'd never heard of this series then one day a couple years back I noticed an episode on youtube and watched it. I enjoyed it and watched another. And another. And another. And another. And another. And.. well, you get my drift. It became like a bag of chips, you can't eat just one, your hand just keeps drifting into the bag almost without thinking when you finish one then pull out another and start on it. Eventually over about a week I'd watched all 112 (I think it was 112 total) episodes. I liked it enough to compile my own list of what I think the top 12 Tales of the Unexpected (TOTU) episodes are. They are:
The very best episode of this series is called:
"The Flypaper"
The remaining top 12 TOTU episodes are (in order):
(2) "Number Eight"
(3) "Wink Three Times"
(4) "The Open Window"
(5) "The Way Up To Heaven"
(6) "The Luncheon"
(7) "Bosom Friends"
(8) "Scrimshaw"
(9) "Nothing' Short of Highway Robbery"
(10) "Who's Got The Lady"
(11) "Back For Christmas"
(12) "The Landlady"
I have to give a shout-out to the episode titled "The Luncheon" (which I've ranked the 6th best episode of the series). When I first watched it I didn't catch all of it. I had to re watch it a couple times to realize how clever this particular episode really is.
And, really I should give a shout-out to all these great top 12 episodes. "Scrimshaw" is so so well done. "Bosom Friends" still makes me shudder with a different kind of squirmy horror, you'll see what I mean, "Nothing' Short of Highway Robbery" with its delightfully surprising ending, the fun of seeing it coming in "Back for Christmas", the creepyiness of "The Landlady", the smoothness and coolness of "Who's Got The Lady", the delightfully confusingness till the end of "The Open Window", how crazy the man is in "Number Eight", the psychological twistedness of "The Way Up To Heaven", and finally the delighfully something completely different in "Wink Three Times" that gives this episode cake its icing.
And now here is something regarding the remaining 100 episodes in the series, there was one thing I noticed about this series, and that is that clearly a full one half of the episodes, 50 percent or better of the episodes have one common theme unifying them, and that is that half of the episodes of this series feature marital strife in one form or another. This series seems to have mined that particular mine field repeatedly as it's go-to plot structure when choosing which stories to script and film for the series. Thats not a bad thing, but one does eventually get tired of watching Ma vs. Pa and Daddy fussing with Mommy and Honey Bunch rubbing Honey Do the wrong way over and over and over. In these days of marriage equality, if one had this series to study and nothing else to study in order to learn about human marriage, one might not think marriage was all that great.
Watch my top 12 TOTU episodes. I suggest you watch these top 12 episodes NOT in ranked order from the top of the list down to the bottom of the list or vice versa, instead watch them in the order they were originally broadcast and you will find its more enjoyable to watch the series mature and unfold in that much better way. So, watch them in this order:
The Landlady (1979) s1e5 - **The Landlady** Ranked #12 in the Top Twelve TOTU Episodes
The Way Up to Heaven (1979) s1e9 - **The Way Up To Heaven** Ranked #5 in the Top Twelve TOTU Episodes
Back for Christmas (1980) s2e14 - **Back For Christmas** Ranked #11 in the Top Twelve TOTU Episodes
The Flypaper (1980) s3e1 - **The Flypaper ** Ranked #1, Best Episode of the TOTU Series
Bosom Friends (1981) s4e14 - ** Bosom Friends** Ranked #7 in the Top Twelve TOTU Episodes
Who's Got the Lady? (1982) s5e17 - **Who's Got The Lady** Ranked #10 in the Top Twelve TOTU Episodes
The Luncheon (1983) s6e10 - ** The Luncheon** Ranked #6 in the Top Twelve TOTU Episodes
Number Eight (1984) s7e5 - **Number Eight** Ranked #2 in the Top Twelve TOTU Episodes
The Open Window (1984) s7e15 - **The Open Window** Ranked #4 in the Top Twelve TOTU Episodes
Nothing' Short of Highway Robbery (1985) s8e3 - Ranked #9 in the Top Twelve TOTU Episodes
Scrimshaw (1985) s8e4 - **Scrimshaw** Ranked #8 in the Top Twelve TOTU Episodes
Wink Three Times (1988) s9e6 - **Wink Three Times** Ranked #3 in the Top Twelve TOTU Episodes
You can find that list of mine here:
Tales of the Unexpected - The Top Twelve Episodes.
http://www.imdb.com/list/ls070141474/
Enjoy!
The very best episode of this series is called:
"The Flypaper"
The remaining top 12 TOTU episodes are (in order):
(2) "Number Eight"
(3) "Wink Three Times"
(4) "The Open Window"
(5) "The Way Up To Heaven"
(6) "The Luncheon"
(7) "Bosom Friends"
(8) "Scrimshaw"
(9) "Nothing' Short of Highway Robbery"
(10) "Who's Got The Lady"
(11) "Back For Christmas"
(12) "The Landlady"
I have to give a shout-out to the episode titled "The Luncheon" (which I've ranked the 6th best episode of the series). When I first watched it I didn't catch all of it. I had to re watch it a couple times to realize how clever this particular episode really is.
And, really I should give a shout-out to all these great top 12 episodes. "Scrimshaw" is so so well done. "Bosom Friends" still makes me shudder with a different kind of squirmy horror, you'll see what I mean, "Nothing' Short of Highway Robbery" with its delightfully surprising ending, the fun of seeing it coming in "Back for Christmas", the creepyiness of "The Landlady", the smoothness and coolness of "Who's Got The Lady", the delightfully confusingness till the end of "The Open Window", how crazy the man is in "Number Eight", the psychological twistedness of "The Way Up To Heaven", and finally the delighfully something completely different in "Wink Three Times" that gives this episode cake its icing.
And now here is something regarding the remaining 100 episodes in the series, there was one thing I noticed about this series, and that is that clearly a full one half of the episodes, 50 percent or better of the episodes have one common theme unifying them, and that is that half of the episodes of this series feature marital strife in one form or another. This series seems to have mined that particular mine field repeatedly as it's go-to plot structure when choosing which stories to script and film for the series. Thats not a bad thing, but one does eventually get tired of watching Ma vs. Pa and Daddy fussing with Mommy and Honey Bunch rubbing Honey Do the wrong way over and over and over. In these days of marriage equality, if one had this series to study and nothing else to study in order to learn about human marriage, one might not think marriage was all that great.
Watch my top 12 TOTU episodes. I suggest you watch these top 12 episodes NOT in ranked order from the top of the list down to the bottom of the list or vice versa, instead watch them in the order they were originally broadcast and you will find its more enjoyable to watch the series mature and unfold in that much better way. So, watch them in this order:
The Landlady (1979) s1e5 - **The Landlady** Ranked #12 in the Top Twelve TOTU Episodes
The Way Up to Heaven (1979) s1e9 - **The Way Up To Heaven** Ranked #5 in the Top Twelve TOTU Episodes
Back for Christmas (1980) s2e14 - **Back For Christmas** Ranked #11 in the Top Twelve TOTU Episodes
The Flypaper (1980) s3e1 - **The Flypaper ** Ranked #1, Best Episode of the TOTU Series
Bosom Friends (1981) s4e14 - ** Bosom Friends** Ranked #7 in the Top Twelve TOTU Episodes
Who's Got the Lady? (1982) s5e17 - **Who's Got The Lady** Ranked #10 in the Top Twelve TOTU Episodes
The Luncheon (1983) s6e10 - ** The Luncheon** Ranked #6 in the Top Twelve TOTU Episodes
Number Eight (1984) s7e5 - **Number Eight** Ranked #2 in the Top Twelve TOTU Episodes
The Open Window (1984) s7e15 - **The Open Window** Ranked #4 in the Top Twelve TOTU Episodes
Nothing' Short of Highway Robbery (1985) s8e3 - Ranked #9 in the Top Twelve TOTU Episodes
Scrimshaw (1985) s8e4 - **Scrimshaw** Ranked #8 in the Top Twelve TOTU Episodes
Wink Three Times (1988) s9e6 - **Wink Three Times** Ranked #3 in the Top Twelve TOTU Episodes
You can find that list of mine here:
Tales of the Unexpected - The Top Twelve Episodes.
http://www.imdb.com/list/ls070141474/
Enjoy!
Having only discovered this series exists after finding the first two seasons on DVD at a local used bookstore, I took a chance and bought the first disc. The next day I returned to buy the rest, congratulating myself on stumbling across such a trove.
Like the short stories upon which they are based, the 'Tales of the Unexpected' focus on the consequences of duplicity, greed and other less-favourable traits so common throughout human kind. Little, if any, of the appeal is lost in translating these twisting tales from page to screen. The quality of the original material can be thanked for this but the talents of its legendary cast (Jose Ferrare, Joan Collins, Derek Jacobi, Brian Blessed, Cyril Cusack, etc, etc, etc) must also be acknowledged. The creative cinematography, evocative settings and careful casting also contributes to the series' eerie, expectant feel. The result of all this is a must-see for aficionados of speculative fiction as well as devotees of the author, who won't have to worry about his work being desecrated. He introduces each story himself, offering an evocative glimpse of the mind that
Dahl knew that for a short story to be effective, the reader must be made emotionally dependant on its outcome within the brief space allotted. Subsequently, his characters force a reaction from the reader; whether sympathy, affinity or disgust. Similarly, his plots generate a sense of unease in that you can sometimes guess a few different ways they might end but you're never sure until its done. Even then things often turn out to be worse than imagined. The episodes in 'Tales...' follow this rule religiously; superfluous dialogue is non-existent; a twitch of an eye carries the gravity of a soliloquy. The end result is that viewers find themselves inexorably drawn into the action and, at its conclusion, wonder how a half-an hour long program can resonate in the mind for long afterwards.
Some suggest that 'Tales...' is campy. I can't agree and am perplexed at the opinion. Camp to me triggers thoughts of 'The Benny Hill Show,' the Adam West-era 'Batman' or any other program that takes itself less than seriously. This series couldn't be farther from that genre. Admittedly, the opening credits are dated and were probably unimpressive even at the time, but the show itself is executed in the time-tested traditions that give British drama its fine reputation; its use of humour is sparing, satirical, focused and ghoulishly black. The tone, whether deadly serious or incongruously whimsical all serve to throw the ultimate conclusion into skin-raising contrast.
I think the 'Tales...' are consistently excellent but if I had to name my favourites...
The Man From the South - ironically, Rod Serling's 'Twilight Zone'adapted this tale for TV long before the author himself,
Royal Jelly - a beekeeper's obsession becomes his legacy,
Skin - the tattoo on his back offers a down & out man the chance of a new life
Galloping Foxley - drawn from Dahl's own school days, this story showcases a different type of terror(s)
The Hitchhiker - Cyril Cusack. Say no more.
Like the short stories upon which they are based, the 'Tales of the Unexpected' focus on the consequences of duplicity, greed and other less-favourable traits so common throughout human kind. Little, if any, of the appeal is lost in translating these twisting tales from page to screen. The quality of the original material can be thanked for this but the talents of its legendary cast (Jose Ferrare, Joan Collins, Derek Jacobi, Brian Blessed, Cyril Cusack, etc, etc, etc) must also be acknowledged. The creative cinematography, evocative settings and careful casting also contributes to the series' eerie, expectant feel. The result of all this is a must-see for aficionados of speculative fiction as well as devotees of the author, who won't have to worry about his work being desecrated. He introduces each story himself, offering an evocative glimpse of the mind that
Dahl knew that for a short story to be effective, the reader must be made emotionally dependant on its outcome within the brief space allotted. Subsequently, his characters force a reaction from the reader; whether sympathy, affinity or disgust. Similarly, his plots generate a sense of unease in that you can sometimes guess a few different ways they might end but you're never sure until its done. Even then things often turn out to be worse than imagined. The episodes in 'Tales...' follow this rule religiously; superfluous dialogue is non-existent; a twitch of an eye carries the gravity of a soliloquy. The end result is that viewers find themselves inexorably drawn into the action and, at its conclusion, wonder how a half-an hour long program can resonate in the mind for long afterwards.
Some suggest that 'Tales...' is campy. I can't agree and am perplexed at the opinion. Camp to me triggers thoughts of 'The Benny Hill Show,' the Adam West-era 'Batman' or any other program that takes itself less than seriously. This series couldn't be farther from that genre. Admittedly, the opening credits are dated and were probably unimpressive even at the time, but the show itself is executed in the time-tested traditions that give British drama its fine reputation; its use of humour is sparing, satirical, focused and ghoulishly black. The tone, whether deadly serious or incongruously whimsical all serve to throw the ultimate conclusion into skin-raising contrast.
I think the 'Tales...' are consistently excellent but if I had to name my favourites...
The Man From the South - ironically, Rod Serling's 'Twilight Zone'adapted this tale for TV long before the author himself,
Royal Jelly - a beekeeper's obsession becomes his legacy,
Skin - the tattoo on his back offers a down & out man the chance of a new life
Galloping Foxley - drawn from Dahl's own school days, this story showcases a different type of terror(s)
The Hitchhiker - Cyril Cusack. Say no more.
Tales of the Unexpected took the short stories created by Roald Dahl from the book of the same name and others and put them on the small screen. Later on, other writers would be used and Dahl would provide an introduction to each story. This introduction was eventually dropped in favour of a voice over.
The key to each story was in the ending which originally was usually totally unexpected. The content and the background to each storyline often involved murder, often without holding back some visualisation and this lead to it being broadcast late on Sunday evenings.
The series suffered from poor production quality. It is likely that the series was shot on video tape which is evident nowadays. The appearance of studio sets is apparent as there is a definite transition between the quality of lighting indoors and for shooting on location. Some of the stories were quite laboured as the introduction of the characters and initial plot creation were quick. This left a large gap of time until the unexpected outcome. The acting was sometimes slow with long pauses in an attempt to spin out time.
Despite it's faults, Tales of the Unexpected managed to attract well known names in asting for episodes and sustained an audience following for 8 years. The stories were varied in their creation and the eventual outcome but eventually the ending could be predicted. In 1988 the series was quitely axed and reruns can now be seen on digital channels in the UK.
If you can ignore the poor production, it is well worth seeing, even after all these years.
The key to each story was in the ending which originally was usually totally unexpected. The content and the background to each storyline often involved murder, often without holding back some visualisation and this lead to it being broadcast late on Sunday evenings.
The series suffered from poor production quality. It is likely that the series was shot on video tape which is evident nowadays. The appearance of studio sets is apparent as there is a definite transition between the quality of lighting indoors and for shooting on location. Some of the stories were quite laboured as the introduction of the characters and initial plot creation were quick. This left a large gap of time until the unexpected outcome. The acting was sometimes slow with long pauses in an attempt to spin out time.
Despite it's faults, Tales of the Unexpected managed to attract well known names in asting for episodes and sustained an audience following for 8 years. The stories were varied in their creation and the eventual outcome but eventually the ending could be predicted. In 1988 the series was quitely axed and reruns can now be seen on digital channels in the UK.
If you can ignore the poor production, it is well worth seeing, even after all these years.
Storyline
Did you know
- TriviaThe dancer in the opening titles was Karen Standley, a secretary and housewife from Berkshire. Her boyfriend worked on Top of the Pops (1964) and was contracted to produce the Tales of the Unexpected titles, so he used her as the dancer, dressed in a white body stocking and tights, and with arms, legs and face painted with white greasepaint. She was briefed to look "as sexy as I could".
- ConnectionsFeatured in The 100 Greatest Scary Moments (2003)
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- Die unglaublichen Geschichten von Roald Dahl
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Top Gap
By what name was Tales of the Unexpected (1979) officially released in India in English?
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